
'Ironheart' is Apparently Being Review Bombed Ahead of Premiere
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The long-awaited "Ironheart" series is nearing the time when the first three episodes will be released on Disney+. Despite the excitement for the new Marvel show, the miniseries is apparently being review bombed on Rotten Tomatoes.
More news: 'Jurassic World: Rebirth' Early Reactions Are Very Telling
#Ironheart is seemingly getting review bombed on Rotten Tomatoes. pic.twitter.com/6uWOWaaj0J — Screen Rant (@screenrant) June 24, 2025
A screenshot from Screen Rant showcases a 32 percent audience rating. After checking the official site, it is confirmed that the show is getting prematurely review bombed.
What makes this instance a bit strange is that the series has yet to premiere the first three episodes, so no audience should be able to even review "Ironheart." Only the press is able to watch the series for coverage purposes.
Dominique Thorne stars in Ironheart
Dominique Thorne stars in Ironheart
Disney
The review bomb phenomenon is nothing new, as Marvel has dealt with this online treatment for years. "Ms. Marvel" and "She-Hulk: Attorney at Law" are two notable shows that were review bombed before they were released. "Captain Marvel" also suffered a similar fate before its release.
Clearly, there are those who are taking umbrage with Marvel releasing a series that is based around the new-age Iron Man.
Dominique Thorne returns as Riri Williams, aka Ironheart. Williams made her MCU debut in "Black Panther: Wakanda Forever" as a student from MIT with the innate ability to create mechanical wonders. Williams creates her own version of the Iron Man armor, but draws the ire of the Talokan people.
The Talokan people are led by Namor, who makes it a point to hunt down Thorne and warn the U.S. of allowing the sacred vibranium metal from reaching the outside world. This leads to a war between Wakanda and Talokan.
Williams now gets her own miniseries, which details her creating the most advanced version of the Ironheart armor.
Thorne has been sharing some wonderful interactions leading up to the release of the new series on June 24. This includes receiving a call from Robert Downey Jr. to not only give his blessing but to heap praise on the new series.
Read more: 'Ironheart' Early Reviews Are Overwhelmingly One-Sided
"Ironheart" might not be about Iron Man, but it's ushering in a new era surrounding a character that has become very popular in the comics. Even early reviewers are all impressed by the new Marvel series.
Though "Ironheart" may end up with a negative Rotten Tomaotes audience score, there are going to be millions of people who will tune in on Disney+ to see what the MCU has done with the character.
For more on Marvel and comics, head to Newsweek Comics.
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San Francisco Chronicle
an hour ago
- San Francisco Chronicle
Review: Marvel's ‘Ironheart' proves the MCU still has room for bold, personal stories
Marvel's latest spinoff 'Ironheart' lands on Disney+ not with a bang, but with purpose. Rooted in lesser-known comic book lore, the series is a focused character study — scrappy, assured and determined to prove it deserves its place in the ever-expanding Marvel Cinematic Universe. First introduced in 2022's ' Black Panther: Wakanda Forever,' Riri Williams (Dominique Thorne, most recently of the East Bay-set 'Freaky Tales ') emerged as a Tony Stark acolyte with the tech skills to match the ego, and just enough imposter syndrome to make her compelling. The film had clearly meant to lay the predicate for Riri's Disney+ solo outing, which makes Marvel's baffling three-year delay in rolling it out feel like a glitch in the algorithm — especially in the post-'Endgame' era, where momentum is more precious than vibranium. Still, if the passage of time has dulled audience memory, 'Ironheart' makes a strong case for second chances. Overseen by showrunner Chinaka Hodge and executive producer Ryan Coogler (both Oakland natives), the six-episode show doubles as an origin story and a love letter to the Windy City, to Black girl genius and to the corners of the MCU rarely given a spotlight. The show picks up with Riri at Massachusetts Institute of Technology, where her prodigious intellect is matched only by her impatience with authority. It doesn't take long before a few ethically gray activities to fund her armored super-suit get her booted and sent back to her hometown of Chicago, where she begins to scavenge components from garages and junkyards. Unlike Stark (RIP), Riri doesn't have a billion-dollar R&D budget or a friendly artificial intelligence system on standby (not yet, anyway). Community, in this case, refers to a cast of grounded, lived-in characters. Anji