
Review: ‘Redwood' on Broadway holds few surprises as Idina Menzel communes with the trees
NEW YORK — Stephen Sondheim famously said that Broadway is about surprise. You pays your money and, ideally, you are amazed, or at least intermittently jolted, by what you find there.
But there's little ideal about 'Redwood,' a wholly unsurprising new tree-hugging musical (and I mean that literally) written and directed by Steppenwolf Theatre ensemble member Tina Landau, with songs composed by Kate Diaz and with a starring role and a formidable vocal challenge for Idina Menzel.
The Broadway star plays a middle-aged lesbian from Long Island who suffers the loss of her son (while still in his early 20s) and, grieving, finds her way to a redwood forest in Northern California, where she seeks healing among the giant, majestic trees, one of which occupies much of the footprint of the Nederlander Theatre as characters rappel all the way up into the flies, up and down its bark.
Menzel's character, Jesse, has a partner, Mel (De'Adre Aziza) but she's underwritten and mostly confined to phone calls asking when Jesse is coming home. The dead son, played by Zachary Noah Piser, makes appearances too, recalling the show 'Next to Normal' as he talks to his broken-hearted mom.
But for most of the show, Jesse interacts with two tree-loving naturalists whom she finds working in the forest. One, Finn (Michael Park), is a gentle, fatherly type who helps his visitor (and thus the audience) learn about redwood trees. The other, Becca (Khaila Wilcoxon) is more abrasive and her role in the show is mostly to complain about Finn's caring for this grieving soul when he should be getting on with his work with the trees. This she does over and over again, as if we are all back in the musical 'If/Then,' which also happened to star Menzel.
The systemic problem with this new show is that the moment Jesse first hugs the tree, which she calls Stella, you think to yourself, huh, she's going to find healing in the beauty and longevity of that majestic tree and that is precisely what happens pretty much in the way you knew it was going to happen from the moment she enters the forest. You know this Becca will soften. You know wise Finn will reach his learning goals for his needy student. You know Jesse will find a way to go home, a little more able to face the future.
I've no wish here to cast shade upon what the Japanese call Shinrin-yoku, or forest bathing, wherein one finds therapeutic balm by walking among trees and seeking to commune with a calming natural environment. I've sought that out myself. I'm team tree in all kinds of ways and exploring our connection to our current gasping environment, especially out west, is a perfectly valid idea for a musical. Aptly, this one originated at the La Jolla Playhouse in California.
Most great musicals are about death in some way and 'Redwood' strives to comfort us with the timeless idea that humans who leave us don't cease to exist but merely metamorphize into a different form that will always remain with us. If we didn't have that basic plot, we wouldn't have Broadway; heck, we would not have pretty much our entire canon of drama. That's all fair enough, but, wow, is this clunky show on the nose with all that stuff.
The visual aspects of 'Redwood,' which has a tech-heavy, video-and-tree design from Jason Ardizzone-West, is both cool in the colloquial sense and overly cool to the touch, at times overly IMAX-y of gestalt. The tree-climbing mechanism used in the show has a certain level of brio, especially as everyone shimmies away from the tree on their ropes, allowing Menzel's fans to relive 'Defying Gravity,' a comparison from 'Wicked' that the show leans into without apparent worry. 'Frozen,' too. There's even a line about a Disney princess.
For my money, this self-aware stuff pulls you out of the show although it might be a recognition that the show's prospects lie almost entirely with existing Menzel fans. She was in fine voice on the night I saw the show and gamely clambers her way through more than a dozen musical numbers, a bigger assignment than is typical in Broadway musicals and an achievement in and of itself. Many of the numbers in a score mostly dedicated to the search for healing are pleasing to the ear; 'A Dream' and 'Roots' both take admirable flight. Menzel's musical fanbase will find songs to enjoy. And Menzel will have new material for her concerts.
But 'Redwood' keeps repeating itself and thus running away from its own potential as a rare enviro-musical, which is surprising given Landau's formidable capabilities as a theater artist. Here, she gets trapped in some early ideas that don't work as she tries to dramatize and physicalize what it means to grieve, or be around someone going through that pain. I suspect she wanted to emphasize fragility and uncertainty to draw as firm a contrast as possible with the timeless stature of the show's anchoring tree but we go in and out of the forest while 'Redwood' struggles to climb above its own constraining canopy.
