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This hotel buffet is one of Melbourne's most lavish all-you-can-eat options

This hotel buffet is one of Melbourne's most lavish all-you-can-eat options

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The Hyatt's 'Living Grand' buffet, at in-house restaurant Collins Kitchen, is one of the most expensive and extravagant all-you-can-eat options in Melbourne. When the buffet relaunched for Sunday lunches post-COVID, appealing largely to families, it was a sleeper hit. It's since become so popular that the hotel has added a Friday night buffet to draw in a younger demographic.
Those diners have likely seen it on TikTok, which is partly responsible for the buffet resurgence. Save for the commanding seafood tower of oysters, prawns, crabs and (sometimes) Moreton Bay bugs, this one is all about quiet luxury with sashimi on ice and made-to-order options. And for dessert? A pancake and waffle station and a chocolate fountain, no less.
Buffet aside, Collins Kitchen's a la carte menu is all about locally sourced, flame-grilled meats, from a signature wagyu tomahawk to slow-cooked American-style brisket.

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The most sampled song in history is one you've never heard of
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The most sampled song in history is one you've never heard of

You've heard it in everything from N.W.A's Straight Outta Compton to UK rave anthems and video game soundtracks. But chances are, you've never heard the original song. In 1969, a now-obscure American soul group called The Winstons released a B-side titled Amen, Brother. Buried within it — at around the 1.26 mark — is a six-second drum solo that would become the most sampled audio clip in music history. Known as Amen Break, the beat has appeared in more than 6,000 tracks — and continues to be sampled more than five decades later. From hip hop to jungle, drum and bass and breakcore, Amen Break has not only formed the rhythmic backbone of entire genres, but also traced the evolution of sampling and the blurred lines of musical ownership. A beat born from turntables For artist and producer Alexander Burnett — the frontman of Sparkadia and the creative force behind records by Thelma Plum, Hayden James and Flight Facilities — Amen Break's appeal goes beyond nostalgia. 'In the early '80s, DJs started to use two turntables to loop the same drum sections from records — which created a groove for MCs to rap over,' he told 'These drum loops or 'breaks' were used as a tool to create a new musical work with new lyrics and melody over the top.' Amen Break — played by the late drummer Gregory Coleman — became a go-to for crate-digging producers thanks to its explosive snap and gritty texture. 'It has the right swing, energy and grit,' Burnett said. 'If you drop it into a session sped up, the song already sounds like UK jungle or drum and bass. If slowed down, it becomes '90s hip hop.' From underground to global chart domination The break's earliest high-profile use came in the 1980s, with inclusion in tracks by pioneers such as Mantronix and N.W.A. N.W.A's title track Straight Outta Compton is renowned for heralding the arrival of West Coast hip hop and Dr Dre's signature sound; a blueprint still emulated today. From there, the sample exploded across the UK rave scene of the '90s. Producers like Goldie, Roni Size and Shy FX chopped and flipped the beat into high-energy soundscapes that defined jungle and drum and bass. It has since popped up in everything from Mantronix's King Of The Beat to David Bowie 's Little Wonder and Oasis 's D'You Know What I Mean?. It's also featured in TV shows Futurama and Top Gear and the the video game Grand Theft Auto. Originality, ownership and the sampling debate Despite its ubiquity, Amen, Brother's creators saw almost no financial return. Neither frontman and copyright holder Richard L. Spencer nor drummer Gregory C. Coleman received royalties or sample clearance fees during their lifetimes. Coleman died in 2006, never seeing compensation for the solo that would define entire genres. Spencer, who called the sample's use 'plagiarism', chose not to pursue legal action; but fans didn't forget. In 2015, British DJ Martyn Webster launched a crowdfunding campaign titled The Winstons Amen Breakbeat Gesture, urging fans to give back. It raised more than £24,000 ($45,600), which was presented to Spencer in a public show of thanks. 'Copyright has historically been about melody and lyrics rather than rhythm,' Burnett said. 'That being said, the drum break has created so many incredible new works, so there should be compensation.' 'On the other hand, many of the original artists who sampled it may not have had the means to use the break if they had to pay compensation up front. I'd like to think we have the technology to address this issue moving forward in 2025.' A legacy beyond one track While Amen Break is the most famous, it's not the only revered loop. The Incredible Bongo Band's Apache (1973) delivered a tribal, bongo-heavy groove that became a hip hop staple, sampled by everyone from Sugarhill Gang to Missy Elliott, Nas and M.I.A. James Brown's Funky Drummer (1970), featuring Clyde Stubblefield's solo, has been looped in classics like Public Enemy's Fight The Power, Dr Dre's Let Me Ride and George Michael's Freedom! '90. But Amen Break stands alone: a six-second mistake-turned-masterpiece from a forgotten B-side, now the most sampled piece of music ever recorded.

Italian teenager set to become the first millennial saint
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Italian teenager set to become the first millennial saint

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Italian teenager Carlo Acutis set to become the first millennial saint
Italian teenager Carlo Acutis set to become the first millennial saint

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The canonisation of Carlo Acutis, the Catholic Church's first millennial saint, will take place on September 7, Pope Leo XIV has announced. Acutis, an Italian teenager who died from leukaemia in 2006, will be declared a saint by Leo at a ceremony in St Peter's Square expected to be attended by thousands of young people. Acutis was just 15 when he died, but during his short life he used his computing skills to spread awareness of the Catholic faith by setting up a website that documented reports of miracles. The Vatican said on Friday that following a meeting with cardinals, Pope Leo will canonise Acutis in September, along with another youthful saint, Pier Giorgio Frassatti, who died in 1925 at age 24. Acutis' canonisation had been scheduled for April 27 but was postponed after the death of Pope Francis. The September 7 ceremony will be the first canonisation presided over by Pope Leo, the first American pontiff. Acutis, nicknamed God's influencer, has developed a strong following among young Catholics and beyond. The British-born Italian teenager, who loved video-gaming, is often depicted wearing jeans and trainers, making him a relatable figure to a new generation of Catholics. His canonisation also comes as recent surveys in the United Kingdom and United States show a rise in interest in Catholicism among Generation Z. The church's sainthood process normally requires that candidates have two miracles attributed to them, with each reported supernatural occurrence requiring in-depth examination. In May, a second miracle attributed to Acutis was recognised by Pope Francis, a decision that paved the way for the teen to be declared a saint. Acutis was beatified (declared 'blessed') in 2020 after his first miracle, when he reportedly healed a Brazilian boy with a birth defect that left him unable to eat normally. The boy was reportedly healed after his mother said she prayed to Acutis to intercede and help heal her son. The second miracle attributed to Acutis relates to the reported healing of a girl from Costa Rica who had suffered a head trauma after falling from her bicycle in Florence, Italy, where she was studying. Her mother said she prayed for her daughter's recovery at the tomb of Acutis in Assisi. Acutis' mother, Antonia Salzano, previously said that her son spent time helping the homeless in Milan and giving his pocket money to those sleeping on the street.

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