
I've got a normal job but my surprise side hustle means thousands flock to my music festival with 00s icon headliner
AN Irish festival trailblazer has lifted the lid on running a fledgling music event – from the "chaos" of organising the huge event to bizarre dressing room requests.
Craig Hughes also revealed how scouting acts for next year's shindig has already begun before a single note has been played at this week's festival.
4
Night and Day Festival will take over Lough Key Forest Park in Roscommon this weekend
4
Craig Hughes is one of the organisers of the festival
But there is also a growing trend among festival fans that is putting significant planning pressure on organisers.
Craig started a side hustle as one of the organisers of the festival back in 2022, and he has been fine tuning the event each year since.
KT Tunstall, The Stunning, Paul Brady and The Wailers are all on the bill for this weekend's edition, along with Irish favourites Something Happens and Sultans of Ping.
Now in its fourth year, the festival will see thousands flock to the Lough Key Forest Park, in Boyle, Co
And Craig told how cash flow is the biggest area of concern for such gatherings, which is why tickets for large music festivals go on sale so far in advance.
He explained: 'One reason is to get
But Craig, whose main career is in journalism, told how a few bum notes were encountered during the initial phase of the project, first held on the grounds of Clonalis House in Castlerea.
Craig revealed: 'You think you have everything under control the first year and it's inevitably chaos as you're trying to grapple with bringing thousands of people into a venue safely."
Despite any teething issues, the venture has become a fully-fledged family business aiming to pull out all the stops.
Recounting its beginnings, Craig told us: 'It all started when my uncle Brendan Hurley moved back from working with the World Economic Forum in Geneva, where he was putting on big events.
"He's a sound engineer and production manager. We're from
TOP TIPS FOR ATTENDING MUSIC FESTIVALS
NIGHT and Day organiser Craig Hughes shared his top tips for those attending music festivals this summer.
First up, he has urged anyone planning their outfits for a festival to take into account the Irish weather.
He told the Irish Sun: 'Whenever you go to a festival in Ireland you should pack for all
"We're fortunate we have our tents but you should always have a rain jacket, but also pack for the sun, bring some cream.'
If you regularly find yourself waking up through the night to the sound of the
He said: 'It's really important to bring earplugs. We have music go on until 3am, so if you don't want to have bass ringing in your ears until the morning you should have some earplugs.'
Craig also recommended packing a good pair of shoes, good socks and of course, 'your dancing shoes'.
Craig added: "We dragged in another
'It's bringing together a broad skill set - so me with the communications and media side of things, Brendan having done a lot of production management and sound engineering, and then Dermot with the site layout and service delivery side of things - and any other family members dragged in across the weekend.'
The festival has seen a huge amount of growth since its humble beginnings in 2022.
But with an expansion in popularity comes increased workload and preparation.
PROLONGED PLANNING
Planning for a summer
Craig explained: 'One reason is to get
"The second is to capture that feel good factor that people have after having an amazing weekend at the festival - that's the starting point, even at the moment we're already looking at acts for next year, seeing who's available and the nature of [their] touring, especially for the bigger acts, they put it out a long way in advance.
"After that, you're looking at communications plans. We announce our first headline acts around November/December, so that's the first big milestone in terms of planning and pushing it out there.'
NEW ADDITIONS
This year, the team have added two new stages, including a late-night DJ platform on the venue's Moylurg Tower, which will include live animations projected onto the structure that are synced with the music.
He continued: 'You're thinking away at those new projects all throughout the year.
"Then as you come into the final stages you're dealing with the real nuts and bolts; the logistics of the tents arriving, health and safety issues, toilets arriving.
"They really come into focus now as well as your final push that as many people know as possible that the festival is going on.'
Taking the set-up, site costs, artist fees and insurance into account, Craig and the team typically look at expenditure that runs into the region of hundreds of thousands of euros.
FESTIVAL FINANCES
And unsurprisingly paying the artists is one of the most expensive aspects.
Craig said: 'It all adds up and for us insurance hasn't been one of the biggest cost drivers but everything else really has increased since we started.
"Even artist fees have gone up, especially the big international ones because inflation has hit the cost of touring, whether that's from them bringing their own sound engineer with them or the increased logistical costs.'
These financial constraints are a major reason why many festivals use tier ticket pricing.
You think you have everything under control the first year and it's inevitably chaos as you're trying to grapple with bringing thousands of people into a venue safely."