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Shirley Temple was so popular and talented that there was a conspiracy theory she was not a child at all, but an adult with dwarfism. In fact, she was investigated by the Vatican, who sent a priest to confirm she was in fact a child — which they were, apparently, able to do. Many celebrities from the '40s were actually spies during World War II, including Josephine Baker. She lived in Nazi-occupied France and would flirt with Nazi officials and get them tispy until they divulged military secrets, then write the secrets down on invisible ink and stash them in her underwear. MLB Baseball player Moe Berg worked for the predecessor to the CIA (the Office of Strategic Services), and once traveled to Switzerland with orders to assasinate German scientiest Werner Heisenberg if he discovered the Germans might soon be able to develop an atomic bomb. Famous chef Julia Child worked for the same organization before becoming famous, with her most notable job being to create "cakes" that were used as shark repellant. And Cary Grant reportedly spied on people in Hollywood to find Nazi sympathizers, including the German-born Count Kurt von Haugwitz-Hardenberg-Reventlow, who had married heiress Barbara Woolworth Hutton. Grant actually ended up marrying the heiress after she separated from her husband. Also during WWII, Audrey Hepburn (as a child) used to perform at secret concerts in the Netherlands to raise money for the Dutch resistance, risking discovery and punishment from Germans. Oh, and BTW, guess who was allegedly a Nazi informant? Coco Chanel. During World War II, Coco Chanel was named as a Nazi informant by friend Vera Bate (who herself confessed to being a German agent). The French government arrested Chanel, who had several ties with Nazi intelligence organization Abwehr and its members. Chanel was eventually released due to a lack of evidence and possible help from friend Winston Churchill. Chanel's Nazi ties remained hidden for decades, though her "fear and hatred for Jews" was allegedly "notorious." Lucille Ball once claimed that she picked up Morse code during WWII through her lead teeth fillings. While driving home (and having previously experienced picking up music through her teeth), she began to hear a "de-de-de-de" sound. "As soon as it started fading, I stopped the car and then started backing up until it was coming in full strength. DE-DE-DE-DE-DE-DE DE-DE-DE-DE! I tell you, I got the hell out of there real quick. The next day I told the MGM Security Office about it, and they called the FBI or something, and sure enough, they found an underground Japanese radio station. It was somebody's gardener, but sure enough, they were spies," Ball recounted. The story sounds completely ridiculous, but it's possible it was true. There is no record of Ball talking to the FBI, or Japanese spies being found in that area at that time, but there is evidence shrapnel in someone's body, at least, can pick up AM radio waves, which suggests lead tooth fillings could work the same way. Cary Grant tried LSD over a hundred times in the 1950s as a form of psychotherapy to deal with his childhood trauma. 'After weeks of treatment came a day when I saw the light,' Grant said. 'When I broke through, I felt an immeasurably beneficial cleansing of so many needless fears and guilts. I lost all the tension that I'd been crippling myself with. First I thought of all those wasted years. Second, I said, 'Oh my God, the humanity. Please come in.'' Eartha Kitt reportedly once had a threesome with James Dean and Paul Newman. She's been quoted as having said, 'Those two beauties transported me to heaven. I never knew that lovemaking could be so beautiful," though this quote is extremely difficult to confirm. In fact, there are quite a lot of scandalous sexual secrets from Old Hollywood that can't be 100% confirmed but are still fun to hear. For instance, there's speculation that Marlon Brando and James Dean had an S&M-based relationship. Ernest Hemingway once inspected F. Scott Fitzgerald's dick in the bathroom because Fitzgerald was worried it was too small after his wife Zelda complained about it. Hemingway assured him he was "perfectly fine,' telling Fitzgerald, "You look at yourself from above and you look foreshortened. Go over to the Louvre and look at the people in the statues and then go home and look at yourself in the mirror in profile." In another example featuring a famous writer, James Joyce wrote some truly scandalous love letters to his wife Nora Barnacle, many of which extolled her farts. 'You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora's fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also.' Agatha Christie, possibly the most famous writer in the mystery genre, once created her own mystery when she disappeared in 1926 for 11 days — and the reason is still contested. After putting her daughter to bed, Christie (who was aware her husband was having an affair), drove off and her car was later found abandoned, hanging over the edge of a pit. She had left three letters behind, one to her brother-in-law claiming she had gone to a spa, another to her secretary with "scheduling details," and a third to her husband, who never revealed what the letter said. To find her, the police dredged a lake, brought in dogs, enlisted the help of over 10,000 people, and even looked to her novels for clues. She was eventually found at a spa, like she had told her brother-in-law — except according to her husband, she no longer remembered who she was or recognized him. She had checked in under his mistress' name. In the only time Christie ever spoke of it, she admitted to considering driving into the pit her car was found by, and hitting her head — this, accompanied by the trauma of her husband cheating and her mother dying, led to memory loss. Still, people have continued to speculate it was all a publicity stunt. Steve McQueen came very close to being killed by the Manson family along with Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger, and Steven Parent. He had been invited to Tate's house that night, and the only reason he didn't go, according to his then-wife Neile Adams, was that he 'ran into a chickie and decided to go off with her instead." According to a biography of McQueen, he had been having an affair with