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Love Island fans left in shock as Blu and Shea are forced to pick which one of them will be DUMPED in brutal twist - but both refuse to leave

Love Island fans left in shock as Blu and Shea are forced to pick which one of them will be DUMPED in brutal twist - but both refuse to leave

Daily Mail​20 hours ago

Love Island fans were left in shock during Wednesday's episode as the latest brutal twist was revealed.
Following a recoupling, Blue and Shea were left single and at risk of being dumped from the island.
A text then explained that the pair would have to pick who between them would leave the villa in a dramatic twist.
Blu was quick to state, 'I ain't f***ing leaving', with Shea also making it clear he wasn't willing to leave.
Fans were surprised by the new rule, and were left questioning how the boys would make the decision.
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One viewer wrote on social media platform X: 'So like what happens now? Rock, paper, scissors or?';
'Okay the producers ate that one little thing. They're gonna fight to the death to stay I'm so excited';
'Got to be a catch to whoever decides to leave surely';
'BOMBSHELLS ARE SUPPOSED TO BE IMMUNE. Has Love Island forgotten its own rules??'
The 12th series of the ITV2 dating show returned to our screens earlier this week and has already seen one dumping.
After just 24 hours in the villa, located in Mallorca, motivational speaker Sophie Lee, 29, was booted off the show.
Now it's one of the boys that will have to wave goodbye to the rest of the Islanders, which will follow off the back of the arrivals of the latest bombshells Shea, 25, and Remell Mullins, 24.
But annoyingly, fans of the programme will have to wait until Friday's instalment to see who ends up leaving the show.
Fans were surprised by the new rule, and were left questioning how the boys would make the decision
Elsewhere during Thursday's episode, Alima kicked the recoupling off, giving Remell a shot after their earlier chinwag.
Toni was next, choosing Conor following a smooch they shared, while Megan stuck with Tommy.
Helena went for Harry amid their love triangle with Shakira, who went for Ben after the pair were originally coupled up.
Meg also stayed put picking Dejon, leaving Blu and Shea not in a couple.
It comes after Author Sophie was only in the villa for 24 hours before she had to leave.
Her departure came after the arrival of the first bombshell of the season, American beauty Toni Laites, 24, who decided to steal Ben Holbrough, 23, off Shakira Khan, 22.
This meant that Shakira was left single and had to try and find a connection with someone before the next recoupling ceremony.
She managed to leave a lasting impression on Harry Cooksley, 30, who decided to come forward to recouple with her, leaving his then-partner Sophie single.
It comes after Love Island fans were left in shock after watching three non-coupled-up Islanders snuck off to hideaway during Wednesday's episode.
Ben and Shakira , who were originally coupled up, headed to the secret suite for a chat, where he confessed he was still interested in her.
Later, Helena Ford, 30, and Harry had a cheeky chat, where they suggested they should 'sneak off in the middle of the night' to the romantic room - just days in to the show.
Shakira was later taken back to the Hideaway by Blu where she then shared a sneaky kiss with him, despite choosing Harry over him in Tuesday night's recoupling.
Shakira had earlier been left furious when Harry whispered 'hideaway' in air hostess Helena's ear before putting his hand on her leg, before her cheeky antics of her own.
The pairing came as a shock to viewers as Harry was chosen by Shakira to couple up with during Tuesday night's dramatic recoupling.
