7 Best Moments as Kenny Chesney Becomes First Country Artist to Play Las Vegas' Sphere
Las Vegas may be landlocked, but Kenny Chesney took fans to the beach Thursday night (May 22) in the opening night of his 15-date Sphere run.
More from Billboard
Morgan Wallen Reclaims ARIA Albums Chart With 'I'm the Problem'
Alex Warren Teams Up With Jelly Roll for Stomping Country Single 'Bloodline'
Dolly Parton Hasn't Ruled Out Joining Beyoncé on Her Cowboy Carter Tour: 'You Never Know'
The four-time Country Music Association Awards entertainer of the year, the first country artist to play the immersive venue, is one of the most celebrated live performers in any genre and he showed once again why during the two-hour and 15-minute concert. During the fun and breezy 27-song set, many songs celebrated the island lifestyle that embodies the spirit of Chesney's No Shoes Nation.
According to Billboard Boxscore, Chesney is the only country artist to reach $1 billion in concert grosses reported to Billboard. His passionate No Shoes Nation fanbase has followed him into stadiums, which he has filled for 20 years, so to see him in the 18,000-seat Sphere is a chance to view him relatively close up (despite the crazy steep pitch of the four levels).
Throughout the show, Chesney exhibited a welcome spirit of gratitude for his fans, excitement over his first Las Vegas residency (no starting small for him), and elation at being back on stage, noting this was his first show of 2025. As anyone who's seen one of his stadium shows knows, Chesney thrives on contact with prosceniums that extend far out into audience. The Sphere doesn't allow that, so he had to make do with occasionally palm slapping with fans standing in the front section, dubbed The Sandbar, but he still managed to fully connect with the crowd.
Chesney, who was inducted into the Country Music Hall of Fame in March, has logged 33 No. 1 hits on Billboard's Country Airplay chart, which is more than any other artist since the chart launched in 1990. He landed his first No. 1 in 1997 with 'She's Got It All,' and most recently topped the chart last year with 'Take Her Home.' In between have been such hits as 'The Good Stuff,' 'Living in Fast Forward,' 'Don't Blink,' 'American Kids,' 'Better as a Memory' and 'No Shoes, No Shirt, No Problem.'
So, it's no surprise that the show relied heavily on hits (heck, he could have played nothing but his No. 1s and still had the show go longer than two hours), but he also trotted out deeper cuts and lesser performed tunes to create a one-of-a-kind show.
Chesney's residency lasts through June 21 and tallies 15 dates.
Billboard was at Sphere for opening night, and we've rounded up the best moments of the evening.
It feels like each act who plays Sphere builds on the amazing special effects and visuals from the acts who came before them and betters them, but Chesney's opening sequence was truly spectacular and honestly felt like a theme-park dark ride attraction. The 270-degree wraparound screen (which covers 160,000 square feet) took us deep-sea diving through a shipwreck and further into the abyss, surrounded by sharks and schools of fish before coming to the surface where pirate ships with No Shoes Nation flags flying. At the same time the haptic seats are vibrating and moving as the sea turns into the Sphere and it literally feels like the venue does a 360-degree turn in a move that's breathtaking (and a little nauseating if you're prone to motion sickness) and utterly astounding. So, in other words, make sure you're in your seat when the show starts because you really don't want to miss this thrill ride.
Without pandering, Chesney played tribute to Las Vegas in ways both big and small. During 'Living in Fast Forward,' one of Chesney's most enjoyable, upbeat songs 20 years after its release, he incorporated footage of a NASCAR race at Las Vegas Motor Speedway. Then in a much more obvious way, for his last number before the encore, 'Out Last Night,' the scenery switched to the Las Vegas Strip with Sphere with his No Shoes Nation logo and the surrounded hotels including the Venetian and a neon Las Vegas sign (Chesney, embracing the 'What happens in Vegas stays in Vegas' motto, figured the audience would continue the party after they left the venue, noting, 'It's really possible you're going to wake up tomorrow next to someone you know or someone you don't know.' Not to be outdone, Chesney's bass player, Harmoni Kelley rocked a white, sequined jumpsuit in an homage to Elvis's Vegas era.
In a show full of dazzling visuals, 'Big Star,' his 2002 song about a woman who ends up a superstar despite all those who doubted her, was a standout. 'Big Star' became a pinball machine drawing the audience in as if part of the game as balls careened around the Sphere and lights flashed. Other than the opening sequence, it was the most immersive, impressive spectacle of the night. But the nicest part was he used the song to pay tribute to some of the women who came before and after him, showing photos of him with Loretta Lynn and Reba McEntire and then Kelsea Ballerini and Megan Moroney, both of whom he has mentored and taken on tour.
