
Ye's song praising Hitler was pulled from most online platforms. Are they doing enough?
When controversial rapper Ye's new song praising Adolf Hitler was posted on social media platforms and music streaming services last week, most removed the antisemitic track within days.
But some experts say these companies are not fast enough to respond or not doing enough to prevent the posting of hateful content — which, in the case of the song by the hip-hop artist formerly known as Kanye West, had already been viewed and listened to by millions.
Vlad Khaykin, with the Simon Wiesenthal Center, says tech companies are "falling down on the job" of protecting the public from hate, incitement, harassment and intimidation.
"In this specific case, many of these platforms did take action to remove this from their platform. But the truth is it should have never had a presence on those sites in the first place," said Khaykin, who is the human rights organization's executive vice-president of social impact and partnerships for North America.
Imran Ahmed, CEO of the Center for Countering Digital Hate, agrees that these tech companies are not taking the most basic, common sense approach to systemically deal with content by "hate actors."
Ye praises Hitler, Nazis in livestream interview
2 years ago
Duration 2:08
"There are so many things that they could be doing," he said, whether hiring staff to specifically search for such hateful content or some more "sophisticated technological solution."
"They could use the same tools that they used to identify copyrighted content."
The companies are not transparent about what if any methods they use, he says.
"I can't tell you whether or not there are people who are searching for the content."
Ye's song and video for Heil Hitler, which glorifies the Nazi leader and includes a sample from a Hitler speech, was removed from a number of streaming platforms, but remains on Elon Musk's social media platform X.
It is just the latest antisemitic messaging by Ye, whose X account has been deactivated and reactivated over the past few years because of such posts. This past February, it was deactivated following posts which included Ye declaring himself a Nazi and saying "I love Hitler."
But he was soon back on X, where his Heil Hitler (Hooligan Version) video is now nearing 10 million views.
Jim Berk, CEO of the Simon Wiesenthal Center, called out X for allowing the song — saying in a statement it had become Ye's "partner in spreading vitriol against Jews" — and for allowing a "flagrant violation of its own rules."
"We call on X to remove West from its platform and for other platforms and distributors to refuse to host or monetize this song," he said. "There must be a clear line when it comes to glorification of genocidal regimes, particularly to millions of young people."
Neither X nor Musk have responded publicly to these complaints. But a number of other tech platforms say they've pulled Ye's song.
A spokeswoman for SoundCloud, said in an email to CBC News that the audio streaming platform had taken steps to remove nearly 400 versions of Heil Hitler.
YouTube says it removed the song and will continue to take down re-uploads, while Reddit says it has been removing the song and "any celebration of its message."
Although Spotify did not respond, NBC reported that it also seemed to have removed the song from its platform.
WATCH | How should we treat Kanye West?
Certain tools to ID hateful content
However, Khaykin, from the Simon Wiesenthal Center, says we're in an age of technology when certain tools, like AI, can identify problematic content before it is added to a platform.
In its annual Digital Terrorism and Hate Report Card, the centre rates how well major digital platforms combat online hate, antisemitism and extremism. The criteria includes how fast a platform removes such content once reported, and whether they have transparency reports with specific data on hate/terrorist content removals.
But the centre gave low grades to most of those platforms in its 2025 report — TikTok got a C, Spotify got a C-, and Cs also went to both Google/YouTube and Facebook/Instagram.
"It's not really, I think, a matter of capability," Khaykin said. "It's really a matter of will. Does there exist the will to actually, seriously do something about it? And unfortunately, sometimes the will to do the right thing, it bumps up against the profit motive."
Ahmed, with the Center for Countering Digital Hate, also questions the companies' priorities.
"It's worth remembering that these platforms, if you try and upload a few seconds of a copyrighted piece of music, it will be down in a heartbeat," he said. "But they somehow seem incapable of taking action against a piece of content that glorifies in the murder of millions of Jews."
"They seem to be placing less concern about that than they do about someone stealing three seconds of a Taylor Swift song."
