GAA All-Ireland quarter-final draw pits Armagh against Kerry while provincial rivals to square off
MONDAY morning's All-Ireland quarter-final draw has thrown two provincial rivals together as Monaghan will lock horns with Donegal.
It had already been establish that defending champions Armagh would have to play Kerry.
This is due to repeat fixtures not being allowed with the Orchard having already faced Dublin, Donegal and Galway across the Ulster Championship and their round-robin group.
The draw was rounded out by Meath being pitted against Galway while Tyrone will face Dublin.
All-Ireland quarter-final draw:
Armagh vs Kerry
Tyrone vs Dublin
Meath vs Galway
Monaghan vs Donegal
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For a start, the team's record in winning three All-Irelands in four years represented levels of success that were, at the time, unprecedented for a team populated by native Dubliners. The early development of the GAA in Dublin had been driven more by the city's rural migrants than by native Dubliners, and it was these who had founded many of Dublin's first GAA clubs (many centred around workplaces or occupations) and filled the ranks of the county's teams. They were sufficiently good to helping the county to an impressive 19 All-Ireland titles - 14 in football, five in hurling – by the time the GAA's Silver Jubilee was reached in 1934. There was no sustaining this success rate. Dublin's fortunes waned noticeably after 1925 when the GAA introduced a new rule that permitted players to play for either their county of birth or residence. Dublin county teams consequently drew from a shallower pool of players and fewer All-Irelands were won. 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The fast movement of players and the ball helped to create space and scoring opportunities. The fluidity it brought to the game led writer Ulick O'Connor to extol that it was 'like watching soccer in the air', a tribute that doubtless disturbed some GAA traditionalists. The Dubs' swashbuckling style did not sweep all before it, however. It met its match in a young Kerry team under the tutelage of Mick O'Dwyer which surprised many by winning the All-Ireland title in 1975 and surprised even more by going on to become one of the greatest teams of all time. Heffo's Dublin and O'Dwyer's Kerry met five times in five years in championship football during the 1970s in a rivalry that a captivated media played up as a clash of opposites: urban versus rural, city versus county, culchie versus jackeen. This was a form of stereotyping that only partly stood up to scrutiny. As journalist Mick Dunne observed of their 1975 All-Ireland final encounter, Kerry had only one farmer on their side, despite being standard-bearers for the Irish countryside, and Dublin counted market gardener Paddy Reilly from St. Margaret's in rural north Dublin amongst its ranks. There was also no shortage of so -called "townies" in the Kerry team, the difference being, Dunne pointed out, that 'Dublin city is so much bigger a town than Killarney or Tralee." That it certainly was, and the disparity in size became ever more pronounced throughout the 1970s. Indeed, the rapid spread of new suburban housing was such that it would end up tipping the capital's population over the one million mark for the first time by the close of the decade. The rise of 'the Dubs' coincided with this moment of major demographic development and was a gift to a GAA that was increasingly anxious about its place in an Irish society that was no longer predominantly rural-rooted. It was therefore notable that as support for the Dubs snowballed from 1974 onwards, the team tapped into a youth culture that, on big match days, turned Croke Park (and the Hill 16 terrace in particular) into a riot of colour and noise which bore resemblances to images that TV would have made familiar from cross-channel soccer stadiums. 'We got pages of Dublin stories, badges, scarves, tee-shirts, pop-songs and all the other things that go with being successful sports teams nowadays', journalist Eugene McGee noted in late 1974. 'But in Dublin's case, we got it all to a degree that the GAA had never before experienced.' If the story of the GAA's subsequent development in the capital owes more to patterns of club organisation and to well-resourced coaching and games development strategies, the swell in support for Heffo's Dubs still signalled something significant and new for the GAA. It culturally connected the association to a growing constituency of urban youth and inspired a support base that in subsequent decades would prove both a rich source of Croke Park spectacle and a driver of GAA revenues.