a blonde woman at the time, and even invited her to come to Tate's with him. However, she said "she had a better idea for just the two of them." McQueen, unlike Tate,* was on a list of targets for the Manson family. His death was planned to look like a suicide. Tate and her friends weren't specifically targeted, according to prosecutors — she just happened to live in the house once owned by music producer Terry Melcher, who had rejected proposals to make a record with Manson. Speaking of serial killer Charles Manson — he was friendly with a number of big players in Hollywood, including Dennis Wilson and Mike Love, the co-founders of the Beach Boys. In fact, Manson and his friends actually moved into Wilson's house. Wilson later allegedly told Love that he'd seen Manson murder a Black man (though this is contested), causing Wilson to break off the friendship. Marilyn Monroe's last known words were to actor Peter Lawford, who was a brother-in-law to Robert and John F. Kennedy, as he had married their sister, Pat Kennedy. He stated she ended the call with, "Say goodbye to Pat, say goodbye to Jack, and say goodbye to yourself, because you're a nice guy." The Jack in reference was then-President JFK. This is noteworthy because there were longstanding rumors of an affair between JFK and Monroe, as well as Robert F. Kennedy and Monroe. There are also rumors that Robert F. Kennedy visited her that night, though this was denied by the Kennedys. Her housekeeper, Eunice Murray, who was there all day and night and was the one to find her dead, later claimed Robert had visited and they'd fought. When Murray found Marilyn dead around 3:30 a.m., she was reportedly holding her phone, and then-LA chief of detectives Thad Brown reportedly claimed she was found with a crumpled-up piece of paper with the number for the White House on it. Besides her connections to the Kennedys, there were other suspicious details around Monroe's death. Murray initially called Monroe's psychiatrist, Dr. Greenson, who called the doctor who had prescribed the pills, Dr. Engelberg, before calling the police. The police did not arrive for close to an hour after Murray first saw Monroe's body. Lawford later claimed that he'd heard about her death at 1:30 a.m. The wife of Monroe's press relations manager Arthur Jacobs also later claimed that her husband had received the call that Marilyn was dead at 10:30. Natalie Wood, who starred in a number of films including West Side Story, Rebel Without a Cause, and Gypsy, also died under extremely mysterious circumstances. The 43-year-old was with her husband Robert Wagner on his boat on a weekend vacation from filming Brainstorm when she drowned. According to Wagner himself (though he initially denied this), he and Wood argued, and then he went to bed without her. The next morning, her body was found a mile away. Wood had been drinking, and it's possible her death was an accident, but she was found with bruises that could mean she was attacked. Nearby witnesses had heard a woman scream. The captain of the boat, Dennis Davern, allegedly drunkenly confessed to Wood's sister years later that he'd seen Wagner push Wood, who then fell overboard, and that Wagner refused to rescue this is unconfirmed. Wagner has denied he had anything to do with Wood's death. But I mention this one specifically for a wild Hollywood fact that not many people seem to know — Christopher Walken, Wood's Brainstorm costar, had also been on the boat that night. He had reportedly also argued with Wagner, and Wagner was (according to Davern) angry Natalie had invited him. Walken has not said much about the night beyond affirming it was an accident and that he had nothing to do with it. "I don't know what happened. She slipped and fell in the water. I was in bed then. It was a terrible thing." He also said, "The people who are convinced that there was something more to it than what came out in the investigation will never be satisfied with the truth. Because the truth is, there is nothing more to it." One of the wildest Hollywood secrets involves Loretta Young and Clark Gable. For years, there were rumors Young's adopted daughter Judy was actually her biological daughter, conceived with Clake Gable. The rumors wouldn't be proven true until Young admitted to them in her posthumous memoirs. It turned out Young had conducted an elaborate cover-up to make it seem like she had adopted the child. Loretta even reportedly had Judy's ears pinned back in an operation because they so resembled Gable's. Gable never had any role in her daughter Judy's life. Young refused to tell Judy the truth, and according to Judy's memoir, when Judy confronted her about the rumors, Young ran into the house and Young never spoke publicly about the circumstances of Judy's conception, according to her daughter-in-law, Linda Lewis, in the '90s, Young had asked her what date rape meant after hearing the term on Larry King Live. After Lewis explained, Young replied, "That's what happened between me and Clark.' On the train ride back from shooting Call of the Wild on location, Gable had allegedly snuck into Young's compartment. According to Lewis, Young didn't want Judy to know, so Lewis kept quiet until both Young and Judy were dead. Finally, we'll end with a few last examples featuring Errol Flynn, because the man had a wild life and allegedly did some wild things. First of all, he wrote in his autobiography that he once had a job castrating young sheep with his teeth. Second, Flynn once apparently showed up on the doorstep of Hollywood gossip columnist Hedda Hopper, angry about something she had written about him, and began masturbating. "I began laughing, and continued laughing until he finished with a dramatic flourish all over my doorstep," Hopper reportedly told Paul Newman. "I'll say one thing for Errol. He's the only man I know who can ejaculate in front of a fully dressed woman who's laughing derisively during the entire process." And finally, David Niven claims that Flynn once brought him along to view 'the best-looking girls in L.A.'...which, as it turned out, meant parking by Hollywood High to watch the girls get out of school. He then allegedly told a police officer who questioned why they were there that he was "enjoying the scenery." What shocking old Hollywood facts do you know? Let us know in the comments!