US reality TV star Chrishell Stause calls out Aussie's ‘f**kboy' behaviour on dating series Love Triangle
Selling Sunset star Chrishell Stause has called out Aussie reality TV newcomer Bernie Moredio for being a complete 'f**kboy' on Stan's dating series Love Triangle.
Like many viewers, Stause – who hosted the show's reunion special on Sunday – was disappointed with Bernie for following the 'playbook of f**kboys' to a tee while breaking the hearts of multiple women on the show.
'I hope the girls of Australia watch the show and do not date Bernie. Do not let him get away with this bad behaviour!' Stause said during a reunion debrief with news.com.au.
Taking on a more serious note, she added: 'And for Bernie, I hope you watch this and you go to therapy, and I hope you grow and become a way better person that would not treat people like that in the future.'
To get you up to speed, the show creates five love triangles by matching five singles with two suitors each. Bernie and Chloe Hannigan were among those singles.
However, instead of selecting a partner from their respective 'triangles', the pair shared a secret connection on the show and eventually chose each other in the finale.
But, in yet another plot twist, just 12 hours before they filmed the Love Triangle reunion episode, Bernie dumped Chloe.
'Bernie was like a grenade that went off in this experiment, and it's unfortunate,' Stause told us. 'I feel like it was extremely selfish of him to waste everyone's time. He's not here for love. He wasted some of our daters' time, then he goes out and he pursues somebody in a whole other [triangle].'
'It was very clear to me he just wanted to sleep with [Chloe]. He had no interest, having dumped her before [the reunion] so that he can then look single and get more girls.'
Stause was not afraid to call him out on his 'f**kboy' behaviour in the reunion, which left herself as well as the singles and suitors all fuming at Sydney-based Bernie.
'How are you going to deny it if it looks like a duck and walks like a duck? At that point, he didn't have a lot to say for himself,' she said.
'I just think that it definitely exposed him – this experiment exposed him. He thought he could come in and rule the roost, and it was pretty satisfying to be able to call him out on his BS behaviour.'
However, Stause said she believed everyone deserved a second chance – even people like Bernie who are constantly taking dating missteps.
'He is young, so I'll give him a pass if he wants to work on himself,' she said. 'I am all for second chances if somebody were to watch that and then take a step back and be like, 'Whoa, I need to figure some things out.' I think that's super commendable.'
'But it takes a strong person to be able to do that. If the other happens, and he watches this and ends up trying to sleep with people, then it will be more of the same. So surprise us, Bernie. Use this to grow.'
Another suitor that Stause called out on the show is Jordan Drew.
He was the suitor Payton Ellicott chose in the end, only for their relationship to implode in the reunion when audio of Jordan's distasteful comments about Payton was aired for all to hear.
'F**k you man, you know I'm not attracted to that,' Jordan told another suitor about Payton in an off-camera comment that microphones picked up. 'I asked for small, tanned, ethnic… She is the complete opposite in every single thing.'
'Literally any other girl here I would be into,' he continued. 'If I f***ed her or whatever then I'm like even more of a f***wit. Like, there's just no way I'm not looking like an arsehole after this, dude.'
He and Payton were literally sitting side-by-side on the reunion couch before his comment was played for the group. Afterwards, Stause did not hold back, boldly telling Jordan it was clear he went on the show for 'clout'.
'To be honest, I even called him out more than that. I think only certain parts made the show,' Stause tells us. 'I wanted to call him out because it's one thing if someone's misunderstood or if they made a mistake and they feel bad about that comment. But I just didn't feel like there was any room for error about what he meant [in his comment].'
'I personally felt like he was just trying to look good on camera, but we saw a sliver of how he really speaks about women and Peyton when he thought no one was listening – and that says a lot about your character. So I didn't mind holding his feet to the fire. It's obvious to me that he was there for clout.'
Stause said that after Bernie's bad behaviour was exposed and Jordan's comment was aired, the tension in the room was next level.
'It was a very tense room. I mean, you had people that very clearly did not want to be sitting next to somebody else,' she recalled.
'When there would be these small little moments for a make-up touch-up or something, it would be dead silent. So what you see was not amped up for television. It was a tense situation.'
