
Colours of Arabian Sea: Atul Panase's art reflects both the UAE and India
'Creating something spontaneously, while establishing a meaningful conversation which can give happiness and a clear message to the masses, is the only way for me go ahead with art, regardless of the medium I use to express myself,' says Atul Panase, Brand Ambassador, Daniel Smith Artists' Materials and Co-curator, World Art Dubai, 2017 and 2018.
He is based in Dubai and is a recipient of the Cultural Golden Visa. He has taken part in many national and international exhibitions, including at Fabriano in Acquarello, the biggest International festival dedicated to watercolour in Italy.
He has curated many shows in the UAE and received multiple international awards, which includes the first prize in Watercolor Challenge-UAE Series organised for Channel 4 by Dubai International Art Centre (2002).
Composition titled Swati.
He has also won the Nikon Photography Award in Dubai. He has been a resident artist, attended innumerable art camps, given dozens of art talks and demonstrations and has won prestigious commissions from Dunhill-Switzerland (300 of his paintings were purchased by them; he won the contract beating 17 competitors from 17 countries) and Rice Perry Ellis Consultants, Dubai, among others. Recently, he was invited to an international watercolour event in Texas, USA, where he held a demo at the Fort Worth Art Community Centre. His art classes and workshops are appreciated both by students and art lovers. He has even held art workshops in the University of Socotra!
During the Ras Al Khaimah Art Festival in 2022, his watercolour portrait painting titled 'Purple Aura' was installed on Jebel Jais — the highest mountain in the UAE. It was a huge print of 40 square metres and was displayed on the occasion of the UAE National Day. Watercolour and Pen & Ink are his leading mediums, though he also works in pencil, charcoal, pastels and acrylics. Most of his artworks are portrait-based or are trendy/contemporary illustrations. Atul Panase draws his colours on Gulf Today's canvas
Facing the world fearlessly.
Why do you like colour and black and white?
I love Nature; hence I love colours, because there is a natural connection between us and colours, as Nature is colourful. Different colours help to create a mood. I realise how the colours of walls of your home, studio or the place you visit, can change/enhance/uplift your mood. Black and white is the most favourite combination for me because it gives you a large number of greys, which can make the creation more soothing and meaningful. Many say that there is only one colour in the universe, which is Black! Black is the colour which never changes its nature, regardless the type, intensity or the colour of light.
How does India and the UAE help you make art?
India is the land of my birth and the UAE is the land of my work. I find a strong connection between the soil of my motherland and the sands of UAE. It is a connection of love, friendship, culture, tradition, food, music and fine arts itself, which have been nurtured with passion at many levels.
In the domain of Nature.
Can you tell us more about your brand ambassadorship?
I am a proud brand ambassador and leader of Fabriano in Aquarello watercolour team of the UAE for the past ten years and also at Daniel Smith Artists' Materials. I was given the chance to build a team of talented watercolourists from the UAE at Fabriano in Aquarello in Italy, the biggest international watercolour festival in the world. So far, I have chosen 120+ artists from the UAE who come from over 10 nationalities and we have displayed our artworks not only in Italy, but in many other countries including USA, India, Malaysia, Vietnam, Australia and China. This team of watercolourists includes very professional and young budding talented artists too! As ambassador of Daniel Smith Artists' Materials, we have begun activities such as introducing an award, named the Daniel Smith Artists' Materials Award. I am also offering free demos and workshops for art enthusiasts to get the experience of Daniel Smith Extra Fine Watercolors, and also for them to learn a few new techniques.
Work titled Hues of empowerment.
What are the qualities needed for being a commissioned artist?
To become a pro artist, one needs to work with the right mindset where you have to acquire the knowledge of that particular assignment and master many related subjects. One has also to produce high quality art pieces, besides meeting the given deadline.
Apart from collectors' liking, what makes art collectible?
That's a very subjective question as there are many forms of art and different types of artists as there are buyers! If your art showcases a unique approach, along with the use of unique techniques and is a very high quality finished artwork which can narrate an interesting story successfully adjusted to the price ... then the art is definitely a collectible one!
Atul Panase with his watercolour work.
How do you see yourself evolving in the next 25 years?
Breaking my own barriers while setting new records in the form of bringing new techniques, working on new concepts, organising larger than life art events and yes, setting up my own studio, besides establishing a fine art college which can serve society in the most useful ways, are my tiny future dreams. They will help me to give back to the country I call my adopted motherland, the UAE, and show my gratitude for the opportunities given to me here!
