
John Fletcher obituary
My father, John Fletcher, who has died aged 87, was an academic and literary critic best known for his work on Samuel Beckett. He helped demystify the Irish playwright to generations of scholars with A Student's Guide to the Plays of Samuel Beckett, which he co-wrote with his wife and literary collaborator, my mother, Beryl.
John discovered Beckett as an undergraduate, after his brother gave him a copy of his novel Molloy. John found it heavy going at first but persevered and ultimately decided to study Beckett for his master's thesis at Toulouse University.
His studies moved him closer to Beckett's orbit in Paris and an opportunity to meet the playwright came in 1960, when the wife of a theatre director who had staged Waiting for Godot for the first time in France offered to introduce him.
Beckett invited John to his flat on the understanding that 'I can't discuss my work, and I never do …' and got on so well with him that at the end of the meeting Beckett lent him a typescript of his first novel, Dream of Fair to Middling Women. It was the start of a long friendship and correspondence lasting until Beckett's death. John collaborated with Raymond Federman to produce the first Beckett bibliography, Samuel Beckett: His Works and His Critics (1970), which became a landmark in Beckett studies.
John was born in Barking, Essex (now east London), to Roy Fletcher, who worked at the Ford plant in Dagenham, and Eileen (nee Beane), who had been a telephonist before marriage. When Roy, who had been a technical civil servant in the Aeronautical Inspection Directorate during the second world war, was seconded to the Control Commission for Germany in 1945, John boarded at King Alfred school, in Plön, in Schleswig-Holstein.
After the family returned to Roy's home town of Yeovil, John attended the grammar school there. He won an exhibition to Trinity Hall, Cambridge, where he graduated in languages and philosophy in 1959. He had fallen in love with France as a sixth former, and returned there to do a master's and doctorate (written in French) at Toulouse. It was there that he met Beryl, who was studying in Montpellier on a year abroad, and they married in 1961.
They stayed in France while John completed his PhD, then returned to the UK in 1964 for him to take up a lectureship at Durham University. In 1966 he moved to the newly founded University of East Anglia as a senior lecturer and soon after professor, where he established the French department and worked until early retirement in 1998, when he and Beryl moved to Canterbury, Kent.
From the mid-1980s, John and Beryl had started doing literary translation work together. Their translation of The Georgics, by Claude Simon, won the 1990 Scott Moncrieff prize. In retirement, John continued to work on translations, his last major work being Voltaire: A Pocket Philosophical Dictionary, which he translated for an Oxford World's Classics edition (2011).
Beryl died in 2021. John is survived by two sons, Edmund and me, a daughter, Harriet, and six grandchildren.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
32 minutes ago
- Daily Mail
Chelsea 'begin talks with £50m-rated Borussia Dortmund star' - as they look to further bolster attack ahead of Club World Cup
Chelsea have stepped up their interest in Borussia Dortmund 's Jamie Gittens as they begin talks over a potential £50million move for the winger. Enzo Maresca 's side are looking to bolster their attack as they prepare for life in the Champions League next season, for the first time in three seasons. Mail Sport understands that Liam Delap has already undergone the first part of his medical ahead of joining the Blues from Ipswich Town for £30m. And now they have set their sights on bringing in a winger to accompany their new frontman. Chelsea first reported their interest in Gittens, 20, when they enquired about his services in January, and according to the Telegraph, they are now ready to act. The England Under 21s starlet is believed to have a release clause around the £50m mark, with many of European football's elite clubs circling. With Jadon Sancho's future at Chelsea still up in the air - with the club debating whether to turn on their obligation to buy the Manchester United loanee for £25m - the Gittens deal is taking their full attention. The west London side are believed to be pushing for a deal to be completed quickly due to both their and Dortmund's participation in the FIFA Club World Cup, which begins on June 14. Gittens would be able to play for the Blues in the competition, should he sign, due to not being selected in Lee Carsley's Young Lions squad as they seek to retain the Under 21s Euros in Slovakia this summer. The Club World Cup is seen as a priority over the youth international tournament, so Gittens was left out by Carsley due to Dortmund's participation. The winger is the next star off of the Bundesliga production line, following in the footsteps of both Sancho and Jude Bellingham by shining in Dortmund. After breaking through in the 2023-24 campaign, Gittens truly began to shine in the last 12 months, scoring 12 goals and bagging five assists in all competitions last season. He also made history in the Champions League, becoming the youngest English player to score in the tournament when he found the net against 15-time winners Real Madrid, aged just 20 and 75 days.


BBC News
an hour ago
- BBC News
BBC Archive: Doctor Who: The Legend of Omega
As season two of Doctor Who draws to a close and the Doctor once again faces not just the Rani, but Omega too, BBC Archives takes a look back at the creation of the character of Omega and his previous encounters with the Doctor. "Omega? But that's impossible. Omega was destroyed." The Doctor (1973) Omega first appeared in the 1973 story The Three Doctors – the first multi-Doctor story in the Whoniverse. The character took a while to develop, as can be seen in these letters from Doctor Who script editor Terrence Dicks to story writers Bob Baker and Dave Martin. This first letter shows that the character of Omega (at this stage named 'Ohm') and the setting of the anti-matter universe he lives in were established early on in the story writing process. As plans for the story progressed, Terrence Dicks continued to correspond with writers Bob Baker and Dave Martin. He suggests that they could create three different aspects of Ohm "to match the three Doctors ", although "the most evil Ohm would finally gain the upper hand". By the time The Three Doctors was seen on screen Ohm had become Omega, the powerful temporal engineer of Time Lord mythology. No wonder the Rani would seek him out for her plans. "Without me, there would be no time travel" Omega (1973) The imposing figure of Omega was originally played by statuesque actor Stephen Thorne. Stephen had previously appeared in the Doctor Who story The Dæmons as the equally towering Azal. He was an actor known for his great voice as well as his height, and could be often heard on BBC radio in addition to his appearances on television. The character of Omega returned to Doctor Who in the 1983 story Arc of Infinity, now played by Ian Collier, where he still hoped to escape the anti-matter universe. In Arc of Infinity Omega tried to use Time Lord technology to give himself a new physical form, copying that of the Doctor, and so was briefly also played by Peter Davison. "Things could have been different. Power, and the greatness of Omega, could have been yours." Omega (1983) Omega returned to Doctor Who in The Reality War having become the god the Time Lord legends created. This time there was no mask wearing actor inside a suit, but the whole character was created by CGI. But the Doctor was still able to force him to remain trapped in the Underverse, maybe to meet again some day, because legends never really die.


