French actor Gerard Depardieu found guilty of sexually assaulting two women
French actor Gerard Depardieu has been found guilty of sexually assaulting two women - and handed an 18-month suspended sentence.
, 76, who has appeared in more than 200 movies, was convicted by a court in Paris of groping the women during the filming of the 2021 film Les Volets Verts.
Both of his victims had been working on the film in behind-the-scenes roles.
Both women claimed they were scared to speak out at the time and intimidated by Depardieu. "I was petrified", said one of the women, a set designer named Amelie.
She told the court that Depardieu had trapped her between his legs as she tried to get past him in a corridor, and had then run his hands over her body. "He terrified me - he looked like a madman," she said.
Depardieu had denied the allegations, and had received support from many actors, directors and even at one point, the French president, Emmanuel Macron, who had previously described the actor as "the pride of France".
However, his victims said that he attacked them - first using obscene, vulgar and explicit language towards the women before sexually assaulting them.
The court heard that the actor first used vulgar language to abuse them and then grabbed them and ran his hands over their bodies, making crude sexual advances towards them.
Depardieu claimed that he did not even know what sexual assault was.
Carine Diebolt, the lawyer representing victim Amelie, told the court that Depardieu had specifically targeted women who did not enjoy a high profile, saying he would never treat a famous actor the way he behaved towards his two victims.
"He is strong with the weak, and weak with the strong," she said.
During cross-questioning, Depardieu admitted that he had first denied ever touching Amelie, then said he grasped her hips to stop himself from falling over, and then claimed he had grabbed her to get her attention.
Amelie described his account as "obviously completely false" and said she had been mentally scarred by the encounter.
Away from the court, Ms Diebolt told Sky News that, after years of being tolerated due to his fame, Depardieu was finally being held accountable for his actions.
"These women were put in danger," she said. "This is about a line of offences that he committed over many years that were tolerated by the world of cinema because it was Gerard Depardieu.
"Because the financial benefits he brings to the industry are so substantial. He did make some excellent films, but all men are equal before the law.
"Nobody warned Amelie about Depardieu's behaviour, so his words and actions came as a terrible surprise for her. She still has traumatic flashbacks."
Depardieu's reputation is now in tatters, and there may be more allegations to come.
Diebolt told Sky News that around 20 other women have said that they were attacked by the actor.
And we already know that Depardieu will stand trial again later this year, this time charged with raping the actress Charlotte Arnould.
Ms Arnould has accused Depardieu, a friend of her parents, of raping her at his mansion in Paris.
When she returned to the house to confront him, she alleges that he raped her once again. Depardieu denies both allegations. If he were to be found guilty, he would face a substantial prison sentence.
Depardieu's sexual assault conviction is being seen as an important step forward for France's growing MeToo movement, which he described as "a terror" during the proceedings.
After a letter of support Depardieu received prior to the trial from prominent actors and directors, a separate group of around 600 artists wrote their own, condemning the culture of "impunity" and calling for the actor to be fully investigated.
Read more from the trial:What does the trial mean for #MeToo in France?Inside the court during the Depardieu trial
Emmanuelle Dancourt, president of MeToo Media, told me: "Depardieu is a man with a lot of money around him.
"Everybody could see Depardieu talking badly to women, putting his hand in the wrong place on a woman's body and saying things that are wrong.
"But Gerard Depardieu's best friend is silence. In France, you have a wall of silence, and this means impunity. If you are a man with a lot of power and a lot of money, you can do whatever you want."
Depardieu's popularity has declined as more and more claims emerged about his conduct.
A recent documentary about him featured footage, filmed in North Korea, of the actor making lewd comments as a young girl rode past on a horse.
When Mr Macron offered his support to Depardieu, denouncing what he called "a manhunt" against the star, another French actor, James Bond star Lea Seydoux, said the president's words had given a "bad image" of France.
Depardieu was given Russian citizenship as a gift by Vladimir Putin.