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Khaleej Times
3 days ago
- Khaleej Times
Travel: This charming lakeside town in Switzerland is worth slowing down for
Come spring and it is time for sunny days, warmer temperatures, vibrant colours and of course floral blooms. Tulips, daffodils, wisteria and poppies herald the season often associated with rebirth, rejuvenation and regrowth. And mention the word tulips and it is not uncommon for one to immediately think of the Keukenhof gardens in Lisse, Netherlands which is a great tourist attraction during spring. However, if you are looking to enjoy these floral beauties without the crowds and the hassle of entry tickets, head over to Morges in Switzerland. An ideal place to visit in spring, Morges perched on the banks of Lake Geneva is the epitome of the quintessential Swiss charm. With views of the majestic Mount Blanc, the stunning vineyards of the La Côte region and the lush meadows of Parc Jura Vaudois, a regional nature park, Morges is a hidden gem in the Swiss canton of Vaud. Medieval heritage Morges is a port town that dates back to the 13th century having been founded by 1286 by Louis of Savoy. A beautiful town that allows you to explore and soak in its vibe at a leisurely pace, Morges is a great idea if you are an advocate of slow travel. Take a stroll along the well laid cobbled paths of the historical old town where you can catch a glimpse of the antiquated buildings, yesteryear fountains as well as the old town hall. The latter was the erstwhile centre of Morges' political life and has been standing tall since 1518. A classic example of Gothic architecture, the townhall building has been recently renovated to accommodate Escape 81 which is a dynamic exhibition space. It serves as a venue for exhibitions spanning art, culture and environment and is managed by the Office of Culture. Escape 81 is free of charge and open all around the year. The highlight of the old town is the Morges castle built in 1286 by Louis of Savoy and is the perfect example of the 'Savoyard square'. Today, it is an important cultural centre for the region and has been transformed into a military museum. Spread across multiple levels, the museum houses the Artillery Museum displaying an array of firearms, gun carriages, rifles, officer uniforms and scale models of the Swiss artillery. The complex also has the Swiss Museum of Historical Figurines and the Museum of the Vaud Gendarmerie. From the cellars to the rampart walk, the castle's five floors tell the story of Swiss military and defence history from different perspectives, right from the Middle Ages to the present day and forms for an interesting visit. Further, there is also a gallery dedicated to Ignacy Jan Paderewski (1860-1941) who was a famous Polish pianist and a resident of Morges. Annual flower festivals Arguably the most important event in Morges' calendar is the tulip festival (Fête de la Tulipe) that is held in the verdant grounds of Parc de l'Indépendance, which is a park in the town. A yearly affair since 1971, the festival in its 55th edition showcased a riot of colour with close to 150,000 flowers across 350 varieties in full bloom. There are information boards pertaining to the tulip varieties including facts like the name, its flowering period, size etc., which makes the festival engaging. The festival which happens from March to May each year is free for visitors. Further, the festival also features several events including treasure hunts, workshops like origami for children, music concerts and floral workshops. As part of the exhibition, there are special displays including those of stone sculptures, paintings etc. Tulip bulbs are on sale after the festival. The tulip festival is organised by the Morges Fleur du Léman association and once the tulip season is over, the town gears for its annual Dahlia festival that takes place between July and October. Tracing the footsteps of Audrey Hepburn It is a revelation to note that famous British actress and fashion icon, Audrey Hepburn spent a large part of her life in in Tolochenaz, near Morges. Tolochenaz is a quaint village just under 10 km from Morges and it is here that the Roman Holiday actress spent three decades of her life away from the media glare and paparazzi. She also served as a goodwill ambassador for the Unicef from 1988 until her death. As you approach the town, one can spot street art mostly inspired by the renowned artist although there is no documentation supporting the same. Hepburn was married at Morges town hall before she moved to Tolochenaz where she purchased her sprawling abode named La Paisible. She lived here with her family including her two sons until her death in 1993. While you cannot visit her house, you can see the small yet pretty town square where her bust has been installed. This bronze hued bust has been donated by her sons in 2012 and is often surrounded by her favourite flowers including roses. You can also visit the church of Tolochenaz where her funeral was held. Go to the Tolochenaz cemetery for a view of her unpretentious grave set amidst those of the other residents of the village. With her name and a bunch of flowers surrounding it, the humble grave is rather surreal given that she was such a huge star. Perhaps it is a reflection and a symbol of the simple life the actress craved all along. It is key to note that every summer there is an exhibition dedicated to the life and times of the talented actress at Escape 81 gallery in Morges which is curated by the Expo Foundation Bolle.