Sophie Lee
NAME: Sophie Lee
AGE: 29
FROM: Manchester
OCCUPATION: Motivational Speaker and Author
WHAT ARE YOU LOOKING FOR? Someone who is fun, spontaneous, who has a lot of jokes and who is attentive. At the moment I'm only finding ones draped in red flags and 'do not cross' signs
IF YOU WERE THE CEO OF SOMETHING, WHAT WOULD IT BE? I'm the CEO of empowerment. I want women to feel beautiful and validated in themselves and feel their best self.
NAME: Dejon Noel Williams
AGE: 26
FROM: London
OCCUPATION: Semi-pro footballer and personal trainer
WHAT ARE YOU LOOKING FOR? Someone who is beautiful on the inside and out, looks after themselves and is healthy
CLAIM TO FAME? My dad being an ex-professional footballer. I've met all kinds of famous people through him. When I was younger it was weird because he was just my dad, but we'd go to a game and fans were asking for photos. I've met David Beckham, he was really nice.
Megan Moore
NAME: Megan Moore
AGE: 25
FROM: Southampton
OCCUPATION: Payroll specialist
WHAT ARE YOU LOOKING FOR? I'd like to meet someone who is tall, with a nice tan, nice eyes and a nice smile. He needs to have a good fashion sense and a really good, funny personality that I can get on with
HOW WOULD YOU DESCRIBE YOUR LOVE LIFE? Bankrupt, right now. But we're going to make sales and get on that corporate ladder and be booming. Profits, profits, profits!
Tommy Bradley
NAME: Tommy Bradley
AGE: 22
FROM: Hertfordshire
OCCUPATION: Landscape Gardener
WHAT ARE YOU LOOKING FOR? A girl who is very ambitious, with a big personality, caring, but also someone that doesn't take themselves too seriously. I don't know if that's asking for too much, but I want a bit of everything. I haven't got a specific type in terms of looks, though.
WHAT WOULD YOU BE CEO OF? Taking hours to do my hair
NAME: Alima Gagio
AGE: 23
FROM: Glasgow
OCCUPATION: Wealth Management Client Services Executive
WHAT ARE YOU LOOKING FOR? A tall man with a handsome face. You know when you just look at a guy and they have that Disney prince look to them? That's it
WOULD MAYA HIRE YOU FOR YOUR FLIRTING SKILLS? I think she'd hire me because I'm a good flirt. I always ask guys on a night out to guess which country I'm originally from. If they get it right, they can get my number.
But they never guess correctly so it works really well if you don't want to give a guy your number. I'm originally from Guinea Bissau. If they're close and I really fancy them, I'll give them my number anyway.
NAME: Ben Holbrough
AGE: 23
FROM: Gloucester
OCCUPATION: Private Hire Taxi driver
WHAT ARE YOU LOOKING FOR? Someone sexy, good looking, good chat, good vibes, nice teeth and good eye contact - they're all the traits I look for. Oh, and also a cute smile, I just look at you and know I can be around you all day, every day.
HOW WOULD YOU DESCRIBE YOUR LOVE LIFE? Bankrupt. I'd have been out of business a long time ago. That's exactly why I'm here.
NAME: Helena Ford
AGE: 29
FROM: London
OCCUPATION: Cabin Crew
WHAT ARE YOU LOOKING FOR? Somebody funny or Northern. I feel like Northern people have much more banter than Southerners. If you look through my previous dating history, you'll see I clearly go for personality. You can pretty much laugh me into bed.
WOULD MAYA HIRE YOU FOR YOUR FLIRTING SKILLS? I would say hire but then quickly fire soon after. It would only be a temporary contract.
NAME: Megan Forte Clarke
AGE: 24
FROM: Dublin
OCCUPATION: Musical theatre performer and energy broker
WHAT ARE YOU LOOKING FOR?
Someone who doesn't take themselves too seriously and has a sense of humour. If they're not bad looking, that's always a plus.
I love a boy that's a bit pasty, like Timothée Chalamet. I don't mind scrawny, or a bit of a 'dad bod'. I'm 5ft1 so any height really.
