
Rebuilding Palmyra, brick by electronic brick
She has used that imagination using 3D models and film to 'recreate' the city, much of which was reduced to rubble by Islamic State barbarians, as her entry for the latest edition of the Jameel Prize, Moving Images . The show is at London's V&A until March 16 before heading to Bradford as part of the city's year of culture. Syrian artist Jawa El
Khashʼs The Upper
Side of the Sky . Photo: V&A Museum Above: a piece from Ramin
Rokni Hesamʼs If I had two paths, I would choose
a third (2020) which documents the toppling of political statues in the Middle East – from the 1953 military coup in Iran to the start of the Iraq war
in 2003. Photo: V&A Museum A work from Sadik Kwaish
Alfrajiʼs A Thread of Light Between My Motherʼs Fingers
and Heaven . Photo: V&A Museum
The abiding sensibility among the seven finalists is that of longing and loss, a cleaving to history and tradition, which is hardly surprising given that most of them have fled the turmoil and repression of their homelands for countries where they can express themselves freely.
Khandakar Ohida, one who does live and work in her home country of India, took the £25,000 prize with her film Dream Your Museum (2022), an endearing installation about her uncle's collection of memorabilia which had lain hidden in trunks for 50 years.
Khash's entry, The Upper Side of the Sky , could hardly be more different. Her virtual reality evocation of Palmyra is rendered in haunting shades of blue which beguile the viewers as they use a console to 'walk' through courtyards and towering arches.
But, inspired by her grandfather, an agriculturalist of renown, she has softened the outlines of her virtual city which she once described as having the 'harshness of modernism and brutalist architecture' by decorating the stones with flowers, trees and shrubs. Butterflies take wing, seeds are ready to ripen.
'During the process of creating it, I was thinking about the ancient historical context of the monuments at the time they were being lived in, what each building was being used for. Simultaneously I was creating a record for future generations to be able to revisit Palmyra, even though it had been completely destroyed, through the sense of optimism and surrealism.'
If Khash deploys sophisticated techniques to express her feelings, Sadik Kwaish Alfraji, an Iraqi living in the Netherlands, expresses his with animated charcoal drawings. Simpler but just as heartfelt.
He conjures memories of growing up in Baghdad with A Short Story in the Eyes of Hope (2023), an animated love story to his father whose life was one of poverty and struggle. A commentary is scrawled alongside the increasingly careworn face of his father and superimposed on the outlines of a map of the Baghdad streets which he would tramp in search of work.
Traditional burial prayers accompany the words which begin: 'Born in the south in the land of water in the city of reeds he played with buffalo and listened to love songs' and ends with the painfully succinct: 'He was born, he worked and he died.'
His other contribution, A Thread of Light Between My Mother's Fingers and Heaven (2023), is a more complex work with imagery springing from his mother's open palm. Gardens bloom with trees and flowers, which turn into eyes that slip out of sight to be replaced by the mythological creature Buraq, which carried the Prophet to the heavens and, incongruously, a copy of Leonardo Da Vinci's Last Supper .
'I grew up with it hanging on a wall at home,' explains Alfraji. 'It was always in my life. It makes me happy to see it, the pure beauty of it when we ate. It reminds me of the food mother gave us.
'But it's not just nostalgia. By dealing with my own experience and memory I believe I can express a kind of a global experience. People will not necessarily know why the Last Supper is included but I invite them to dig into their own memories, their own emotions and daily lives and find something relate to.'
Alfraji admits that after two decades of living in the Netherlands, returning to Iraq only twice because his mother was dying, he is still uncertain where he really belongs.
This insecurity is not a problem affecting the high-profile trio of Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian, Iranian artists who quit the restrictions of Tehran for the freedoms of Dubai in 2009.
Their entry for the prize is the most flamboyant of them all, a video-cum-painting, If I had two paths, I would choose a third (2020), which dramatises the role of iconoclasm by setting it against key moments in Middle Eastern history from the 1953 coup d'etat in Iran to the start of the Iraq war of 2003 – all the more timely given the toppling of the statues of the Assad family.
Using their process of fluid painting, they took news footage of these events, printed out 3,000 individual pieces of paper on which they superimposed painted interpretation and transformed the composition into video.
