Mass Appeal Confirms New Albums from Nas, De La Soul, Mobb Deep
The post Mass Appeal Confirms New Albums from Nas, De La Soul, Mobb Deep appeared first on Consequence.
Rap legend Nas' Mass Appeal Records continues to cater to traditionalists and oldheads with the announcement of its 'Legend Has It…' series, featuring seven new albums from New York hip-hop pioneers.
New records from Nas & DJ Premier, De La Soul, and Mobb Deep are among the upcoming releases slated to drop before the end of 2025, along with Ghostface Killah's long-rumored Supreme Clientele 2, his Wu-Tang Clan cohort Raekwon the Chef's Emperor's New Clothes, and a posthumous Big L project, as well as 'the epic return of a surprise guest of honor.'
Notably, De La Soul and Mobb Deep will each be releasing their first albums since the passing of respective members Trugoy the Dove and Prodigy.
Many of these upcoming projects have been teased in some capacity. Nas and DJ Premier officially announced their collaborative project almost exactly one year ago, while De La Soul's Maseo told Kyle Meredith in 2023 that he and bandmate Posdnuos were working on their highly anticipated album AOI 3.
This past February, longtime Mobb Deep collaborator The Alchemist broke the news that he would be co-producing a new Mobb Deep album with Havoc and mentioned Nas would be involved.
No official release dates have been announced. Check out a teaser trailer below.
Popular Posts
Wife of Weezer Bassist Scott Shriner Shot By Police, Charged with Attempted Murder
The 100 Best Guitarists of All Time
Green Day Open Coachella With "American Idiot" Performance: "Not a Part of MAGA Agenda"
Flaming Lips' Wayne Coyne: Billy Corgan Was a "Raging A**hole" on Lollapalooza
A Night of Mayhem: Lady Gaga's Coachella Performance Is One for the History Books
Billy Idol on John Lydon's Sex Pistols Insults: "Of Course John's Gonna Be Pissed"
Subscribe to Consequence's email digest and get the latest breaking news in music, film, and television, tour updates, access to exclusive giveaways, and more straight to your inbox.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time Magazine
6 hours ago
- Time Magazine
Call Her Alex Isn't a Portrait of Alex Cooper—It's an Infomercial for Her Brand
In the breakout third episode of Call Her Daddy, the podcast's co-hosts, Alexandra Cooper and Sofia Franklyn, encouraged a male listener to track his crush's movements via Snapchat, advised a woman that there was no need to tell her boyfriend about her sugar daddy, and plotted to sell dirty Coachella shoes to foot fetishists. But the bit that really made 'Gluck Gluck 9000,' posted on Oct. 3, 2018, a classic was Cooper's lively and detailed description of the eponymous, supposedly game-changing oral sex technique. Six years and three days later, Cooper hosted an episode of the same podcast in which she posed to Kamala Harris, then the Vice President of the United States and Democratic candidate for President, questions about mental health, reproductive rights post- Roe, and the economic challenges facing young people. How did the Call Her Daddy that launched, not so long ago, as a chronicle of two 20-something Lower East Side roommates' X-rated exploits evolve into the ultra-mainstream Call Her Daddy of today? The short answer is that Cooper and Franklyn's cheerfully raunchy banter quickly attracted an audience of millions and just kept getting more popular, fueled by successive deals with the fratty platform Barstool Sports, then Spotify, and now a three-year Sirius XM contract reportedly worth $125 million. A more illuminating explanation for the show's expansion into a media empire would require an understanding of who Cooper—a solo act since Franklyn's departure in 2020—really is. The Hulu doc Call Her Alex presumably exists to offer such insight. But in just two scattered episodes (whose release as a series rather than a feature probably comes down to marketing), it's less a portrait of the podcaster than an infomercial for her brand. Directed by Ry Russo-Young (Nuclear Family, And Just Like That) and, crucially, produced by Cooper's company Unwell, Call Her Alex takes a form so typical of the authorized 21st century celebrity documentary, it's become a cliché. Behind-the-scenes footage of Cooper preparing for her first tour, which she's determined to make more exciting than the live tapings that comprise so many podcasters' events, is paired with a roughly chronological origin story. In the present, tension builds around troubled rehearsals of a program that includes musical numbers where Cooper is flanked by male dancers. The pressure to give her beloved listeners, known as the Daddy Gang, an unforgettable night seems insurmountable. An anxious Cooper seeks comfort from her unflappable husband and business partner, Matt Kaplan (a figure so adored by the Daddy Gang, some audience members carry giant cutouts of his face). Of course, as the trope dictates, last-minute