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Miss Indonesia wins talent round in Miss World 2025

Miss Indonesia wins talent round in Miss World 2025

HYDERABAD: The highly anticipated talent finale of the Miss World 2025 Contestants set the stage on fire at Shilpakala Vedika in Hyderabad on Thursday, captivating the audience with their vibrant performances.
Kicking off the event, Miss United States delivered a mesmerising song and dance, using feathers as a prop. Miss Nigeria followed with an electrifying Indo-Afro dance titled Unity in Motion. She moved to the iconic tunes of Ranu and Waka Waka, dedicating her performance to her late mother, whom she lost at the age of two.
Dressed in a stunning blue glittering gown, Miss Malta enchanted the crowd with her rendition of The Song of Hope. Next, Miss Indonesia showcased her piano skills, performing an original piece titled Your Golden Hour.
The audience erupted in cheers as Miss Estonia took the stage with a dynamic hip-hop cheerleader dance.
As anticipation grew, Miss Brazil, adorned in an elegant white gown, performed a heartfelt song, Memories, captivating the audience.
Miss Netherlands presented a visually stunning ice-skating act. Miss Czech Republic then delivered a soulful piano performance of the beloved My Heart Will Go On from Titanic, earning applause.
Miss Argentina dazzled with a dance medley, seamlessly changing costumes mid-performance.
Miss Australia's rendition of Hallelujah left the audience in awe of her powerful voice. Miss Sri Lanka followed, performing a traditional dance in a costume designed by her mother, overcoming a recent injury to deliver a graceful act.
Miss Cameroon's stirring performance of Goodness of God reflected her deep-rooted faith, while Miss Poland showcased a traditional dance celebrating her country's heritage.
Miss Philippines enthralled with a melodic song, followed by Miss Italy, whose magical ballet performance shone despite a year-old ankle injury. Miss Trinidad and Tobago amazed the crowd with a breathtaking aerial act.
Inspired by her mother, Miss Germany performed a moving piano piece. Miss Cayman Islands sang Tomorrow, a well-known anthem dedicated to those battling anxiety, with her fellow contestants cheering her on. Miss Wales creatively presented a CPR demonstration set to music, raising awareness about cardiac arrest in a lighthearted yet impactful act.

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CM 's vision makes Miss World 2025 a spectacle of global grandeur
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Hans India

time14 hours ago

  • Hans India

CM 's vision makes Miss World 2025 a spectacle of global grandeur

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Shazahn Padamsee's Pastel Wedding Look Is The Ultimate Fairytale Moment
Shazahn Padamsee's Pastel Wedding Look Is The Ultimate Fairytale Moment

News18

timea day ago

  • News18

Shazahn Padamsee's Pastel Wedding Look Is The Ultimate Fairytale Moment

Last Updated: Shazahn Padamsee recently tied the knot with her long-term boyfriend Ashish Kanakia. The couple tied the knot in a pastel-themed wedding. Best known for her role in Housefull 2, actor Shazahn Padamsee is now married. The actor tied the knot with her long-term boyfriend Ashish Kanakia. The couple took to their Instagram to share pictures from their dreamy wedding, and they look oh-so-in-love. Taking to their Instagram, Shazahn Padamsee and Ashish Kanakia shared a series of pictures from their stunningpastel-huedd wedding. Sharing the pictures, they wrote, 'This day. This feeling. Our forever." For the wedding, the couple ditched the bridal reds and stunned in ivory, blush pink, and some glittering diamonds. Shazahn looked radiant in a stunning ivory lehenga with soft blush pink accents. Her wedding lehenga featured delicate floral embroidery and glimmering gold sequins, paired with a coordinating blouse that had pearl embellishments along the edges. A sheer ivory veil gave the look a dreamy, ethereal feel, while a blush pink dupatta with a floral-trimmed border added a touch of romance and stood out as a highlight of the ensemble. The actor opted for a fresh, understated makeup look and wore her hair down. She completed her bridal look with refined diamond jewellery. Her husband, Ashish, matched her elegance in an ivory Indo-Western ensemble. Shazahn offered fans a peek into her wedding through Instagram Stories, where she reshared photos originally posted by her friends. The images captured heartfelt moments from their pheras and joyful celebrations, including a cheerful shot of the couple raising their hands in celebration. Following their wedding, the couple made their first public appearance as a married couple at their wedding reception last night. Held in Mumbai, the reception was attended by celebrities and other important guests. Shazahn donned an embellished lehenga while Ashish looked sharp in his black traditional outfit. In an earlier interview, Shazahn mentioned that a childhood friend brought them together, and there was no turning back. Shazahn Padamsee, daughter of Sharon Prabhakar and the late theatre legend Alyque Padamsee, got engaged to Ashish in November last year. The engagement was followed by a traditional Gujarati-style roka ceremony held on January 20. Ashish, a businessman from the prominent Kanakia family, and Shazahn had kept their relationship largely away from the public eye until recently. Location : Delhi, India, India First Published: June 08, 2025, 08:50 IST News lifestyle Shazahn Padamsee's Pastel Wedding Look Is The Ultimate Fairytale Moment

