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Jetstar passengers 'freak out' over cabin phenomenon: 'Never seen anything like it'

Jetstar passengers 'freak out' over cabin phenomenon: 'Never seen anything like it'

Yahoo2 days ago

Passengers on a recent Jetstar flight from Bali to Australia were completely baffled when boarding the plane, as the cabin appeared to fill with what looked like thick smoke. Those on the plane could barely see in front of them when they searched for their seats as the phenomenon unfolded. One Aussie on board said "I've never seen it that bad".
Theories began to fly online as Aussies attempted to understand what was going on after a passenger shared a video. One respondent admitted the scene left her feeling "freaked out".
Some speculated that the smoke came from a fire, while others believed it to be antibacterial spray. A third thought it was simply condensation caused by humidity.
However, Jetstar told Yahoo "customers shouldn't be concerned" by the sight, explaining exactly what's going on.
"My Jetstar flight was like this from [Bali] to Sydney last weekend, I've never seen anything like it," one said, admitting they "thought something was wrong with the plane".
The traveller who took the vision told viewers he believed there was a simple explanation for the issue.
"I think with the humidity in Bali and the air on the plane, it just fogged up way more than it should've," he said.
It's not the first time travellers have been concerned by such a sight — with a similar scenario taking place last year.
Jetstar confirmed that the phenomenon happens when "warm and humid air mixes with cooler and drier air from the aircraft air-conditioning system, forming condensation.
'Customers shouldn't be concerned as it's a common occurrence in hot and muggy environments like Bali and usually clears quickly," the spokesperson said.
🧳 Aussie travellers urged to avoid $15 mistake on popular holiday island
🏝️ Tourist's shocking discovery at 'luxury' Bali hotel exposes worrying problem
🪖 Aussie expat slammed over 'embarrassing' move in Bali
Professor Martin Singh from Monash University previously told Yahoo News Australia the smoky air is caused by the cool air conditioning inside the plane interacting with high levels of humidity outside.
"When the hot moist air from outside mixes with the cool air in the plane, it causes condensation," he explained. "This is the same process that causes you to be able to see your breath when it is particularly cold out."
He explained "key physics" is taking place, saying the amount of water vapour present in the air is "much higher at a higher temperature".
"When moist air cools down, it becomes 'saturated' with water vapour, and any further cooling results in condensation," he said.
Passengers travelling to humid destinations in Australia like Cairns and Darwin can also expect to see the mist.
Do you have a story tip? Email: newsroomau@yahoonews.com.
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Farmers Dug Up a 300,000-Year-Old Skull. It's Unlike Any Human Ancestor We've Ever Seen.
Farmers Dug Up a 300,000-Year-Old Skull. It's Unlike Any Human Ancestor We've Ever Seen.

Yahoo

time5 hours ago

  • Yahoo

Farmers Dug Up a 300,000-Year-Old Skull. It's Unlike Any Human Ancestor We've Ever Seen.