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The Advertiser
39 minutes ago
- The Advertiser
Iconic Australian migrant story returns to the stage
Stephen Nicolazzo felt like throwing away his culture as a kid but is now using it to bring an Aussie classic to the national stage. Born of Melina Marchetta's iconic 1992 book and award-winning film starring Pia Miranda, Looking for Alibrandi the stage show has embarked on a first national tour. The story follows feisty protagonist Josie Alibrandi as she navigates her final year at a prestigious Catholic girls' school in Sydney. Along the way she finds her father, falls in love and grapples with her identity as a third-generation Italian growing up in Australia. It's an experience Nicolazzo shared as the grandson of Italian migrants. In primary school, the now 38-year-old was embarrassed to pronounce Italian words his classmates struggled with. "You want to throw away your culture and your ethnicity when you're younger because of all of the pressures of being discriminated against," he told AAP. "That's a really strange feeling because you lock away a part of yourself as a result of the pressures of expectation." The lived experience of young Australians from Italian cultures has improved over the past 30 years. "But there are many other migrants who have come to this country since the book was written," Nicolazzo said. "They're experiencing the same discrimination and tensions that Josie faced." The production highlights important issues of acceptance and tolerance, and is relatable to a wide audience. Nicolazzo points to the story's universal recognition of concepts like having to deal with over-bearing family members or being spoken to in a certain way. "The people that watch it are sobbing and laughing because there's a familiarity to it that goes beyond nostalgia," he said. The show first graced Sydney and Melbourne stages in 2022 and has since undergone script changes to enrich one of Jose's love interests, John Barton. "The audience is getting the best version of the show, which is five years in the making," Nicolazzo said. Three new cast members have also joined the fold, including 23-year-old graduate Riley Warner, who plays Josie's knockabout boyfriend Jacob Cootes. The rising star is debuting in his first stage show, having met Nicolazzo as a student. "There's something about him that feels like a national audience needs to see him right away," Nicolazzo said. The show next appears in Sydney on June 11 before heading across NSW, Victoria and South Australia. Nicolazzo hopes audience members take one key message from his production. "It's about finding freedom from the shackles of a culture that doesn't want you to be a part of It," he said. "That's a hard thing to do but we can only do it by making art and talking to people." Stephen Nicolazzo felt like throwing away his culture as a kid but is now using it to bring an Aussie classic to the national stage. Born of Melina Marchetta's iconic 1992 book and award-winning film starring Pia Miranda, Looking for Alibrandi the stage show has embarked on a first national tour. The story follows feisty protagonist Josie Alibrandi as she navigates her final year at a prestigious Catholic girls' school in Sydney. Along the way she finds her father, falls in love and grapples with her identity as a third-generation Italian growing up in Australia. It's an experience Nicolazzo shared as the grandson of Italian migrants. In primary school, the now 38-year-old was embarrassed to pronounce Italian words his classmates struggled with. "You want to throw away your culture and your ethnicity when you're younger because of all of the pressures of being discriminated against," he told AAP. "That's a really strange feeling because you lock away a part of yourself as a result of the pressures of expectation." The lived experience of young Australians from Italian cultures has improved over the past 30 years. "But there are many other migrants who have come to this country since the book was written," Nicolazzo said. "They're experiencing the same discrimination and tensions that Josie faced." The production highlights important issues of acceptance and tolerance, and is relatable to a wide audience. Nicolazzo points to the story's universal recognition of concepts like having to deal with over-bearing family members or being spoken to in a certain way. "The people that watch it are sobbing and laughing because there's a familiarity to it that goes beyond nostalgia," he said. The show first graced Sydney and Melbourne stages in 2022 and has since undergone script changes to enrich one of Jose's love interests, John Barton. "The audience is getting the best version of the show, which is five years in the making," Nicolazzo said. Three new cast members have also joined the fold, including 23-year-old graduate Riley Warner, who plays Josie's knockabout boyfriend Jacob Cootes. The rising star is debuting in his first stage show, having met Nicolazzo as a student. "There's something about him that feels like a national audience needs to see him right away," Nicolazzo said. The show next appears in Sydney on June 11 before heading across NSW, Victoria and South Australia. Nicolazzo hopes audience members take one key message from his production. "It's about finding freedom from the shackles of a culture that doesn't want you to be a part of It," he said. "That's a hard thing to do but we can only do it by making art and talking to people." Stephen Nicolazzo felt like throwing away his culture as a kid but is now using it to bring an Aussie classic to the national stage. Born of Melina Marchetta's iconic 1992 book and award-winning film starring Pia Miranda, Looking for Alibrandi the stage show has embarked on a first national tour. The story follows feisty protagonist Josie Alibrandi as she navigates her final year at a prestigious Catholic girls' school in Sydney. Along the way she finds her father, falls in love and grapples with her identity as a third-generation Italian growing up in Australia. It's an experience Nicolazzo shared as the grandson of Italian migrants. In