Singer who opened up for Maharashtra a treasure trove of north India's images through ‘thumri'
Singer who opened up for Maharashtra a treasure trove of north India's images through ‘thumri'

Hindustan Times

timea day ago

  • Hindustan Times

Singer who opened up for Maharashtra a treasure trove of north India's images through ‘thumri'

MUMBAI: Her deep, focussed voice could mine myriad images from the folds of a vibrant 'dadra' or a soulful 'thumri', thus celebrating the beauty and timelessness of folk music, which defines India's ethos and raison d'etre. Needless to add, Shobha Gurtu, the 'thumri' queen, remained peerless both as singer and performer. A musical soiree was recently held at the Swatantrya Veer Savarkar auditorium at Shivaji Park by the cultural directorate of the state government to commemorate Gurtu's birth centenary; and more such concerts are being planned through the year, a directorate official told HT on Friday. According to experts, to Gurtu goes the credit for having brought the richly nuanced music of the Indo-Gangetic plains down the Vindhyas, to Maharashtra, thus providing a counterpoint to the austere 'khayal gayaki' of which the state became a melting pot in the nineteenth century, an abode of countless 'gharanas'. 'Actually, ghazal and 'dadra-thumri' were an integral part of Shobhatai's growing years. What makes her so special is her ability to internalise all influences — that of her mother (noted danseuse-singer Menakabai Shirodkar) and her guru (Ustad Ghamman Khan, the sturdily built and kind-hearted doyen of the Gwalior gharana), and map out her own course,' said Neela Bhagwat, the renowned exponent of the Gwalior gharana. 'Shobhatai redefined 'thumri' and put her own stamp on it. It wasn't enough for Shobhatai to be a Siddheshwari Devi (the legendary 'thumri' singer) clone. She took ahead the latter's content and craft. Also, Shobhatai remains unique for her voice projection.' Gurtu's 'thumris', belted out in a husky voice, welcomed harvest and 'Holi', while her ghazals celebrated love, loneliness and lust. 'Toone yeh kya sitam kiya' and 'Garmi-e-hasratein nakaam se jal jaate hain', for instance, were a rage at concerts. According to Bhagwat, a Gurtu concert was 'abundantly delightful'. 'Shobhatai would be lost in her own reverie—sometimes contemplative, sometimes playful. She did many 'abhinaya'—her eyebrows arched, a mischievous glance at someone seated in the auditorium whom she had chosen that evening for a dialogue (once it was thespian Nana Patekar) through her music, while her hands executed an eye-catching 'mudra', all done with great dignity and a radiant smile. Actually, she sought liberation through her music; and in as much as this, she was a feminist,' said Bhagwat. Pandit said, 'Shobhatai's music had a great depth. The 'bhaav' (mood) was the soul of her personality and music.' Recalling her long association with the singer, Pandit said, 'Shobhatai's 'thumris' would often puzzle me as there was no path laid out for a student. A 'khayal' composition has set rules: right notes, precise 'taal', a cohesive 'taan' pattern and so forth. However, a 'thumri' lets you go footloose, and that's its strong point. She would not teach us within a framework. She would just begin to sing and allow us to meander through the secret chambers of a composition. I slowly began to discover 'thumri' and the guru too.' Gurtu was simple, down to earth and a warm person, she added. Entrepreneur Priya Gurtu described her mother-in-law as a 'noble soul, free of rancour and ill-will.' 'A 'pucca' Goan, Aaiee (mother) was 'susegaad',' she added. Trilok, Gurtu's son, is an internationally acclaimed drummer; Ravi, who died young, was an ace musician in filmdom, while the youngest Narendra is an entrepreneur with a flair for the tabla. Music buffs said Gurtu would take a 'raag' and turn it into a 'thumri', often blending two 'raagas' to add texture to composition. Many Gurtu songs attract countless views on the YouTube: for instance, 'Sawan ki ritu aayee sajaniya', the straight-from the-heart 'kajri'; 'Rangee sari gulabi chunaria' and 'Chaitar chunari rangaa de'. Also, her film ditties —'Nathaniya ne hai Ram bada dukh deena' ('Sajjo Rani') and 'Sainyya nikas gaye' ('Main Tulsi Tere Angan Ki') —are equally popular. Gurtu received the prestigious Sangeet Natak Akademi award in 1987 and 'Padma Bhushan', the country's third highest civilian honour, in 2002 followed by the Lata Mangeshkar Puraskar and the Maharashtra Gaurav Puraskar. Among her admirers were Lata Mangeshkar, Pandit Mallikarjun Mansoor, Pandit Bhimsen Joshi, Pandit Shivkumar Sharma, Pandit Hariprasad Chaurasia, Ustad Zakir Hussain and Kishori Amonkar. In fact, Kishori, Shobha and Prafulla (Dahanukar, the eminent painter) were great friends — 'The Goa Girls' Club', as Gurtu would joke. The troika challenged the patriarchal order in music and the arts with guts and gusto. Gurtu was born in February, 1925 in Belagavi, Karnataka, and died in Mumbai in September 2004.

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