CLAIM TO FAME? Me and my friends made a Derry Girls TikTok for Halloween and it went a bit viral around Brighton. Sometimes I get stopped in the street about it. I've also done Panto.
NAME: Blu Chegini
AGE: 26
FROM: London
OCCUPATION: Construction Project Manager
WHAT ARE YOU LOOKING FOR?
Someone who is family oriented, has a lot of love to give and a lot of love to receive. Personality goes a long way.
WOULD MAYA HIRE YOU FOR YOUR FLIRTING SKILLS? She'd fire me, but I've got the charm to smooth things over with a girl. The fact I speak fluent Spanish comes in handy when it comes to flirting!
NAME: Shakira Khan
AGE: 26
FROM: London
OCCUPATION: Construction Project Manager
WHAT ARE YOU LOOKING FOR? Someone who is tall, charming, witty, with big arms, a good smile and just really funny.
HOW WOULD YOU DESCRIBE YOUR LOVE LIFE? Booming, but they're all frogs. It's a busy love life but I've not found 'the husband', I'm looking for 'the one'. I'm looking for the ring.
NAME: Harry Cooksley
AGE: 30
FROM: Guildford
OCCUPATION: Gold trader, semi-professional footballer and model
WHAT ARE YOU LOOKING FOR? The girl next door that makes me laugh and can hold eye contact with me. I don't think I'd go for the most obvious girl, I like a real sweet girl.
CLAIM TO FAME? I'm the body double for Declan Rice. So when he does a shoot, any body close ups will actually be me. You'll never see my face, but you'll see my shoulder or chest, that kind of thing.
NAME: Conor Phillips
AGE: 23
FROM: Limerick
OCCUPATION: Professional rugby player
WHAT ARE YOU LOOKING FOR?Someone who is really sure of themselves, ambitious, a bit of a go-getter and good craic. I like dark eyes and I don't mind a dominant woman.
WOULD MAYA HIRE YOU FOR YOUR FLIRTING SKILLS? Definitely hire. I ask girls if they want to go halves on a baby. It doesn't work, but it gets them laughing. It's an ice-breaker, not a serious question of course!
NAME: Toni Laites
AGE: 24
FROM: Connecticut
OCCUPATION: Las Vegas Pool Cabana Server
WHAT ARE YOU LOOKING FOR? I'm looking for darker hair, definitely muscular but not too muscular. Super fit. Clean hair cut. Someone that can make me laugh - I'm super outgoing. And someone that's quite active. Maybe one day we could start our own family together.
I WANT TO DATE A BRITISH GUY BECAUSE... I've lived in three different states and I'm still single. It's time to try something new! I have some British friends and they're pretty charming. I think all Americans love a good accent. British men are just more polite, with better manners.
NAME: Kyle Ashman
AGE: 23
FROM: Stafford
OCCUPATION: Water operative
WHAT ARE YOU LOOKING FOR? Someone that's fun, confident and just themselves.
WOULD MAYA HIRE YOU FOR YOUR FLIRTING SKILLS? I'd say I'd be hired. I just go with it, find something to compliment a girl on and go from there.
NAME: Shea Mannings
AGE: 25
FROM: Bristol
OCCUPATION: Scaffolder
WHAT ARE YOU LOOKING FOR? She needs to be bubbly and we need to have that initial spark. She needs to have a nice personality - like I think I have - so that we match together. Also, I have a little boy, so I'll be taking him into consideration with who I couple up with, too.
WOULD MAYA HIRE YOU FOR YOUR FLIRTING SKILLS? Definitely hire. I'm confident to go up and introduce myself and say, 'You look beautiful', to get a conversation flowing.
NAME: Remell Mullins
AGE: 24
FROM: Essex
OCCUPATION: Self Improvement Content Creator
WHAT ARE YOU LOOKING FOR? A bubbly, confident, ambitious and fun girl. One feature that stands out to me is a nice smile, nice teeth and someone that can keep me on my toes.
IF YOU WERE THE CEO OF ANYTHING, WHAT WOULD IT BE? I'm the CEO of flirting. Sometimes it's just unintentional.