disasters give way to an unequivocally triumphant opening night. The biographical portions can feel evasive—weirdly so, considering that messiness and candor are central to Cooper's brand—often swerving away from uncomfortable topics. She recalls escaping the pain of boys' bullying, as a skinny redhead, by bonding with other girls on the soccer field and making videos with friends. Then, suddenly, the awkward childhood photos are replaced by images of the perfectly proportioned and coiffed blonde she'd become by the time she matriculated at Boston University. There's no talk of how this glow-up might've affected her personal life or career, or the messages it might send to skinny redheads who worship Father Cooper, as she calls herself. The defining contradiction of Call Her Daddy, like Cosmo and the 'female chauvinist pigs' of Y2K pop culture, is its frequent implication that female empowerment requires catering to male desires. But Russo-Young never really interrogates Cooper's gluck-gluck feminism. Also conspicuously downplayed is the Cooper-Franklyn split, a perennial hot topic for the Daddy Gang. Talking heads who lived through it allude to a breakdown of the women's personal relationship as well as their professional partnership, as they renegotiated their initially meager Barstool contract—old news. Cooper doesn't have much to say about this. And while Barstool's controversial founder, Dave Portnoy, who also became a character in the contract drama, offers a few anodyne words of praise for Cooper in the doc, Franklyn is only glimpsed in archival footage. Anyone hoping to learn more about the end of the friendship, which isn't necessarily unreasonable for fans of a show premised on the intimacy of girl talk, will be disappointed. Still, Cooper is too savvy to put out a product entirely devoid of revelations. The morsel of news that started circulating in the days leading up to the series' release concerns the accusations of sexual harassment she levels in Call Her Alex against a since-retired BU soccer coach. Framed by Cooper's return to Boston for her tour, her story of a female coach who she says pried into her sex life and touched her inappropriately and used the students' scholarships to manipulate them—and of the university's alleged refusal to act on her scrupulously documented complaint—is infuriating. (Boston University has yet to comment on these allegations.) It also complicates Cooper's memories of soccer as a safe space and her choice to build a career around what is often euphemized as locker-room talk, though those aspects of the ordeal are barely explored. Instead, it's framed as yet another chance for Cooper to demonstrate her strength and tenacity. 'I was so determined,' she says in a voiceover that accompanies her stroll across an empty BU soccer field, 'to find a way where no one could ever silence me again.' Cooper is indeed a force—shrewd, ambitious, dynamic, hard-working. She knows her worth and fights for it. But that much has been obvious for years, to anyone with a casual awareness of her ascent to media-mogul status, as she's built an empire that now includes a media company (Trending), a podcast platform (Unwell Network), and an electrolyte drink (Unwell Hydration). The Daddy Gang certainly gets it. Which raises the question of who the audience for this documentary is supposed to be. Potential business partners, maybe? Watching Call Her Alex, at times, I felt as though I was being pitched a product: an empowered woman whose brand is female empowerment. All this marketing detracts from an element of Cooper's personality that is far more fascinating and rare and, I think, critical to her appeal than the stuff Russo-Young focuses on: she's great with people. The glimpses we do see of her interactions with fans are among the doc's highlights. When an audience member at one of her tour dates tearfully recounts how Call Her Daddy helped her cope with her father's death from cancer, Cooper calls her up to the stage, gets her a chair, sits at the young woman's feet, holds her hand, listens and reacts to every sentence of her story. Any performer could go through these same motions, but Cooper's care and curiosity—whether she's talking to a fan or a disgruntled employee or the most powerful woman in U.S. history—always come across as genuine. When she tells someone 'I f-cking love you,' which she often does, it sounds like she means it. This is probably why so many of her Gen Z listeners have likened her to a big sister. Yet she's something more complicated, too, a comforting but also aspirational figure, whose ugly-duckling-to-sex-goddess-swan transformation has left her with an unusual combination of empathy for the everygirl and the charisma to make that Daddy Gang diehard feel special. In a world that plays mean girls against mere mortals, she plays the part of the people's Regina George, her burn book replaced by an endless supply of sincere compliments.
