
The Sky Glass Air TV Is Finally Here – And It Rewrites The TV Price Rulebook
British subscription broadcaster Sky has today unveiled more details about its new Glass Air TV series – including a price structure that threatens to make them all but irresistible to anyone on the hunt for a serious TV bargain.
Sky first announced the existence of its new Glass Air TVs in a classic 'And one more thing before we go'-style revelation during its Sky Glass Gen 2 TV unveiling event back in February, catching assembled journalists completely by surprise with this more affordable way of combining a Sky channel subscription with a new TV. Details on the Air were sparse back then, though, leaving many questions to be answered regarding its specification and price. Answers which I can now provide.
The new Sky Glass Air TVs will be available in three colours and three screen sizes.
The Glass Air series will be available in three screen sizes: 43-inch, 55-inch and 65-inch. All three sizes will also be available in any of three color options, too: Sea Green, Carbon Grey, and Cotton White. Your chosen Glass Air will ship with a color-matched remote and stand, as well as as benefitting from a slimmer, sleeker design than that of the Glass Gen 2 sets. You can hang the Airs up on either universal wall mounts or Sky's dedicated bracket, or simply slot them on to their included, no-tools-required desktop stands.
The Glass Airs will each feature native 4K resolutions and support high dynamic range playback, with the wide color gamuts associated with HDR content being delivered via a Quantum Dot color system.
The Glass Airs' pictures will be accompanied by a built-in Dolby Audio speaker system, while their entire content search and delivery system will run on Sky's proprietary OS – the same sophisticated, highly acclaimed smart software that powers both the original Sky Glass TVs and Sky's Stream boxes. This includes arguably the most advanced and specifically focused voice recognition/control system in the TV world.
The single most stand-out trick of Sky's OS for TVs and streaming boxes is, of course, the way they let you live stream (and access on demand) all of Sky's hundreds of channels over a broadband connection, rather than requiring you to have a satellite dish attached to your home.
As with the step-up Sky Glass TVs, the three new Air models can all be bought via monthly instalments, rather than requiring you to find all the money to buy them up front. It's this part of the Sky Glass Air offering that I suspect will see them becoming at least as popular as the original and second-gen Sky Glass TVs have been, with Sky confirming that you will be able to buy one for as little as six pounds – yes, that's six pounds – a month (paid over a 48-month period). That price is available for existing Sky subscribers, too, rather than being reserved for new customers.
The Sky Glass Air.
With Sky channel package subscriptions starting from £15 a month for the Sky Essential package (which includes Netflix and Discovery+ access), you could basically get a brand new 43-inch 4K, HDR-capable TV, dozens of channels and many thousands of hours of on-demand Sky content for as little as £21 a month all in.
The 55 and 65-inch Glass Airs attract prices of £10 and £13 a month respectively (which for my money makes the 65-inch model the most attractive all-round proposition) with customers able to choose a 24-month TV subscription or opt for a 31-day rolling contract. Sky adds that you can upgrade your monthly package to the Ultimate TV pack for just £7 a month more, giving you access to such extra channels as (among many others) Sky Max, Sky Comedy, Sky Documentaries, Sky Crime, Sky History and Sky Showcase.
It's also possible to buy a Glass Air up-front if you're able to resist temptation monthly price option, with the 43-inch costing £309, the 55-inch costing £509 and the 65-inch costing £649.
"With Sky Glass Air,' says Carli Kerr, MD of Sky TV, 'we're bringing the Sky experience to more people through a beautifully designed TV with stunning picture quality from just £6 a month. It's all about giving people better for less: More choice, great tech, and the content they love, without compromising on quality. From the ultimate performance of Glass Gen 2 to the incredible value of Air, there's now a Sky Glass to suit everyone, whether you're new to Sky or already with us."
Sky Glass Air TVs go on sale on Tuesday 10th June via Sky.com, Sky stores, Sky call centres and Currys online, as well as becoming available at physical Currys stores from June 18.
—
Sky Launches New Gen 2 Sky Glass TVs, With Cheaper Sky Glass Air Sets To Follow
Sky Glass One Year On - Still the Future Of TV?
