logo
Comic action 'Hi-Five' readies for release amid star's absence

Comic action 'Hi-Five' readies for release amid star's absence

Korea Herald12-05-2025

Yoo Ah-in once again scrubbed from promo events following drug scandal
The press conference for the upcoming superhero comedy "Hi-Five" convened Monday at Lotte Cinema Konkuk University in Seoul, with director Kang Hyung-cheol and his cast in attendance. Conspicuously absent was Yoo Ah-in, who has vanished entirely from public view following his drug conviction in September.
"I wanted to make a fun, entertaining film — the kind you'd find in video rental shops back in the day," said Kang, explaining his vision. "I've been fortunate enough to direct several films, and this time I wanted to create something that audiences could watch comfortably and enjoy."
Kang reigns as Korean cinema's go-to hitmaker for modest crowd-pleasing comedies. The box office numbers speak for themselves — his 2008 debut "Scandal Makers" racked up an impressive 8.3 million admissions, and his sophomore effort "Sunny" (2011) defied expectations by turning a high school reunion story into a 7.4 million smash hit.
Ahn Jae-hong, who plays one of the five protagonists, cited the director as his primary motivation for joining the project. "More than anything, the fact that this was Kang Hyung-cheol's film drew me in immediately," he said. "The way he conceived this story, the premise, the flow — it seemed incredibly exciting."
Oh Jung-se shared similar sentiments after his third collaboration with Kang. "Director Kang's films still have that old-school movie magic," Oh said. "That's why whenever people ask me what kind of film I want to do next, I always say 'a Kang Hyung-cheol film.'"
"Hi-Five" follows five ordinary individuals who suddenly develop superpowers after receiving organ transplants from a man with psychic abilities. The ensemble cast features, among others, Lee Jae-in as a taekwondo enthusiast with super strength, Ra Mi-ran as a mysterious yogurt seller and Kim Hee-won as a factory manager with healing powers. Yoo Ah-in plays Ki-dong, an unemployed man who gains electromagnetic vision after a corneal transplant.
The trailer screened at the event showcased a deliberate B-movie aesthetic — over-the-top effects, goofy sight gags and outsized action — all true to the director's knack for feel-good, broad comedy. Notably, not a single frame of Yoo made it in.
Addressing the film's approach, Kang highlighted the contrast between fantasy powers and everyday characters. "Yes, it's a comedy that deals with the unrealistic concept of superpowers," he explained. "But precisely because we're using such a fantastical premise, I wanted to ground everything else in reality."
Ahn added, "All the characters have such distinct personalities. When such different characters from different worlds come together, fun things naturally happen. The way they interact creates something incredibly fun that I think audiences will enjoy."
When asked about Yoo's drug scandal and subsequent exile from the promotional circuit, Kang responded with measured composure.
"It's unfortunate — something we wish hadn't happened," he said. "At that time, the film wasn't yet completed, and we were in the middle of postproduction. A leader needs to focus on solutions when problems arise."

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Korean cinema's political dramas
Korean cinema's political dramas