San Francisco Chronicle
11 hours ago
- San Francisco Chronicle
Exclusive: Entertainment complex to land in this S.F. waterfront neighborhood
A 'multi-sensory playground' of geodesic domes — imagine a trio of mini Las Vegas Spheres — will bring an immersive entertainment complex to San Francisco's Pier 70, enlivening a waterfront development site that has been stalled since the pandemic. The domes will feature live music, movies, educational programing like nature documentaries and wellness-oriented offerings like sound baths and yoga. Elevation XR, which operated a similar venue in Los Angeles during the pandemic, has signed a five-year lease to put four structures (the three domes and a pyramid) on a site between the bay and a historic building that was recently renovated and opened to the public. The four structures, which range from two-and-half to four and a half stories, are being built in Eastern Europe and will be shipped to San Francisco. The project will cost about $7 million and open early next year on the three-acre site. The four structures combined will accommodate about 2,500 people. There will be parking for 200 cars to the south of the park. As it did in L.A., the park will feature productions inspired by The Beatles, Pink Floyd, The Grateful Dead and Daft Punk, with top-notch cover bands playing live along with immersive visuals. The group has also built temporary domes at Coachella, SXSW and Burning Man. Elevation XR CEO Sean Ahearn said that the goal is to 'build a cultural hub that celebrates innovation, creativity and the incredible local talent that makes San Francisco so special.' 'In an age where so much of life is spent online, we're inviting the community to step away from the everyday, look up, and engage with immersive experiences that spark wonder, reflection, and connection,' he said. The project comes as developer Brookfield Properties has paused most of the work at Pier 70, with the exception of the restored historic Building 12, which has been filling up in recent months with tenants including Standard Deviant, Sven Ceramics and Breadbelly. There is a paper artist, a florist, a motorcycle dealer, a pickleball and padel complex, a sneaker designer, a metalsmith and other tenants. The Pier 70 development is approved for nine acres of waterfront parks, up to 2,150 homes, up to 1.75 million square feet of commercial office and lab space, a waterfront arts building, light industrial space for local makers and rehabilitated historic buildings. The property is next to the former Potrero Power where a developer is planning to build 2,600 units and recently announced plans to put an interim park and amphitheater on a site eventually slated for a hotel. The developer is unlikely to break ground on a new structure at Pier 70 in the next year, said Brookfield Vice President of Development Tim Bacon. The three parcels that will accommodate the domes are scheduled for later phases of development, so the dome park is unlikely to cause any delays. 'We feel like the market is slowly recovering but there is still a need for more growth and more momentum,' Bacon said. 'These ground-up projects are still very complicated. High construction costs and uncertainty over tariffs are adding to the uncertainties we have experienced in the last five years.' With Building 12 filling up, Bacon said 'it felt like a great moment to bring more people down here.' 'Fifteen years ago no one thought we would be building a bunch of domes out on the waterfront,' said Bacon. 'Brookfield is a strong believer that interim activations are one of the tools to help advance development. You build momentum.' Ahearn said he had hoped to open a dome park seven years ago but city officials and the real estate community didn't embrace the idea. 'Before Covid, … San Francisco wasn't friendly toward it.' This time it has been different Brookfield and Mayor Daniel Lurie both embracing the concept. Lurie said in a statement that 'projects like this help us reimagine what's possible in our city while creating new opportunities for residents, artists, and local businesses alike.' Susan Eslick, a longtime resident of Dogpatch and board treasurer of the Dogpatch Business Association, called the project 'thrilling.' 'Elevation Sky Park will be an extension of Dogpatch's expansive creative community and a venue for the arts,' she said. 'We want kids and students to feel welcome here,' said Ahearn. 'We don't want anyone to feel like they can't get in because they can't afford a ticket.'
