
Documentary shorts nominees home in on gun violence, celebrate female musicians
The five films nominated for the documentary short subject Oscar, in the words of the poet, hit you hard and soft. They delve into crimes and their aftermaths, celebrate a trailblazer and delicately touch on the hopes of one young schoolgirl.
Though its central event is the sentencing of the Parkland school shooter, 'Death by Numbers' is really about how such stories don't end when the news coverage does. The film follows Parkland survivor Samantha Fuentes.
Director Kim Snyder says that when Fuentes addressed the convicted killer, who had expressed white-supremacist sentiments, in open court before his sentencing, she spoke powerfully about the youth trauma that resulted from his violent attack. 'Her having the courage to face this guy and say what she needed went beyond guns. It's resonating for people because it's really about standing up to hate in all its forms.'
A former Marine commits a brutal murder during a robbery. Years later, he's captured, convicted and sentenced to death. 'I Am Ready, Warden,' based on reporting by L.A. Times writer Keri Blakinger, chronicles the period leading up to the 2022 execution of John Henry Ramirez in Texas, as well as the impact of the crime on the victim's now-grown son, Aaron Castro.
Director Smriti Mundhra was with Castro when the news broke that Ramirez, who had become a devout Christian while on death row, had been executed. 'It was one of the most emotionally charged things I've ever filmed,' says Mundhra. 'I think he was unprepared to hear those words. It was like a punch in the gut for me [as well] to hear those words.
'We really believed John had changed. And we really believed Aaron needed and deserved closure for all the years of trauma he had to carry. We had to hold those two truths in our heads and hearts at the same time.'
In 2018, a Chicago barber was stopped by police who'd noticed he had a gun. He showed them his concealed-carry permit, but after a sudden altercation, he attempted to flee and was shot to death. Filmmaker Bill Morrison assembled a multiperspective view of the fatal 'Incident' through available video footage, including from police body cams.
'I think the power of the film is that it keeps delivering shocking revelations,' he says. For instance, though the victim's gun was never drawn, footage shows two officers discussing how 'he had the gun and pointed it right at' the officer who fired.
The footage also shows the lack of attempts to revive the suspect lying motionless in the street. 'I thought that it was a stronger choice to use what was available to the public, rather than interview people or introduce other sources,' says Morrison.
Ema Ryan Yamazaki's film doesn't tackle big sociopolitical issues, but it's just as compelling as documentaries that do. 'Instruments of a Beating Heart' delicately observes the ups and downs of a Japanese first-grader working to participate in a school performance of Beethoven's 'Ode to Joy.'
Yamazaki spent a year at a school with a thousand kids. Her eventual subject, Ayame, 'was so special, and I was waiting, praying, hoping for something to unfold. She was always not quite with the program. Always a little bit late but also had a strength, guts. So, when she epically failed her first audition, then came back the next day to go for another instrument, I knew ….'
Of a scene in which a teacher comforts Ayame when she's upset after being strictly corrected by the band director, Yamazaki recalls, 'She says, 'Don't worry; I'll be scolded with you.' Both my camera guy and myself, we just lost it.' '
Orin O'Brien was the first woman to be a full-time member of the New York Philharmonic, hired in 1966 by Leonard Bernstein himself. The accompanying ballyhoo struck a dissonant chord. The child of movie stars, she shunned the limelight, picking an instrument — the double bass — that blends within the ensemble. She resisted her documentarian niece's attempts to tell her story for years.
'It wasn't until she was thinking of retiring, during the pandemic in 2021, that she finally said yes,' says filmmaker Molly O'Brien. Her aunt agreed to participate only after 'I finally got her to trust I was going to make a film that was uplifting about the double bass — which is misunderstood; the underdog of the orchestra — uplifting classical music and uplifting women in the orchestra.'
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USA Today
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- USA Today
Minnesota exhibit uplifts Two-Spirit and LGBTQ+ voices in Indigenous art
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When he was asked to talk about his experience as a Two-Spirit person at a community center in Cass Lake, Dahl-Wooley was surprised that 30 people showed up. Invitations to talk to other groups followed, and he began speaking to health care organizations, law enforcement groups, schools and colleges, and other organizations to help them better understand and support the 2SLGBTQ+ population. The Trevor Project's 2023 report on Indigenous 2SLGBTQ+ young people showed that more than half of them seriously considered suicide in the past year. Almost half have also experienced food insecurity and more than a third have experienced homelessness. 'My goal is suicide prevention, anti-bullying, no self-harm and cultural inclusion,' says Dahl-Wooley. He keeps a database of churches, therapists, health care providers and more who are welcoming to the 2SLGBTQ+ community. He'll schedule Queer Tea events where people can come to have tea, play games, talk and be themselves. 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'I want the Two-Spirit population to know how important and powerful they are — just as they are,' Dahl-Wooley says. 'We're sacred. We're honored, and we're respected. A lot of people need to hear that.' More information Two Spirit Advocacy Dahl-Wooley shares his story across the country, works with businesses and organizations to be more welcoming to 2SLGBTQ people and hosts events in Bemidji such as Queer Tea. Queer Indigeneity This exhibit opens Sept. 18 at the Minnesota Museum of Art in St. Paul and features 16 Indigenous artists who identify as Two Spirit, queer or gender expansive, including Giiwedin, a young artist and activist who made GLAAD's 20 Under 20 list of changemakers presented in Teen Vogue. The show will run through early 2026.