Sky Rolls Out Latest Feature Upgrade For Its Glass TVs And Stream Boxes—Including AirPlay Support

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Digital Trends
an hour ago
- Digital Trends
Brains vs. guts: Dangerous Animals cast relied on their instincts in new shark thriller
'People don't understand the hierarchy of animals in this world,' Tucker, a serial killer played by Jai Courtney (Suicide Squad), says in the new shark thriller Dangerous Animals. The eccentric Tucker explains how people think with their guts instead of their brains when the '300 razor-sharp teeth' from a shark are tearing at someone's flesh. Courtney had to trust his instincts to play a sadistic sociopath like Tucker. 'I'm a very gut instinct-driven person,' Courtney tells Digital Trends about his character choices in Dangerous Animals. 'Some people operate really cerebrally, and it's all about logic. I'm much more impulsive, and that all stems from here [pointing to gut].' Recommended Videos Directed by Sean Byrne, Dangerous Animals is a mash-up between a survival horror and a psychological thriller. Yellowstone's Hassie Harrison plays Zephyr, a free-spirited surfer looking to run away from her past. 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It's not the most typical choice to have a shark serial killer survival thriller mashup there, but it's a testament to the wonderful film that Sean directed. Josh Heuston: Incredible, really. Hassie Harrison: We're still processing it all. Was it your first time? Harrison: Yes, that was our first time. I think it was just so surreal to go to Cannes and have a movie premiere there. Also, for it to be so well received was just the loveliest thing. So it's your first time with a standing ovation. Does it move from gratitude to awkwardness? Courtney: It started with awkwardness. We were so proud of the movie, and the audience was so on board the whole time. To have that reception, I was totally embarrassed. I was literally telling people to cut it [motioning to his throat]. I've got producers down the wing being like, 'Let it happen.' And I'm like, 'All right. Are we good, everyone? That's enough. Should we all get to the bar?' Heuston: So fast for me. [Laughs] Harrison: I just want to say Australians don't really love attention and compliments. I get it. Sometimes, it can feel like people are singing Happy Birthday to you on repeat, and you're like, 'Ohh.' Heuston: I just didn't know where to put my hands. Harrison: [Laughs] That is our job as actors. Heuston: Yeah, but then I hugged everyone like four times, and I didn't know what to do. [Laughs] I was fascinated by one of Tucker's speeches. This idea of how humans think with their brains and guts. Outside of a shark situation, as actors, when you're developing characters and on screen, do you find yourself relying on your brains or your guts? Have you found a happy marriage between the two? Courtney: I'm a very gut instinct-driven person, like a lot of sacral energy. I have to feel like something is a 'hell yes' or a 'hell no.' I think the brain gets in the way of that sometimes. Some people operate really cerebrally, and it's all about logic. I'm much more impulsive, and that all stems from here [pointing to gut]. It doesn't necessarily mean I'm always making the right move, but I've learned to trust that. It's how I have to approach life. Harrison: I think you gotta listen to your instincts. That's how you keep your nose to the joy trail. We need our brains to function in the world as well. I think what you're saying is ultimately about listening to your heart. Heuston: As an actor, I guess you use your brain to do all your prep work and your research. You figure out and learn as much as possible about the character and the given circumstance. At the end of the day, you've got to wing it and go with your instincts and your gut. Yeah, I feel that's kind of the way. Did you trust your gut for that dancing scene? Courtney: Yeah. I mean, that thing was two takes, totally improvised. I might have had a couple of little whiskies just to loosen myself up. Sean said it was on a Friday, so it was the last thing you did. Courtney: It was the last thing we did that week. We didn't know what it was going to be. We had an idea like, OK, it's about this celebration for Tucker. Sean wanted me to let loose. We pumped that track up that he [Tucker] danced to, which is an Aussie classic, Evie. I didn't know it was going to happen either, but I had to get myself into a mindset of stepping outside my comfort zone. Don't be afraid to look ridiculous. Zephyr, the character, is a free spirit. She looks to be having the time of her life. Obviously, she's damaged on the inside. She lives in that van; it's her cage. To get into that cage, what was your way of finding that character? Harrison: Zephyr's pretty close to home for me. I've always been attracted to playing strong, resilient women. I loved that she's a fighter. Her strength … I think I had a fast track in. She lives so close to home for me. What stuck with me is the physicality of this movie. All of the strenuous activity — going out on the line over the water, the night shoots, etc. How did you find a way into this character through the physicality and the strenuous activity? Heuston: I was in that harness for like two or three days. By the end of it, you're truly in there. As I was saying before, you feel much more grounded in that experience. You are getting taken across with the crane and then dunked in the water and then taken back out. You're doing it on repeat, and that is physically draining, just like Moses would be in that moment. I loved it though, to be fair, in like a really sadistic way. [Laughs] It hurt, but it was like really fun. What about you, Hassie? Harrison: Yeah, this was a very physically demanding role, to say the least. All the water stuff — filming out on the ocean, not in a tank — it gives you so much as an actor to just dig into that discomfort. Being in the ocean at night when you're genuinely scared makes my job easier. There's a fearlessness required to play Tucker. How did you go to that place, to really let yourself go and find the courage to do what's required to play this character? Courtney: I came from theater, and one of the earliest things you learn to adopt when you're playing on stage is you have to shed this fear of being ridiculous or looking like the clown. It's almost like you have to embrace that. Be unafraid to fall. You're not going to make every right choice. You have to look like an idiot. But what that injects into young performers is you can be nimble. There's nothing at stake here other than an opportunity to find something new. I knew with this role that it had to be big. It's all there on the page for me to sink my teeth into. If it was reduced down to playing some wash of an evil guy, it becomes uninteresting, and we believe it less. It had to stem from the truth. He had to be this wounded child within. I wanted to flood him with this performer that we see on the boat because he's the captain of Tucker's experience. This is all real stuff. It's not all geared toward his killings. He runs a successful business, which is why he's able to hide in plain sight. I wanted that to feel real to me like him taking the stage on the back deck and the way he sheds his wisdom, even if he does love the sound of his own voice too much. He needed to be somewhat of an affable presence as well as a threat. That's interesting. Now, I think of him [Tucker] as a theater performer. The boat is his stage. Courtney: I mean, we've all met this guy before in some way or another. He's the cab driver that won't shut up. He's the uncle at the wedding that like… Please stay away. Courtney: Exactly! We know this guy, and that's what sprung off the page for me. I've spent time in the pub with this dude. I don't necessarily want to be around him anymore, but I can lock into who he is. 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Fox News
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Heidi Klum sizzles poolside in bikini photo shoot as she celebrates her 52nd birthday
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Bloomberg
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