Grand National: Weights and entries for 2025 race
All the weights for the 87 entries for the Grand National at Aintree on 5 April - a maximum of the 34 top-rated horses will line up on the day.
Horse, breeding, age, weight, trainer
1 I Am Maximus (FR) 9 11-12 Willie Mullins
2 Royale Pagaille (FR) 11 11-9 Venetia Williams
3 Envoi Allen (FR) 11 11-8 Henry de Bromhead
4 Grangeclare West (IRE) 9 11-8 Willie Mullins
5 L'Homme Presse (FR) 10 11-8 Venetia Williams
6 Nick Rockett (IRE) 8 11-8 Willie Mullins
7 Hewick (IRE) 10 11-7 Tara Lee Cogan
8 Gentlemansgame (GB) 9 11-5 Mouse Morris
9 Inothewayurthinkin (IRE) 7 11-5 Gavin Cromwell
10 Monty's Star (IRE) 8 11-5 Henry de Bromhead
11 The Real Whacker (IRE) 9 11-4 Patrick Neville
12 Minella Indo (IRE) 12 11-3 Henry de Bromhead
13 Appreciate It (IRE) 11 11-2 Willie Mullins
14 Capodanno (FR) 9 11-2 Willie Mullins
15 Conflated (IRE) 11 11-2 Gordon Elliott
16 Delta Work (FR) 12 11-2 Gordon Elliott
17 Minella Cocooner (IRE) 9 11-2 Willie Mullins
18 Stumptown (IRE) 8 11-2 Gavin Cromwell
19 Beauport (IRE) 9 11-1 Nigel Twiston-Davies
20 Hitman (FR) 9 11-1 Paul Nicholls
21 Bravemansgame (FR) 10 11 0 Paul Nicholls
22 Chantry House (IRE) 11 10 13 Nicky Henderson
23 Galvin (IRE) 11 10-13 Gordon Elliott
24 Perceval Legallois (FR) 8 10-12 Gavin Cromwell
25 Threeunderthrufive (IRE) 10 10-12 Paul Nicholls
26 Fakir d'Oudairies (FR) 10 10-11 Joseph O'Brien
27 Iroko (FR) 7 10 11 Oliver Greenall & Josh Guerriero
28 Kandoo Kid (FR) 9 10 11 Paul Nicholls
29 Trelawne (GB) 9 10 11 Kim Bailey & Mat Nicholls
30 Idas Boy (IRE) 11 10 10 Richard Phillips
31 Intense Raffles (FR) 7 10-10 Tom Gibney
32 Limerick Lace (IRE) 8 10-10 Gavin Cromwell
33 Senior Chief (GB) 8 10-10 Henry de Bromhead
34 Broadway Boy (IRE) 7 10-9 Nigel Twiston-Davies
35 Coko Beach (FR) 10 10-9 Gordon Elliott
36 Farouk d'Alene (FR) 10 10-9 Gary Brown
37 Fil Dor (FR) 7 10-9 Gordon Elliott
38 French Dynamite (FR) 10 10-9 Mouse Morris
39 Mr Incredible (IRE) 9 10-9 Sandy Thomson
40 Stay Away Fay (IRE) 8 10-9 Paul Nicholls
41 Zanahiyr (IRE) 8 10-9 Gordon Elliott
42 Pinkerton (IRE) 9 10-8 Noel Meade
43 Meetingofthewaters (IRE) 8 10-7 Willie Mullins
44 Minella Drama (IRE) 10 10-7 Donald McCain
45 Velvet Elvis (IRE) 9 10-7 Gavin Cromwell
46 Celebre d'Allen (FR) 13 10-6 Philip Hobbs & Johnson White
47 Fontaine Collonges (FR) 10 10-6 Venetia Williams
48 Horantzau d'Airy (FR) 8 10-6 Willie Mullins
49 Hyland (FR) 8 10-6 Nicky Henderson
50 Monbeg Genius (IRE) 9 10-6 Jonjo & AJ O'Neill
51 Vanillier (FR) 10 10-6 Gavin Cromwell
52 Minella Crooner (IRE) 9 Gordon Elliott
53 Quick Wave (FR) 12 10-5 Venetia Williams
54 Three Card Brag (IRE) 8 10-5 Gordon Elliott
55 Twig (GB) 10 10-5 Ben Pauling
56 Duffle Coat (IRE) 8 10-4 Gordon Elliott
57 Roi Mage (FR) 13 10-4 Patrick Griffin
58 Shakem Up'arry (IRE) 11 10-4 Ben Pauling
59 Fantastic Lady (FR) 10 10-3 Nicky Henderson
60 Favori de Champdou (FR) 10 10-3 Gordon Elliott
61 Yeah Man (IRE) 8 10-3 Gavin Cromwell
62 Chemical Energy (IRE) 9 10-2 Gordon Elliott
63 Macdermott (FR) 7 10-2 Willie Mullins
64 Mister Coffey (FR) 10 10-2 Nicky Henderson
65 Mr Vango (IRE) 9 10-2 Sara Bradstock
66 Bronn (IRE) 8 10-1 Tom Gibney
67 Desertmore House (IRE) 10 10-1 Martin Brassil
68 Malina Girl (IRE) 8 10-1 Gavin Cromwell
69 Richmond Lake (IRE) 9 10-1 Donald McCain
70 La Renommee (FR) 7 10-0 Dr Richard Newland & Jamie Insole
71 King Turgeon (FR) 7 9-13 David Pipe
72 Stuzzikini (IRE) 7 9-13 Gordon Elliott
73 Cruz Control (FR) 8 9-12 Tom Lacey
74 Surrey Quest (IRE) 8 9-12 Toby Lawes
75 Apple Away (IRE) 8 9-11 Lucinda Russell
76 Busselton (FR) 8 9-11 Joseph O'Brien
77 Gevrey (FR) 9 9-11 Gordon Elliott
78 Spanish Harlem (FR) 7 9-11 Willie Mullins
79 The Goffer (IRE) 8 9-10 Gordon Elliott
80 Famous Bridge (IRE) 9 9-9 Nicky Richards
81 Copperhead (GB) 11 9-7 Joe Tizzard
82 Escaria Ten (FR) 11 9 7 Martin Keighley
83 Where It All Began (IRE) 9 9-7 Gordon Elliott
