Traveling film fest brings rare and restored movies to Minnesota this week
Il Cinema Ritrovato on Tour is returning to the Twin Cities with a curated run of rare, restored, and recovered films that are rarely, if ever, seen on the big screen.
The festival alights at The Main Cinema from Feb. 14–16, bringing highlights from the Il Cinema Ritrovato festival, held annually in Bologna.
The 2025 program, brought to Minnesota for the third time by the locally-based Archives on Screen, is focused on feminist, documentary, and anti-colonial cinema.
Part of the festival's one-of-a-kind magic is that it isn't just a program dedicated to preserving film history but brings exciting work — and important, often overlooked history — to the screen that would be almost impossible to see otherwise.
Those films include short silent films from cinema's birth, a satanic feminist revenge satire from the Czech new wave (Murdering the Devil), rarely seen films from Iran directed by women (The Sealed Soil, Marjan), and a documentary about the "indignity of being a woman in cinema." All the films will get some context as well, introduced by film historians and archivists.
Here's what will be playing during Il Cinema Ritrovato on Tour, with all films playing at The Main Cinema in Minneapolis.
Feb. 14: The Brilliant Biograph: Earliest Moving Images of Europe (1897–1902)
Feb. 14: Murdering the Devil/Vražda ing. Certa (1970), introduced by Alice Lovejoy
Feb. 15: Festa - A trilogy of films by Sarah Maldoror (1979–80), introduced by Joëlle Vitiello
Feb. 15: Be Pretty and Shut Up! (1976), introduced by Morgan Adamson
Feb. 15: Blow for Blow/Coup pour coup (1972), introduced by Sarah Ann Wells
Feb. 16: The Sealed Soil/Khak-e Sar bé Mohr (1977), introduced by Sima Shakhsair
Feb. 16: Marjan (1956), introduced by Farzaneh Ebrahimzadeh Holasu
Feb. 16: Films from The Albert Samama Chikli Project, introduced by Aboubakar Sanogo
Feb. 16: My Grandmother/Chemi bebia (1929), introduced by Michal Kobialka
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The poems were written in the 1980s, and it also includes two cycles, 'India' and 'Letters from Ukraine.' It's a mix of work I wrote from around 1980 to 1990. This period represents the active stage of my poetic career. After 1990, I wrote more poems, but those were composed between 1999 and 2004. Some of the poems from that time, from my collection 'Songs for a Dead Rooster,' had been published earlier in English translation by Lost Horse Press. The idea for this new collection came from my American translators, Ostap Kin and John Hennessy. They suggested putting together the collection and I think they did an excellent job. I was involved every step of the way, reviewing each batch of new translations. I paid close attention to each line, thinking carefully about how they had translated it. We had many interesting and productive discussions through our email exchanges — I'm looking forward to holding the hard copy in my hands. Read also: Wondering where to start with Dostoevsky? Try his Ukrainian contemporaries instead Hey there, it's Kate Tsurkan, thanks for reading my latest interview. Yuri Andrukhovych is one of the greatest living voices in Ukrainian literature and this was my second time interviewing him. I hope more and more people across the world will learn about his work and his contributions not only to Ukraine but to world literature. If you like reading this sort of material, please consider supporting us by becoming a paid member of the Kyiv Independent today. We've been working hard to bring you independent, locally-sourced news from Ukraine. Consider supporting the Kyiv Independent.
