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L.A. Mayor Karen Bass Issues Executive Directive To Reduce Red Tape On Local Film & TV Production

L.A. Mayor Karen Bass Issues Executive Directive To Reduce Red Tape On Local Film & TV Production

Yahoo20-05-2025

Los Angeles Mayor Karen Bass issued an executive directive Tuesday aimed at removing some of the red tape surrounding local film and television production.
The directive orders city departments to 'cut regulations and streamline processes' for the industry, per Bass' office. Those orders include making iconic locations like the Griffith Observatory, Port of LA, and the Central Library cheaper and easier to shoot at and instituting a 'proactive, film-friendly approach to communication' between productions and the city, particularly on matters that could impact filming schedules.
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Bass is also directing the city to require only a single city staffer on set. Previously, multiple staffers including firefighters and retired or off-duty police could be required depending on the shoot.
'The City is taking bold action to support our legacy industry,' Bass said Tuesday. 'Keeping entertainment production in L.A. means keeping good-paying jobs in L.A., and that's what we are fighting for. I am taking action alongside Councilmember Adrin Nazarian to make sure L.A. is always the best place for film and TV production while we continue to champion making California's production tax credit more powerful. Hard working people across Los Angeles are counting on us.'
Bass' action comes after the L.A. City Council passed Nazarian's motion to reduce 'onerous regulations and permitting' as well as other 'unnecessary fees, inconsistent safety requirements.'
The motion directs the city's Chief Legislative Analyst (CLA), and all relevant departments to report back on adjustments to city fees, permits, parking and security requirements for location shooting, filming on city-owned property and certifying new sound stages. This directive from Bass appears to be the progression of those efforts.
Added Nazarian: 'I'm focused on making it easier to shoot in L.A. We need to cut the red tape and roll out the red carpet for our film crews. That means lower fees, an end to price gouging, and expedited approval for film permits. Film and TV production aren't just essential to our economy, they're essential to our identity as a city. For over a century, this industry has made Los Angeles a magnet for talent and a hotbed of innovation in culture and technology. If we want Los Angeles to remain the capital of the global entertainment industry, we need to Keep Hollywood Home.'
As L.A. looks for local solutions, the response to runaway production has extended all the way to the White House after Jon Voight presented a plan to Donald Trump aimed at enticing production back from overseas. California Governor Gavin Newsom has also led the charge on increasing domestic production, and his proposal to expand the state's Film & TV Tax Credit Program is also currently making its way through the Legislature.
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Shiels: From Detroit to Hollywood - news anchor traveled to Tehran and elsewhere
Shiels: From Detroit to Hollywood - news anchor traveled to Tehran and elsewhere

Yahoo

time2 days ago

  • Yahoo

Shiels: From Detroit to Hollywood - news anchor traveled to Tehran and elsewhere

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California Senate Approves Film & TV Tax Credits Bill
California Senate Approves Film & TV Tax Credits Bill

Yahoo

time3 days ago

  • Yahoo

California Senate Approves Film & TV Tax Credits Bill

In a near-unanimous vote, the California Senate today passed its version of legislation aimed at expanding and retooling the state's Film and Television Tax Credit Program. The vote on Senate Bill 630 was 34-1, with the only nay coming from Sen. Roger Niello, who represents the city of Sacramento and surrounding areas. The bill (read it here) now moves on to the state Assembly. More from Deadline Show Us The Money: When Can Productions Expect To Reap Benefits Of California's Proposed $750M Film & TV Tax Credit Expansion? SAG-AFTRA's 'Here's Looking At You L.A.' & Mayor Karen Bass Push For State & Federal Tax Incentives To Get Hollywood Working Again Sweetened New York Production Incentives A Go As State Budget Passes Along with Assembly Bill 1138 — which passed the Appropriations Committee last month — the legislation would expand the definition of a qualified motion picture, allowing additional projects to apply for the program, including series with episodes averaging 20 minutes or more, animation films, series, and shorts, and large-scale competition shows. After years of strife for the California film and television industry, Gov. Gavin Newsom in October proposed a significant increase to the overall cap on incentives, more than doubling it from $330 million to $750M annually. SB630 and AB1138 seek to do more than just provide additional finance incentives to studios who bring physical production back to California. The sister bills also are meant to 'amend, update, and modernize' the program. The legislation comes amid the latest spurt of runaway production as other states ramp up their film and TV tax incentives programs in an effort to lure production away from California. New York last month passed a state budget that includes expanded incentives. RELATED: Also getting Hollywood's attention is President Donald Trump's bombshell announcement of planned tariffs on movies produced outside the U.S., which were decried many in the industry, along with Newsom, who said Trump has 'no authority' to impose the tariffs. Here is how the voting on SB630 went: Best of Deadline 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More Everything We Know About 'Nobody Wants This' Season 2 So Far List Of Hollywood & Media Layoffs From Paramount To Warner Bros Discovery To CNN & More

Inside Eminem's drug-'fueled' recording of 'Kim' 25 years ago
Inside Eminem's drug-'fueled' recording of 'Kim' 25 years ago