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Yahoo
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These touts made millions - and claimed staff at big ticketing firms helped
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"Revisiting outdated claims about long-defunct businesses only serves to confuse and mislead the public," the company said. It added that Ticketmaster has "no involvement in the uncapped resale market" now and said: "We have always been committed to fair and secure ticketing." Hunter and Chenery-Woods were not the kind of touts who stand outside a venue discreetly asking passers-by to buy or sell tickets. These two turned their spare rooms into registered, tax-paying companies and made millions from trading tickets online, the courts found. Mike Andrews, who leads National Trading Standards' e-crimes unit and was involved in the investigation into Hunter and the Ticket Queen, told the BBC how he joined the early morning raid on the anonymous townhouse in a tree-lined north London street where Hunter ran his operation. Upstairs was a room filled with PCs, whirring away, buying and selling tickets. "It was obviously an operation that ran pretty much 24/7," Mr Andrews said. 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Another former employee who worked in Ticketmaster's resale technical team, who also wanted to remain anonymous, told the BBC his team would work closely with touts, developing software that helped them sell tickets in the secondary market. "You have to build a relationship with them, they're like a customer basically," he said. The team would show touts products and ask for feedback, including if they made selling tickets easier for them and often showing them multiple versions, he said. We have been told that resale sites would liaise with big sellers, like Hunter. In court, Hunter alleged a senior boss at GetMeIn! would help him by passing on information from Ticketmaster's legal department such as "government reports maybe from select committees" and ringing him weekly to tip him off about forthcoming sales before the public learned about them. 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Using multiple names and identities to buy more tickets than the limit allowed was one of the reasons Hunter was jailed for fraud. In the trial of the Ticket Queen, the prosecution said this same GetMeIn! boss and a colleague had both been "complicit or at least indifferent" in her use of a false name on the resale site to conceal the fact that the account belonged to a tout. The court heard that Maria Chenery-Woods had emailed the two men asking to change her account name from "Ticket Queen" to "Elsie Marshall" in February 2017. In both court cases, the prosecution questioned why it was necessary for the accused to pretend to be other people to buy tickets if, as the defendants alleged, Ticketmaster knew what they were doing. The links with touts such as Hunter went right to the highest levels of Ticketmaster's group of companies, according to emails read out in court as evidence. They record the same senior GetMeIn! boss proposing a meeting between Hunter and Selina Emeny, the company's top legal representative and a director of Live Nation Ltd, an arm of Ticketmaster's parent company. The proposed meeting in 2015 was intended to "address any worries" Hunter might have about a change in the law around ticket resale and "brainstorm what more can be done by our legal team to help UK brokers". Ms Emeny is currently listed as an active director of 50 companies on Companies House, all related to Live Nation and Ticketmaster. Ticketmaster maintained that its resale platforms, GetMeIn! and Seatwave, operated as "separate entities", in the words of then chairman Chris Edmonds at a 2016 House of Commons select committee hearing. But both Mr Edmonds and Ms Emeny were directors of Ticketmaster UK Ltd and the holding company which owned Seatwave. Ms Emeny was also a director and secretary of GetMeIn! and at one time, all three companies operated out of the same open-plan office in central London. David Brown, who worked in Ticketmaster's technology teams between 2011 and 2017, also told the BBC the companies had close enough links that they could have found out who was buying tickets in bulk and putting them up for resale on Ticketmaster's other platforms. He said Ticketmaster and its resale sites used "a lot of the same infrastructure" and it would have been easy to "link everything together". "You're not building completely separate databases," he said. He said it meant Ticketmaster could have connected the accounts and credit cards originally purchasing tickets with those selling in bulk on resale sales, and stop them reselling. "We should be able to pull enough data to say there's something not right about this, this isn't just members of the public selling tickets. If they wanted to really tackle the problem, they had all the tools in one place to do that," he said. Christoph Homann, who was the then resale managing director of Ticketmaster/GetMeIn!, said in 2014 to a group of MPs that "they are able to cross-reference" some tickets on GetMeIn! "against Ticketmaster's records" to report suspected frauds. The employee in Ticketmaster's resale technology team who developed software to help touts also told the BBC that there was a senior executive who had "oversight" over elements of the primary selling and resale side