"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Here's what you'll learn when you read this story: The fragmented Maba 1 skull, which had previously been described as belonging to a Neanderthal, is not so Neanderthal after all. Researchers reassessed the skull and found resemblances to Homo erectus, Neanderthals, and Homo sapiens, but it didn't exactly fit into any of these species. It is most similar to other debatable hominin specimens. Maba 1 also suffered trauma before death, but the specific cause of the trauma remains unknown. In 1958, in a narrow trench of an eroded limestone cave near Maba Village in Shaoguan City, China, local farmers were digging up bat guano for fertilizer when they came across something unusual. Fossilized fragments of bone surfaced that looked somewhat human, and were later determined to be part of a skull (and several facial bones). But which of our ancestors this skull belonged to has remained a mystery. At a glance, Maba 1 seems like any other skull fragment—and that is the whole problem. Because no other parts of the skull were ever found, it was nearly impossible to positively identify the fragment as having come from a particular species of hominin. The only thing researchers knew for certain is that the bone dates back to the late Middle Pleistocene and is about 300,000 years old. While it had previously been determined to belong to a Neanderthal, a team of researchers who previously studied the skull have now reevaluated it and found contradictory features that aredifficult to ignore. '[Maba 1] is well-known for the Neanderthal-like face, while its neurocranium shows affinities with many hominin taxa, which makes the taxonomic status of Maba 1 controversial,' they wrote in a study recently published in the American Journal of Biological Anthropology. Until now, the skull fragments had been observed externally, but much about their internal structures was still unknown. So, the skull was reconstructed using data from micro-CT scans, which can image the inside of a fossil without damaging the actual specimen. The scans made one thing very clear: the skull probably wasn't from a Neanderthal. Channels in the sinuses that veins once used to ferry blood through spongy diploid bone were connected to the parietal foramen towards the back of the skull by tubular structures—a very rare occurence in Homo neandertalensis. The inside of the skull's frontal lobe turned out to be morphologically closer to Homo erectus than Neanderthals or Homo sapiens (though Homo erectus had a smaller brain than its two counterparts), and the cranial capacity of Maba 1 was more like that of Neanderthals and modern humans. But while the researchers agreed that Maba 1 seemed closest to H. erectus, differences from the morphological standards of the species were too obvious to ignore. The frontal lobe was short in comparison, and the bregma—where the coronal (lengthwise) and sagittal (crosswise and perpendicular to the coronal) sutures meet—was thicker than that of H. erectus. Maba 1 also shows signs of trauma—a dark, semicircular lesion on the external right side of the frontal bone, which spans the area from the middle of the head to the bridge of the nose. Signs of healing suggest that the individual suffered this injury while still alive, though it is unclear whether the lesion healed completely and what exactly caused it. There were no signs of infection. While it could have been left behind by an impact such as a fall, it is also possible that such a lesion was the result of anemia, or even a tumor. Strangely enough, the researchers concluded that Maba 1 is more similar to other debatable hominin skulls, such as the LH18 specimen found in Tanzania, which is thought to be an early Homo sapiens skull. There are also resemblances to the Djebel Irhoud skulls from Morocco (first assumed to be Neanderthal remains but now thought to be from some of the earliest known Homo sapiens) and Zambia's Broken Hill skull (a Homo heidelbergensis specimen now at the Natural History Museum in London). 'The internal structures of Maba 1 show a combination of morphological features found in various species,' the researchers concluded. 'These findings further evidence the high morphological variability among Asian hominins in the late Middle Pleistocene. Maba 1 currently cannot be definitely classified in any known hominin taxon.' You Might Also Like The Do's and Don'ts of Using Painter's Tape The Best Portable BBQ Grills for Cooking Anywhere Can a Smart Watch Prolong Your Life?

The Mysterious Disappearance and Lingering Legacy of Michael Rockefeller
The Mysterious Disappearance and Lingering Legacy of Michael Rockefeller