New York Post

time7 days ago

  • New York Post

Inside Eminem's drug-'fueled' recording of 'Kim' 25 years ago

True to one of his biggest hits, Eminem lost himself in the music. That's what happened during the making of 'Kim,' the hip-hop icon's most shocking song on his blockbuster album 'The Marshall Mathers LP,' which came out 25 years ago on May 23, 2000. The twisted murder fantasy about killing his then wife Kim Mathers became a horrorcore classic, with Eminem voicing both sides of the fatal blowup in graphic, gruesome detail. 9 Eminem shed his Slim Shady alter ego and revealed his true self on 'The Marshall Mathers LP.' Redferns Advertisement 9 'The Marshall Mathers LP' is the second-best-selling rap album of all time, after 'The Eminem Show.' Amazon 'Now bleed, bitch, bleed! Bleed, bitch, bleed! Bleed!' spits the enraged rapper after slitting Kim's throat. Producer Jeff Bass said that Eminem was 'f–king pissed off' about Kim — who wasn't letting him see their daughter Hailie at that time in their tumultuous relationship — when he came into the studio for one of the drug-'fueled' sessions. Advertisement 'So I came up with this very dark track, and then he literally went into the booth and started rapping about what we hear now on that record,' Bass told The Post. 'He came up with that probably in an hour.' And the recording session turned into a therapy session. 'He was able to get s—t off his chest that really bothered him personally,' said Bass. 'Obviously, he didn't kill anybody, but … there's some truth in some of it.' As the first song written for 'The Marshall Mathers LP' — which took its title from Eminem's real name — 'Kim' revealed a more personal side of the rapper who had adopted an alter ego for his previous album, 1999's 'The Slim Shady LP.' And while there were bigger hits such as 'The Real Slim Shady,' 'The Way I Am' and 'Stan' that helped propel his third studio LP to over 11 million sales in the US, the rawness of 'Kim' cut deep. 'It was not a radio record, but it was one of the most powerful records on this particular album,' said Bass. '[He] got to show the world another side of who he is.' Advertisement 9 'We would work in the studios for, like, 20 hours a day,' said producer Jeff Bass of recording 'The Marshall Mathers LP' with Eminem. Jeff Bass/Instagram 9 Eminem was married to Kim Mathers from 1999 to 2001 and then again for a few months in 2006. Getty Images But the track — which was a prequel to ' '97 Bonnie & Clyde' on 'The Slim Shady LP,' where Eminem and daughter Hailie dispose of Kim's corpse — scared Eminem's own label. 'Interscope [Records] called for a meeting, and they were like, 'What are we going to do with this? Now you're pushing the envelope,'' recalled Bass. 'And we're like, 'Well, it's freedom of speech, so we're allowed to say anything we want to say, right?'' Advertisement But 'Kim' was deemed too graphic to even be featured on the 'clean' version of 'The Marshall Mathers LP' — no amount of censoring was going to get rid of its murderous narrative. So the song was replaced by the 'South Park'-sampling 'The Kids' on the 'clean' version, leading many to buy that in addition to the explicit version in the days before streaming. 9 Eminem and longtime producer Dr. Dre won Best Rap Video at the 2000 VMAs for 'Forget About Dre.' FilmMagic, Inc 'Which is why I think it was so successful,' said Bass. 'It was brilliant.' But later in 2000, Kim sued Eminem for defamation over the song's lyrics, and they reached a settlement. 'Kim' was the third song that Eminem recorded about his ex-wife, who he was married to from 1999 to 2001 and then again in 2006 for only a few months. The first of those tunes was 'Searchin' ' on the rapper's 1996 indie debut 'Infinite,' which Bass also produced along with his brother Mark after they discovered Eminem in their hometown of Detroit. By the time they got to 'The Marshall Mathers LP,' they were in a nonstop groove. 9 Eminem performed at the 2000 MTV Video Music Awards at NYC's Radio City Music Hall. Getty Images 'We would work in the studios for, like, 20 hours a day, and we would just come up with song after song after song after song,' said Bass, who shared production duties with Dr. Dre, Mel-Man and the 45 King. 'We just would keep creating to see what flowed together well on an album.' Advertisement But in addition to losing themselves in the music, they were also losing themselves in drugs. 'We were doing lots of drugs,' said Bass. 'It fueled what we were coming up with … We hadn't admitted yet that we were drug addicts. So to us, this was normal, just getting high, going in the studio, writing all this music, recording the music. Opioids — that was the choice of drug.' 9 'In my mind, it's always a possibility,' said producer Jeff Bass of possibly working with Eminem again. Jeff Bass/Instagram Bass would continue to work with Em on 2002's 'The Eminem Show,' producing and co-writing the hits 'Without Me,' 'Cleanin' Out My Closet' and 'Superman.' Advertisement 'We still were doing drugs, we were still doing all kinds of stupid s–t, but, you know, had major success,' he said. Then Bass produced and co-wrote Eminem's No. 1 smash 'Lose Yourself,' from his movie '8 Mile,' which won an Oscar for Best Original Song. 9 Eminem joined the Dr. Dre-led halftime show at the 2022 Super Bowl. Getty Images 'It was the biggest thing that I probably ever wrote,' he said. 'For me, musically, that was my pinnacle.' Advertisement After Bass took a break from working with Eminem on 2004's 'Encore,' the pair reunited for 2009's 'Relapse,' which would be their last album together. 'We were high, and it felt like s–t was just falling apart, but that was the drugs,' said Bass. 'And we didn't have a falling-out or anything. It was just creative differences.' Eminem released 'The Marshall Mathers LP 2' in 2013, but like most sequels, it didn't quite live up to the original. Still, Bass said, 'there's real nice, shining moments on that album.' 9 Eminem performed 'Stan' with Elton John at the 2001 Grammy Awards, where he won three trophies. Getty Images Advertisement Although Bass hasn't talked to Eminem 'in probably 17 years,' he doesn't rule out working together again. 'In my mind, it's always a possibility,' he said. 'And the funny thing is, our studios here in [Ferndale] Michigan are literally across the street from each other.' But they will always share in the legacy of 'The Marshall Mathers LP,' which is the second-best-selling rap album of all time — after 'The Eminem Show' — and is widely considered to be the Rock & Roll Hall of Famer's greatest work. 'At the end of the day, you know, it's a piece of work that will just be here in perpetuity, forever,' said Bass. 'It's a piece of history, which is amazing to be a part of.'

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