Craig Hughes
As one of the main drivers for cash flow, enticing punters to purchase tickets sooner at a reduced price helps bring money in early, and gives organisers an estimate of how many attendees can be expected.
But the rising trend of festival fans buying their tickets closer to the event date has had an impact on planning, as it's difficult to prepare accurately without a full grasp on the official number of tickets that will be sold before it takes place.
Craig explained: 'That might mean you may plan for less people and have to go sold out even if the demand is actually going to be greater.
"It also means that you can't spend as much on an artist budget or an extra art installation that you would have because you're worried that the numbers weren't going to pick up at the last minute, and that of course impacts on cash flow as well.
"A lot of festivals will have a cash-heavy month in the month beforehand because all your infrastructure has to be paid for in advance of the festival, so if someone is buying a ticket on the weekend of the festival, that cash is no good to meeting those demands that fall beforehand.'
FESTIVAL'S FUTURE
For Night and Day Festival, the goal now is to reach 5,000 attendees per day - and they're hoping to come close to it this year.
And the location has been a massive help towards achieving this goal.
He explained: 'We're very lucky with our location in Lough Key Forest Park because there is so much infrastructure there already.
'If you think about going to a festival, they have to bring in all the toilets and all the showers - Lough Key is a purpose built campsite all year round so we have indoor toilets, indoor showers and electric and water hookups on pitches [for camper vans].
'We're also looking to tap into mains power on the site so we're hoping to be completely generator free in a couple of years and expand beyond the 5,000 attendees in the next few years.
'However, I don't see us getting up to the lofty heights of
ONLY OPTION
But this smaller and independent festival has plenty happening for attendees that some of the bigger offerings don't.
Craig, whose day job is political editor of the Irish Daily Mail, explained: 'You can arrive by boat which you can't do to any other festival. We also have expansive family-friendly offerings.
"We're an over 20s festival but if you're under 14 you can come in on a kid's ticket. We have a full immersive program with workshops, kids yoga, circus skills and things to keep kids entertained.'
FOCUS ON IRISH ACTS
Another difference is the focus the organisers put on Irish acts, while including some international talent.
They want to shine a light on homegrown talent and even host a competition for up-and-coming musicians where the winner gets to play at the festival.
"A lot of festivals will have a cash heavy month in the month beforehand because all your infrastructure has to be paid for in advance of the festival, so if someone is buying a ticket on the weekend of the festival, that cash is no good to meeting those demands that fall beforehand.'
Craig Hughes
Craig explained: 'We have some international acts every year, but we have a really strong focus on Irish acts.
"There really is so much great Irish talent that isn't highlighted enough - so what we look to do when people come to Night and Day is to have a sprinkling of big international acts, but also introduce them to new music that they wouldn't have heard already.
"Our goal is to put on a world class event. We've spent a lot of money on having high production value. We put a really big emphasis on production and having high quality standards.'
LINE-UP CHOICE
And Craig also shed some light on how organisers pick a lineup - and it doesn't just come down to who the biggest acts are at the time.
It involves looking at what types of venues artists have played before, looking at their Irish listeners on Spotify, along with followers from Ireland on
When putting it all together, it starts from the top - beginning with the largest headliner and working the way down the line-up.
But Craig said it's not always a foregone conclusion that the headliners you want will actually play the festival.
He revealed that certain times while planning, bigger acts have been booked elsewhere in the time it takes to nail down the specifics.
He revealed: 'That's kind of the nature of this sometimes. [There was one act we wanted but] we couldn't agree things in time and they got booked elsewhere, so you have to not hesitate when you're going forward with these things, but I think that's just the nature of the beast.'
BIZARRE REQUEST
To date, the festival hasn't encountered any bad experiences with the artists they've booked.
Although, Craig did reveal one quirky request that they received from a performer.
He explained: 'Sometimes you get some unusual requests from artists, regarding what should be left in the dressing room and what they want when they arrive on site.
"Emma Langford asked for a picture of a dog - it doesn't have to be your dog but what she wants is to have a picture of a dog left in her dressing room, which I always thought was really fun.
"Thankfully we haven't had anyone who's been too dramatic just yet but maybe that'll happen when we start bringing bigger superstars to Lough Key.'