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Justin Peck, left, and Patricia Delgado arrive at the 78th Tony Awards on Sunday, June 8, 2025, at Radio City Music Hall in New York. (Photo by Evan Agostini/Invision/AP) NEW YORK — 'Succession' star Sarah Snook took home the first acting Tony Award on Sunday, winning the trophy for leading actress in a play for 'The Picture of Dorian Gray,' in which she plays all 26 roles, reprising a performance that won her an Olivier Award. 'This means so much for a little Australian girl,' she said. She thanked her husband, Dave Lawson, for 'holding down the fort and keeping our family together.' The host with the most First-time host Cynthia Erivo kicked off the show from her dressing room in Radio City Music Hall, urged by the stage manager to get to the stage. He asked if she had an opening number and she replied she hadn't figured it out yet. As she made her way through the backstage warren, she ran into various people offering advice until she reached Oprah Winfrey, who advised, 'The only thing you need to do is just be yourself.' Erivo then appeared at the Radio City stage in a red, spangly gown with white accents, hip cocked, as she launched into the slow-burning original song 'Sometimes All You Need Is a Song,' written by Marc Shaiman, Scott Wittman, Benj Pasek and Justin Paul. Alone onstage with just a pianist, Erivo's soaring voice was soon joined by dozens of members of the Broadway Inspirational Voices choir, all dressed in white, making her look like a powerful strawberry in a bowl of whipped cream. She went into the audience and got front-row guests to sing along, including Adam Lambert. 'So I took in all the voices that told me what to do/And I looked through all the choices and I found one thing is true/It's really very simple/It's the thing that makes you sing, that makes you soar/Sometimes, sometimes all you need is a song.' In her opening comments, she singled out first-time nominees Louis McCartney, Sadie Sink, Cole Escola and 'an up-and-comer that I think you're going to really be hearing quite a bit about -- George Clooney.' She noted that the 2024-2025 season took in $1.9 billion, making it the highest-grossing season ever and signaling that Broadway has finally emerged from the COVID-19 blues. 'Broadway is officially back,' Erivo said. 'Provided we don't run out of cast members from `Succession,'' a nod to appearances this season by former co-stars Snook and Kieran Culkin and last season by Jeremy Strong. Pre-show results 'Buena Vista Social Club,' 'Maybe Happy Ending' and 'Stranger Things: The First Shadow' built up early heads of steam at the Tony Awards -- well before the main event had even started. Each had a leading three trophies from the pre-show. The best book and best score awards went to 'Maybe Happy Ending,' with lyrics written by Hue Park and music composed by Will Aronson. The show was one of the favorites to win the best new musical crown, also picking up best scenic design of a musical. Justin Peck and Patricia Delgado won for choreographing 'Buena Vista Social Club' and Peck noted a song from the renowned album was played at their wedding. The musical takes its inspiration from Wim Wenders' 1999 Oscar-nominated documentary on the making of the Cuban album. 'Stranger Things: The First Shadow,' an effects-driven prequel to the Netflix hit show 'Stranger Things,' won best sound design of a play, best scenic design and best lighting design for a play. 'Sunset Blvd.' won best lighting design for a musical. Marco Paguia won best orchestrations for 'Buena Vista Social Club' and thanked Broadway for welcoming Cuban music. 'Buena Vista Social Club' also won best sound design for a musical. Best costumes in a play went to Marg Hornwell for 'The Picture of Dorian Gray,' while 'Death Becomes Her' won the musical counterpart, a win for Paul Tazewell in a year where he also became the first Black man to win an Oscar for designing costumes, for 'Wicked.' 'I have dressed so many of you out there,' he said from the podium. This season on Broadway Broadway buzz is usually reserved for musicals but this year the plays -- powered by A-list talent -- have driven the conversation. There's Snook, nominee Clooney in 'Good Night, and Good Luck,' Denzel Washington and Jake Gyllenhaal in 'Othello' and Culkin and nominee Bob Odenkirk in 'Glengarry Glen Ross.' There were two Pulitzer winners -- 2024 awardee 'English' and 'Purpose' from 2025 -- but perhaps one of the season's biggest surprises was 'Oh, Mary!,' Escola's irreverent, raunchy, gleefully deranged revisionist history centered on Mary Todd Lincoln. All three are nominated for best play, along with 'John Proctor is the Villain' and 'The Hills of California.' On the musical side, three options seem to be in the mix for the top prize: 'Maybe Happy Ending,' a rom-com about a pair of androids; 'Dead Outlaw,' about an alcoholic drifter whose embalmed body becomes a prized possession for half a century; and 'Death Becomes Her,' the musical satire about longtime frenemies who drink a magic potion for eternal youth and beauty. 'Maybe Happy Ending,' 'Death Becomes Her' and fellow musical nominee, 'Buena Vista Social Club,' led nominations with 10 apiece. History on the line Audra McDonald, the most recognized performer in the theater awards' history, could possibly extend her Tony lead. Already the record holder for most acting wins with six Tonys, McDonald could add to that thanks to her leading turn in an acclaimed revival of 'Gypsy.' She has to get past Nicole Scherzinger, who has been wowing audiences in 'Sunset Blvd.' And Kara Young -- the first Black female actor to be nominated for a Tony Award in four consecutive years -- could become the first Black person to win two Tonys consecutively, should she win for her role in the play 'Purpose.' Other possible back-to-back winners include director Danya Taymor, hoping to follow up her 2024 win with 'The Outsiders' with another for 'John Proctor Is the Villain,' and 'Purpose' playwright Branden Jacobs-Jenkins, who won last year with 'Appropriate.' Other possible firsts include Daniel Dae Kim, who could become the first Asian winner in the category of best leading actor in a play for his work in a revival of 'Yellow Face.' And Marjan Neshat and her 'English' co-star Tala Ashe could become the first female actors of Iranian descent to win a Tony, while their playwright, Sanaz Toossi, could be the first Iranian-born play winner. Broadway this season saw a burst in alt-rock and the emergence of stories of young people for young people, including 'John Proctor is the Villain' and a 'Romeo + Juliet' pitched to Generation Z and millennials. Sunday's telecast, as usual, has a musical number for each of the shows vying for the best new musical crown, as well as some that didn't make the cut, like 'Just in Time,' a musical about Bobby Darin, and 'Real Women Have Curves.' This year, there's also room for 'Hamilton,' celebrating its 10th year on Broadway. But the musicals 'BOOP! The Betty Boop Musical' and 'SMASH' didn't get slots. Mark Kennedy, The Associated Press