White (FX's 'Fargo') brings warmth and weariness to the role of Riri's mother, while Lyric Ross ('This Is Us') haunts the edges of Riri's grief as the late best friend whose absence still lingers — in more ways than one. In one of the show's most intriguing turns, Alden Ehrenreich ('Solo: A Star Wars Story') pops in as Joe, a fellow tech savant with deep ties to Marvel continuity that longtime fans will nod at approvingly. But the true wildcard is Anthony Ramos as Parker Robbins, aka the Hood, a character whose comic book origins are folded into the series with admirable restraint. Ramos, back onscreen after 2024's 'Twisters,' strikes a balance between menace and charisma. His storyline, alongside Riri's, offers a parallel arc that adds emotional depth without cliches. 'Ironheart' may not have the visual pyrotechnics of a big-screen tentpole, but it compensates with texture and authenticity. The show knows when to flex its effects budget while keeping its focus on the characters. The drama isn't in sky battles or CG slugfests; it unfolds in quiet conversations, moral dilemmas and the friction between brilliance and belonging. Frankly, this is what Marvel should be doing with its Disney+ platform — telling stories too intimate, too off-kilter or too niche, but that resonate because they reflect the lived realities and cultural nuances of the Black experience in ways a big-budget film often can't. Think 'Ms. Marvel' meets 'Iron Man,' with the social consciousness of 'Luke Cage' and a dash of 'Runaways' energy. Still, for all its strengths, 'Ironheart' feels like it's swimming against the tide of Marvel's broader cultural and corporate recalibration. In an era when the studio is scaling back — pruning timelines, consolidating characters, doubling down on marquee heroes — it's unclear where a show like this fits. But Thorne gives Riri a spark demanding more than a one and done. Disney+ may have labeled this as a miniseries, but the ending practically screams otherwise. And here's hoping Marvel is paying attention. Because if 'Ironheart' proves anything, it's that there's still a place for stories like this. Personal, poignant, and proudly forged from the disparate corners of a fictional universe made all the richer for it.


Boston Globe
an hour ago
- Boston Globe
‘Ironheart' review: Can the Marvel machine reclaim its magic?
Williams has a bit of an anti-hero streak; she's willing to manipulate people and do a little bad in order to get what she wants. She teams up with a gang of ruffians led by the charismatic Parker Robbins (Anthony Ramos), a villain with a magical cape appropriately called The Hood, who robs the rich. Williams agrees to lend her technological expertise to their heists, in order to score enough money to keep working on her suit. She's obsessed with her pet project because of the traumatic deaths of her stepfather Gary (LaRoyce Hawkins) and best friend Natalie (Lyric Ross), which inspire her to build the Stark-like armor. There's an intriguing sci-fi story bubbling under the surface of 'Ironheart,' as Williams looks to technology to help process her grief. She accidentally uses her memories to recreate Natalie as a sentient AI program, with the resurrected friendship serving as the most heartfelt aspect of the series. Advertisement But while this 'Black Mirror'-style story line is quite captivating, it's too often overshadowed by the messy magical elements that the Marvel machine shoehorns into the show. Advertisement Ramos, whose impressive credits include 'Hamilton' and 'In the Heights,' does his best, but The Hood is the latest laughable villain to join Marvel's recent rogues gallery. And if his Red Riding Hood getup wasn't questionable enough, he's backed by one of the least intimidating TV gangs I've ever seen, like a campy CW version of the 'Ocean's 11″ crew. Anthony Ramos as Parker Robbins/The Hood in "Ironheart." Marvel It's a shame, because the grounded family drama and timely sci-fi themes actually work, as does Thorne's powerful performance. The influence of director Ryan Coogler ( But like Williams's choices, the good doesn't always outweigh the bad, leaving 'Ironheart' an ultimately disappointing entry in the MCU. IRONHEART Starring: Dominique Thorne, Anthony Ramos, Lyric Ross, Alden Ehrenreich, Regan Aliyah, Manny Montana, Matthew Elam, and Anji White. On Disney+. Matt Juul can be reached at


CNET
an hour ago
- CNET
'Ironheart' Review: Marvel Series Is Not Too Heavy, but It's Not Too Light, Either