of the operation. That person could easily have accessed an internal list of top-selling brokers, the employee said. He said the executive "would definitely ask that question, ask for that information. I can't believe that wouldn't be seen by him". Mr Edmonds, Ticketmaster's chairman in 2016, had told Parliament that the company did not have "visibility" over how the sellers on its resale platforms acquired those tickets - but these accounts suggest Ticketmaster could have found out if they were buying them on their own website. We also asked the other two large resale ticketing platforms, Viagogo and Stubhub about their relationships with large sellers, including account managers and inventory management software. Viagogo told us such facilities are "standard industry practice", but it "takes its responsibilities under the law very seriously". It said it had a business relationship with Hunter, Smith and two of the Ticket Queen's accomplices "before they were found to be guilty of any fraudulent activity". "Bad actors go against what we stand for and Viagogo is in full support of the legal action taken against them," the company said. StubHub International told the BBC, it is "fully compliant with UK regulations and provides industry-leading consumer protections." It added: "As a marketplace we provide a safe, trusted and transparent platform for the buying and selling of tickets, and enforce strict measures to protect consumers against fraud." Some employees of companies then owned by Ticketmaster were occasionally paid by touts to buy tickets on their behalf, the prosecution told the court in the Ticket Queen trial. The prosecution added the Ticket Queen's accomplices paid two GetMeIn! employees out of a separate bank account from the usual company one. According to a Skype message read in court, one accomplice said: "It will be best as it won't show a GMI employee being paid by TQ Tickets." One of her buyers was an employee at GetMeIn! who received £8,500 in less than a year from this sideline, the prosecution said. Our research found this employee's day job was to source replacement tickets when sellers failed to deliver, as they sometimes did. The resale platforms would sometimes buy tickets from touts to fulfil orders in these circumstances, a SeatWave employee told the BBC. The touts would behave "like the mafia", and raise their prices when they knew the resale platform itself was in the market for tickets, the employee said. Evidence presented in court suggested help for the touts to buy tickets in bulk also came from another well-known company: American Express, which offers its cardholders privileged access to tickets for events through pre-sales. Promoters say sponsors like American Express are important in making events such as Formula One and British Summer Time Hyde Park possible. Peter Hunter told the court he had received a LinkedIn message out of the blue from a representative at the credit card company. The rep was offering "as many additional cards as you wanted" in the form of Platinum business credit cards with an "unlimited spend", according to Hunter. The Amex representative wrote that he was aware of Ticketmaster's purchasing limit of six tickets per day on each credit card and told Hunter "there are ways around this with American Express". The rep also suggested in an email to Peter Hunter that his vice-president at the company was "happy to waive card fees" and that the VP's "initial offer was to waive 15 card fees for £250k spend in the first two months". American Express told the BBC: "When we identify instances of misconduct, we investigate the issues raised and take appropriate steps to address them, including disciplinary action with employees as necessary." Ticketmaster announced the closure of its resale sites, GetMeIn! and Seatwave in 2018, months after Peter Hunter was charged. Now it allows resales through its main site instead and says prices are capped at the ticket's face value. Instead, Ticketmaster is now trying to "capture the value" of the resale market through different tiers of pricing for tickets labelled as "in demand" or "Platinum" tickets, as UK managing director Andrew Parsons told the House of Commons earlier this year. "We think it is absolutely right that artists should be able to price a small amount of the tickets at a higher price to be able to keep overall prices down and capture some of that value away from the secondary market," he said. But ticket touts are still very much active. Minutes after Beyonce's first pre-sale started in February for the UK leg of her Cowboy Carter tour, hundreds of the tickets appeared on resale sites such as Stubhub. Stubhub told us that "speculative listings" are not allowed on its platform and that it "[does] not support the use of bots which operate during sales on the primary market". "Although the primary platforms do say that they have measures in place to try and prevent touts buying large numbers of tickets, it's quite evident that that practice took place then and still takes place now," said Mr Andrews from National Trading Standards. But he said "the current situation is that we're not funded or we haven't got sufficient resources to continue to pursue further touts". If you have information about this story that you would like to share please get in touch. Email ticketinginvestigation@ Please include a contact number if you are willing to speak to a BBC journalist.