They took inspiration from the Aja'ib al-Makhluqat ( The Wonders of Creation ), a 13th-century text on cosmography and summoned up the spirit of the djinn, the spectre from Arabic mythology which is unseen by humans and able to assume any form.
This mix of fact and fantasy finds expression in riotous street scenes peopled by monstrous creations; men with horns, gaping mouths and serpentine heads. A many-breasted female stands on top of a tank surrounded by men, heads painted in red rectangles, a man looms out of the crowd, his face painted in yellow and black stripes like a parrot. The statue of Saddam Hussein is wrenched ignominiously from the ground, his head a blob of red.
For all the embrace of the region's myths and traditions, the trio have no desire to return to Iran. Not for these self-styled 'people of the desert' the longing that characterises the works of Alfaji and Khash.
'We never tried to become nostalgic about the past or what happened,' they say. 'We try to look at what is happening in the world now. You could even live in your own country and still be in exile.'
While they remain in their creative oasis, Jawa El Khash yearns to return to her homeland. 'I am hopeful for a future with serious culture, serious museums, galleries, artists and thinkers living without fear.
'I'm looking forward to being a part of that generation that helps rebuild Syria into the country that we've always wanted it to be and to be able to freely grow as artists and as thinkers.'
Moving Images is at the Victoria and Albert Museum, South Kensington, London until March 16
Richard Holledge writes about the visual arts for the Wall Street Journal, Gulf News, Financial Times and the New European
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Scottish Sun
19 hours ago
- Scottish Sun
The two very different lives of Brangelina 20 years on and why marrying the world's sexiest man put Angelina off men
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Sign up for the Entertainment newsletter Sign up 6 Angelina got close to Brad on screen and off while filming 2005 movie Mr & Mrs Smith Credit: Alamy 6 Angelina at film festival in Santa Barbara, California earlier this year Credit: Getty 6 Brad's long-awaited Oscar came in 2020 for Once Upon A Time In Hollywood Credit: Getty But 20 years ago she met Brad Pitt as they co-starred in comedy-thriller movie Mr & Mrs Smith — and something changed. The couple instantly formed a relationship which looked from the outside like it was increasingly stable and full of love. Brad took on Angelina's adopted baby son from Cambodia, Maddox, now 23, and together they added to their 'rainbow family' by adopting Zahara, now 20, from Ethiopia in 2006, and Pax, now 21, from Vietnam in 2007. They later added biological kids Shiloh, now 19, and twins Knox and Vivienne, now 16, to their brood. And they spent 12 happy years together as the world swooned over two of the best-looking people in the world falling for each other like the love stories Hollywood is famous for. But as with so many blockbusters, young love turned to bitter hatred and Angelina filed for divorce in September 2016 — citing 'irreconcilable differences'. Now, all these years since the 2005 movie that birthed 'Brangelina', there is little sign of that attention-loving anarchy which defined Angelina's early showbiz life. And certainly no sign of the wild love life she once enjoyed — in fact, the beautiful A-Lister seems so resolutely single that pals are wondering, has marrying the sexiest man in showbiz ultimately turned her off men altogether? Priority is the kids While Brad has bounced back bigger than ever — living with girlfriend Inés de Ramón and garnering a slew of acting awards — Angelina seems to have become something of a recluse. 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Scottish Sun
a day ago
- Scottish Sun
I met ISIS bride Shamima Begum in prison camp – I felt sorry for her but saw true colours when I gave her wrong ‘gift'
SHAMIMA SHAM I met ISIS bride Shamima Begum in prison camp – I felt sorry for her but saw true colours when I gave her wrong 'gift' AS Andrew Drury made his way through a Syrian camp looking for notorious ISIS bride Shamima Begum, his mind began to race. Although the intrepid filmmaker had been in far more perilous situations - his nerves started to get the better of him. Advertisement 7 Andrew Drury with Jihadi bride Shamima Begum Credit: Supplied 7 The filmmaker said his view of Begum changed as he got to know her Credit: Supplied 7 The Al-Roj camp in north-eastern Syria where Begum lives Credit: AFP But when he was introduced to Begum - who left the UK aged 15 to join ISIS a decade ago in 2015 - he was taken aback. "She was very shaky, very nervous, very shut, emotional, tearful," Andrew told The Sun. Advertisement Father-of-four Andrew met Begum, who grew up in East London, for the first of six times at the Al-Roj camp in Syria in June 2021 while filming for a documentary, Danger Zone. He initially felt sorry for Begum, then 21, and became a close