
Gear up for Houston's annual Art Car Parade
Honk! Honk! Houston's streets will once again turn into a moving gallery Saturday for the 38th annual Art Car Parade.
Why it matters: More than 250 rolling masterpieces will cruise through downtown and along Allen Parkway in the city's largest free public art event, drawing over 200,000 spectators each year.
This year, about 120 entries are new to the parade, according to Jack Massing, executive director of the Orange Show Center for Visionary Art.
Some are first-time drivers while others are returning with refreshed designs.
What they're saying:"It's kind of like a slideshow of amazement going by, and that's just a wonderful, really fun thing to come out and see," Massing tells Axios.
"It's just really an oddball thing, right? People are eccentric, and they want to do something to their car. And there's all different ranges of things being done," he tells Axios.
Zoom in: The lineup party starts at 11am on Allen Parkway between Taft and Bagby streets, with live music and a closer look at the cars — plus a surprise installation from Meow Wolf.
The parade rolls out at 2pm from downtown at the I-45 overpass through Allen Parkway near Waugh Drive. Here's the route.
Free and paid parking is located along the parade route. Be aware of street closures.
Worthy of your time: The Art Car After Party kicks off at 5pm Saturday at Market Square Park, where the art cars will be on display and artists will be on hand to chat.
Many of the creations come to life at night, Massing says, since some of the cars have some light features.
There's also the Legendary Art Car Ball from 6pm-11pm Friday with tickets from $50, and the award ceremony with over $15,000 in prize money at 11am Sunday.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Axios
8 hours ago
- Axios
Churchill's Pub not reopening yet despite online buzz
This week has been an emotional roller coaster for fans of Churchill's Pub, who were led to believe the long-shuttered dive bar was reopening this weekend after a five-year closure. It's not — but a rep for the new owner tells Axios they'll have more to say when reopening "details are finalized." Why it matters: As more of Miami's classic spots close down, the return of Churchill's would mark a rare reversal of fortune for locals who miss the old Miami. Yes, but: Little is known about the new owner, who bought Churchill's in a forced sale last year amid foreclosure lawsuits, or his plans for the Little Haiti bar. Zoom in: The buzz around a potential reopening began Tuesday, when a local music promoter made a surprise announcement on Instagram about a " grand reopening party" Saturday. Some fans couldn't believe it, with one commenting, "Is this a joke?" "Wutttt," Miami electro-pop group Afrobeta commented. "No joke," promoter Dig Under Rock replied. Artists mentioned in the concert flyer were also promoting the show online Wednesday. Plans soon changed when Dig Under Rock announced a "change of venue" to The Club in North Miami. "Don't shoot the messenger," said the Instagram. Friction point: The switch led to frustration and bemusement from jaded Churchill's fans, who may remember when the pub's Instagram page tricked some into thinking it was being turned into a Chili's. "Did you guys just troll the reopening of [Churchill's] for publicity? Even though it kinda stings, hats off to you, all publicity is good publicity," the lead singer of local metal band Prophets Of The Dark Side commented. "Corny," another comment read. What they're saying: In a statement to Axios, Dig Under Rock said the concert "was originally booked at Churchill's but Churchill's isn't quite ready to reopen .... Churchill's will hopefully reopen in a couple of weeks." David Siqueiros, the communications director for Churchill's, confirmed to Axios Saturday isn't the day. "We truly appreciate the passion and enthusiasm from the Churchill's community — it's a testament to how much this place means to so many," he said. Siqueiros told Axios fans can sign up for updates at which currently states "We are back!" and "Opening soon." Flashback: Churchill's, which first opened in 1979, closed in 2020 and has been embroiled in legal disputes among its previous owners, the bar's ex-manager and lenders.