KT Tunstall, The Stunning, Lisa Hannigan, Paul Brady and Something Happens play Night and Day this weekend. For more info see
4
DJ Nialler9, festival organiser Craig Hughes and DJ Colin Perkins
4
The festival has family friendly activities
Credit: Facebook
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


RTÉ News
an hour ago
- RTÉ News
Irish writer Donal Ryan wins prestigious Orwell Prize for Political Fiction
Irish writer Donal Ryan has been announced as the winner of the prestigious Orwell Prize for Political Fiction for his novel 'Heart, Be At Peace' this evening in London. The novel, which is set a decade after his acclaimed debut novel, 'The Spinning Heart', centres on the story of a small-knit town told through the voices of 21 different characters. The 2025 judging panel for the prize for fiction was chaired by author Jim Crace and he said that Mr Ryan's book was chosen as the winner "for its clarity" and "for its twenty one perfectly pitched voices". "Here is a small deprived community in rural Ireland - suffering and recovering from the bruises of its political and economic past," Mr Crace said. He described the novel as "exceptional". Mr Ryan, from Co Tipperary, joins a distinguished list of former Irish writers on the winning list, including Anna Burns and Claire Keegan. Ukranian author Victoria Amelina is posthumous winner of the Orwell Prize for Political Writing for her book 'Looking at women, looking at war'. She died in July 2023 in the Ukraine war and her unfinished work documents the resistance efforts of Ukrainian people and was described by the judges as "a testimony and a precious, powerful work of literature, a steady beam of light born amid darkness and violence". There is a prize of £3,000 (€3,517) for each of the winners. Every year, the Orwell Foundation awards prizes for the work which comes closes to George Orwell's own ambition to "make political writing into an art".


The Irish Sun
an hour ago
- The Irish Sun
Irish Sun's acclaimed podcast detailing harrowing Stardust blaze disaster impact scoops 7th gong with latest award win
THE Irish Sun's acclaimed Stardust Tragedy podcast has scooped its seventh gong. The hit series was today honoured at the 2025 Justice Media Awards, held at its headquarters in Blackhall Place in Advertisement 1 The Justice Media Award is the seventh gong for the acclaimed podcast The eight-part pod, produced in conjunction with Onic, told the shocking story of the 1981 Artane nightclub It also documented the 43-year fight for justice by their The groundbreaking work won the Broadcast journalism Irish Sun Editor Fiona Wynne said: 'We are immensely proud that our podcast has been recognised with a Justice Media Award. Advertisement READ MORE IN IRISH NEWS 'The Stardust families fought for justice for 43 years, there's no other case in Irish 'It was our privilege to be able to tell their stories and I'm deeply grateful to them for their trust.' Incredibly, this was its seventh win after bagging four Irish Podcast Awards, while the series was crowned Podcast of the Year at the Irish Journalism Awards in November. In December last year, it also won Best Digital Content at the Shine Mental Advertisement Most read in The Irish Sun The Stardust Tragedy was launched in April 2024, a week after a Dublin Coroner's Some 841 patrons had attended the Valentine's disco in the Stardust on the night of February 13, 1981. At about 1.40am on the 14th, a small fire was noticed in the west alcove of the club. Within minutes, the blaze had spread as an announcement was made to evacuate the building. Advertisement The lights then went off and patrons began to panic as they desperately tried to escape the burning building — but a number of locked or blocked exit routes prevented people getting out. Tragically, 48 people died in the horror blaze. The ages of those who were killed in the fire ranged from 16 to 27, and in 23 cases the deceased were the eldest and sole breadwinner for their families. Most of the dead came from Artane, Kilmore and greater Coolock, and half of them were aged 18 or younger, with four of the victims aged 16 and eight aged 17. Advertisement

The Journal
5 hours ago
- The Journal
Brendan Gleeson does not regret calling Micheál Martin a 'moron' over the health service
BRENDAN GLEESON HAS said he had a reason to call Micheál Martin a 'moron' almost 20 years ago, but added he now prefers a more constructive approach. The Irish actor said it was the way he 'really felt at the time' after witnessing 'unacceptable' treatment at a hospital. Gleeson, who is now supporting a major fundraising effort for a hospice in north Dublin, said profit incentives in care for older people are 'counterproductive'. During an appearance on the Late Late Show in 2006, he criticised the state of the health service and, in particular, his experiences with loved ones at Beaumont Hospital in Dublin. Martin, who was the Minister for Health from 2000 to 2004, had opened a unit at the hospital. Brendan Gleeson's healthcare rant on the Late Late is nearly 17 years old, has anything changed? (17th March 2006) — KM2 archive (@KillianM2) December 19, 2022 During the interview, Gleeson said: 'There were people trying to fight for life and cling on to hope beside people who were dead and this moron's name was on a plaque saying the oncology suite was opened by Micheál Martin, when he screwed the place from the time he went in until the time he left.' Asked about the comments today, Gleeson said it was the way he 'really felt at the time' and that he was 'raging' with Martin. Speaking to the PA news agency, he said: 'In fairness to Micheál Martin, I was raging with him because his name was on a plaque in a new unit and they were running coffins down the bottom of my mother-in-law's bed where she was dying – the systems were catastrophic.' The Oscar-nominated Banshees Of Inisherin star said he was 'glad' he highlighted the problems, but now thinks a constructive and compassionate approach is more appropriate. 