New York Times
2 hours ago
- New York Times
The weird and wonderful world of Real Madrid presentations: The keepie-uppies, the medical photos and when it goes wrong
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This approach to recruitment was not a huge success in terms of trophies, but it did bring the club plenty of financial opportunities. Madrid sources, who asked to remain anonymous to protect relationships, say Zidane's presentation in 2001 was the first to follow the modern format. Even so, few have been as high-profile as Beckham's arrival from Manchester United two years later. Advertisement That took place at the club's then training complex, La Castellana — in the north of the city, where five skyscrapers now stand — with around 2,000 fans and the presence of 544 journalists and 46 TV cameras. The ceremony was broadcast live on CNN in the United States and the BBC in the UK. Beckham took to the pitch wearing the No 23 shirt, chosen as it was one of the few available at the time and also because of its link to NBA icon Michael Jordan, who made it famous playing for the Chicago Bulls. It also reflected the club's new and expanding commercial strategy. 'Mr Di Stefano (the club icon was in attendance as honorary president), Mr Perez, ladies and gentlemen. Being part of Real Madrid is a dream come true. Thank you very much and Hala Madrid,' were the England international's first words as a Madrid player. A shirtless boy even jumped onto the pitch and dodged security to greet Beckham. There were similar wild scenes when Cristiano Ronaldo was unveiled, in front of 80,000 fans, at the Bernabeu in 2009 — a record only matched by Kylian Mbappe when he joined last year. That coincided with Perez's second spell as president, starting that year. In his first summer back in office, Madrid invested €254million (£215m/ $291m at current rates) in players, including Ronaldo from Manchester United, Milan's Kaka, Karim Benzema from Lyon and Liverpool midfielder Xabi Alonso. Such was the enthusiasm for the 'second' galacticos era that 50,000 supporters turned up to Kaka's unveiling, and more than 20,000 welcomed a 21-year-old Benzema. Before his death in 2014 at age 88, Di Stefano was usually present at those events, with his trusty walking stick under his arm. Other legends have attended, such as Portugal great Eusebio for countryman Ronaldo's 2009 presentation. It is a tradition which has continued to this day: the original Ronaldo was present for fellow Brazilian Vinicius Junior's 2018 unveiling and French compatriot Zidane played a role in Mbappe's. Players usually start the day of their unveiling by going to the Sanitas hospital in the upmarket La Moraleja district of the Spanish capital (the health company is among the club's sponsors), where they undergo their medical and awkwardly pose for what has become something of a traditional photo. REAL MADRID TRADITION 🩺 — Madrid Zone (@theMadridZone) June 10, 2025 They then travel by car through Madrid, sometimes passing by its biggest tourist attractions and ending up at the club's offices to sign their contract, alongside relatives and Perez. Often, their family will give the club photos of the player wearing a Madrid shirt as a child. These are then incorporated into a video montage showing their rise and the best moments in their career so far, which gets played during their presentation. Dean Huijsen's full presentation — Managing Madrid (@managingmadrid) June 10, 2025 The players are not always the protagonists. When Asier Illarramendi joined from Real Sociedad in 2014, his presentation was considered a historic event back in his village of Mutriku in the Basque Country. Thirty-one of his friends travelled down to Madrid by bus to see his unveiling and posed for a photo with Perez in the Bernabeu's presidential box to mark the occasion. Illarramendi later said he and his friends were invited by Perez to have lunch at the restaurant inside the stadium, Puerta 57. Advertisement Not every presentation has gone according to plan, either. In 2019, Ferland Mendy was unable to string together more than a few keepie-uppies in front of the cameras. 'It was the first time in my life I'd felt stressed. I arrived, I saw the fans and I thought, 'Oh, what if.…?',' he told Canal+ that year, as reported by Marca. 'My friends told me I was going to fail… and in the end I failed.' Later that summer, Eder Militao's first news conference as a Madrid player ended abruptly because he was struck by a bout of dizziness. The Brazil centre-back had to pause, then took a drink of water, before holding his head and explaining he could not continue. 'It's a huge emotion,' he said. Jude Bellingham's 2023 presentation took place at Valdebebas, with work continuing on the Bernabeu, and it was the same for Arda Guler that same year. There was an awkward moment for the 18-year-old Turkey forward, who did not speak any Spanish then, when he mistakenly rose from his seat before the end of Perez's speech. He then had to wait several more minutes, looking confused, while the president finished his address. In fact, most presentations have taken place at the club's training complex since work costing at least €1.76billion began at the Bernabeu in 2019 and following the pandemic. Ordinary fans don't tend to be present for these events any more with only a few members of the club's official supporters' groups allowed in, though the club's directors, executives and coaches are usually in attendance. The Bernabeu tradition was revived last year with Mbappe and Endrick's arrivals, when they were presented to crowds of 80,000 and 45,000 respectively. Both players gave speeches in which they were visibly emotional, before spending several minutes kicking balls into the stands. That connection with the fans has been lost again this summer, given continued work to soundproof the Bernabeu. Madrid had to postpone all concerts scheduled for their stadium after the neighbourhood's local residents complained about noise pollution from previous shows there. Regardless, there is a reason Madrid's new signings look forward so much to this day — as Alexander-Arnold will find out on Thursday. 'It's the best day of my life,' Huijsen told reporters at his presentation on Tuesday. 'It's a dream to be here, and I'm going to give everything for the team.' (Top photos: Huijsen and Cristiano Ronaldo at their presentations, Getty Images)