The first time Riri Williams' solo TV show was mentioned was in 2020 when Kevin Feige announced Ironheart and Secret Invasion along with a few other Marvel Phase 5 releases. He said both series would tie in with Marvel's feature films. It's true: Ironheart is connected to the larger MCU -- aside from Black Panther: Wakanda Forever -- and for that reason alone, you should watch all six episodes of the series to the end. All the way to the very end. Ironheart is streaming its first three episodes on Disney Plus tonight, and will cap its run on July 1. Riri returns to form as a gifted scientist with lofty goals to make the world a better place, but in Ironheart (and arguably Black Panther: Wakanda Forever), the journey isn't about her as a superhero or about picking up Iron Man's mantle. It's about her understanding herself, and Ironheart's tech-meets-mysticism blend is interesting enough to make you wonder what's next. Dominique Thorne returns to the role of Riri Williams, the young MIT student viewers first met in Black Panther 2 when she was caught up in a beef over vibranium. A genius inventor, she was at the center of the chaos that kicked off the film's plot, and we got a taste of her in her own Iron Man-like suit, when she teamed up with the Wakandans. By the end of the movie, Riri had formed a friendship with Shuri, fought the Talokanil and was gifted with her late father's repaired car, but she had to leave her vibranium-clad suit behind. Little was shown about her backstory, especially bits from the Marvel comics and her ties to Tony Stark. Riri lands back in her Chicago hometown in Ironheart, and it's not long before she meets Anthony Ramos' Parker Robbins -- aka The Hood. As is often the case when naive young adults meet charismatic, manipulative strangers, she falls in with the wrong crowd. There's crime, there are close calls and there are unintended, terrible consequences. However, despite the fact that Riri is dealing with bad apples, trauma, pressure and typical coming-of-age issues, she has a strong support system, and we see some tender moments play out with her mother and friends, including Lyric Ross's Natalie, Riri's best friend. Anthony Ramos as The Hood (Parker Robbins) in Ironheart. Marvel Morally gray ethics and family are prominent themes in this show, where the main characters and The Hood's gang of misfits sometimes don't seem to have a realistically sustainable endgame. Riri just knows she wants to build something "iconic." There's a cost for this. With limited resources, how much -- and what -- is she willing to sacrifice? She's streetwise, ambitious and a little stubborn. She has genuine people in her life who care about her and finds a kindred spirit in Joe McGillicuddy (played by Alden Ehrenreich). Thorne captures Riri's essence as a character whose flaws lead to some selfish and dangerous decision-making. Joe is smart, cynical and perpetually annoyed, and Ehrenreich's performance balances those qualities with doses of humor. Ramos plays the villainous Hood suavely with ease, but story-wise, I would've liked to know more about the hood itself, because there wasn't really a rhythm to the why, when and how of the garment, which made its appearance in scenes feel random at times. While Parker's crew all have their assigned roles in the team -- and in the overall story -- there's not much of an emotional investment in them as characters. Tonally, the series has some violence and criminal misdeeds, but it's still a family-friendly PG watch that likely won't terrify your kids or disturb their sleep. This scene in Ironheart is fire. Marvel That said, the action scenes are decent and spread throughout the show, with the best sequence teased in the trailer when a suited-up Riri faces a speeding truck. Cool tech (including AI and robotics) and special effects rev things up without overwhelming each episode. The show's soundtrack deserves some kudos, as do the nods to the city of Chicago and the Black experience (there's a pointed exchange during episode 5 in the middle of a conflict). Things are most interesting in Ironheart, however, when magic happens on screen. Literally. The Hood's sorcery isn't the only kind that we see, which makes for some fun twists and flashes of, "Hey, did Marvel just...?" Riri is confident in her scientific skills to the point where mystical things don't appeal to her -- until they do. She's dropped into situations requiring her to have an open mind about magic, and it shakes up her logical mind and moral compass. As you watch this series, it'd be wise to remember that Riri is not a mutant, superpowered human, deity or established Marvel superhero. She's an imperfect young woman trying to find her way, navigate trauma and chart her own path in a character-centered story. Fans will get a nice helping of Easter eggs, Marvel references and satisfying moments in Ironheart that will have you mapping out your next theories for the MCU. Stick with the show through its finale, and you'll find it pays off as Marvel officially closes out Phase 5.