'The vociferous nature of it was fine, but I did find afterwards it became a thing then where everybody is screaming, shouting and enraged and all this kind of stuff,' he said. 'I feel I had reason – and it was my younger self and I'm glad I did it – I think it needed to be drawn attention to, but how many times does it need to be drawn attention to and how constructive is that 19 years on?' Gleeson says he now has a glass-half-full approach, describing 'reactionary outragers' as 'boring'. Hospice campaign A source of that optimistic outlook is found at St Francis Hospice in Raheny, Dublin, where the actor says staff and volunteers treat people with compassion. Gleeson is supporting a major fundraising effort for the building of a 24 single-bed in-patient unit at the centre, where both his parents received care. The 70-year-old said the single-bed units at the hospice will be beneficial for families as he recalled it sometimes being difficult to speak to his father when he was passing away in the four-bed units. Brendan Gleeson is supporting St Francis Hospice's new 'buy a brick' campaign. Conor McCabe / MediaConsult Conor McCabe / MediaConsult / MediaConsult Reflecting on the tone of public debate, he said it is very difficult for people to maintain positivity in the world now because they are 'bombarded' with relentless bad news. 'The despair is beginning to become pervasive,' he said, adding: 'But here, there's a chance to show gratitude, compassion and build – brick by brick – something that is extraordinarily positive in the face of grief and bereavement.' Advertisement Gleeson said that over the years, Martin had 'learned from mistakes' and taken stances which he considered to be 'quite brave'. He said certain things have improved in the intervening 19 years but remained critical of the 'ideological issue' of running aspects of care through the private sector. He said: 'We're spending a fortune in this country on healthcare – but the systems are terrible.' Gleeson said he did not necessarily agree with an entirely state-run service either as it can lead to a lack of dynamism. He said: 'But I don't think that driving things for profit solves problems of compassion.' 'Proper discussion' He added: 'Let's have a proper discussion, not outage. We know what's wrong, let's have constructive ways – literally – of finding a way forward. 'I've had it with moaning about it and absolutely screaming about things.' Recently, RTÉ broadcast undercover reporting from two privately-run nursing homes which showed vulnerable people being left unsupervised, large amounts of residents congregated together being supervised by one member of staff, and requests for the use of toilets being unanswered for lengthy periods of time. In contrast with that footage, Gleeson said: 'The difference between what we saw in that documentary and what happens here is all you need to know. 'This costs a lot of money, fundraising, volunteer and local effort – but this is a happy place even with all the sadness that is involved in it. 'A nursing home is a place of diminishing horizons at its best – it feels like that going in. 'If you go into the right environment, it becomes a new chapter and there's a possibility where older people – and I'm not that far off it myself – where you can go and actually find kindred spirits.' Gleeson said he disagrees with the 'care for profit' approach: 'The two are counterproductive in my opinion.' While acknowledging that he did not have the answers for the challenge of running nursing homes, he said the approach should be about compassion, understanding, and appropriate availability of staff. Backing the €20 million 'buy a brick' campaign for the hospice, he said: 'I know how much of a game changer this new facility will be for the entire community of North Dublin.' The new unit will enable staff to care for an extra 3,000 patients over the next 25 years – and the fundraiser invites people to contribute to the build by buying a brick for between €25 and €250 and leaving their name or message on a virtual community support wall. He said the new unit would be a 'beacon of hope' and a 'centre of excellence', adding that the approach of the hospice is one of the best standards rather than cost-cutting. Last year, St Francis Hospice cared for 2,313 patients at its two facilities in Blanchardstown and Raheny – almost double that of a decade earlier. Construction at the new site is due to begin next year and will also include an underground car park and clinical support facilities, with a pedestrian bridge linking it to the existing building. Those who wish to contribute can visit St Francis Hospice's website .