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Lie, cheat, steal, repeat: will the Traitors knockoffs ever cease?
Lie, cheat, steal, repeat: will the Traitors knockoffs ever cease?

The Guardian

time15 minutes ago

  • The Guardian

Lie, cheat, steal, repeat: will the Traitors knockoffs ever cease?

This is a punt, but Fox might have started to commission new shows via the power of online thesauruses. Take its new reality show The Snake. It's a game of secrets and betrayal, of feigning one emotion to gain trust while you stab your new friends in the back. In other words, it's basically The Traitors. I don't know whether any of you have ever searched Merriam Webster for synonyms of 'traitor', but 'snake' is literally second on the list. And this laziness is indicative of the show itself, which is such a painfully halfhearted retread of The Traitors that it ends up being exhausting to watch. Hosted by Jim Jeffries, presenting in the style of a drunk guy shouting through his letterbox at 3am, The Snake gathers contestants from the most easily stereotyped professions – detective, ex-con, pastor, Onlyfans model – and has them connive at each other until only one remains. The runtime of the first episode is almost exclusively given over to letting these people describe exactly how unpleasant they are. Subsequent episodes involve gross-out challenges, like drinking meat smoothies or being relatively close to some insects, so in that regard a direct comparison to The Traitors is slightly unfair, because it's actually ripping off The Traitors and Fear Factor in equal measure. But perhaps this isn't such a surprise, because at the moment you could wade through television blindfolded and stumble into any number of shows that desperately want to be The Traitors. Maybe you saw Netflix's Million Dollar Secret, which was a version of The Traitors set in a luxury hotel. Or Netflix's The Trust, which was a version of The Traitors hosted by someone from CNN. Or maybe you saw the USA Network's Snake in the Grass, or ITV's The Fortune Hotel. Perhaps you even accidentally found yourself watching Amazon's 007: Road to a Million, which was a version of The Traitors explicitly designed to make you feel depressed about the future of James Bond. None of these shows are shy about their inspiration. They are all about people encouraged to screw over their peers for a quick buck. But the problem is that, as a format, The Traitors is unbeatable. It is beautifully simplistic. People move into a castle. Some of them have to secretly undermine everything. Everyone goes crazy with paranoia. That's it. It's bulletproof. A monkey could understand it. But the networks can't just produce a straight remake of The Traitors, because that would be cheating. And so every new iteration has to add some new element, a gimmicky format point that differentiates it just enough to be legally distinct. With The Fortune Hotel it was a sunny location. With The Snake it's adding too many unnecessary insects. But this sort of tinkering can easily overwhelm a format. In the UK, ITV recently produced a Traitors knock-off called Genius Game that was so absurdly convoluted – every episode was full of endless tedious explanations about bags and tokens and codes and zombies and garnets – that it quickly felt like the worst kind of hungover Boxing Day board game imaginable, the kind where everyone gives up halfway through and just ends up eating Twiglets in silence. It was like watching The Traitors, but a version of The Traitors that had been loaded with so much superfluous paraphernalia that its ankles shattered under the weight. And, true, television has always done this. We've already lived through the Pop Idol phase, where civilians were alternately encouraged to either sing or cry on command. And then there was the Love Island phase, where we found ourselves inundated with an infinite number of nimrods copping off in villas. The Great British Bake Off formula has been variously transposed to sewing, pottery, dressmaking, glassblowing, flower arranging and, probably before long, bereavement counselling. Now it is the turn of The Traitors. A year or two from now another show will get its time in the test tube. That said, maybe The Traitors deserves this fleet of copyists. After all, The Traitors is not a new idea. It's based on Mafia, a game devised in the halls of Moscow State University in the 1980s. It's also incredibly similar to the board game Secret Hitler, not to mention a 2004 BBC show that was literally called Traitor and ran for five episodes in 2004. Even so, The Traitors stands as the perfect refinement of the idea; it is thrilling and accessible in equal measure. None of its copycats have even come close to replicating it. Still, the night is young, and there are still 41 perfectly unused synonyms for 'traitor' left in the thesaurus. Coming soon: The Rat (The Traitors but organised crime), The Quisling (The Traitors but wartime Scandinavia) or The Stool Pigeon (The Traitors but everyone eats cold chicken bones out of bins).

Women's prize winner Yael van der Wouden: ‘It's heartbreaking to see so much hatred towards queer people'
Women's prize winner Yael van der Wouden: ‘It's heartbreaking to see so much hatred towards queer people'

The Guardian

time17 minutes ago

  • The Guardian

Women's prize winner Yael van der Wouden: ‘It's heartbreaking to see so much hatred towards queer people'