Yahoo

time5 hours ago

  • Yahoo

The Mysterious Disappearance and Lingering Legacy of Michael Rockefeller

"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." More than 1,800 works from five continents are showcased in the reimagined Michael C. Rockefeller Wing of the Metropolitan Museum of Art, which is set to reopen on May 31 following a multiyear renovation. Among them are pieces that the late Rockefeller personally collected from Dutch New Guinea 64 years ago, when he was 23 years old. Rockefeller, the youngest son of then-New York Governor Nelson Rockefeller, never returned from that trip to a continent 9,000 miles away. Michael Rockefeller disappeared on Nov. 19, 1961, after swimming away from his overturned catamaran several miles off the coast of New Guinea, seeking help for himself and an anthropologist companion. Land was visible but far away—it could have been as far as 10 miles. Rockefeller's last words to that friend were 'I think I can make it.' After an intense search by multiple governments joined by thousands of people, not a trace of Rockefeller was found. On Feb. 2, 1964, a Westchester County judge declared Michael Rockefeller 'died by drowning … while on exploration off the coast of Dutch New Guinea.' That conclusion has been questioned ever since, with theories ranging from Rockefeller being eaten by sharks or crocodiles, willfully escaping from Western society to live in New Guinea, being captured and held prisoner by indigenous tribes, and being murdered and even consumed by tribes that practice headhunting and cannibalism because of a grievance against Dutch police. The questions about Rockefeller's fate have not died away but seem to be growing ever-louder, fueling an army of podcast episodes, YouTube videos, documentaries, and a New York Times bestseller, Savage Harvest: A Tale of Cannibals, Colonialism, and Michael Rockefeller's Tragic Quest, by journalist Carl Hoffman. For some, the disappearance without a trace of a handsome young man with a famous last name has become a nostalgic scandal in our modern era of true crime documentaries and Internet sleuthing. In the photos that survive of Rockefeller in New Guinea, he looks as if he's mesmerized by his surroundings, lending a sense of foreboding to the images. He was 'routinely described as kind, gentle, hardworking, and without pretense,' Hoffman wrote in Savage Harvest. However, being so young and coming from one of America's richest families may have not equipped Rockefeller with the perception and caution needed in a place that could be dangerous. When Rockefeller traveled among New Guinea's Asmat people, seeking objects to acquire for his father's new museum of then-called 'primitive art' near the Museum of Modern Art, 'he seemed unconscious of his own role in distorting the local economy and disrupting village ceremony, or of the contradictory nature of his entire enterprise. Here was the heir to one of the largest fortunes on earth plundering sacred objects for pennies—the most privileged person on earth dabbling in the world of the most marginalized,' Hoffman wrote in Savage Harvest. In a recent interview, Hoffman says, 'The legacy of Michael Rockefeller is a conversation we can have about the collecting of indigenous art. We can use his story to talk about him and about the practices of collecting art now that we know better' than in 1961. Michael Rockefeller was raised in New York City. He attended Phillips Exeter Academy in New Hampshire and graduated cum laude from Harvard University with a degree in history and economics. But art always called to him. Michael was 'the most purely aesthetic member of the family,' according to The Rockefellers, an American Dynasty, by Peter Collier and David Horowitz. He showed enthusiasm about art from a young age, which was a tradition in the Rockefeller family. Nelson Rockefeller's mother, Abby Aldrich, was the driving force behind the founding of the Museum of Modern Art in New York City. 'On his honeymoon, Nelson collected the first object (a Sumatran knife handle in the shape of a shrunken head) in what would become the best primitive art collection in the country,' according to The Rockefellers. At the age of 31, Nelson was the president of MoMA. As a child, Michael enjoyed accompanying his father on weekend art dealer visits and being around great works of art. He wanted to study architecture but was pressured to major in economics, according to books about the Rockefellers. After a six-month stint in the U.S. Army Reserve, Michael heard about an exciting opportunity: an expedition by the Film Study Center at Harvard's Peabody Museum. A group of anthropologists and a film crew were planning to study tribes in the Baliem Valley in Dutch New Guinea 'untouched by Western culture' in order 'to step back into the Stone Age.' Michael was hired as a sound man and photographer for the film. 