84 Git Maker (FR) 9 9-6 Jamie Snowden
85 Gericault Roque (FR) 9 9-4 David Pipe
86 Pats Fancy (IRE) 10 9-3 Rebecca Curtis
87 Placenet (FR) 8 9-3 David Cottin
I Am Maximus heads Grand National weights
Latest horse racing results
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
Kendrick Lamar's ‘GNX' Wins Album of The Year at The 2025 BET Awards
Kendrick Lamar took home the award for Album of the Year at the 2025 BET Awards, beating out Beyoncé, The Weeknd, Drake, and more, and adding to the impressive string of accolades for the L.A. rapper following his now-infamous feud with Drake. His award was presented to him by actor Keke Palmer. During his acceptance speech, he acknowledged that he hasn't often attended the BET Awards in recent years, but said it's always been important to him. 'I ain't been here in a long time,' he said, 'BET always makes sure that they represent the culture right, and always put me in the midst of the cycle of what we represent, and that's real, true down to Earth music that people can feel. So I always give my heart to BET.' He looked towards the back of the crowd and showed out 'All my L.A. natives' before thanking God and his company, PG Lang. More from Rolling Stone Teyana Taylor Makes the BET Awards Her 'Escape Room' in Fiery Performance Lil Wayne Wows the BET Awards With 'A Milli' Performance Doechii Slams Trump's L.A. Protest Crackdown While Accepting BET Award He also shouted out SZA, who was also in attendance and added, 'We on tour right now, please come to the show.' They are in fact in the middle of their Grand National tour, which finishes its North American dates this month and hits Europe in July. Lamar, who is the night's most nominated act, was handed a slew of additional trophies by host Kevin Hart, though the particulars of the awards were not named. Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked
Yahoo
02-06-2025
- Yahoo
Kendrick Lamar and SZA's Grand National Tour Is a Spellbinding Display of Star Power
One year ago last week, Kendrick Lamar set flames to Drake's reputation that the rap world is still feeling the embers from. In just a week, songs like 'Euphoria,' '6:16 In LA,' and yes, 'Not Like Us,' bested Drake's offering in their quick-draw war of words, and subsequently crowned Lamar the rapper of his generation in the eyes of many. He rode that momentum into GNX, a 12-track album that debuted at Number One on the Billboard 200. That's the tidal wave of energy he rode into the MetLife Stadium stop of his Grand National Tour, alongside Jersey girl SZA. He and SZA are in high demand. The 35-year-old singer-songwriter is a bona fide music superstar in her own right, and the two offered the tristate area a special main event concert. The show started with DJ Mustard, who did his best to warm up the crowd with rap standards before Lamar and SZA hit the stage. The stage design somewhat resembled the diamond design of Lamar's Super Bowl halftime set, with a giant stage leading out toward three smaller bases. The design gave the two ample room to roam and get decent face time with fans in the lower levels, which they both took advantage of throughout the set. (The stage also rose during the show.) Behind them was a giant three-panel screen. From my stage-right vantage point, I could see how the two used the stage's angles to project a panoramic view of certain visuals. The screen served different purposes at different junctures. For SZA, there were multiple serene landscapes aiding her dreamy catalog, while Lamar used videos of himself in March 1992 during 'DNA,' and hammered home his attack on Drake's identity with a collage of Black iconography during 'Not Like Us.' More from Rolling Stone Kendrick Lamar Leads BET Awards Nominations, Doechii, Drake, Future, GloRilla Tie Behind Him Drake's Label Wants His Revised 'Not Like Us' Lawsuit Dismissed: Legal 'Blather' A Year Later, No