primary school, the now 38-year-old was embarrassed to pronounce Italian words his classmates struggled with. "You want to throw away your culture and your ethnicity when you're younger because of all of the pressures of being discriminated against," he told AAP. "That's a really strange feeling because you lock away a part of yourself as a result of the pressures of expectation." The lived experience of young Australians from Italian cultures has improved over the past 30 years. "But there are many other migrants who have come to this country since the book was written," Nicolazzo said. "They're experiencing the same discrimination and tensions that Josie faced." The production highlights important issues of acceptance and tolerance, and is relatable to a wide audience. Nicolazzo points to the story's universal recognition of concepts like having to deal with over-bearing family members or being spoken to in a certain way. "The people that watch it are sobbing and laughing because there's a familiarity to it that goes beyond nostalgia," he said. The show first graced Sydney and Melbourne stages in 2022 and has since undergone script changes to enrich one of Jose's love interests, John Barton. "The audience is getting the best version of the show, which is five years in the making," Nicolazzo said. Three new cast members have also joined the fold, including 23-year-old graduate Riley Warner, who plays Josie's knockabout boyfriend Jacob Cootes. The rising star is debuting in his first stage show, having met Nicolazzo as a student. "There's something about him that feels like a national audience needs to see him right away," Nicolazzo said. The show next appears in Sydney on June 11 before heading across NSW, Victoria and South Australia. Nicolazzo hopes audience members take one key message from his production. "It's about finding freedom from the shackles of a culture that doesn't want you to be a part of It," he said. "That's a hard thing to do but we can only do it by making art and talking to people." Stephen Nicolazzo felt like throwing away his culture as a kid but is now using it to bring an Aussie classic to the national stage. Born of Melina Marchetta's iconic 1992 book and award-winning film starring Pia Miranda, Looking for Alibrandi the stage show has embarked on a first national tour. The story follows feisty protagonist Josie Alibrandi as she navigates her final year at a prestigious Catholic girls' school in Sydney. Along the way she finds her father, falls in love and grapples with her identity as a third-generation Italian growing up in Australia. It's an experience Nicolazzo shared as the grandson of Italian migrants. In primary school, the now 38-year-old was embarrassed to pronounce Italian words his classmates struggled with. "You want to throw away your culture and your ethnicity when you're younger because of all of the pressures of being discriminated against," he told AAP. "That's a really strange feeling because you lock away a part of yourself as a result of the pressures of expectation." The lived experience of young Australians from Italian cultures has improved over the past 30 years. "But there are many other migrants who have come to this country since the book was written," Nicolazzo said. "They're experiencing the same discrimination and tensions that Josie faced." The production highlights important issues of acceptance and tolerance, and is relatable to a wide audience. Nicolazzo points to the story's universal recognition of concepts like having to deal with over-bearing family members or being spoken to in a certain way. "The people that watch it are sobbing and laughing because there's a familiarity to it that goes beyond nostalgia," he said. The show first graced Sydney and Melbourne stages in 2022 and has since undergone script changes to enrich one of Jose's love interests, John Barton. "The audience is getting the best version of the show, which is five years in the making," Nicolazzo said. Three new cast members have also joined the fold, including 23-year-old graduate Riley Warner, who plays Josie's knockabout boyfriend Jacob Cootes. The rising star is debuting in his first stage show, having met Nicolazzo as a student. "There's something about him that feels like a national audience needs to see him right away," Nicolazzo said. The show next appears in Sydney on June 11 before heading across NSW, Victoria and South Australia. Nicolazzo hopes audience members take one key message from his production. "It's about finding freedom from the shackles of a culture that doesn't want you to be a part of It," he said. "That's a hard thing to do but we can only do it by making art and talking to people."

ABC News
an hour ago
- ABC News
Thousands of meatballs and dolmades on menu at Greek GleNTi festival in Darwin
Preparing for Darwin's largest annual multicultural festival is no easy feat, with a small army of volunteers having been hard at work for weeks to put on a feast for this year's GleNTi. Throughout the past week, thousands of meatballs and dolmades have been rolled and tonnes of seafood has been prepared for the major Greek festival. It has all been to ensure that the tens of thousands of attendees at the beloved annual event leave full and satisfied. Since its launch in 1988, GleNTi has grown in size every year to become one of the biggest weekends on Darwin's social calendar. These days GleNTi is a two-day extravaganza, with food, dancing, music and plate-smashing filling the busy schedule at Bicentennial Park on the Darwin Esplanade. Michael Koulianos, president of the Greek Orthodox Community of Northern Australia, which organises GleNTi, said the festival was an annual highlight of Darwin's event calendar. "It's a celebration of our Greek heritage, but also of our families, our community and our standing in the NT," he said. "It brings us all together. It brings friends, families but also the wider community together as well". On Wednesday, members of the Greek community held a working bee to wrap dolmades for the festival. The parcels, which are often called "fylla" by Darwin's predominantly Kalymnian