Gulf Today
4 days ago
- Gulf Today
Traditional muse, millennial views: Old and new live in Jamila Patanwala's art
Jamila Patanwala is a contemporary Islamic artist, based in Dubai. 'My work is a reflection of my roots, and I strive to create pieces that invite the viewer to explore Islamic art in a contemporary manner,' she says. She primarily works in acrylics and mixed media, using bold colours 'to evoke the regality of Islamic patterns and calligraphy.' Her work is inspired by the richness of Islamic architecture, Quranic verses in Arabic calligraphy, and Nature. Some of her works were shown in an exhibition in Dubai International Art Centre (DIAC) recently. They were commented upon for their focus on the subject, the detailing of their meaning and the expertise of their execution. From her workspace comes Mishqaat-ul-Anwar, in acrylic on canvas, inspired by the Jamea Al Anwar mosque in Cairo, Egypt. Jamila's painting depicts a mishqaat or lamp or light from the mosque. Fruits of the Holy Quran, created in mixed media (it was shown at DIAC) is a sculptural and calligraphic art series that brings to life sacred fruits mentioned in the Quran, through the medium of clay. Rehnuma in acrylic and go leaf on canvas, is influenced by the opulent history and cultural significance of calligraphy. Work titled Fruits of the Holy Quran. Shuja'at (Courage) in acrylic on canvas depicts a lion, its mane forged with swords — a crown of steel shaped by bravery, sacrifice, and divinely bestowed strength, says Jamila. Noorun-Ala-Noor or Light upon Light in acrylic is a luminous tribute to divine beauty and spiritual profundity. 'I have tried to give a contemporary look to the exterior Medallion motif on Jamea Al Anwar,' Jamila says. 'I have recreated it on a square MDF plank, trying to mimic the original's placement on the exterior wall of the mosque.' Shubbak Al Anwar in acrylic on MDF refers to the discovery of a Fatemi shubbak - a stucco grille with floral patterns - during the restoration and revival of the Jamea Al Anwar mosque. 'The painting of this window or grille evokes a sense of tranquility and spiritual elevation, symbolising the divine connection between the sacred space inside and the world beyond,' says Jamila. The Golden Armour is an illustration which portrays a woman dressed in the Rida, the traditional attire of Dawoodi Bohra women. 'This piece symbolises the strength, dignity, and beauty I find in wearing the Rida — not as a restriction, but as a radiant shield of identity and faith,' says Jamila. 'Just as armour protects a warrior, the Rida envelops me in a sense of purpose, confidence, and pride. Through this artwork, I aim to challenge the often misunderstood narrative around the hijab and abaya. They are not symbols of oppression, but of autonomy, progress, and inner strength.' The golden hue of the artwork represents empowerment, resilience and spiritual richness. Jamila Patanwala speaks more on her work to Gulf Today Why did art interest you? My interest started in childhood, seeing my older brother's sketches. Watching his pencil bringing images to life made art feel natural and achievable; so I picked up a pencil too. That early habit, which started as a sibling inspiration, grew into my own creative voice and passion for Arabic calligraphy, motifs, and Nature‑inspired pieces. What do you mean by 'Contemporary', as in contemporary artist? 'Contemporary' means 'of our time'. A contemporary artist is someone engaging with the ideas, material, technologies and culture of the present moment. I try to weave my own spiritual experience into a work; so the art reflects how faith feels now, not as it was felt centuries ago. The reinterpretations of classical motifs through contemporary lens, connects tradition with present day aesthetics. Jamila Patanwala is based in Dubai. How can Islamic art be interpreted in a contemporary way? My work begins with the foundations of Islamic art — calligraphy, geometry, and arabesque motifs — but I weave in elements of Nature and present them through today's materials and formats. You'll see paintings brought up to mural size technologically and calligraphy being projected on digital screens. So, while the vocabulary is traditional, the presentation turns it into a contemporary conversation. How has India and UAE influenced you as an artist? The India-UAE axes gave me a unique blend of deep tradition and modern aesthetics. India inspires the craft, colour, memory and devotional content; the UAE sharpens aesthetics, scale and global visibility. The dialogue between the two is what gives my pieces a cutting edge. Why do you use bold colours? In Islamic calligraphy, hues like lapis blue or radiant gold, evoke divinity and awe more powerfully than muted tones. I use bold colours because I want the message in my work to come through loud and clear. How does architecture inspire you as an artist? I am drawn to painting architecture, because buildings hold so much meaning. Islamic architecture is not just about structures - they are symbols of faith and connection to the divine. Architectural geometry and patterns provide me a sense of order and harmony. What is the role of calligraphy in your art? Calligraphy is the heart of my work. I use sacred words because they instantly give meaning to the composition. It's worship in a visual form. Is Art a profession for you or is it only a hobby? Art isn't just a hobby for me — it's my profession, my practice, and my purpose. I see art as service. Whether through conversation, workshops, or simply sharing my work, my goal is to bring art into people's lives in a meaningful way.