One Can Get Over the Kendrick and Drake Beef Lamar came out first, rising from a black Grand National car below the stage and tearing into 'Wacced Out Murals' (the Grand National SZA rose from was naturally covered with ivy). The two alternated between sets all night with a slick interplay. Lamar turned the mood down with 'Man at the Garden,' leading into SZA's 'Scorsese Baby Daddy,' while she ended her solo set with 'Kiss Me More,' leading into Lamar's final tracks; they also had moments when they did collaborations such as '30 for 30' and 'Luther.' Their switches also gave the two time to switch attire multiple times. While Lamar alternated from a mostly camo fit, putting his jacket on and off, SZA was in full starlet mode, with four different outfits. But no matter what they were wearing, they had the crowd captivated. SZA stuck to lights and fireworks, whereas Lamar had fireballs going off, especially during his Drake disses. The mixed-aged crowd, seemingly mid-thirties and down, likely discovered Lamar and SZA at various points along their decades-plus journeys, and some may have just tapped in last year. It seems like Lamar's more recent output got the most recognition. He even noted the dynamic, jokingly telling fans to turn to their neighbors, church-style, and ask if they knew one of his earlier singles. I've seen Lamar play arenas and festival stages multiple times, and he carried the same craft into his stadium show, delving into his rapid-fire rhymes without missing a beat. He also introduced some flourishes for his live show, performing a new verse on 'Family Ties' and remixing songs like 'mA.A.d city' over Anita Baker. While the tour's title and the moment at large belonged to Lamar, the Jersey crowd loved SZA. They popped for her pop hits, like 'Kill Bill,' and for heartrending tracks, like 'Nobody Gets Me,' which were all sung solidly with no backing vocals. She had guitarists play during multiple songs, including 'F2F.' She acknowledged the magnitude of the moment by raving, 'Am I home or what?' And later declared alongside Kendrick that 'the myth of New York having no energy is over.' And though she didn't do her in-air routine because of the Northeast winds, she still gave a varied set, dancing all over the stage. Both artists took the elephant in the room head on. Lamar performed his verse of 'Poetic Justice,' while SZA recited her verse on 'Rich Baby Daddy.' Curiously, Lamar refrained from saying 'Oakland' when he rhymed 'That __ show gonna be your last stop' on 'Not Like Us.' But that's not to be confused with mercy. Lamar performed 'Euphoria' and 'Not Like Us,' with the former song inspiring his barest, most intentional usage of the giant screen behind him (placing 'Lies About Me, Truth About You' in red font over a black background). And while the crowd went up for 'A minor…,' and 'we don't wanna hear you say nigga no more,' it wasn't a bash-Drake event. The audience seemed just as excited to sing the 'Don't Kill My Vibe' chorus and 'I do,' during SZA's rendition of 'I Hate U.' Both artists tore through their catalog standards, utilizing the full stage, as did dancers accompanying them in various fashions. When several women popped their asses out as Lamar rapped 'Show me something natural' during 'Humble,' they were a visual ad-lib. Some of them picked up SZA during one track, and bolstered her choreography on many others. When a man did a solo dance routine at the end of 'Squabble Up,' he felt like a co-star. Between songs were humorous clips of the two being 'deposed.' While the clip that played before 'Not Like Us' has gone viral, the show displayed several other clips. In one, Lamar chides the interviewer for nonsensically implying he disappears from the public yet seeks attention. In another clip, they struggle to pronounce SZA's name, which may have something to do with her saging the room in another