It has been a dramatic couple of years for 37-year-old Dutch author Yael van der Wouden: her first novel, The Safekeep, a love story that deals with the legacy of the Holocaust in the Netherlands, was the focus of a frenzied bidding war and shortlisted for the 2024 Booker prize. Last night it won the Women's prize for fiction. 'I wrote this book from a place of hopelessness,' she says when we meet. 'I was looking for a ray of sunshine.' This morning in London the sun is blazing. She could never have expected that her novel would see off shortlisted authors including Miranda July (of whose work she is a big fan) and Elizabeth Strout. Warm and open, the author is shorter than I expected. Coming as she does from a country of tall people, as she jokes: 'I have tall energy.' She has great energy, despite several glasses of champagne last night and only a few hours' sleep. On her shoulder is a tattoo of a hare – an important symbol in the novel – which she had done after completing the book. In her tearful acceptance speech, Van der Wouden told the audience that when she hit puberty: 'all at once, my girlhood became an uncertain fact.' The fact that she is hormonally intersex 'was a huge part of my 20s, and then I got the healthcare that I needed … I am receiving truly the greatest honour of my life as a woman, presenting to you as a woman and accepting this Women's prize and that is because of every single trans person who's fought for healthcare, who changed the system, the law, societal standards, themselves. I stand on their shoulders.' It was the first time she has spoken about it publicly. Not to have done so she tells me, 'wouldn't have been me. I had my five minutes on stage and I figured what better moment to share something that I care about? It's heartbreaking to see so much hatred toward trans identities, queer identities.' Set in the Netherlands in 1961, The Safekeep is a tense psychological thriller and tender love story between two very different women, Isabel and Eva. It is a story of dispossession and self-discovery, national and intimate secrets and shame. 'This is a novel about a woman who is obsessed with a house, and then a stranger comes and upends her life,' the author says. Isabel is gentile, Eva is Jewish. To say much more would be to give away clues in a narrative that unfolds in a series of jagged revelations, like the shards of broken china Isabel cherishes, that come together to make a devastating and beautiful whole. The idea for the novel came to her 'as a parting gift' in a car on the way to one of the funerals of her Dutch grandparents, who died within days of each other in 2021. 'It came from a place of trying to escape grief,' she says. 'I was trying to find distraction in my own head, as I've done since I was a kid.' Born in Israel in 1987 to a Jewish mother of Romanian and Bulgarian heritage and a Dutch father, Van der Wouden, who describes herself as a 'Dutch-Israeli mixed-bag-diaspora child', spent her first 10 years in Ramat Gan, a city just east of Tel Aviv. She is careful not to talk about her childhood through what she calls 'a pink cloud' of nostalgia because of her vehement opposition to the Israel-Gaza war – she would like to see 'a ceasefire with immediate aid'. Both her parents were animators (her father created an Israeli version of Sesame Street) and while she and her two younger sisters were encouraged to engage with all art forms, she was not at all bookish. It wasn't until the family moved to the Netherlands when she was 10 that Van der Wouden discovered books – with Frances Hodgson Burnett's The Secret Garden being a particular favourite. But she also discovered antisemitism, while living with her grandparents in a house in the forest. Though that home is still her 'happy place', going from cosmopolitan Tel Aviv to 'being the only Jew in the village' wasn't easy. To her new Dutch classmates she resembled Anne Frank. Now, she has no time for the rhetoric of tolerance. 'I think that's a terrible word, because tolerance is putting up with somebody. I want to be desired. I want to be loved. Rather than writing a story about tolerance, I wanted to write a story about love in the aftermath of war.' With Isabel, she created a character who goes from prejudice and repulsion to desire. There is a lot (an entire chapter) of sex in the novel. She laughs. 'My goal was to imbue the whole book with a sense of tension, and that tension is erotic.' Sign up to Bookmarks Discover new books and learn more about your favourite authors with our expert reviews, interviews and news stories. Literary delights delivered direct to you after newsletter promotion She deliberately chose the perspective of Isabel rather than Eva, so as not just to tell the victim's story. 'There's also many parts of perpetrator within me, within my history,' she says. Van der Wouden had never read a novel that explored what she calls 'the psyche of quiet complicity'. Through Isabel she wanted to show that 'complicity comes from small and uninteresting acts of dismissal', and it is something of which we are all guilty. 'It's part of the human experience. The question is, how do we deal with knowing that we looked away from something terrible, how do we then move forward?' The emotional power of the novel rests on the way in which Isabel reveals herself to be someone completely different, even to herself. 'What's like me,' Isabel says to her brother. 'There's no such thing. Like me.' This speaks to Van der Wouden's personal experience. 'We don't leave this life in the same bodies were born into, we are always under flux,' she says. 'This is not to say that gender and sexuality is a choice followed by change, but rather that change is an inherent part of life.' On the question of the supreme court ruling on gender rights, she adds: 'To subject that to law feels baffling to me, especially as it is accompanied by legal, verbal and physical violence.' Much of The Safekeep was written during lockdown in Utrecht, where she had an attic apartment overlooking the canal. 'A beautiful golden cage,' she says. She now lives half an hour away in Rotterdam, where she is thrilled to have a garden. She has already completed the first draft of a second novel set in a fishing village in the Netherlands in 1929. Her greatest hope for the novel as it goes on to find a bigger audience, 'if this isn't too saccharine,' she says apologetically, 'is, in fact, hope.'