Khaleej Times
23-05-2025
- Khaleej Times
How Dubai's restaurants are turning uniforms into runway moments
At the start of this year I was heading to work in Dubai's Alserkal Avenue, where I teach spin classes, when I was stopped in my tracks by a group of guys wearing jumpsuits in a soul-lifting shade of lilac, paired with precisely Pantone-matched adidas Gazelle trainers. Obvs, I stopped for a selfie. Turns out they were part of the team at the new fast-casual dining concept Nala, the latest food and beverage brand from Tasha's Group, which also owns Flamingo Room, Avli, and, of course, Tasha's. While the group's restaurants have built a reputation of incredible hospitality, moreish food and breathtaking interiors, I'd never paid attention to what their staff wore. Until I saw those jumpsuits. And wondered where I could get one. Fast-forward a few months and I ventured out to Sexy Fish in DIFC for the first time. I was expecting to be blown away by the interiors (there isn't a more photographed bathroom in Dubai), that mermaid sculpture and the immersive, tentacle-laden servings of sushi. What I wasn't expecting was a roll call of receptionists, waiters, and bar staff looking like they'd walked off the runway at one of Milan Fashion Week's more exuberant shows. When, I wondered, did restaurants become as much about the fashion as the food? 'Our guests are style-conscious, design-literate, and culturally engaged,' says Daniel Smith, managing director at Sexy Fish Global and Sekushi, 'they walk in wearing designer outfits — why wouldn't our team match that energy?' He makes a good point. 'Let's be honest: the average hospitality uniform hasn't changed much in decades,' Smith explains, 'black shirts, white aprons — it's all very expected. But Sexy Fish was never created to be 'expected'.' It helps that Sexy Fish owner Richard Caring, chairman of Caprice Holdings, began his career in fashion, supplying most of British high street throughout the 1990s and early 2000s. It's not as simple as swapping white aprons for a zhushy two-piece, though. Each Sexy Fish design aligns with the role it has been created for, considering the physical demands across the spectrum of restaurant staff, to ensure that comfort isn't sacrificed for style. That means up to 60 individual styles, designed and orchestrated by in-house atelier teams in London and Dubai. Each piece is tailored to its wearer, dry-cleaned every 24 hours, and sent to be recycled at the end of a six-month lifespan of daily wear. Operating in a different market, but viewing the future of hospitality through the same fashion-focused lens, Nala's rejection of the standard polyester branded polo top that most casual dining concepts employ, makes it so much more than most contemporary cafés. 'In an industry where uniforms are usually an afterthought, we treated them as part of the brand's storytelling,' Nicky Greig, culinary director of Tasha's Group, tells me, 'like the restaurant equivalent of breaking into song when everyone else is just talking.' Greig reckons we are the start of a fully-fledged convergence of fashion and food. 'The future of F&B belongs to brands that understand modern diners aren't just purchasing food. It's about not compromising on any element that shapes the guest experience, even when conventional industry wisdom suggests you should,' she says. So, while Sexy Fish's in-house design team, atelier and dry-cleaning bill would strike fear into the heart of many a restaurant operator, it could well become the norm. 'Fashion hasn't just crashed the party — it's moved in, made a playlist, and is setting the vibe. We're witnessing the early stages of a full-blown convergence where restaurants aren't just feeding you, they're styling you,' Greig confirms, 'Five years from now, we'll look back and wonder what took it so long for these worlds to collide.' And it's not just clothes, managers at Sexy Fish are adorned with bespoke jewellery, and the London branch collaborated with sparkling accessory brand Judith Leiber to bedazzle the DJ booth and create custom crystal brooches and belts for staff. Like the Nala jumpsuits, Sexy Fish's jewellery is not (yet) for sale, but I'd love to know how many of its iconic chopstick holders have been smuggled out in diners' Bottega Andiamo clutches (gold, natch). 'The message on the back — 'stolen from Sexy Fish' — wasn't an accident,' says Smith wryly, adding that Sexy Fish style won't be for sale. 'Our uniforms are like haute couture — made for the wearer and the moment,' says Smith. 'They're designed to be exclusive, and that's part of their magic. They belong to our team, to our story, and to our brand. So no, you won't find them for sale.' I might have more luck over at Nala where, Greig estimates, at least once a day someone asks to buy a jumpsuit. 'We've been bombarded with requests. There's literally a whiteboard in our office that says, 'NALA MERCH???' in increasingly frantic handwriting,' she laughs, adding, 'there's real potential here: hospitality brands today are more than restaurants – they're lifestyles. Merch extends the brand universe beyond the plate. The pros? It's a new revenue stream with strong margins and even stronger brand loyalty. The cons? It can pull focus from the main game, the food, and, if done carelessly, veer into cringe territory.' Two very different culinary concepts, one equally clear belief that, 'it's no longer just interiors carrying the aesthetic weight. Now, uniforms are getting just as much attention', confirms Greig. 'We're not just serving food,' Smith echoes, 'we're creating luxury moments you can live in.'