'He had a great eye for beauty and craftmanship,' Hoffman says. Michael was transformed by the trip, taking many photographs and writing letters that reflected his fascination. He was particularly drawn to the Asmat tribe in the coastal area of New Guinea, writing, 'The Asmat is filled with a kind of tragedy. For many of the villages have reached that point where they are beginning to doubt their own culture and crave things western.' Michael deeply wanted to understand and honor these cultures. The Asmat were famous for their elaborate woodcarvings, particularly ancestor poles (called bisj poles) and spirit masks. However, the Asmat also carried a reputation for headhunting, which was embedded in their spiritual beliefs and complex rituals of revenge against rivals. While the Dutch later assured the Rockefellers that headhunting had been eradicated in the area, many authorities agree it was still going on in the 1960s. Michael flew home to New York after the Peabody film was finished and he had completed his subsequent trip to see the Asmat. In the last weeks of his trip, he'd purchased a number of bisj poles and some shields. According to Hoffman's reporting, Rockefeller paid for the Asmat people's work with tobacco, axes, fishing lines, and hooks. While back in New York, his parents announced a decision to divorce, which upset all the children. Michael decided to return to New Guinea as soon as possible in order to collect the art of the Asmat. According to some sources, he was determined to turn away from a finance career and seek a graduate degree in anthropology. When Michael went to New Guinea for his second trip, he bartered for poles, canoes, drums, shields, and other carved objects—hundreds of objects. Rockefeller was traveling among the Asmat communities when rough waves overturned his catamaran and, after 24 hours clinging to it, he decided to swim to shore, assuring his anthropologist friend he was a strong swimmer. Michael Rockefeller had a twin sister, Mary, who accompanied their father Nelson to fly to New Guinea after Michael was reported missing. She wrote in her book, When Grief Calls Forth the Healing: A Memoir of Losing a Twin, 'All the evidence, based on the strong offshore currents, the high seasonal tides, and the turbulent outgoing waters, as well as the calculations that Michael was approximately 10 miles from shore when he began to swim, supports the prevailing theory that he drowned before he was able to reach land.' No conclusive evidence of another fate besides drowning has ever been introduced to a legal authority. However, following Michael's disappearance, rumors began to spread of a killing and were collected by the Dutch priests who lived among the Asmat as missionaries. In his book, Hoffman, who traveled to the Asmat region twice and learned the Indonesian language spoken there, investigated these persistent rumors. He uncovered some of the initial reports made to Dutch officials and, to immerse himself in the community, briefly lived in the home of a man believed to be related to a member of the group that may have killed Michael. One theory is that Michael was killed not because of personal animosity toward him but because he, as a white man, represented white authority. Five Asmat men were shot in a Dutch police altercation several years earlier. 'It was a struggle between the powerful and the conquered,' Hoffman says. Rockefeller was caught among colliding forces, Hoffman believes. While trying to honor the Asmat, Michael's collecting reflected 'colonialism and the acquisition of the treasures of the conquered.' It's beyond debate that Michael Rockefeller was drawn to the beauty, complexity, and mystery of the bisj poles. He wrote that the poles showed 'a revenge figure …. Whose placement usually preceded a headhunt in former days. The figures represented people who have been headhunted and will be avenged.' In the reimagined Michael C. Rockefeller wing, visitors will see those Asmat woodcarvings and soaring poles, illuminated by filtered daylight from Central Park through a custom-designed, state-of-the-art sloped glass wall. The wing's galleries are devoted to three major collections: the Arts of Africa, the Ancient Americas, and Oceania. Among the monumental statues and exquisite metalwork displayed today, objects that span five continents and hundreds of cultures, the art of the Asmat has a valued place. In 1962, when Rockefeller's collected objects were first shown in New York and people could see the bisj poles, drums, shields, and ancestor figures, the New York Times said it was "a collection that has no counterpart on this continent." Art is not Rockefeller's only legacy. In 1965, his family created a memorial fellowship at Harvard. The fellowship enables recipients to "seek, as Michael did, a deeper understanding of our common human experience and their part in it, through the respectful exploration of a different culture." Since then, more than 200 Rockefeller Fellows have traversed the globe. Michael Rockefeller's life was cut tragically short. He left footprints that can be seen, and shared, many decades later. You Might Also Like 12 Weekend Getaway Spas For Every Type of Occasion 13 Beauty Tools to Up Your At-Home Facial Game

