Documenting a difficult year in the life of a Beatle and his wife
It takes nerve to make a documentary about the most unpopular period of a massively popular public figure's life. 'One to One: John & Yoko' demonstrates that it's worth the effort.
Co-directors Kevin Macdonald ('The Last King of Scotland') and Sam Rice-Edwards have done an impressively deep archival dive to give us this portrait of John Lennon in 1972, the year the ex-Beatle arrived in New York City to stay and embarked on a period of radical politics and art. It was an era of upheaval in American society and a time when Lennon tried to leverage his celebrity to effect change, in ways that made him look simultaneously sincere, committed and naive.
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3 hours ago
- New York Post
Coco Gauff gets French Open moment with Spike Lee hug after giving him ‘something to cheer for' after Knicks loss
No Knicks in the NBA Finals meant Spike Lee flew to Paris for a different American sports victory. The Academy Award-winning American filmmaker was in attendance for Coco Gauff's first Roland Garros title on Saturday morning, witnessing the 21-year-old take down world No. 1 Aryna Sabalenka 6-7 (5), 6-2, 6-4. Dressed in all white with a Yankees hat and sunglasses, Lee, with the occasional seat twitching during the competitive, two-hour and 38-minute match, stood up and cheered on Gauff to her second Grand Slam win. Gauff, 21, eventually fell to the ground as tears rolled down her face in victory, and before going up to her family and coaches' box to greet them, she stopped to see Lee. The young American greeted Lee, giving him a hug and several high-fives before Gauff moved along with the French Open festivities. 5 Spike Lee and Coco Gauff during the Roland Garros 2025 tournament on June 7, 2025 in Paris, France. Zabulon Laurent/ABACA/Shutterstock 5 Spike Lee and Coco Gauff hug after she won the French Open on Saturday — her first major win in Paris. Zabulon Laurent/ABACA/Shutterstock Coco Gauff celebrated with Spike Lee after winning Roland-Garros 🤝🇺🇸#RolandGarros — TNT Sports (@tntsports) June 7, 2025 5 Spike Lee is seen on Day Fourteen of the French Open at Roland Garros on June 7, 2025 in Paris, France. WireImage Gauff, despite being a Georgia native, understood how much the Knicks-Pacers series meant to Lee. During the post-match press conference, she said she planned on saying something if she ended up winning the match. 'And when I saw him on the court, I was like 'If I win this match, the first person I'm gonna dab up is Spike Lee,' she said. 'So, once I won the match, I went to the ground and everything, I went straight to Spike Lee. I wanted to tell him, 'I had to do it. You know, even if the Knicks didn't win, I'm glad I gave him something to cheer for.' So, yeah, that was pretty cool. I haven't seen the video yet, but I'm excited to see it.' 5 Coco Gauff of United States greets Spike Lee after her victory over Aryna Sabalenka during the Women's Singles Final match. Getty Images 5 Coco Gauff and Spike Lee high-five at the French Open. Zabulon Laurent/ABACA/Shutterstock Although Lee is a frequent visitor to the U.S. Open — the last major of the season held in Flushing, Queens — Gauff admitted that the brief interaction was her first official meeting with him. 'That was the first time I really met him up close,' she said. 'I've seen him at my matches at the U.S. Open, and when I saw him on the court today, I saw him when I was warming up. They panned the camera to him in the gym when I was warming up and I was like, 'Oh my gosh, Spike Lee is here.' And then I kinda felt bad because I usually put my towel in that spot, which is why I feel like he sat there. But because you know the lower-ranked player gets the other box, I put my towel in the other box.' With the victory, Gauff became the first American woman in a decade to win the French Open, since Serena Williams did so in 2015. She is also the youngest American to win the women's singles title since 2002, when Williams — at 20 years old — won the first of her three career titles in Paris.
USA Today
3 hours ago
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4 hours ago
- Yahoo
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The 30-second clip is a patriotic parade of red-blooded, red-voting Americans boasting about recent Coign-fueled purchases such as deer-hunting gear, a stack of cartoonish gold bars, and the 'biggest American flag' available. But here's the most striking thing about the ad: All of those situations, and all of the actors, were created by AI. There's something a little off about Coign's ad, to be clear. The pacing of the phony satisfied customers' movements feels too jittery at times, and there's an eagle at the end that is not exactly natural looking. While the ad is spiritually the same AI slop as Shrimp Jesus, it doesn't carry the same overtly synthetic visuals. In that regard, it's a lot more casually AI-generated than many of its predecessor ads. When Coca-Cola released an AI-generated holiday spot last fall, it sparked an uproar. Creatives were livid about such a monumentally successful company neglecting to splash out on an all-human production, and even casual observers noticed the glaring flaws in the video: The truck's tires glided over the ground without spinning, Santa's hand was bizarrely out of proportion with the Coke bottle it gripped, and the entire ad sat squarely in the 'uncanny valley.' The same goes for the ad Toys R Us released last year using OpenAI's text-to-video tool Sora: The kindest thing one could say is that its human characters looked marginally more lifelike than the unsettling, motion-captured Tom Hanks from The Polar Express two decades earlier. So far, AI-generated ads have been rare enough and mostly the domain of heavy-hitter companies, making them lightning rods for attention and backlash just about every time a new one is released. The simple fact that they were AI-made has been enough to generate headlines, even before factoring in the slop. But maybe not for much longer. If the Coign ad is any indication, there may be an entire class of AI ads coming that will be subject to far less attention—and far less scrutiny. We're at a precarious moment with AI, collectively feeling out its least objectionable uses through trial and error. So far, uncanny ads from massive companies have triggered backlash, but when lesser-known brands dabble—especially without obvious visual glitches—they often escape notice. Advertising legend David Droga once noted the existence of a 'mediocre middle' in marketing and entertainment, and that may be exactly where AI quietly thrives: in ads from companies too small to spark outrage. Advertising, after all, is already the most disposable and least emotionally protected form of media—expensive to make, widely avoided, and largely unloved. That makes it the perfect Trojan horse for AI—slipping past scrutiny not because it's good, but because few people care enough to notice. On a moral and economic level, the advertising industry should not be diving headlong into a technology that makes large swaths of professional workers expendable. And on an aesthetic level, just because AI technically can create an ad doesn't mean it can create a good one. Once a seemingly harmless use case eases people's minds about a given technological breakthrough, it's only a matter of time before the more flagrantly objectionable use cases take hold. The facial recognition tech that first allowed Facebook users to tag their friends in photos was eventually used to strengthen the surveillance state and threaten privacy everywhere. Today's drones that make aerial photography easier become tomorrow's drones that mistakenly blow up weddings in other countries and threaten to displace delivery workers. Obviously, AI is going to play some role in humanity's future. The size of that role, however, is not yet set in stone. As machine learning creeps into all creative fields, workers need regulations to ensure the technology doesn't spread too far too fast. The good news is that a majority of Americans seem to want AI regulation. Although the House of Representatives recently passed a major tax and spending bill with a provision forbidding state governments to regulate AI over the next 10 years, that clause is getting bipartisan blowback. According to a recent poll, 81% of voters agree that 'advances in AI are exciting but also bring risks, and in such fast-moving times, we shouldn't force states to sit on the sidelines for a full decade.' Even the CEO of generative AI company Anthropic is a full-throated advocate for stricter AI regulation. The people have spoken. Whether they are listened to is another matter altogether. A single, silly credit card ad may seem an unlikely step toward a dystopian future of unfettered AI and full unemployment, but if we laugh it off now, the bill may still come due later. This post originally appeared at to get the Fast Company newsletter: Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
