Burn Baby Burn: Meet Summer 2025's Slickest Poolside Pieces
Slick hair, bold lips and gleaming gold -here's how to accessorize your swimwear in Summer 2025
Styling by Charlotte Marsh-Williams. Make-Up by Ivanna Ospyshyna. Model Nathalie Zabrowski at Fashion League UAE. Lighting Assistant: Mark Anthony Navarro
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The National
8 hours ago
- The National
Timeframe: Ahead of F1: The Movie's release, a history of films and shows shot on Yas Island
In 2014, Top Gear filmed an episode for its 21st season on Yas Island in Abu Dhabi. The motoring show's co-host Richard Hammond showcased the Mercedes-Benz G63 AMG 6x6 across a range of locations, including Liwa Desert and the Emirates National Auto Museum. But the highlight was when he drove the brand-new car through the lazy river at Yas Waterworld. Hammond returned just a month later to take a Porsche 918 Spyder for a spin on Yas Marina Circuit, for another episode of Top Gear. These marked some of Yas Island's earliest moments in showbiz, and the spotlight has been shining on the entertainment location ever since. Case in point: parts of F1: The Movie, the highly anticipated racing film starring Brad Pitt, were shot at Yas Marina Circuit, which hosts the Abu Dhabi Grand Prix. The capital is also set to host the regional premiere of the film. In it, Pitt plays a former Formula One driver whose once-promising career was cut short by a devastating crash in the 1990s. In his 50s, he's lured back to the track by a former teammate who owns a struggling team on the brink of collapse. Doubling as the set of F1: The Movie marks Yas Island 's latest high-profile turn in the entertainment industry. Over the years, it has served as a filming location for both international and regional movies and TV shows. In 2019, The Ellen Show featured the destination when host Ellen DeGeneres gifted her entire audience a six-day trip to Abu Dhabi. MasterChef India brought a 2024 episode to the capital, with contestants competing in challenges around Saadiyat and Yas islands to secure a spot in the grand finale. The island has also made its mark on reality TV. On Jhalak Dikhhla Jaa – the Indian version of Strictly Come Dancing – judges Farah Khan and Malaika Arora, along with hosts Rithvik Dhanjani and Gauahar Khan, were shown enjoying various attractions around Yas Island, which also served as the grand prize destination for the show's winners. As for film, Yas Marina Circuit featured in Furious 7 in 2015, while the broader Yas Island area has been showcased in Bollywood action thriller Race 3 (2018); Hollywood flick 6 Underground (2019) starring Ryan Reynolds; and the penultimate film in the Mission: Impossible series, Dead Reckoning (2023), with Tom Cruise. The destination even had a starring role in Al Eid Eiden, a Saudi-Emirati comedy in which a family go to Yas Island for their Eid holiday. Upcoming releases that were filmed at the location include Bollywood action film War 2 and Hollywood thriller Now You See Me 3.
The National
9 hours ago
- The National
When Mickey Mouse first arrived in Arabia - a century before Disneyland Abu Dhabi
Mickey Mouse is ready to make his way to the Middle East after Disney announced plans to open its first new theme park development for 15 years on Yas Island. The much-anticipated attraction is set to swing open its doors in the early 2030s, delivering a boost to tourism, jobs and the wider economy as well as a sprinkling of family-friendly magic. The grand opening of Disneyland Abu Dhabi will come about a century after the world's most famous mouse first arrived on Gulf Shores. It was back in 1932 that the short animated cartoon Mickey in Arabia was brought to the screen, in one of the earliest productions of its kind from Walt Disney. Mickey in Arabia is seven minutes long and in black and white. This version of Mickey differs from the one used today. His earliest cartoon was Steamboat Willie in 1928. There are some things that Disney got right about life in the Arabian Peninsula and the Gulf. Sand dunes. Palm trees. Camels. As for the rest? Well, to be charitable, not much was known about the region to the general public in the West. The plot involves Mickey, voiced by Disney himself, visiting a 'typical' Arab town, while his nemesis Pete makes a doomed attempt to kidnap Minnie. Perceptions of the Arab world as viewed from Hollywood included snake charmers, the fez or tarboosh, and belly dancers. The people are depicted in a crude style that modern audiences would not recognise. This orientalist view of not just the Arab world but the entire Middle East was narrow. The region was seen by the western public as exotic, mysterious, perhaps even dangerous thanks to films like The Sheik, starring Rudolph Valentino, and songs such as The Sheik of Araby, performed by artists including Django Reinhart and the Beatles. Arab children loved the Mouse, though, and from the late 1950s Mickey featured in Arabic comics, in particular Megalet Mickey (Mickey Magazine) by Dar Al Hillel, published in Cairo under licence from Disney and distributed across the Middle East. For one cover, released around the time of the 1964 Arab Summit, he is shown in a variety of dress, including keffiyehs, turbans, djellaba and what appears to be a military uniform. In other versions, Mickey was shown playing the rababa, a stringed instrument, making kunefe, and celebrating the Prophet Mohammed's birthday in front of a building on where the banner 'There is No God But Allah' appears. A special Ramadan issue was published every year. By the 1980s, the Disney corporation was beginning to explore bigger collaborations with the Middle East and in particular the Gulf countries. The Epcot theme park in Florida, opened in 1982, originally envisage a UAE pavilion in its World Showcase, although this was not realised. Ten years later, Disney opened Disneyland Paris, then called EuroDisney. The park struggled to attract visitors in its early years and was making heavy losses. A rescue by Saudi billionaire Prince Al Waleed bin Talal Al Saud involved a $345 million injection into the theme park in exchange for a 24 per cent stake. The economic potential of the Gulf could not be clearer. Moving forward, it emerged this year that Disney had begun exploring the possibility of a theme park in Abu Dhabi as early as 2017 with a pitch from the Miral Group, the entertainment and leisure company that developed Ferrari World, Seaworld, Yas Waterworld and others on Yas Island. Bob Iger, Disney chief executive, said that negotiations began in earnest in February, concluding in the announcement of a Disney theme park in May. Disneyland Abu Dhabi, he says will be authentically Disney and distinctly Emirati.