British Library to reinstate Oscar Wilde's reader card 130 years after it was revoked
British Library to reinstate Oscar Wilde's reader card 130 years after it was revoked

The Guardian

time31 minutes ago

  • The Guardian

British Library to reinstate Oscar Wilde's reader card 130 years after it was revoked

The British Library is to symbolically reinstate Oscar Wilde's reader pass, 130 years after its trustees cancelled it following his conviction for gross indecency. A contemporary pass bearing the name of the Irish author and playwright will be officially presented to his grandson, Merlin Holland, at an event in October, it will be announced on Sunday. Rupert Everett, who wrote, directed and starred as Wilde in The Happy Prince – the acclaimed 2018 film about the writer's tragic final years in exile – will play a part in the ceremony. Holland is an expert on Wilde whose publications include The Complete Letters of Oscar Wilde. Asked how his grandfather might have reacted to the pass being reinstated, he said: 'He'd probably say 'about time too'.' The decision to revoke the pass is recorded in board minutes in 1895, when homosexuality was illegal: 'The Trustees directed that Mr Oscar Wilde, admitted as a reader in 1879 and sentenced at the Central Criminal Court on 25th May to two years' imprisonment with hard labour, be excluded from future use of the Museum's Reading Room.' Wilde's downfall followed his decision to sue Lord Queensberry, who had accused him of being a 'sodomite' after discovering that his son, Lord Alfred 'Bosie' Douglas, was Wilde's lover. It led to Wilde being sentenced to two years of hard labour. Having been the toast of London society, Wilde died in abject poverty in Paris in 1900, aged 46. After his disgrace and imprisonment, his wife, Constance, fled to Europe with their two sons, Cyril and Vyvyan, and changed their surname to Holland, an ancestral family name. Holland said: 'Oscar had been in Pentonville prison for three weeks when his [pass] to the British Museum Reading Room [now the British Library] was cancelled, so he wouldn't have known about it, which was probably as well … It would have just added to his misery to feel that one of the world's great libraries had banned him from books just as the law had banned him from daily life. But the restitution of his ticket is a lovely gesture of forgiveness and I'm sure his spirit will be touched.' In 2017, Wilde was assumed to be among more than 50,000 gay and bisexual men who were posthumously pardoned, although the Ministry of Justice said no individuals would be named. Holland said: 'Oscar didn't think there was anything wrong in same-sex love … I'm not absolutely certain he has been pardoned … If I had to ask for a pardon, I wouldn't, because all it would do is make the British establishment feel better about itself … History's history, and you can't start rewriting it.' The British Library boasts arguably the world's most significant collection of Wilde manuscripts, including drafts of his major plays, Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband and The Importance of Being Earnest. Laura Walker, the British Library's lead curator of modern archives and manuscripts, said this extraordinary collection makes Wilde's pass all the more meaningful: 'We really want to honour Wilde now and acknowledge what happened to him. Section 11 of the law, which related to the criminalisation of homosexuality, was unjust.' Sign up to Bookmarks Discover new books and learn more about your favourite authors with our expert reviews, interviews and news stories. Literary delights delivered direct to you after newsletter promotion In 1973, the British Library officially separated from the British Museum, although it continued to be housed in the Reading Room until 1997, when the new British Library building opened in St Pancras. Wilde's long relationship with the British Museum started while he was still a student and, after moving to London in 1879, he applied for a reader pass. But he was not afraid to criticise the institution. When he published his long poem The Sphinx, he was asked why he had printed only a few copies. He replied: 'My first idea was to print only three copies: one for myself, one for the British Museum, and one for Heaven. I had some doubt about the British Museum.' Holland joked that Wilde was 'setting heaven and himself above the British Museum in a teasingly arrogant way' – a 'slightly naughty throwaway remark about a very august institute, exactly the sort of thing that he would have regarded as being slightly stuffy and conventional'. He added: 'He probably would [be] obliged now to make an apology … on … his rude remark … once they'd given him his pass back.' The British Library event – on 16 October, Wilde's birthday – will include a public talk by Everett and Holland, launching the latter's new book, After Oscar: The Legacy of a Scandal, an account of Wilde's posthumous life.

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