See Wes Anderson's 'The Phoenician Scheme' in theaters, rent 'The Prosecutor,' stream 'Captain America: Brave New World,' plus more movies to watch this weekend
See Wes Anderson's 'The Phoenician Scheme' in theaters, rent 'The Prosecutor,' stream 'Captain America: Brave New World,' plus more movies to watch this weekend

Yahoo

time9 hours ago

  • Yahoo

See Wes Anderson's 'The Phoenician Scheme' in theaters, rent 'The Prosecutor,' stream 'Captain America: Brave New World,' plus more movies to watch this weekend

Hello, Yahoo Entertainment readers! I'm Brett Arnold, a longtime writer and editor at Yahoo and film critic at my 'Siskel & Ebert' tribute podcast, Roger & Me, and welcome to Trust Me, I Watch Everything. I'm here to recommend what you should see in movie theaters, rent from the comfort of your couch or queue up from a streaming service you may already subscribe to. I watch it all so you don't have to. This week, there are two great options in limited release theatrically, The Phoenician Scheme and Tornado. There's also a super-fun rental in The Prosecutor, a moving one-man show on Apple TV+ Bono: Stories of Surrender and the box-office smash Captain America: Brave New World makes its way to Disney+. That's not all — there's something for everyone so keep reading for the full weekly what to watch guide. What to watch in theaters Movies newly available to rent or buy Movies debuting on streaming services you may already have Movies newly available on streaming services you may already have My recommendation: Why you should watch it: Wes Anderson and his trademark aesthetic are back just two years after the profoundly moving and deeply personal Asteroid City. This time, the writer/director is delivering perhaps the silliest movie he has ever made, or at least the goofiest one in a long while, and I mean that as a compliment. In fact, the movie is as sincere and emotional as anything he's ever made! Benicio Del Toro is sublime as 'Zsa-Zsa' Korda, an industrialist and arms dealer who, after surviving his sixth assassination attempt, finally realizes he needs to appoint an heir to his fortune. He has nine sons he doesn't pay attention to, but he also has an estranged child (played by Kate Winslet's daughter Mia Threapleton in a wonderfully deadpan performance) and decides that she's the one to take on his business dealings, which amount to the very specific and titular scheme. This has to be the first Anderson movie to feature a fighter jet sequence and it's every bit as delightful as that sounds. The joys here, and some of the film's biggest laughs, come from not only the eccentric characters and beautiful compositions we've come to expect from Anderson, but also from the surprising things you don't expect to see in a movie like this. I didn't know I needed to see a man violently (and bloodily!) explode in Wes Anderson's signature style, but I absolutely did, and I likely haven't laughed harder at anything this year. The cast features a ton of A-listers and Anderson regulars like Tom Hanks, Bryan Cranston, Jeffrey Wright, Riz Ahmed, Scarlett Johansson and Benedict Cumberbatch, with the standout supporting player Michael Cera, who fits perfectly into Anderson's overall aesthetic. Fans are in for a hilarious treat! 🍿 What critics are saying: They're mostly on board here, with Rolling Stone's David Fear calling it one of his best films and William Bibbiani at the Wrap praising its leading man, saying "Del Toro hasn't had a role this juicy in ages, and he's captivating at all times." The BBC's Nicholas Barber, however, says "it feels as if Anderson and his team were enjoying it more than audiences ever will." 👀 How to watch: The Phoenician Scheme is currently playing in limited release and expands wide next week. Get tickets ➕ Bonus recommendation: Why you should watch it: Tornado is just your average Scottish samurai-western ... wait, what?! Clearly inspired by Japanese cinema (with a side of Quentin Tarantino), Scottish filmmaker John Maclean returns with Tornado, a decade after his 2015 indie debut, Slow West, with Michael Fassbender. Actress Kōki stars as Tornado, a Japanese puppeteer's daughter who gets caught up with criminals when their traveling circus show crosses paths with an infamous gang of criminals, led by Sugarman (Tim Roth) and his son Little Sugar (Jack Lowden). It's as riveting as it is efficient, running a brisk 85-minutes and wastes no time setting up the stakes. The story is familiar but imbued with enough specific quirks and eye-catching style that it feels entirely unique. 🍿 What critics are saying: Critics largely agree that it's worth a look. IndieWire's Josh Slater-Williams dug it and praised the performance of Takehiro Hira, who was recently nominated for an Emmy for his work on Shōgun while Peter Bradshaw at the Guardian praised the distinctive "film-making language." On the other side of things, David Jenkins at Little White Lies says that ultimately "we're left with a film which leaves only a superficial impression and little sense of purpose." 👀 How to watch: Tornado is now playing in limited release theatrically. Get tickets 🤔 If those aren't for you... : A legacy sequel that's basically just another remake as the plot is the exact same one we've seen twice now, in the original 1984 and the 2010 flick, not to mention the other sequels and the massively popular Netflix spinoff series Cobra Kai. It attempts to unite the two main entries in a very perfunctory way and the movie is so briskly-paced that there's no real time spent setting up stakes, yet somehow it still finds time for strange subplots. It's a shame the movie is such a mess because the new karate kid Ben Wang is great and the fights themselves are entertaining, but the inclusion of both Jackie Chan and Ralph Macchio feels forced. Kids, however, will likely be entertained, but nothing here touches the original, which is a classic for a reason. — Get tickets. :The filmmakers behind A24's hit horror film Talk to Me are back with another unsettling genre flick about a foster mother with a terrifying secret. The Philippou brothers again prove their ability to craft genuinely shocking moments, but this is pretty familiar stuff. — Get tickets. : A gripping ripped-from-the-headlines spy drama about a Syrian refugee pursuing the regime's fugitive leaders. It's quite good! — Get tickets. My recommendation: Why you should watch it: Hong Kong action star and martial arts legend Donnie Yen stars in this super-fun hybrid of an action movie and a courtroom thriller. Yes, Donnie Yen is a lawyer and yes, he kicks people's butts as well. He also directed the movie — a triple threat! The inspired silliness here is pitched in exactly the right key, the fight scenes are impressively choreographed and shot innovatively and the wrongly-accused man plot goes down smooth. Imagine watching a serious, earnest courtroom drama like A Few Good Men, and then imagine if that movie stopped every other scene to feature an insane action sequence that was relevant to the plot. It's a riot and has plenty to say about what justice actually means. 