
With Poker Face Season 2, Natasha Lyonne Gets Philosophical
I can hear Natasha Lyonne well before I see her. 'This jacket is maybe the craziest jacket I've ever worn in my life,' she shouts, her New York-accented rasp carrying over the din of the Poker Face set. 'I feel like an Oompa Loompa that is also Ray Liotta in Goodfellas in this outfit! Because of the starch!'
It's a drizzly day in late November, and Lyonne is filming the eighth episode in Poker Face's second season with John Cho on a cavernous Brooklyn soundstage. As the two reset for another take, Lyonne comments that she wishes a stack of prop money had more movement. 'They don't quite fan in the way I was hoping,' she says. From his director chair behind the monitor, Tony Tost, the season's showrunner, remarks that Lyonne 'thinks like a director.' (Indeed, the actor is involved on every level of the process, with executive producing, writing, and directing credits to her list of accomplishments.)
Poker Face is a collaboration between Lyonne and Knives Out impresario Rian Johnson. The weekly Colombo-esque whodunnit follows Lyonne as Charlie Cale, a woman whose uncanny ability to spot a lie routinely gets her in trouble. When we last saw Charlie, she'd solved her best friend's murder (which served as the first season's through line) and evaded the shady casino manager, played by Adrien Brody, who tried to have her killed. This season continues the murder-of-the-week format, with Charlie facing off with everyone from an evil quintuplet to a wicked elementary schooler—all while fleeing a crime syndicate called the Five Families.
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Washington Post
38 minutes ago
- Washington Post
It's a lonely time to be a very online Biden guy. Not a joke!
Chris D. Jackson doesn't think there was a cover up. In fact, he doesn't think there was anything to cover up. 'I fully admit that he got older, he got slower, but his mind was still there,' Jackson says of Joe Biden's much-discussed faculties. In fact, maybe Biden's advanced age made him a better president. 'When he was younger, he was a little less disciplined — he would make verbal gaffes, and he'd walk them back,' Jackson says. 'The president I saw over four years was more deliberative, he waited before he spoke, he made good decisions.' Jackson, 38, chairs the Democratic Party in Lawrence County, Tennessee, and was an early, enthusiastic volunteer for Biden's 2020 presidential campaign. He built a sizable online following by posting a ceaseless stream of pro-Biden content to his then-Twitter account and was rewarded in kind with invitations to the White House. Every time Jackson saw him — at least half a dozen times since 2019, Jackson says — he says Biden seemed sharp. The president always recognized Jackson and would recall specific details, such as calling Jackson's father when he was sick in 2019 and sending Jackson flowers after he was injured in a motorcycle accident in 2024. About that disastrous debate performance — where Biden appeared, in the worst way, every bit his age? 'He was definitely sick that night,' Jackson says. 'I think we've all had moments like that.' But the idea that Biden's struggles were nefariously hidden from the public? Jackson will have not of it. 'There was no cover-up, period,' he says — saying the punctuation mark aloud, as Biden often did when making a point. A recent book begs to differ. 'Original Sin,' by CNN's Jake Tapper and Axios's Alex Thompson, alleges that Biden showed signs of cognitive decline while in office, such as being unable, at times, to remember the names or faces of aides and longtime acquaintances. They reported that members of Biden's inner circle limited his work schedule to a narrow band of hours when he was sharpest — while shielding Democratic officials and even senior members of his administration from a full picture of the president's limitations. ('There is nothing in this book that shows Joe Biden failed to do his job, as the authors have alleged, nor did they prove their allegation that there was a cover up or conspiracy,' texted a spokesperson for the former president, who called Biden 'an effective President who led our country with empathy and skill.') The book's arrival has sharpened the recriminations of Democrats in the aftermath of President Donald Trump's return to power. Many party officials now concede that the 82-year-old Biden was, in fact, too old to run — even the ones who defended his fitness for office before he dropped out of the race in July. 'It's frustrating. He was a good president,' Jackson says. He has a hard time watching some of the same people who supported Biden this past summer turn into critics and second-guessers. 'He's just a decent guy. For people to be attacking him, and there being very little pushback …' So Jackson takes it upon himself to push back, upward of dozens of times a day, to his 125,000 followers on X. 'Who else is going to do it, if I don't do it?' he says. Who's with him? Well, there's Jaime Harrison, the former Democratic National Committee chair, who disputed an account in the book that suggests Biden didn't recognize Harrison at an event in South Carolina in 2023. ('Better check my cognitive abilities as well because I sure as hell don't remember this,' Harrison wrote on X.) There are some former aides, such as former White House speechwriter Dan Cluchey, who said 'the relentless, ravenous media effort to portray' Biden as 'mentally incapacitated' was 'distasteful & baffling to me.' There are family members, such as Biden's granddaughter Naomi, who described the book as 'political fairy smut for the permanent, professional chattering class,' and his daughter Ashley, who posted a seaside selfie with the former president and first lady with a caption that began, 'The ONLY coverup of this family is a BEACH coverup.' But Jackson's campaigning on behalf of Biden's fragile legacy might be the most relentless. He posted recent images of Biden — 'looking sharp, relaxed, and unbothered,' the caption read — and wondered if Tapper and Thompson 'need a wellness check.' On May 14, about a week before the publishing date of 'Original Sin,' Jackson posted that the book's 'breathless hype and promises of political bombshells … is now being compared to the infamous Fyre Festival.' As to who was making that comparison, he didn't say in the post. (Asked about it this week, he says he was referring to himself.) Then there were the AI renderings he made of a reimagined book cover ('Original Sin: The Dramatic Overhyping of a Presidential Crisis That Never Happened'), and of Tapper and Thompson dressed as clowns. Spokespeople for Tapper and Thompson did not respond to requests for comment. The book debuted at No. 1 on the New York Times bestseller list and has been out for more than two weeks. The passage of time hasn't made Jackson any less vigilant. On Monday, he lashed out at former congressman Dean Phillips (D-Minnesota), one of the only Democrats to challenge Biden in the 2024 primary, over comments Phillips made about Democrats hiding 'the truth' about the former president. 'You ran, you got humiliated by a man we all knew was old,' Jackson posted on X. Jackson, who has a day job in higher education, says he is not paid for his constant posting, which, he admits, can become all-consuming. 'My wife says I spend too much time on it,' he says. But his work has not gone unappreciated by the remaining Biden ride-or-dies (Bide-or-dies?): Jackson says has received notes of gratitude from some people who were 'pretty high up in the administration.' Though he won't say who. The Biden presidency is over, and his legacy may be in jeopardy. But Jackson has no plans to concede. 'As aggravating as this stuff is, I won't give up,' he says, 'because I know the president won't give up.'