Yahoo
a day ago
- Yahoo
Billie Eilish and Nat Wolff seemingly confirm romance with a kiss in Italy: A timeline of their blossoming relationship
It looks like summer lovin' for Billie Eilish and her rumored boyfriend, Nat Wolff. The singer-songwriter appeared to confirm her romance with the actor-musician when the pair were seen kissing in Italy on June 7. Rumors that Eilish, 23, and Wolff, 30, were an item hit a fever pitch in March when they were seen leaving the iHeartRadio Music Awards together. Wolff, who is one half of the musical duo Nat & Alex Wolff, with brother Alex, starred in Eilish's self-directed 'Chihiro' music video, which was released in June 2024. Eilish previously described the video as being emblematic of her 'inescapable connection' with Wolff. From their weekend in Coachella to their night out in New York City, here's a look back at Eilish and Wolff's relationship. Wolff's brother, Alex, met Eilish at an Oscars party in 2023. Eilish and both Wolff brothers reportedly grabbed a bite to eat after the party. Eilish, according to Alex, bonded with both brothers over Tourette's syndrome. All three of them live with the disorder, which is characterized by repetitive and involuntary sudden movements. 'Even when I saw Billie on interviews, I said, 'Oh, she's one of us,'' Alex told Variety in October 2024. 'We know all the ways that we try to mute ourselves or try and chill ourselves out or soften ourselves for other people, and how nice it is to not have to do that for certain people.' Eilish attended Coachella with both brothers. The brotherly duo shared photos from their weekend in the desert, which heavily featured the 'Lunch' singer. Wolff starred in Eilish's self-directed music video for her single 'Chihiro' just two months after their Coachella outing. Eilish, in a press release, described the video's concept as showcasing the 'external expression of an internal push and pull, as our deepest feelings of fear, love, or desire inevitably catch up to us, no matter how hard we try to run away.' In the music video, the Grammy winner and the former Nickelodeon star are unable to stay away from one another — which Eilish previously said is representative of their 'inescapable connection.' The Wolff brothers were then confirmed as the opening act for Eilish's Hit Me Hard and Soft North American tour, from September to October 2024, and then again for select dates in November. The duo rejoined Eilish on tour as the opener for her Dec. 17 show in Inglewood, Calif. 'She's one of those people where almost everything she does, she does better than everyone else,' Wolff told Vogue about Eilish in October 2024. 'She's like, 'Come see me ride my horse,' and the teacher says, 'You know, if she put all her energy into it, she could go to the Olympics.' You just have to kind of submit to the fact that she's going to be better than everyone else at everything.' Eilish and Wolff found themselves embroiled in romance rumors in March 2025, when the popular Instagram account Deux Moi shared photos of them leaving the iHeartRadio Music Awards together in Los Angeles. The Hit Me Hard and Soft hitmaker was spotted with Wolff the following week in New York City. While barhopping with friends in the East Village, the pair were reportedly 'very affectionate' with one another. Deux Moi then posted photos of Eilish and Wolff kissing on a balcony in Italy in June 2025. In the carousel of photos, Eilish is seen taking photos of Wolff with a digital camera, while the pair sip flutes of champagne. 'Tbh extremely happy for her bc she deserves a nice healthy love, and Nat's a good guy,' one fan commented on Deux Moi's Instagram post. 'Look at her smiling and everything likee cmon soooo cute🥺🥺🥺🥺!!!'