Axios
10 hours ago
- Axios
At Cannes Lions, everyone is trying to sell your attention
CANNES, France — The doubling of global ad revenue to $1 trillion over the past decade has ushered in a new wave of companies eager to sell consumer attention. Why it matters: This week's Cannes Lions demonstrated that the annual festival for creativity and advertising has quickly become one of the most important global convening spaces not just for brands and agencies, but for celebrities, athletes, influencers and creatives looking to tap into that growth. State of play: Dozens of Hollywood stars and athletes made appearances, such as Jason and Travis Kelce, Ryan Reynolds, Reese Witherspoon, Dwyane Wade, Gabrielle Union, Ilona Maher, Sue Bird, Megan Rapinoe, Carmelo Anthony, Serena Williams and Jordan Chiles. So did influencers and podcasters popular among Gen Z, such as Jake Shane, Alix Earle, Alex Cooper and Anna Sitar. Big tech firms and agencies looking to curry business with major advertisers mostly covered travel and accommodations in exchange for stars showing up at their venues. Zoom in: Big Tech's dominance was on full display at Cannes Lions this year, where the only firms that could afford the expensive, high-profile beach spaces were companies like Meta, Spotify, Google/YouTube, Pinterest and Yahoo, alongside global ad agencies such as WPP, Omnicom and Stagwell. Traditional publishers, such as Warner Bros. Discovery, the New York Times, Hearst and Axios, were mostly relegated to smaller boats that dock in the nearby port, and cheaper hotel suites and restaurants across the street. Zoom out: The millions of dollars spent by companies to build out extravagant programming stages and host concerts and parties on the beach or nearby locations has made Cannes Lions an even bigger spectacle than the annual Cannes Film Festival, which takes place in the same location a few weeks before. "It's more expansive in terms of who it interacts with," United Talent Agency CEO David Kramer told Axios in a stage interview Monday. "I mean, Cannes Film Festival obviously is a very special, special place, but it's very specific to movies. That's it ... I do think Cannes Lions is a more expansive place. ... It's pretty different than it probably was a decade ago for sure." How we got here: The massive growth in advertising over the past 10 years can mostly be attributed to the launch of the smartphone, which allowed social media and search companies to start selling a lot more inventory across their mobile apps. Over the past few years, other types of companies with scaled audiences, such as grocers, retailers and travel firms, have similarly built out advertising businesses as a way to make more money and upsell their existing customers. That trend has transformed the ad industry, shifting sales power from traditional publishers to technology firms. Case in point: In 2011, the top five advertisers globally were mostly U.S. publishers: Google, Viacom and CBS, News Corp and Fox, Comcast, and Disney, per WPP Media. Today, the top five advertisers globally are all tech firms and two are Chinese: Google, Meta, ByteDance, Amazon and Alibaba. Between the lines: Brands that have traditionally attended the festival to explore places to spend their ad dollars are now becoming ad platforms themselves. United Airlines, for example, handed out drinks to customers boarding its flights from Newark to Nice last weekend, celebrating the one-year anniversary of its new ad network, Kinective Media, at Cannes. "You've got to have scale," United MileagePlus CEO Richard Nunn told Axios in an interview. "We flew 174 million people in 2024, so we've certainly got scale. The quality of audience is obviously there. By definition, they're not bots. They're real people." Nunn also noted that the plethora of screens that a customer interacts with throughout their flying journey — from the app on their mobile device to the screens in the lounge, at the gate and on the plane — provides the company with a "multi-channel" digital platform to reach people with marketing and advertising. By the numbers: Despite the fact that the Cannes Film Festival is so prominently referenced in pop culture, it has a similar number of delegates (15,000 in 2024) as Cannes Lions (13,000 in 2024). What to watch: While the festival this year felt livelier and more celebratory compared to the few years following the pandemic, uncertainty around how AI will shape the industry's future loomed large, especially for publishers already struggling to compete with Big Tech. "The future of the web is going to be more and more like AI, and that means that people are going to be reading the summaries of your content, not the original content," Cloudflare CEO Matthew Prince told Axios in an interview.


Axios
a day ago
- Axios
Savage X Fenty doubles down on inclusion, even as others pull back
For Savage X Fenty, the lingerie line founded by Rihanna, DEI is at the center of all that they do, chief marketing officer Vanessa Wallace said at a recent Axios event in Cannes. Why it matters: As many brands quietly retreat from diversity, equity and inclusion commitments, Savage X Fenty is leaning in, building its identity and commercial strategy around its brand values. What she's saying: "From the beginning, Rihanna has stood for inclusivity," Wallace said. "Savage X Fenty redefined what inclusive looks like in lingerie. We always say: it's not the size that defines you — it's your confidence." Zoom in: The brand's Valentine's Day campaign, Love Your Way, exemplified that ethos by spotlighting different forms of love — self-love, romantic love, sisterhood and friendship. "It wasn't about being disruptive," Wallace said. "It was about being true to who we are and giving people the power to define love for themselves." The intrigue: Because the company's values are so embedded and understood by its consumer base, there was very little pushback to the campaign, says Wallace. "The community applauded it," she says. "When I'm scrolling TikTok or reading comments, it's clear people recognized what we were doing. We're just showing up authentically — and always trying to elevate voices that aren't often heard." Zoom in: While "The Navy," Rihanna's fan base, remains central, the brand is also growing into mainstream retail. Savage X Fenty can now be found in Nordstrom in the U.S., Galeries Lafayette in France, and Selfridges in the U.K. "It's our chance to meet the girl next door," Wallace said. What to watch: Expect more creative collaborations and a push into sports.