Jon Hamm's charm only goes so far in ‘Your Friends & Neighbors'

Boston Globe

03-04-2025

Coop is divorced, and the liaison was consensual, but his vindictive boss still uses it as an excuse to get rid of him. That lets Coop off the hook while giving the show its justification for propping up an aggrieved middle-aged white guy. Coop doesn't start cooking meth to make ends meet—instead, he engages in some light breaking and entering, stealing select high-end objects (what he calls 'piles of forgotten wealth') from his rich suburban neighbors and selling them to a shady pawn-shop owner in the Bronx.
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It's just an exaggerated midlife crisis, and especially in its early episodes, 'Your Friends and Neighbors' comes perilously close to 'American Beauty: The TV Series,' reflecting the smug condescension of that poorly aged Oscar-winning movie. The first episode opens with a flash-forward to Coop waking up on the floor of one of the neighborhood mansions next to a dead body, but it
takes quite a few episodes before
the show gets around to clarifying and investigating the murder mystery.
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Aimee Carrero in "Your Friends & Neighbors."
Apple TV+
The intrigue among the idle rich (including Coop's two teenage children), with their petty grievances and betrayals, expands over the course of the season via various half-hearted subplots that recall the soapy storytelling of 2000s hit 'Desperate Housewives,' but the tone is too blandly refined to embrace campy humor or pulpy twists. 'Your Friends and Neighbors' also takes its time introducing Coop's eventual partner in crime, Dominican immigrant housekeeper Elena Benavides (Aimee Carrero), whose participation in the local gossip network of household help brings to mind 'Desperate Housewives' creator Marc Cherry's underrated follow-up, 'Devious Maids.'
'Your Friends and Neighbors' is not particularly desperate or devious, though, despite Tropper's efforts to make the well-documented excesses of the upper class seem somehow scandalous. Coop's smarmy narration features detailed descriptions of the luxury items he steals, complete with onscreen text, in a way that's designed to highlight their artificially inflated value, but just sounds like commercials for fancy status symbols. There are no shocking or thrilling revelations, just confirmation that terrible taste transcends class.
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The supporting cast includes Amanda Peet as Coop's therapist ex-wife and
There are glimpses of the more exciting, layered show that 'Your Friends and Neighbors' could have been, especially when Coop and Elena are working together, challenging each other's received notions about class and gender. Those moments are far too fleeting, and they lack any urgency or momentum, despite strong chemistry between Hamm and Carrero. The show gives just as much weight to go-nowhere side stories about Coop's mentally unstable sister hooking up with her ex-fiancé or Coop's business manager's financial difficulties as it does to the burgeoning criminal enterprise that's theoretically at its center.
The primary theme of 'Your Friends and Neighbors' boils down to 'What if a rich guy was slightly less rich?,' and that's just not enough to sustain an entire season (let alone the second season that Apple has already ordered). The opening credits sequence, featuring elements of Coop's life literally blowing up around him, set to a song with lyrics about 'keeping up with the Joneses,' encapsulates the show's blunt, superficial take on its subject matter. Jon Hamm can sell anything, but even he has trouble making this lazy, warmed-over salaciousness appealing.
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YOUR FRIENDS & NEIGHBORS
Starring: Jon Hamm, Aimee Carrero, Amanda Peet, Olivia Munn. On Apple TV+