confidant of the Jihadi bride - even securing a Bafta-nominated live interview with her for Good Morning Britain. In less than two years his view of Begum - accused of serving in the feared IS "morality police" and helping make suicide vests - completely changed, however. He saw a colder side when she talked about how the death of her three children no longer upset her and even expressed support of Manchester Arena bomber Salman Abedi. Extreme adventurer Andrew, who has made treacherous journeys to North Korea and Iraq, said at first Begum was a "thin, ill-looking, sad character" who was "very apologetic". Advertisement "We took a long walk around the camp, She started to relax, and she said she used to take this regular walk right around the perimeter of the camp to clear her head," he said. "After the interview finished, we walked back to the room. Normally she'd go off to a tent, but she wanted to come back to the room to get a cold drink. "Then I didn't want to insult her at that point, I wanted to say goodbye - I thought I'd never see her again. How Shamima Begum camps are fermenting twisted next generation of ISIS as kids make 'cutthroat' gesture & hurl firebombs "I said, 'Can I shake your hand?' and she asked for a hug. "So she gave me a hug and started to cry." Advertisement Andrew, from Surrey, said he felt they had formed a connection and believed she regretted turning her back on Western society to join the murderous death cult. "At that point I kind of believed that she was sincere," he said. I actually don't think the death of her children actually bothered her in the slightest. She was not at all affected by it Andrew Drury "I kind of felt sorry for her. I thought at that point she'd been radicalised online, sent out as a prescribed bridge to somebody. "She said she'd made a real bad mistake and really regretted what she'd done. "She owned up to being this person that everybody hates in the UK. Advertisement "And I felt sorry for her, I've got young daughters, not a lot of difference in age, so I thought people do make mistakes, and I should give her a chance." Andrew - whose book Trip Hazard details his experience in dangerous areas - returned to the camp months later after GMB asked for his help to get an interview with Begum. The author, who has exchanged hundreds of messages with Begum, said he noticed a "subtle change" in the former Brit. Begum, who was stripped of her British citizenship in 2019, appeared to have undergone a more "Western" makeover - ditching her hijab and abaya. 7 Andrew secured the Bafta-nominated live interview with Begum for Good Morning Britain Credit: Alamy Advertisement 7 Begum, then 19, pictured in 2019 Credit: Times Media Ltd 7 The former Brit at the camp in 2021 Credit: Getty "She had changed as a character," Andrew said. "She was more short. She wasn't this nervous-cry sort of character. "She looked assured, and she didn't seem such a waif character, and she seemed to be in control of herself and her emotions." Advertisement Andrew told how Begum spent the night before the live interview "rehearsing" with three of her friends In the camp, which is controlled by armed guards. He added: "Her friends said they'd had their music playing and they were tutoring Shamima what to say. "They seemed pretty together about what she should say, and they were schooling her." Begum married an IS fighter soon after arriving in Syria and went on to have three children, none of whom survived. Andrew - who said he had formed a "bond" with Begum - told how after the interview, Shamima opened her purse and showed him photos of her children. Advertisement The tragic loss of his own brother Robert as a child made him sympathise with Shamima's plight. "One of them was a scene where the child must have been eight, nine months old, had chocolate around his face," he recalled. "I said, 'What's that?' and she said, 'Oh we used to like baking cakes'. "And it actually makes me quite sad. It was really quite sad knowing the child had died. "She made it sound like an honour that she had shared these pictures with me, which I guess it probably was, because she hadn't shared them before she said." Advertisement 7 But it was Begum's attitude after Andrew returned to the UK that shocked him - and began to shatter their relationship. "I said to her, 'Those pictures you showed me really upset me, I hope you're okay'," he said. "She messaged back and said, 'Oh, they don't bother me anymore. That doesn't make me sad'. "I thought, was that because she's been traumatised so badly? Advertisement "But I think she is that hard. I think she's calculated. "I actually don't think the death of her children actually bothered her in the slightest. She was not at all affected by it." After meeting Andrew a couple of times, Begum started asking him to bring stuff into the camp for her - including clothes. The dad said he felt "at a crossroads" about whether to take what she wanted. "I felt bad and guilty that I'd be taking somebody that carried out what could have been some