Harpers Bazaar Arabia
10 hours ago
- Harpers Bazaar Arabia
Desk Diaries: Jewellery Designer Resham Khan Shows Us Her Studio Dripping In Gems
Step inside one of Dubai's most chic office spaces where you'll find Arkay Jewellery's founder creating pieces to covet behind her designer desk Resham has done a pretty fabulous job at finding the perfect work/life balance. Founder of Arkay Jewellery, the mother-of-three gets her work out, school-run and socialising in most days, in addition to creating some of the most bougie bijoux around. Her curated office in Dubai's Gold and Diamond Park is a shiny, suburban oasis, a reflection of what matters most to the designer and has been her office space for five years and counting. 'My office reflects everything I love about what I do – it's warm, welcoming, and designed to make people feel good. It's not just a workspace; it's a place where people come to enjoy a happy afternoon, have a coffee, and do a bit of shopping,' Resham told Bazaar Arabia during a recent tour of the space where all the magic happens… What role does your desk play in your workday? A very intentional role in my everyday life. I don't sit there every single day because I don't believe in just being in the office from nine to six for the sake of it. I usually go to my desk about three to four times a week, and when I do, it's with purpose. I work at my full efficiency, and once I feel like I'm no longer being productive, I get up and leave. It's not about clocking hours – it's about showing up with intention and using that space to actually create, think, and get things done. Describe the feel and aesthetic of your office and why you chose it? Cosy and maximal. I really wanted it to feel like a space where you could walk in, instantly relax, and just enjoy being there – whether you're staying for 30 minutes or three hours, which most of our clients actually end up doing! It's layered, warm, and thoughtfully put together, but never intimidating. If you know, you know – it's that kind of vibe. Did you have a clear vision of your office space or has it evolved organically over time? To be honest, I didn't at the start – it really evolved. I had been in the same space for five years, and I had just completely run out of ideas. When you spend so much time in one place, it becomes really hard to see it differently or imagine a new direction. That's when I brought in Aleena [Spaces by Aleena], and she was amazing. I just told her, 'I want different, I want bold, I want maximal,' and she took it from there. She literally brought to life exactly what I didn't even know I had envisioned. I don't usually work with designers, but in her case, it was the best decision. I had completely lost my creative vision for the space, and she made it feel brand new. What is the one thing on your desk you can't live without? My notebook. I'm just not the kind of person who can jot things down on my phone – it doesn't work for me. When inspiration strikes, I need to draw what I've envisioned immediately or write the idea down straight away. My notebook is that link between what I experience in daily life, and how I bring it into my work through my desk and my office. It's where everything begins. What is your favourite nook in the space and why? My desk – it's definitely my comfort zone. It's not where I usually meet clients, but it's where I go when I need a quiet moment, a cup of tea, or just a little spark of inspiration. Whether I'm feeling motivated or even a bit off, sitting at my desk always helps me feel more centered. And I'm intentional about how I use it – I don't let myself just sit and scroll. It's a space I treat with purpose, and it really grounds me throughout the day. How does your office effect your mood? A huge impact. In my everyday life, I'm a mother, a wife, a daughter – everything I do revolves around others, which I truly love. My home is warm and comforting, but my office is the one space that's completely mine. It's dedicated to me, my ideas, my vision and my work. That makes it incredibly special and meaningful. It's very hard for me to walk into my office and leave in a bad mood. No matter how I'm feeling when I arrive, I almost always leave feeling lighter, more focused, and inspired. What item holds the most memories in your office? Honestly, there isn't one specific item – it's the space as a whole. Every corner of it represents a different chapter of the journey. I started from scratch, truly from nothing, and built the brand into what it is today. So for me, the office itself is the memory. It's not about one object ‒ it's about everything that's happened within those walls. What is your work uniform? A mix of high-end and local brands. I'm not really into fast fashion, so you'll usually find me in beautiful pieces from local designers like Sobia Gulzad, The Label, or Tiya by Sania Maskatiya. On the high-end side, some of my favourites are Loewe and Miu Miu. And, if you follow me, you already know I'm a budding Hermès collector ‒ so there's usually a special piece or two in the mix. What part of what you do fulfills you the most? It's the clients who walk in and trust me – who give me the opportunity to do what I love, support the brand, and invest in the pieces we create. Every time I see someone genuinely happy with something I've made, it feels surreal. That moment of joy, however small or fleeting, is what truly fulfills me. It reminds me that what I do can bring real happiness into someone's life. Every single person who has supported my business has played a role in getting me to where I am today, and I'm so deeply grateful for that. Jewellery is fun, the creative process is fun—but having people believe in you and trust your vision? That's a whole different level of fulfilment. From Harper's Bazaar Arabia June 2025 Issue.