Yahoo
an hour ago
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Celebrities react to LA protest against ICE detention policies
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More from GoldDerby Michelle Williams and Jenny Slate on playing best friends in 'Dying for Sex': 'It was love at first sight' Seth Rogen on taking big swings with 'The Studio': 'Are people just going to think this looks insane?' 'Disclaimer' star Leila George on how she landed 'the best job of her life' Slow Horses is based on Mick Herron's series of novels, adapted by showrunner Will Smith (Veep), about a group of MI5 agents who are consigned to a dumping ground for rejects paying the price for their past mistakes. The outcasts of the British intelligence agency banished to the administrative purgatory of Slough House are known as 'slow horses.' They're expected to endure interminably dull, paper-pushing drudgery, along with occasional berating from their abrasive boss, Jackson Lamb. Oldman plays the rude, crass, and often drunk department head with a bracing panache, reveling in being as unapologetically miserable as possible, while showing flashes of the intellect, perceptiveness and savvy from his former life as a respected spy. The spy drama costars Emmy nominee Jack Lowden, Oscar and Emmy nominee Kristin Scott Thomas, Saskia Reeves, Rosalind Eleazar, Christopher Chung, Aimee-Ffion Edwards, Kadiff Kirwan, Freddie Fox, Chris Reilly, Joanna Scanlon, and Tony winner and Oscar and Emmy nominee Jonathan Pryce, with new additions to the show's riveting fourth season, including Tom Brooke as the newest slow horse and former "psych eval" operative, Ruth Bradley as the new head of "the Dogs," James Callis as the new "first desk," and Hugo Weaving as deadly mercenary Frank Harkness. SEE Gary Oldman, Jack Lowden, Kristin Scott Thomas, Jonathan Pryce: Here is every 'Slow Horses' Emmy acting submission for Season 4 After four seasons, with a fifth on the way (premiering Sept. 24), it's no wonder that Oldman loves this role, not only because it's a fun set to work on, but because the writing is so excellent. "If the source material is good, then it dictates what you do. It's a psychological and an emotional map that you follow. When you come up against bad writing, that's when you feel that you're working too hard for it. If you're breaking a sweat, then you know that you're not in the hands of a very good writer. It's a joy to speak this stuff and to navigate, both physically and psychologically, through the world of these people in this character," says Oldman. "As the seasons go on and incrementally more is revealed of Jackson, you as an actor are forming a more complete picture of him. And then of course we have Season 5, and that pulls back another layer of the onion to his character and really why he is the way he is," he says about fleshing out the why behind his grouchy, ill-tempered exterior. "It works in a way as a defense mechanism. He's not gonna let you in. You're not going to really get to know him. And that really is part of his skill also, because by doing that, he has an edge over you. I mean, we've said it before; people around him are playing checkers and Jackson Lamb is playing chess." The writers are have also proven to be very adept at cramming an abundance of plot and narrative into short and sharp six-episode seasons, leaving audiences breathlessly anticipating the next installment. The plot thickens as the show unwraps a self-contained mystery each season, while leaving room for getting to know the characters, who often amusingly bare the brunt of Lamb's witty asides and cutting insults. "As far as making the next one as good, if not better, you can't drop the ball," Oldman says about always wanting to up the ante. "There's a lot of people involved that come together. We have a standard. The audience are expecting something from us and we cannot disappoint. That's part of the reason why we do six episodes with a short break, and then we do another six, because who wants to invest their time in characters in a show and then wait two or three years for it to come back? We are very conscious of making the next one as good, if not better. So that's the first thing; audiences come back to the show and they're not disappointed." SEE Jack Lowden reveals his favorite bit of improv on 'Slow Horses': 'He doesn't know why he's doing it' "We're so used to glamor and the world of James Bond and tuxedos, martinis and casinos that I think the appeal of it is it's these very dysfunctional and often ordinary people who have to deal with all the stuff in their life who go to the launderette, who may have to make their car payments, have problems in their relationships and are dealing with a mortgage," Oldman says. "They're dealing with all the problems that we all deal with. They're ordinary people who do this extraordinary thing for a living. That's a part of its appeal. It's a spy show, but they are the every man. And of course, some of the things that come out of Jackson Lamb's mouth, I think maybe secretly we watch the show and think, we may have in our time had a bullying horrible boss and you think sometimes, 'Oh, I wish I could have a comeback like that.' He doesn't give a flying monkeys, you see? He's seen it all and can't track with the bureaucratic side of it all, of the Park and all of that crap. He's, he's been there, seen it, and he has no, uh, time for it. I think the kindest thing that Jackson can do is make life so miserable for the people that work for him, so that they get out of the game, because they don't wanna end up [like him]. I think that's probably the kindest thing that he can do. And yet, for all of his rough edges and bullying, he's incredibly loyal and would take a bullet for them." Asked his thoughts on why he seems to be widely revered and admired among other actors, the Oscar- and BAFTA-winning veteran actor replies, "I think it's very flattering. It doesn't occupy my thought process a lot, but it's always nice to hear that someone says something nice about your work. I'm a big one for, if I run into someone and I like their work or I like a performance, I'll say so. I even will drop a note to people and write them how much I liked their performance or their work. Less than a week ago I dropped a note to Tom Hardy and I said, 'I really like your work in MobLand.' I've written to different people over the years. I think it's a nice thing. I think it's a nice thing when a colleague likes your work. It's a lovely thing." Slow Horses Season 4 is now streaming on Apple TV+. SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby Michelle Williams and Jenny Slate on playing best friends in 'Dying for Sex': 'It was love at first sight' Dan Fogelman and team on the making of 'Paradise': 'It only works if you have talented people who you trust' Brandon Scott Jones on CBS' 'Ghosts': 'I enjoy playing characters that are desperate' Click here to read the full article.