atrocities, clothes," he said. Advertisement "But then, probably on the soft side of me, and the fact is, she was a young girl, so I was playing with these emotions, but I took her the clothes from Primark. "We had a bundle of stuff, we took some toys for the children because it's not their fault." But then Begum's requests started turning into demands, Andrew said. "The messages continued," he added. Camps breeding next ISIS generation Exclusive by Henry Holloway, Deputy Foreign Editor and Alan Duncan A CHILD no older than eight draws his hand across his neck in a chilling throat-slitting gesture - the message is clear, "You are not welcome here". Other kids hurl stones, shout and scream - while one exasperated camp official shows us CCTV of two youngsters hurling a firebomb. Welcome to camps al-Hol and al-Roj in northern Syria - the fates of which remain uncertain after the fall of tyrant Bashar al-Assad. It is warned these stark detention centres are now the breeding ground for the next generation of the bloodthirsty cult. And much of this new wave of radicalisation is feared to be coming from the mothers inside the camps. Senior camp official Rashid Omer said: "The reality is - they are not changing. This is not a normal camp - this a bomb." He went on: "They are saying it was ISIS who 'liberated' Damascus - and soon they will be coming here." "And then they want to spread to Europe, to Africa, and then to everywhere." The two sprawling sites hold a total of nearly 60,000 including ISIS fighters, families and children. At least 6,000 Westerners are still held among them - including infamous jihadi bride Shamima Begum, the 25-year-old from London. READ MORE HERE "This time they became slightly more angry, slightly more direct." Advertisement Before he planned to return to Syria again, Begum told him she wanted two books - Guantanamo Bay Diaries and Sea Prayer - which is inspired by the Syrian refugee crisis. Andrew said she was also being schooled by her lawyer about her media presence. He added: "What she declared by then is that she was hostage in a prison camp - where they were legally held. "That's how she started to see herself. All apologies had gone. "She'd done a documentary with the BBC and was on the front of The Times magazine. Advertisement "She'd become a celebrity and was loving all the attention. She'd read all the newspaper articles." Andrew - who returned to the camp with a friend and no crew - took some clothes for Begum with him. I could see things in her I didn't like. I didn't trust her. Her behaviour was poor. She was angry and aggressive Andrew Drury But it was his decision not to take the books she had demanded that revealed her true colours. "I did go back again, but my feelings were already changing towards her," Andrew said. "It was a little boy's birthday, and I felt so sorry for him. Advertisement "He wanted a Superman outfit, so I would have gone just for that, because I spend a lot of time in refugee camps. It's not fair for these kids. "I didn't take the books Shamima wanted because I didn't want to. I didn't want her to have that opportunity to what I saw as studying how to be a victim. "She opened the clothes, said she didn't like them. I mean, this is a girl in a prison camp. "She said, 'I didn't really care about the clothes, it was the books I wanted'. So she became quite aggressive in her nature." Begum's attitude then worsened when Andrew became interested in another girl's story. Advertisement It was one of the final nails in the coffin in the bond Andrew believed they had initially formed. "Shamima had a tantrum that the attention had been taken away from her," he said. "She was like a child that was pretending they were ill. "So during this period of time I was beginning to feel like the connection was gone. "It was broken, and I was beginning not to like her. Advertisement "I could see things in her I didn't like. I didn't trust her. Her behaviour was poor. She was angry and aggressive. "I had found out from other girls what she was accused of, and they told me the same thing that I had heard before, like sewing suicide vests "Things were ringing in my head like she said early on that the Manchester bombing was legitimate because of what happened in Iraq and Syria. "So I didn't trust her." Andrew's last contact with Begum was around two years ago in a fiery text exchange. Advertisement She accused Andrew of "selling her out", to which he shot back: "You've sold your country out." Begum last year lost her final appeal challenging the removal of her British citizenship. She can now no longer fight to overturn the revocation of her citizenship within the UK legal system. Andrew said: "I think she's a danger for what she stood for, and I don't think she could ever come back. "I think she needs to go on trial in Syria for the crimes she committed against the Syrian people."


Scottish Sun
2 days ago
- Scottish Sun
Scorpio weekly horoscope: What your star sign has in store for June 8
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