
Mute Meadow: Will the broken artwork's lights ever come back on?
It was to be the near £1m piece of public art symbolising Londonderry's transition from a city of conflict to a capital of culture.Mute Meadow, a series of illuminated steel columns on the banks of the Foyle, was unveiled in 2011.But since the lights went out more than a decade ago, its pillars have been left to gather rust.Now, its artists are calling for it to be repaired, restored and reinstated "for the people of the city".
Vong Phaophanit, a Turner prize nominee and his co-creator, Claire Oboussier told BBC News NI it is "regrettable that no action has been taken" in the years since the lights went out.Derry City and Strabane District Council, which manages the artwork, said design work for the repair has been completed.Work is now underway to identify the required budget, the council added.That cost has not been made public.The Executive Office, owners of the Ebrington site on which it stands, "will consider a contribution" when it is made aware of the cost.
What is Mute Meadow?
Sitting at the Ebrington end of the city's Peace Bridge, Mute Meadow consists of 40 angled steel columns.The intention was that the steel pillars would be illuminated by LED projectors and lit up in the colours of the stain glass windows of the city's Guildhall.It was designed to create a "vast field of light" across the River Foyle.Costing £800,000, and funded by Stormont, then Arts Minister Gregory Campbell said it would "place arts and culture at the centre of the city's regeneration".Maurice Devenney, Derry's then mayor, said then that it "reflects positively how the city is moving forward" as it prepared for its year as UK City of Culture.It was at the time, the largest piece of public art on the island of Ireland.
But right from the off it was dogged by problems. Within months of being switched on, the lights went out due to issues associated with the fabrication of the work.It was fixed temporarily but by 2014, the lights had gone again.Mute Meadow has by and large, remained in the dark ever since.
'Unfinished building site'
It is now more like "an unfinished building site" than a million pound artwork, SDLP councillor Rory Farrell told BBC News NI."People don't know what it's meant to be, it is an eyesore," he said.At a time when budgets are tight and a number of local groups have lost out on core funding, Farrell said he understands the repair work may not be everyone's priority."But I for one want to see this operational, it would add to out cultural offering and transform the landscape along the river," he said.
What do people think of Mute meadow?
The hundreds of people to cross the city's Peace bridge daily pass just yards from Mute Meadows' metal pillars.Mark Froydenlund told BBC Radio Foyle he knows the nearby steel pillars are "some kind of sculpture".The cost seems "expensive" given it doesn't work, he said, adding "they should get it working".
Maurice Hudson and Deirdre Watson from Belfast are staying in a hotel just a few hundred yards from Mute Meadow.Neither "had a clue" the artwork existed or what the steel columns are for.Maurice said there are other priorities "like the state of our national health service." Deirdre agreed, adding money could be spent "a better way, for things like housing".But Maurice added, when a lot of money has already been spent, the lights should be on."With the people of Derry/Londonderry not having to pay for the electric," Deirdre added.
Billy Quigley tells the BBC he has "no idea" the steel beams at the end of the Peace bridge were intended to be a work of art."That is wasted money," he said, adding the money spent thus far could "have gone to better causes".
'Enduring contribution to the cityscape'
In a statement, Phaophanit and Oboussier said there seemed to have been a lack of care around their artwork.The artists hope that "proactive action" is taken to repair the piece and reinstate it for the city.
Mute Meadow, the artists said, was "one of our most challenging and meaningful pieces of work to realise"."Our hope and intention was that it would make an enduring contribution to the Derry cityscape - a positive and peaceful space where people could gather, somewhere where Derry citizens could continue to develop a sense of collective belonging for years to come."The artists said they remain committed to help in any way they can.
What next for Mute Meadow?
The council said a concept design has been completed to restore the artwork's lighting."Council is currently working to identify adequate budget to deliver the works," a spokeswoman said.The cost of those works is due to be presented to councillors in the coming months."Council will also continue to work with The Executive Office to find a lasting solution for the long-term future of the artwork."The Executive Office (TEO) said it is also supportive of the work needed to repair it."We understand a concept design exists for relighting the artwork and a cost estimate has been compiled. On receipt of costs from council we will consider a contribution," a TEO spokesperson said.