Greek population, are made of grapevine leaves stuffed with rice, meat, herbs and spices. Katina Vrodos, who has been making dolmades her whole life, said they were one of the festival's highlights. "I started [making dolmades] in Greek school … and have continued all these years," she said. She keeps a keen eye on the volunteers, ensuring quality standards are upheld. "This recipe is mine from more than 40 years ago," she said. The preparation is a tradition that has been passed down from generation to generation. High school student Anna Koulianos — Mr Koulianos's daughter — was among the young people who pitched in. "I have memories sitting at my Yiya's table at her house, her teaching me how to do it from a really young age," she said. She joked that she felt the pressure of carrying on a tradition so deeply protected by her grandmothers, but also said the practice made her feel "at home". There were several other workshops held throughout the week, including rolling meatballs, or "keftedes", and preparing honey puffs, also called "loukoumades". Organisers say all up, there will be about 3 tonnes of souvla, 600 kilograms of dolmades, 2 tonnes of octopus and 800kg of calamari — though the true numbers are hard to quantify. Many hands made light work of the preparations, with the working bees drawing volunteers from beyond the Greek community. "We've got Darwin High School, we've got St John [Ambulance] volunteer corps and a lot of other non-profit organisations taking part as well, including the Filipino community," Mr Koulianos said. Politicians also rolled up their sleeves and got to work, with federal MP Luke Gosling and NT Chief Minister Lia Finocchiaro among the volunteers. "We start our preparations in January every year, but the last three months are quite intense," Mr Koulianos said. "That's when we really gear up, and obviously the last month is sleepless nights to really get everything done." However, not all the preparations for this year's GleNTi have been smooth sailing. On Friday, the day before the festival kicked off, an NT Health investigator found one of the GleNTi stallholders, the Kalymnian Brotherhood, had breached food safety standards when preparing their tonnes of octopus. In a statement, an NT Health spokesperson said it had deemed the octopus "unsuitable for consumption". "As a result, Environmental Health Officers have requested the provider dispose of the affected octopus," the spokesperson said. NT Health said the decision would have a "very minor impact" on the festival. In a Facebook post, the Kalymnian Brotherhood denied any wrongdoing and said the investigators made "false accusations". "We want to make it clear our octopus prep was conducted properly and in the correct manner," they said. The Kalymnian Brotherhood said in the same post the group would not take part in this year's festival as a result. Mr Koulianos said organisers had found a solution and octopus would still be available. "We did stay up all night, rang some suppliers [and] local distributors, and found octopus, so we are definitely going to have octopus this GleNTi," he said. "I think it's going to be enough, probably about a tonne. "Normally we sell about two tonnes over the GleNTi weekend, but it's going to be enough for people to taste it, let's put it that way". GleNTi is being held on Saturday and Sunday at the Bicentenial Park on Darwin's Esplanade.

News.com.au
2 hours ago
- News.com.au
What's on: Barunga, Beer Can Regatta, Finke and GleNTi equals plenty of fun for Territorians
WHAT'S ON THIS WEEKEND It's arguably the fullest weekend of the year, so if I am honest, I really hope you've already got your plans sorted, Darwin. The Barunga Festival is on this weekend, which will see people pack up and head just a little way out the Central Arnhem Rd (It's far enough to play 'Let's Go' by King Stingray, for sure) to enjoy a three-day program of music, sport, and cultural events. And if you're lucky enough to be heading to the Red Centre for the adrenaline-pumping Finke Desert Race, you're in for a good time. But what if you're staying in town? Have you heard of the Over 30s Club? If it sounds lame, you're probably still in your kebab at 3am on Mitchell St era and I'm so happy for you – but if you're interested in a boogie without the late-night taxi home: The Over 30s starts at 5pm on Saturday at Discovery – and wraps up at 9pm. Delightful. For even more wholesome fun, please head to Mindil Beach on Sunday for the iconic Beer Can Regatta. This event is one of those ones that makes you look around and laugh and think 'gosh I love you Darwin'. It's equal parts chaos and hilarity – it's unpolished community spirit and classic Darwin fun. SOMEWHERE YOU NEED TO EAT If you thought I was missing something in the what's on section … don't worry – how could I miss the GleNTi. The Greek GleNTi is a huge festival where the Greek community share their culture … and amazing food, all day Saturday and Sunday. Last year we went for lunch, then came back for an early dinner to try something else, and then stayed for the Ouzo and Loukoumades, which is how I highly recommend you experience all of the food. LOCALS TIP Reminiscing about the Finke while writing this article got me thinking about Central Australia. I've been seeing a lot of love letters to Alice lately, and I also agree that there's just something about the Centre – I still can't quite put my finger on it, but I feel it every time. I think it might be something to do with the complete stillness when you stop for a moment at the top of Kings Canyon, and the feeling you get when floating above the contrasting reds and greens at sunrise. It's probably also the warm days but crisp air at night, and how fresh it feels to dive into a cold desert oasis after a day in the sun. It's the culture and the stories, learning about Arrernte country. Maybe it's the feeling when you're driving through the ranges, and every corner you turn makes you say 'wow look at that' out loud – again. So if this long weekend has you thinking about planning a trip for the next one – consider a trip south down the Stuart Highway.