A little more than half-way through, Chesney huddled with band and crew. They poured a few drinks (made with Blue Chair Rum, no doubt), some of which Chesney and band handed out to audience members. Chesney then said they were deciding what to do next (a nice (that's a nice twist to do every show and add in songs not on the setlist) before launching into 1999's 'She Thinks My Tractor's Sexy.' Shortly into the song, Kelsea Ballerini, in a sparkly silver dress, appeared on stage. Chesney seemed genuinely surprised and mightily delighted to be reunited with his fellow Knoxville native and former touring partner, grabbing her in a sweet bear hug, and expressed his surprise again after they finished the song. They then launched into 'Half of My Hometown,' their 2021 duet that went straight to No. 1, with Ballerini telling him, 'I love you,' at the end, and his answering, 'I love you, too.' They then finished with 'You & Tequila,' his bittersweet 2011 duet with Grace Potter (as the song's video played in the background). Their friendship and affection for each other was sweetly palpable. He noted that she wasn't the only friend in attendance, namechecking Van Halen's Michael Anthony and football great Peyton Manning.
If there's one song that sums up Chesney's ethos, it's 2018's 'Get Along,' which Chesney introduced by adding, 'It's what we're about.' It's the only song of the night where the lyrics appeared on the screen, leading to a sing along. And in a world divided, words like 'Always give love the upper hand' and 'Make a friend, can't we all get along?' feel like so much more than just platitudes; they feel like Chesney's Commandments and necessary. Throughout the evening, Chesney's good vibes prevailed, turning Sphere into a big love-in.
Fans don't usually look to Chesney for statement songs or tunes that address social issues, but 'Welcome to the Fishbowl,' the title track to his 2012 album, was downright prophetic, looking at the way social media and technology were going to change our world—in many ways for the worse. 'I wrote this song 15 years ago. Little did I know it wasn't a glimpse into the future,' Chesney said. The visuals were especially strong, with Chesney appearing from inside a mobile phone. Coincidentally, sitting inside Sphere definitely feels like sitting inside a fishbowl.
Prior to starting his residency, Chesney said he would be digging deep into the catalog, as well as bringing the hits, and did he ever. Right after 'Fishbowl,' he launched into 'One Lonely Island,' from his most recent album, Born. It was the first time he'd done the ballad about two lost souls drifting toward each other for a little comfort or 'a night of healin',' as Chesney sings. He followed that a few songs later with 'Seven Days,' from 2010's Hemingway's Whiskey, another tune that he had never performed live before. 'Thanks for letting us do that,' Chesney said afterwards, but the pleasure was all ours.
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
ZZ Top's Frank Beard Returns to Band Following Health-Inspired Leave of Absence
ZZ Top drummer Frank Beard has announced his return to the band, more than two months after unspecified 'health issues' necessitated a leave of absence. Beard's return was announced via a statement from the group's management, noting that the drummer will return to his rightful place behind the kit this weekend, and will 'see the tour through to its completion in October.' More from Billboard The Amity Affliction Cover Turnstile's 'Holiday' for 'Like a Version' Mariah Carey Celebrates 20 Years of 'The Emancipation of Mimi': Stream It Now Miley Cyrus' New Album 'Something Beautiful' This Way Comes: Stream It Now 'We're happy that Frank is back with Elwood [Francis, bassist] and yours truly, BFG,' vocalist and guitarist Billy Gibbons explained. 'We missed him and are looking forward to turning it up and rocking out with him as has been the case for the last few hundred or so decades. His complete recovery is cause for celebration and that's just what we intend to do on an open-ended basis. Welcome back, pardner!' Beard himself was far more concise, simply telling fans, 'It's good to be back. See you out there.' The 75-year-old drummer's leave of absence was announced on March 15, with a social media post from the group explaining that Beard had 'temporarily stepped away from the current tour to attend a health issue requiring his focus in the near term.' During Beard's time away from the band, 'longtime tech member, percussionist and drummer' John Douglas stepped in. Douglas had previously served as Beard's replacement during a Paris performance in October 2002 when he underwent an emergency appendectomy. Though no specifics were revealed at the time, ZZ Top's recent statement has detailed that Beard was suffering from foot and ankle issues which have since been resolved. ZZ Top are set to return to the stage on Saturday (June 1) to resume the North American leg of their ongoing Elevation tour, which currently features 51 dates between June and October. Beard has been the drummer of ZZ Top since 1969, when he took over from co-founder Dan Mitchell. Alongside Gibbons, Mitchell and bassist Lanier Greig had founded the band that same year. Following Grieg's replacement by Billy Ethridge, Dusty Hill assumed the role of bassist in 1970, with their lineup remaining unchanged for 51 years until Hill's death at 72 in 2021. Elwood Francis has since served as the group's bassist. The group have not released a studio album since 2012's La Futura, though Gibbons has claimed a new record featuring contributions from the late Hill is in the works. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Yahoo
an hour ago
- Yahoo