Korea Herald

time10 hours ago

  • Korea Herald

Korean cinema's political dramas

From campaign machinations to besieged kingdom's final hour, three films explore the messy realities of power South Korea just wrapped up a snap presidential election that saw opposition candidate Lee Jae-myung claim victory after months of political turmoil sparked by his predecessor's botched martial law gambit. Which makes this the perfect moment to dive into Korean cinema's rich catalog of films about political ambition, the seductive allure of power, and the moral compromises that define public life. From smoke-filled campaign war rooms to ancient royal courts, These three standout dramas offer engrossing takes on the nature of politics. While spanning different eras, each shares a fascination with how principles collide with reality when everything hangs in the balance. "Kingmaker" (2022) Political strategist Seo Chang-dae meets idealistic politician Kim Woon-bum in 1961, and their partnership transforms a string of electoral defeats into a march toward power. Director Byun Sung-hyun crafts this character study around the relationship between the late Lee Sun-kyun's Machiavellian campaign mastermind and Sol Kyung-gu's principled presidential candidate, exploring how far good intentions can bend before they break entirely. The film shines in its refusal to romanticize either man. Chang-dae's dirty tricks prove devastatingly effective — vote buying, character assassination, and stoking the regional divisions that still plague Korean politics today all get deployed with ruthless efficiency. But Byun never lets us forget the human cost of these tactics, particularly as the two men's friendship fractures over the question of means and ends. The late Lee Sun-kyun brings measured calculation to the role that portrays depths of ambition beneath the surface, while Sol delivers one of his finest performances as a politician wrestling with his own complicity. Based loosely on the real-life relationship between future president Kim Dae-jung and his strategist Eom Chang-rok, "Kingmaker" asks whether winning at all costs in the name of democracy can ultimately betray the very ideals it claims to uphold. The answer it offers feels uncomfortably relevant to today's politics worldwide. Available on Google Play and Amazon Prime with English subtitles. "The Man Standing Next" (2020) Days before President Park Chung-hee's assassination in 1979, Korean CIA director Kim Gyu-pyeong finds himself caught between loyalty to an increasingly paranoid dictator and his own moral compass. The regime's inner circle becomes a nest of competing ambitions, with Kim facing off against the president's warmongering security chief (Lee Hee-jun) as he grapples with growing popular unrest and pressure from Washington. Director Woo Min-ho ("Inside Men," "Harbin") transforms this historical thriller into a masterclass in political paranoia where every conversation carries the weight of life and death. His direction maintains a carefully calibrated pace that allows tension to build organically, which explodes in a brutal finale that strips away any romanticism about political violence. As Korean cinema's most dependable leading man, Lee Byung-hun anchors the film with a performance of remarkable restraint and ambiguity, portraying Kim as a man whose stoic exterior barely contains his growing horror at the regime's excesses. "The Man Standing Next" succeeds as both compelling period drama and a timeless warning about the corrupting nature of unchecked power. Its exploration of how conflicts and pressure build up under authoritarian systems resonates far beyond the era it portrays. Available on Disney Plus, Amazon Prime, Google Play, and Apple TV with English subtitles. "The Fortress" (2017) Winter of 1636 finds Korea's Joseon dynasty trapped in a mountain fortress, besieged by Qing forces demanding submission to their new Chinese empire. Director Hwang Dong-hyuk (of "Squid Game" fame) uses this crucible of crisis to examine how high-stakes political maneuvering unfolds when a nation's survival hangs in the balance. The film centers on the philosophical divide between two royal advisors: Lee Byung-hun's pragmatic minister Choi, who advocates for immediately surrender to save lives, and Kim Yun-seok's idealistic minister Kim, who insists on fighting till the end to preserve honor. Park Hae-il's young king becomes the fulcrum between these opposing forces, ultimately responsible for decisions that will determine not just his own fate but that of his entire kingdom. Hwang's direction emphasizes the physical and psychological toll of the siege alongside the intricate ideological debates unfolding within the fortress walls, with stunning cinematography that captures both the fortress's imposing beauty and its gradual transformation into a frozen prison. The film's deliberate pacing mirrors the dizzying complexity of the moral arguments themselves, though this methodical approach may occasionally tests the viewer's patience. What elevates "The Fortress" beyond spectacle is the profound sincerity with which these arguments are delivered — each side rooted in genuine devotion to the country and its people. Both ministers present their cases with riveting conviction, and the film suggests that in extreme circumstances, there may be no purely moral choices — only different forms of compromise with an unforgiving reality.