New York Times
38 minutes ago
- New York Times
‘Madden NFL 26' trailer packed with snowstorm highlights, Travis Hunter as a Jaguar, new game features
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The Drive
41 minutes ago
- The Drive
Judge Kills ‘Eleanor' Mustang Copyright Appeal. All Replicas Are Legal
The latest car news, reviews, and features. The grey restomod Shelby GT500 Mustang known as 'Eleanor' from Gone in 60 Seconds is iconic and immediately recognizable to car nerds. It is not, however, distinctive enough to have its likeness protected by copyright, at least according to the appeals court that has finally settled a case around this issue. As of May 27, 2025, an appeals court has upheld a previous ruling that stripped the original Gone in 60 Seconds director's estate of the rights to restrict independent outfits from building replicas of the GT500 that has appeared in four films. Yep, that's right, four . In addition to the original, there's Nicolas Cage Gone in 60 Seconds remake, along with a meta-film starring the original film's director ( The Junkman ), and a George-Lucas-esque re-imagining of the original dubbed Deadline Auto Theft . One might say that writer-director H. B. Halicki and his estate have been milking poor ole Ellie for all she's worth since day one, but an appellate court ruling out of Pasadena, Calif., looks like it'll put this old cow out to pasture for good. If this sounds familiar, you're not crazy. The suit brought by the Shelby Trust against Halicki's surviving wife, Denice (who owns the copyrights to the first three films, in addition to the merchandising rights to Eleanor as it appears in the remake film) was originally ruled on nearly three years ago. Previously, Shelby and Halicki had settled a suit relating to design details being mimicked by Shelby in a 'GT500E' replica it sold that looked conspicuously similar (virtually identical, one might say) to the car used in the 2000 remake of Gone in 60 Seconds . Not long after that suit was settled, Shelby and Classic Recreations came right back with the GT500-CR (pictured up top there). Unsurprisingly, Halicki went after both Shelby and CR for violating their settlement agreement, and has since gone after other builders who have ventured into the same space. The Shelby Trust ended up suing in retaliation. Again, Halicki's lawyers contended that Eleanor was a character and thus protected intellectual property, which would make it illegal for Shelby to build and sell unlicensed replicas. The estate lost the suit, then appealed. That brings us to the most recent ruling and something called the Towle Test. Official Fusion Motors 'Eleanor' replica. Named for a copyright case (DC Comics v. Mark Towle) involving unlicensed reproductions of the Adam West-era Batmobile, this is a standard applied to determine whether something constitutes a 'character.' All it has to do is check three boxes (cited here directly from the ruling): The character must have 'physical as well as conceptual qualities,' The character must be 'sufficiently delineated to be recognizable as the same character whenever it appears' and display 'consistent, identifiable character traits and attributes,' and The character must be 'especially distinctive' and contain 'some unique elements of expression.' According to the court, Eleanor misses all three qualifications. What hurts Halicki's case the most is Eleanor's inconsistent on-screen portrayal and lack of any anthropomorphizing qualities. In other words, Eleanor doesn't say or do anything distinctive, nor act in any inherently characteristic way. Courts don't necessarily expect a non-human character to take on K.I.T.T. levels of sentience, but a degree of agency (even if only implied through interaction with actual human or human-esque characters) goes a long way toward making the case that something is a character rather than a prop. And that's effectively what the court is calling Eleanor—just another prop car. This is the sort of rational take we expect from those who are fluent in legalese, and while we're all for opening up the taps to allow replica builders to produce cool stuff, we can't help but feel a bit let down. Call me a romantic if you must, but I find it hard to imagine just any old car getting Mephis Raines over that wreck on the Vincent Thomas Bridge. That was no mere prop. That was Eleanor . Got a tip? Drop us a line at tips@