Telegraph
an hour ago
- Telegraph
Rio Ferdinand makes it all about himself for one final time
Rio Ferdinand has called his last game for TNT Sports and has left the channel. How should we assess his TV career? When he first worked for BT a decade ago, he was less polished but more insightful. I recall him explaining, for instance, how marking Lionel Messi was not just physically draining but mentally exhausting because Messi had so many ideas and options on receipt of the ball and was entirely unpredictable as to what choices he would select. Rio, recently retired, knew of what he spoke because he had played against the Argentine a few months previously. He was great at this: animated, vivid in description, candid. Once he no longer had recent first-hand experience upon which to draw, he was compelled to develop a new on-screen persona, as all ex-players are once they have been retired a while, at least if they want to stay relevant and on the telly A-list. Some of the obvious archetypes – the hanging judge, the tactician, the statesman, the provocateur – had been either over-subscribed or were not a natural fit for him but he nevertheless managed to carve out an enthusiastic, been-there-done-that niche that appeared authentic to his nature, and his deep medal collection. This was categorised by various factors. Visually, a strong sense of personal style, befitting the son of a tailor, and his farewell outfit for TNT Sports was in keeping with that; a bold black double-breasted suit with no tie but a starched regency collar and a sort of barrister's court band or collarette. A fine figure of a man at 6ft 2in, still with the lean, loose, ballet dancer's grace that once made him such a magnificent covering defender, his exit leaves the TNT squad down to the bare bones in terms of on-screen panache. Owen Hargreaves and Steven Gerrard, also in black suits with open necks on Saturday, looked respectively like the branch manager of a Surrey estate agent and a man about to thump one of his in-laws at the evening bit of a wedding. Rio's suiting and, especially, chunky knitwear choices have been unimpeachable and will be missed. On the other hand, he was wearing loafers on Saturday with 'thank you' and 'good night' embossed upon them and had previewed his valedictory co-commentary assignment on social media with 'the last dance'. Some in the internet peanut gallery, cruelly, were popping the metaphorical champagne at the exit news but, even as a fan, I can see why some say that he has a tendency to make it all about him. Incidentally, TNT has been better at curbing this in Rio and others than BT was in the last days of the Jake Humphrey tenure and it gave him a warm but unshowy send-off via Laura Woods in Munich. It's one final goodbye from the TNT Sports team 👋 Good luck in the future, @rioferdy5 ❤️ — Football on TNT Sports (@footballontnt) May 31, 2025 Anyhow, in the last few years, Rio had taken it upon himself to act as a celebrity Manchester United supporter, gratingly biased at times on screen, part of a trend towards unashamedly partisan commentary that plumbed new depths in April when he and Robbie Savage soiled the furniture during a United win over Lyon. He has got into needless beefs with morons on the internet. He has previous in this regard from his playing days, sometimes with negative outcomes, such as the episode when he went the 'your mum' route to some nobody criticising him on Twitter and got his knuckles rapped by the FA. If I were his manager or people I would be rationing his social media use like a hawk. His energies now seem directed into becoming a sort of unofficial godfather to the next generation of superstars, for instance when he appeared to be having a neurological event in repeatedly shouting 'Ballon d'Or! Ballon d'Or!' about Vinicius Junior or, at the Champions League final, when he was banging on and on (and on) about how good and how young the PSG players are. The generous reading is that he loves football and cool players and he sometimes expresses himself in the manner of a 14-year-old on PlayStation. The more cynical take would be that he has cannily figured out that his media future doesn't lie in trading pitchside platitudes on paywalled TV with Stevie G, but in connecting directly with the yoof, both talent and customers, for clout and cash. That would be consistent with leaving telly to do his YouTube channel Rio Ferdinand Presents (1.3 million subscribers) where he makes matey interviews with fellow ledges such as Cristiano Ronaldo but also, and this is the future-proofing bit, with the new generation like Khvicha Kvaratskhelia and Vitinha of PSG. He has always come across as a man with a heart and a hinterland (his ventures into pop music production, a football academy in Uganda, social activism, a brilliant and rather beautiful documentary about bereavement) but also, and I do not wish to be unkind, as a man with an unfortunate habit of making a bit of a wally of himself (Rio's World Cup Wind Ups, driving bans, announcing that he was going to become a boxer, missing a drugs test because he was in Harvey Nicks). He certainly does not seem to torture himself with questions about the morality of shilling for Saudi Arabia and he does give off the air of a person who would always be looking over your shoulder for somebody more important to glad-hand. But kind of lovably so? I suspect that, much like his playing career, his new media direction will see him be largely excellent but with the occasional howler. Telegraph Sport readers have not generally enjoyed his television work so, if he leaves that role to become a kind of Good Vibes Spreader-at-large and internet-based intergenerational booster and superfan, then that decision could be said to suit all parties. We should wish him good night and good luck.