Starship Entertainment wins lawsuit against cyberbully 'Taldeok Prison Camp'
Starship Entertainment wins lawsuit against cyberbully 'Taldeok Prison Camp'

Korea Herald

time11 hours ago

  • Korea Herald

Starship Entertainment wins lawsuit against cyberbully 'Taldeok Prison Camp'

Notorious "cyber wrecker" operator faces continous defeat in lawsuits Starship Entertainment, the agency behind girl group Ive, has won a partial victory in its lawsuit for damages against cyberbully YouTube channel "Taldeok Prison Camp." On Tuesday, the court ruled in favor of Starship, ordering the channel operator, a woman surnamed Park, born in 1988, to pay 50 million won ($37,000) in damages. The verdict will serve as a strong warning to a growing number of so-called "cyber wrecker" channels, which profit from spreading malicious, baseless rumors and defamatory content about celebrities. From November 2022, Starship filed both civil and criminal suits against 'Taldeok Prison Camp,' citing the continuous spread of false claims that severely defamed the agency and its artists, disrupted business operations, and caused significant emotional distress to both the artists and their fans. The agency initially sought 100 million won in damages. To identify the anonymous channel operator, Starship utilized the US legal system's discovery process. They first obtained a disclosure order from a US court and demanded that the identity of the person behind "Taldeok Prison Camp" be revealed to Google's US headquarters. Park became the first anonymous Korean YouTuber to be unmasked and brought to court. Between October 2021 and June 2023, Park uploaded 23 defamatory videos targeting seven celebrities. Earlier this year, Jang Wonyoung also won a separate civil suit against Park, with the court ordering Park to pay another 50 million won in damages. Park has faced other lawsuits and convictions for spreading malicious rumors about other K-pop stars, including Kang Daniel, Karina, Suho, V and Jungkook. In one such case, she was convicted in the first trial and sentenced to two years in prison, with three years' probation. The appeal is ongoing. In a statement following the court's decision, Starship said, 'Through this ruling, we have pursued every possible civil and criminal avenue against the operator of 'Taldeok Prison Camp.' We believe this result holds her legally accountable beyond the financial gains she made from her illegal acts.' The agency added, 'This case sends a clear and powerful warning to so-called 'cyber wrecker' creators who profit from content that defames, insults or slanders others for clicks and revenue.'

Woman who pestered IU online slapped with another fine, for another attack
Woman who pestered IU online slapped with another fine, for another attack

Korea Herald

time13 hours ago

  • Korea Herald

Woman who pestered IU online slapped with another fine, for another attack

Court awards 3 million won fine for malicious comment, after the writer had already been fined for the same offense last year A 40-year-old woman previously punished for contempt against IU has been sentenced to a fine for another malicious comment, once again against the K-pop superstar. Seoul Central District Court found the defendant surnamed Kim guilty of insult, a criminal offense in South Korea, sentencing her to 3 million won ($2,200) fine. The defendant was accused of posting sexually offensive comments against the 32-year-old singer and actor, along with the accusation that her agency Edam Entertainment had bribed the judges in recent litigations. Kim denied writing the comments, and claimed that they did not specify a target and it did not damage IU's reputation. The court rejected the defendant's claims, pointing out that Kim had already been punished for similar crimes and that she had not been forgiven by the victim. But the court issued a relatively lenient sentence in giving her the same punishment handed when she had no priors, as the offense had been committed before she was indicted for her previous offense. In the previous online attack against the victim, Kim wrote comments disparaging IU for her singing and attire in April 2022. Kim said the comments merely expressed her personal preference and that her linguistic skills are limited due to her mental condition, but the court sentenced her to 3 million won fine in December of last year. Edam Entertainment has been engaged in legal battles against those posting malicious comments against IU, with the agency saying in November that it has filed for criminal punishment against 180 individuals. IU, one of the most popular and influential figures in the Korean pop culture, has been subject to online attacks for years. She was recently targeted by supporters of disgraced ex-President Yoon Suk Yeol, expelled for his martial law imposition in December, when she paid for food and drinks to be provided for protesters calling for Yoon's impeachment earlier this year.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store