🍿 What critics are saying: They dig it! Indiewire's David Ehrlich says its "perhaps best enjoyed as the meta story of an action star who refuses to be aged out of his metier" and Richard Kuipers at Variety similarly praised the "top notch" action prowess of its 61-year-old star. 👀 How to watch: The Prosecutor is now available to rent or buy on digital and on-demand. Rent or buy 🤔 If that's not for you... :Kerry Washington and Omar Sy star in this action flick from veteran of the genre Joe Carnahan. An estranged couple with a bounty on their heads must go on the run with their son to avoid their former employer, a unit of shadow ops that has been sent to kill them. — Rent or buy. : Daisy Edgar-Jones, Jacob Elordi and Will Poulter star in this adaptation of the book of the same name. Muriel and her husband, Lee, begin a new life together after he returns home from the Korean War. Their newfound stability gets upended by the arrival of Lee's charismatic brother, a gambler with a secret past. It features great performances but is a little too restrained to have much impact. Rent or buy. My recommendation: Why you should watch it: As someone who knows very little about U2, I wasn't looking forward to this self-indulgent-sounding one-man show from Bono, the band's frontman, but I walked away from it impressed by the filmmaking, the music and by Bono's skills as an orator and his vulnerability. Andrew Dominik's film is a movie version of Bono's Stories of Surrender, a filmed version of shows that took place at the Beacon Theater in New York City. It's a very striking-looking production, making a meal out of what could have easily been a lazy "point the camera at the stage and shoot" job,and I found myself moved by Bono's stories about his lack of a meaningful relationship with his father as well as tales of the band and their years of activism. And the songs sound great! As a firm non-U2 fan I enjoyed this, but I feel safer saying that fans of the man and the band will love this, and more casual observers will likely get something out of it. 🍿 What critics are saying: Reviews skew positive with the Wrap's Steve Pond calling it it "bombastic" and "extravagant" in a good way and the Hollywood Reporter praising its "arresting cinematic quality." 👀 How to watch: Bono: Stories of Surrender is now streaming on Apple TV+. Stream 'Bono: Stories of Surrender' 🤔 If that's not for you... : What if the hit HBO show Succession was a feature-length broad comedy that allowed no time for any real character development and instead stuck with archetypes about billionaires ruining the world via AI? It would be pretty annoying it turns out! I found this to be insufferable, but you may not; it's a new original movie from Jesse Armstrong, creator of Succession. Starts streaming Saturday night on HBO Max. : A Korean animated movie set in the year 2050 in Seoul, following an astronaut with dreams of exploring Mars who must leave the love of his life when chosen for an expedition. Now streaming on Netflix. My not-quite-a-recommendation: Why you should maybe still watch it: Marvel's latest Captain America was the highest-grossing movie of 2025 until A Minecraft Movie dethroned it faster than you can say 'chicken jockey' and then Sinners' success pushed it to number three. In the film, Sam Wilson (Anthony Mackie, sporting the superhero's suit and shield) finds himself in the middle of an international incident after meeting with newly elected U.S. President Thaddeus Ross (Harrison Ford). He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red. Ford turning into Red Hulk was the centerpiece of the film's marketing campaign, which is a real shame considering the movie treats it as a late reveal and most of the audience is likely already aware that's what's happening. That means that for most of the movie, it's just Ford taking pills to stop from Hulking out, which isn't very exciting to watch. It's also a bizarre artifact in terms of how it fits into the larger Marvel Cinematic Universe — not only is it a stealth sequel to 2008's The Incredible Hulk, but it also requires you to have watched the Disney+ series The Falcon & Winter Soldier to fully grasp who some of the key characters are. The final product is poorly assembled and visually muddled, but fans of the MCU who missed it in theaters and want to stay up-to-date ahead of Thunderbolts* now have their chance to see it "for free." 🍿 What critics are saying: Reviews were not kind, with Mashable's Kristy Puchko labeling it a "wasted opportunity" and Wendy Ide at the Guardian dubbing it "a humorless drag of a picture." Even a somewhat positive review from USA Today's Brian Truitt includes this reprimand: "Captain America deserves better." 👀 How to watch: Captain America: Brave New World is now streaming on Disney+. Stream 'Brave New World' 🤔 If that's not for you... :Based on the beloved series of kids books from the author of Captain Underpants, it's about a police officer and his dog becoming a hybrid dog man after an accident, which sounds like R-rated body horror flick but is actually cute and made for children. Now streaming on Peacock. That's all for this week — we'll see you next Friday at the movies!

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