snippet. And toward the end of the set, the two dig into their natural-comedian bags during a clip of a gas station snack run. Their years of musical chemistry played out well onscreen and onstage. Both artists tried their best to engage the hefty crowd, and mostly succeeded with movement, strong vocals, and a mesh of creative screen animations, pyrotechnics, and lighting. While the set lasted two and a half hours, it rarely lulled, with both doing a solid job of imbuing their set portions with energetic songs to keep the crowd into it. Lamar and SZA are seasoned veterans at this point in their respective careers, and that was reflected even during their first stadium tour. They were strictly business — in a good way. Best of Rolling Stone The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked The 500 Greatest Albums of All Time
Yahoo
28-05-2025
- Yahoo
‘Luther' Ties ‘Not Like Us' for Most Weeks at No. 1 on Hot R&B/Hip-Hop Songs Chart
Barely three months after his 'Not Like Us' shattered the mark as the longest-running No. 1 on Billboard's Hot R&B/Hip-Hop Songs chart, Kendrick Lamar is back for another stab at the record books. Lamar's 'Luther' collaboration with frequent collaborator (and current Grand National co-headliner) SZA captures a record-tying 22nd week at No. 1 on the multi-metric Hot R&B/Hip-Hop Songs chart dated May 31, matching 'Not Like Us' for the all-time mark since the chart became a singular, all-encompassing genre ranking in October 1958. 'Not Like Us' rang up 21 weeks in charge in 2024 amid its moment in Lamar's diss track war with Drake, and rebounded for a 22nd frame in February after Lamar's performance of the song during the halftime show of Super Bowl LIX on Feb. 9. More from Billboard 13 Best Moments From Kendrick Lamar & SZA's Grand National Tour Kickoff In Minneapolis Shaun Cassidy Gets Ready for the Longest Tour of His 45-Year Career: 'I Felt the Need to Connect with People' Bono Cheekily Weighs in On Springsteen Vs. Trump Squabble: 'There's Only One Boss in America' For SZA, the 'Luther' look also returns her to a perch she once claimed: Before 'Not Like Us' took the title, the singer-songwriter's 'Kill Bill' scored the most weeks at No. 1 on Hot R&B/Hip-Hop Songs, 21 in 2022-23. As 'Luther' shares the gold medal, here's a look at the songs the most weeks at No. 1 on Hot R&B/Hip-Hop Songs in its 66-year history: Most Weeks at No. 1 on Hot R&B/Hip-Hop Songs: 22, 'Luther,' Kendrick Lamar & SZA, 2024-2522, 'Not Like Us,' Kendrick Lamar, 2024-2521, 'Kill Bill,' SZA, 2022-2320, 'Old Town Road,' Lil Nas X feat. Billy Ray Cyrus, 201918, 'Industry Baby,' Lil Nas X & Jack Harlow, 2021-2218, 'One Dance,' Drake feat. WizKid & Kyla, 201616, 'Blurred Lines,' Robin Thicke feat. T.I. + Pharrell, 201315, 'Be Without You,' Mary J. Blige, 2006 For its 22nd week in charge, 'Luther' registered 16.7 million official United States streams, 2,000 sales downloads and 60.5 million in airplay audience in the tracking week of May 16-22, according to Luminate, declines of 8%, 6% and 4%, respectively, in each metric. Mirroring its Hot R&B/Hip-Hop Songs triumph, 'Luther' achieves a 22nd week at No. 1 on the Hot Rap Songs chart. The melodic rap cut remains in second place for the longest stay at the summit in the chart's 35-year history, trailing only 'Not Like Us' and its 26-week record. While 'Luther' extends its domination on the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, it surrenders the top spot on the all-genre Billboard Hot 100 to Morgan Wallen's 'What I Want,' featuring Tate McRae. The new champ clips the 'Luther' reign at 13 weeks – still, easily the longest-running No. 1 for both Lamar and SZA atop the flagship chart. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Four Decades of 'Madonna': A Look Back at the Queen of Pop's Debut Album on the Charts Chart Rewind: In 1990, Madonna Was in 'Vogue' Atop the Hot 100