The Amity Affliction Cover Turnstile's ‘Holiday' for ‘Like a Version'
Australian metalcore outfit The Amity Affliction have shared their rendition of Turnstile's 'Holiday' as part of their recent appearance on Like a Version, the long-running covers segment from Australian radio station triple j. Formed in the Queensland city of Gympie in 2003, The Amity Affliction have been staples of triple j's heavy music rotation over the years but have remained absent from the station's Like a Version studio until 2025. More from Billboard Mariah Carey Celebrates 20 Years of 'The Emancipation of Mimi': Stream It Now Miley Cyrus' New Album 'Something Beautiful' This Way Comes: Stream It Now ZZ Top's Frank Beard Returns to Band Following Health-Inspired Leave of Absence As part of their debut appearance on the segment, the group launched into their performance with an original, performing the recently-released 'All That I Remember.' Officially arriving on Wednesday (May 28), the track is the band's first to feature Jonny Reeves on clean vocals, with the American singer joining the group following the exit of the band's last remaining founding member, Ahren Stringer. Turning their attention towards the cover portion, The Amity Affliction were uncharacteristically joined by strings and keyboards as they delivered a high-energy rendition of Turnstile's 'Holiday.' The track was originally issued as the fifth and final single of the Baltimore outfit's 2021 album Glow On, which became their most successful record to date, hitting No. 30 on the Billboard 200. '[We] went through a list of songs that we thought would go over well and nothing really kind of hit us the right way,' explained drummer Joe Longobardi in a post-performance interview. 'Then we were on the bus somewhere and somebody just said 'Why don't we cover Turnstile''And it kind of got silent for a second. 'It was weird enough that we all went, 'Oh I think that would work,'' adds vocalist Joel Birch. 'It's our roots, I guess, and [Turnstile are] a band using those roots to do this brand new thing, which is really cool and we like it.' Since forming in 2003, The Amity Affliction have released a total of eight albums, with four of their records – beginning with 2012's Chasing Ghosts – consecutively charting atop the ARIA charts. The group's fourth album, 2014's Let the Ocean Take Me, became their first to reach the Billboard 200, reaching No. 31. Follow-up record This Could Be Heartbreak would peak at No. 26 upon its release in 2016, while their next two albums – 2018's Misery and 2020's Everyone Loves You… Once You Leave Them – would reach No. 70 and No. 60, respectively. Having first launched in 2004, the Like a Version series has gone from being a near-impromptu acoustic affair to featuring larger studio productions. Numerous artists have taken part over the past two decades, with the likes of Billie Eilish, Childish Gambino, Arctic Monkeys, and more reinventing classic tracks in the process. View The Amity Affliction's cover of Turnstile's 'Holiday' below. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Yahoo
an hour ago
- Yahoo
Mariah Carey Celebrates 20 Years of ‘The Emancipation of Mimi': Stream It Now
Just over 20 years since its release, Mariah Carey has revisited her chart-topping tenth album, unveiling The Emancipation of Mimi (20th Anniversary Edition). Released April 12, 2005, The Emancipation of Mimi marked a pivotal comeback moment in her career. Spending two weeks atop the Billboard 200, the project won three Grammys and spawned one of the longest-running Billboard Hot 100 No. 1 hits of all time, the 14-week leader 'We Belong Together.' More from Billboard The Amity Affliction Cover Turnstile's 'Holiday' for 'Like a Version' Miley Cyrus' New Album 'Something Beautiful' This Way Comes: Stream It Now ZZ Top's Frank Beard Returns to Band Following Health-Inspired Leave of Absence One day shy of the record's 20th birthday, Carey announced its anniversary reissue, with dozens of bonus tracks, remixes and collaborations set to appear on the package. 'I'm really happy to celebrate 'Mimi's Emancipation' with this special anniversary re-release,' Carey said in a statement at the time. 'While working on this edition, I got to relive all the memories from this pivotal moment in my personal and professional life.' Indeed, the anniversary edition of the album is a walk down memory lane for all Carey fans, with the first half of the record featuring its original 14 tracks, along with an additional five bonus cuts. Almost identical to its 2020 vinyl reissue, the first disc is completed with the addition of 'Don't Forget About Us,' 'Sprung,' 'Secret Love,' the Jermaine Dupri-featuring 'Makin' It Last All Night (What It Do),' and an additional remix of 'We Belong Together.' The second disc serves as a veritable treasure trove of material for diehard fans, launching with the long-awaited official release of 'When I Feel It,' which was reportedly left off the original release due to sample clearance issues. Remixes from the likes of Solange, Kaytranada, David Morales, and Scott Storch are also included, along with a cappella renditions of 'Shake It Off,' 'Circles,' and 'Joy Ride,' while her 2024 American Music Awards 50th Anniversary Special performance of 'We Belong Together' closes the package. 'This album has some of my biggest hits to date, as well as some personal favorites that are very special to me,' Carey added of the new reissue. 'Forgotten gems, unreleased bonus tracks and different remixes with incredible collaborators — all of these and more are now available in one place for the first time ever!' Listen to Carey's The Emancipation of Mimi (20th Anniversary Edition) below. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart