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New documentary shows how a trio of brothers were instrumental in shaping SoCal punk

New documentary shows how a trio of brothers were instrumental in shaping SoCal punk

The first time that guitarist Frank Agnew went to a punk show he was about 13, and even though he was underage he was able to get into the Whisky a Go Go to see the Bags, Black Randy and the Metrosquad, and the Weirdos. It was 1978 and he went with his older brother Rikk.
'When the Weirdos came on, holy s— that changed my life forever because it was so good,' Frank said. 'Ever since I saw the Weirdos at the Whisky, I'm sitting there thinking, 'I want to be that good, I want to be that tight,' and so that was my goal.'
Frank and his brothers Rikk and Alfonso 'Alfie' Agnew spent the next decade forming and playing for some of the most significant bands in the punk canon, including Adolescents, the Detours, Social Distortion, Christian Death, TSOL and D.I., among others — and now their journey as punk rock musicians is finally being told in the new documentary 'Agnew: The Story of a California Family,' which is screening for the first time on April 12 at the Fox Theatre in Fullerton. Recently, their life's work in music was put on display as part of the new exhibit 'Punk OC — From the Streets of Suburbia' at the Fullerton Museum Center that debuted last week. On a recent afternoon, the Agnew brothers gathered at the museum to pose for photos and relive the memories through artifacts of their punk rock youth.
'I constantly am asked questions about my family and about Rikk, D.I., Adolescents, all that stuff, it's amazing to me how many people not only know but care,' said Alfie, who is also a mathematical physicist teaching at Cal State Fullerton. 'This is just as much about the Orange County scene and the people that supported it, not only back in the late '70s and '80s, but also up to now, so I think this is kind of a celebration for all of us.'
The documentary by filmmaker Gabriel Zavala Jr. was filmed roughly between 2018 to 2024 and looks back at the brothers' early history and their storied musicianship while also capturing the brothers as they play various shows and navigate the circumstances of their personal lives. Zavala told The Times that he was inspired to create the documentary after watching the Agnews play an explosive show together at the Observatory in Santa Ana.
'It was such a rush because at that time people were once again re-invigorated by punk rock and Rikk and Frank's version of the Adolescents and it was such an electric night,' Zavala said. 'I just told them, 'What if we made a documentary about your family?''
Rikk, Frank and Alfie all agreed to make the documentary with Zavala, who promptly began filming and interviewing various musicians associated with the Agnews including Gvllow, Gitane Demone of Christian Death and Casey Royer of Adolescents and D.I.
Zavala, a feature filmmaker who directed and wrote the 2015 indie film 'Rude Boy: The Movie,' also interviewed the brothers' parents before they died while filming the documentary.
'I think they would be proud of it, they were always very proud and supportive of their kids, I think my parents were reasonably unique in supporting such an activity — being punk rock and being musicians instead of going for being doctors and lawyers, although eventually I became a professor,' Alfie said.
As children of Irish and Mexican parents with immigrant roots, the brothers say they grew up surrounded by an eclectic variety of music, listening to everything from Irish folk to mariachi, and while their parents weren't musicians themselves, the brothers agree they likely inherited their musical gene from their maternal grandfather, Alfonso Fernandez. According to the brothers, Fernandez was a professional drummer who emigrated from Guadalajara and played throughout Mexico and the U.S. Southwest in a Latin jazz band called the Latinaires.
'When I learned about my grandfather, which was particularly personal for me because I was named after him — in fact my first instrument was drums — I very much had that connection and was always very proud of that,' said Alfie, who also plays guitar.
Frank and Alfie didn't know their grandfather — Fernandez died in 1965 — but like Alfie, Frank also credits his grandfather's legacy as being influential in his own journey as a musician.
'My mom obviously would say, 'Your grandpa Alfonso was a drummer, and he was the best drummer,'' Frank said. 'And he had a reputation all through Mexico as being like one of the best drummers and so by her telling us that and showing pictures of him at his drum kit, it was really inspiring, it's like, 'Oh s—, grandpa was in a band, we can too.''
The brothers were at the height of playing shows while filming the documentary, but in 2020 several hardships took place that set the project back and also pushed the crew to finally finish it. First, the COVID-19 pandemic grounded all operations, especially when stay-at-home orders were implemented in 2020.
'COVID hit during the middle of this, God, so we were like in this limbo where we couldn't film for a month and then we had to proceed with the people that were willing to get together and work under the restrictions,' Zavala said.
This period is also when Rikk, Frank and Alfie's parents died from old age — first their father Richard Francis Agnew, and then just six months later, their mother Lia Paula Fernandez. Zavala's father, Gabriel B. Zavala, a renowned mariachi performer and teacher, died in early 2021 from COVID-19 complications.
'It was profound and it was sad, but I know that he would have wanted me to fight and to finish the documentary, so that's what we did,' Zavala said. 'We buckled down and, in a way, it was also a healing process to not have to really think about it and I just focused on the goal of finishing this regardless of what it was gonna take to finish it emotionally, financially and with a skeleton crew.'
Through the hardships, Zavala was able to successfully finish the documentary more than six years in the making, and the brothers say they are grateful and still humbly surprised that anyone thinks they are interesting enough to feature in a full-length film.
'I often hear from people how much the stuff we did influenced them and how it was like a positive thing in their life, and if that's the only takeaway, I think that's cool,' Frank said. 'Some things we did made people happy, made them move their feet, or influenced them in a way where it's like, 'Wow, I'm not the only one who feels that way,' and I just think that's fantastic and a good thing, and hopefully the documentary will display some of that.'

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Matthew Goode is both good and bad cop in Netflix's 'Dept. Q'
Matthew Goode is both good and bad cop in Netflix's 'Dept. Q'

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time4 days ago

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Matthew Goode is both good and bad cop in Netflix's 'Dept. Q'

LONDON (AP) — Being a leading man? Matthew Goode quite likes it. He's the star of 'Dept. Q,' based on the books by Danish author Jussi Adler-Olsen and set in the cold case division of an Edinburgh police station. From 'The Queen's Gambit' showrunner Scott Frank, the nine-part miniseries launches Thursday and sees Goode playing a one-man combination of good cop/bad cop. While Detective Chief Inspector Carl Morck is a brilliant investigator, he is equally successful at annoying people — even begrudging respect for his talent quickly turns into intense dislike. It's not that Goode hasn't been No. 1 on the call sheet before, it's just that he didn't enjoy it. 'It's something I shied away from after the beginning of my career where I was there for a bit and then I had some sort of bad things … things weren't necessarily positive at that point, after that. And I just went, I just want to be, you know, not the lead anymore,' he says. Goode also acknowledges that actors don't get to choose if a main part is 'bestowed' on them and notes that Frank fought to cast him in 'Dept. Q.' The pair first worked together on 'The Lookout' (2007) with the English actor portraying an American thief, a long way from the period dramas Goode has been recently known for, playing suave Brits in 'The Crown,' 'Downton Abbey' and 'Freud's Last Session.' Goode and Frank talked and teased each other in an interview with The Associated Press about working together, cast bonding and breaking Goode out of his period drama groove. The conversation has been edited for clarity and brevity. FRANK: Taxing, toxic, troubling. GOODE: Well, he's the genius and I just do what he says, basically. FRANK: I wish. We go way back. We made a film together, the first film I ever directed, in fact. And I was lucky that I had Matthew because he was outstanding and made it easier for me at that point. And I think we both just really know one another and I love this man — I would work with him in everything I ever did, but he's a pain in the ass. GOODE: Well, you know. There has to be some cost! GOODE: OK, so now you see what I'm working with. This is the second time he's given me a character that I genuinely don't think that many other people would have taken that chance, because I don't really scream Kansas City bank robber (in 'The Lookout'). And I think this is a part that some people would have kind of gone, it's a bit more sort of Tom Hardy-ish, perhaps. But that's what we are, we're actors, but you don't necessarily get to be versatile a lot of the time, so I feel very indebted to you. AP: And did you write this with Matthew in mind? FRANK: I had always thought he would be terrific for this, and I didn't know if we would end up doing it together, but from the minute I started thinking about it, doing it here, I really thought, oh, and I knew he would love it. 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AP: Have you played a detective before? GOODE: No, this is my first time, I think. I've got a memory like a sieve now; I've got three kids, that's the only thing I really think about. But no, I think this is my first time. GOODE: Only with my wife with some dress up, but that's about it. AP: Carl seems to wind everybody up. FRANK: A lot of people he winds up are people you want him to wind up and then a lot of times he's shooting down. But then, the people he's shooting down at surprise you by coming straight back at him. They don't necessarily let him get away with Carl being Carl. AP: And he's not a posh character. GOODE: No because (Frank) transposed it from the original Danish setting, Copenhagen, and it works brilliantly, obviously, in Edinburgh, and it becomes this amazing character. But he made the character English. But we haven't given too much detail yet as to as to his past, which I love the fact, because we're aiming to be able to keep doing this because there's 10 books. AP: I spoke to Leah Byrne and Alexej Manvelov, who both had first day nerves and are so good in this. Did it surprise you that they needed reassurance? FRANK: We all need reassurance. Including me. GOODE: Every actor I've ever met. FRANK: Your first day is really scary. There are all these people ... and acting, as I like to say, is the most difficult job in all of this because you're making yourself so vulnerable in front of a hundred strangers. So Day 1 is even worse. AP: And Matthew went out with Alexej for a long lunch? GOODE: I know it sounds a bit unprofessional, but actually, it's really, for me, that's the way that I like to work is to give myself to the other people that I've got major relationships in the show with, because I'm not competitive as an actor. I really want to share the screen. I find it weird when it doesn't happen the other way toward me. And so that's a really important relationship ... and I wanted us to have a great friendship. 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A visit to Frank del Olmo Elementary on Career Day
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Los Angeles Times

time6 days ago

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A visit to Frank del Olmo Elementary on Career Day

Last February, I wrote about my visit to Frank del Olmo Elementary, located on the outskirts of Historic Filipinotown northeast of downtown Los Angeles. The occasion was the 20th anniversary of the death of its namesake, the legendary Times columnist and masthead editor whom this paper and city swore we would never forget when he tragically passed away of a heart attack at just 55 — and then we mostly did. That columna ended with an invitation from Frank del Olmo Elementary's assistant principal to return on their career day later that spring to speak to students about my predecessor and my own career. I gladly accepted. I love speaking before crowds, but especially to elementary school students, many who have the same story as me at their age: a child of working class immigrants with dreams as huge as Clifford the Big Red Dog. My talks to two classes last year must've gone well, because I returned to the school's career day last Wednesday. The office staff remembered me when I signed in, and school principal Rania Nahle greeted me in a rec room while other guest speakers arrived. Some grabbed breakfast burritos and cookies that the school brought in as a gracias for spending our morning with their young scholars. 'We celebrated Frank's birthday last week!' Nahle excitedly told me, mentioning how students learned about who he was, and some classes even did projects to honor him. She gave us guest speakers — accountants, police officers, nurses — some encouraging words, then off we went to our half-hour lectures. My first stop: the first-grade class of Ms. Slayton. I started my chat by asking if anyone knew who Frank del Olmo was, and I'm happy to report that not only did they nod their heads yes, they also got the big points about him right. A writer. A dad. A hero. Looking on from behind Ms. Slayton's desk were paper cutouts the students had made of Del Olmo, complete with his trademark thick-framed glasses, full mustache and proud smile. The class passed around my copy of an anthology of Del Olmo's best columns as I talked about who Frank was and how I try to follow in his footsteps by writing about more than just Latinos. Although covering the city's biggest ethnic group — one that almost every student before me belonged to — is especially important, of course, a writer is more than just the group they belong to, I told them. When I speak, I usually zip through my thoughts and leave the last 10 minutes or so to audience questions. That wasn't going to happen with this group. Their hands were raised from start to finish, and they were unsparing in their queries. What did I want to be when I was their age? (Something that involved a lot of reading.) How much did I make? (A trillion-billion dollars.) Am I scared when I do my job? (Who isn't?) Hey, Times bosses: We need to hire these first-graders for our politics team. The students at Ms. Blanc's fifth-grade class were initially more muted, befitting that awkward year when boys and girls are too busy taking the first psychological and physiological steps toward adulthood to fully express themselves before a stranger. But they paid attention to every word I said, and the question-and-answer session was smart, gravitating more to how I do my job (on call 24/7, like a firefighter) and what do I hope to do with it (comfort the afflicted, afflict the comfortable). Really, the biggest difference between the two classes was what animated them the most: the first-graders were especially excited when I mentioned I wanted to write about the new 'Lilo and & Stitch' movie, while the fifth-graders were ecstatic that I have written about Dodger superstar Shohei Ohtani. I would have loved to speak to more classes, but I had my own columnas to chase. Like I told Principal Nahle and the staffer who escorted me back to the school's entrance though, I'm available to speak to Frank del Olmo Elementary for career day every year they'll have me. I'm sure Frank would proud of us all. Barbara says, 'Mill Valley.'Tami says, 'San Diego.' Email us at essentialcalifornia@ and your response might appear in the newsletter this week. Today's great photo is from Times photographer Carlin Stiehl at the Port of Los Angeles during a Fleet Week event that featured tours of active-duty military ships as well as aircraft flyovers and military displays and demonstrations of equipment. Gustavo Arellano, metro columnistKevinisha Walker, multiplatform editorAndrew Campa, Sunday writerKarim Doumar, head of newsletters How can we make this newsletter more useful? Send comments to essentialcalifornia@ Check our top stories, topics and the latest articles on

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