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The Sun
24 minutes ago
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31 minutes ago
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Telegraph
38 minutes ago
- Telegraph
How to style a pillbox hat for Royal Ascot
Suddenly I'm standing taller, as if that imaginary string my mother always harped on about is finally pulling me up from the crown of my head. I'm looking in the mirror at milliner Jess Collett's studio in Notting Hill, London, where she's just placed a petrol-blue pillbox hat on my head, adorned with a navy bow made from her grandmother's old frock. 'This silhouette frames the head so beautifully. When you're talking to someone, the first place they look is your face – a pillbox surrounds the wearer like a halo,' beams Collett, whose whimsical creations have graced many a royal, including the Princess of Wales, Princess Charlotte and Zara Tindall. Now I understand why the style was such a go-to for timeless fashion icons like Jackie Kennedy and Queen Elizabeth II, who frequently wore the mod, brimless silhouette in a variety of confection-like looks throughout her reign. With this minimalist crown perched on my head, I find myself holding it just a little bit higher. 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Though there is no wrong way to wear the pillbox per se, she stipulates that there are some rules to styling it for your specific face shape. If you have a longer face, avoid placing the hat too far back on your head – this will elongate your face in an unflattering way. Opt for an angle that sits closer to your forehead, or even cuts across it, similar to how I've styled the toffee-coloured pillbox from Jane Taylor, who counts Beyoncé and the Duchess of Edinburgh as clients. This also works for those with rounder faces – placing it at a jaunty little angle will give you some sharpness. The Pan Am flight attendant-ness of it all just adds to the fun. And if you've got an oval face, lucky you: most angles (and hat styles in general for that matter) will suit you. A pillbox is also great for those on the petite side, as it adds height and draws up your frame rather than drowning you in a big brim. How to style your hair and secure the hat Sam McKnight, the legendary hairstylist responsible for Diana's sleek 1990s makeover, knows a thing or two about hair that's both regal and contemporary. 'When accessories are formal, I love to balance that with a more modern, undone look,' he says. 'Effortless waves and texture feels like you haven't tried too hard and keep things looking fresh and youthful.' He advises against hairstyles with too much volume and height, since you're already getting that from the hat itself. Collett, meanwhile, is a fan of a low bun with a pillbox – or even this season's most talked-about haircut, the edgy bob (Jackie O looked sharp in the silhouette for a reason). Now for ensuring your chapeau doesn't blow away in the summer breeze: most pillboxes come with a comb inside to secure the hat to your hair. For added grip, Collett adds an elastic to her hats, which is meant to be placed at the back of the head, underneath the hair. In her studio, she shows me how to use grips to pull out pieces of my hair to camouflage the elastic – and even takes a sharpie to it, the same shade of brunette as my bob, to further hide it: If you're after a Fort Knox level of security, opt for a hat pin on top of it all. Simply stick it through the back of the hat, ensuring it grabs onto your hair, and pull it out the other side. How to wear it at Ascot When it comes to styling the pillbox for formal events like Royal Ascot, Collett says it's all about the trimmings: a simple style calls for clean tailoring. Think Jackie O's pastel suits and matching hats – or even Demi Moore, who wore a veiled, gothic pillbox paired with black trousers and a tailored t-shirt on a red carpet last year. I echo this approach in my matching Me+Em bouclé skirt and top, allowing the hats to take centre stage. For a design with a bit more zhuzh, such as the cherry-red Jess Collett floral piece or the black-and-white button style from John Lewis I'm pictured in above, a floatier dress would match the energy nicely. Think Queen Elizabeth's joyful bubblegum pink pillbox – complete with 25 pink 'bells' hanging off the back to commemorate her Silver Jubilee – which she paired with a breezy pleated coat dress. Shoot styled by Sophie Tobin