logo
Rising SoCal culinary star dies in freak Hawaii hiking accident, hit by tumbling boulder

Rising SoCal culinary star dies in freak Hawaii hiking accident, hit by tumbling boulder

Yahoo03-04-2025

A young and rising culinary star in Southern California died in a freak accident in Hawaii, according to family, who said the tragedy occurred as she was fulfilling a long-held dream to hike to the Makaleha Falls waterfall in Kauai.
Gianna Buzzetta, a 26-year-old executive pastry chef at the Jeune et Jolie restaurant in Carlsbad, was hiking the challenging waterfall trail with her boyfriend last week when disaster struck, according to a statement from her family.
The Kaua'i Fire Department responded to a call for a hiker who was hit by a tumbling boulder while standing in the pool of the waterfall on March 23, the department said in a news release. The hiker, who was found unconscious and bleeding from a head wound, was airlifted to medical care.
Buzzetta's parents then flew to Hawaii and were able to say their goodbyes before she died in the hospital, according to reporting from ABC10.
"She had told her boyfriend, Connor, that day, he had fulfilled her dreams and it was the best day of her life," her mother, Caty Buzzetta, told the station. "In a glimpse of time, she had pure bliss, no one could take that from her or us."
In an online fundraiser to help cover Buzzetta's medical fees and funeral expenses, her family described her as determined, tenacious, insightful and kind, with a crazy sense of humor and an infectious laugh.
"As an executive pastry chef her dedication to perfection in artistry led her to master her talents at Jeune et Jolie in Carlsbad," wrote the family. "She poured herself, her love and creativity into everything she brought to the table."
While working at Jeune et Jolie, Buzzetta helped the modern French restaurant achieve three Michelin stars.
"She brought such joy, intensity, passion and love to this restaurant and to our team," said the restaurant on Instagram. "Her sudden loss leaves all of us heartbroken, and searching for ways to be of help to her family."
Jeune et Jolie will be holding a special dinner on Monday to honor the memory of the young pastry chef.
Restaurant owner John Resnick told Fox5 News that Buzzetta's sudden death was a devastating blow for all who knew her and worked with her.
"She was a huge part of the team. Super creative, super talented, incredibly hardworking," he told the station. "Our whole team loved working alongside her."
In the fundraising post, Buzzetta's family expressed their gratitude for the first responders in Hawaii and Buzzetta's boyfriend, Connor Quinton, who they say "gave heroically every last effort to save her running a great distance desperately getting her help."
Sign up for Essential California for news, features and recommendations from the L.A. Times and beyond in your inbox six days a week.
This story originally appeared in Los Angeles Times.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Snapping Tel Aviv: Alex Levac on capturing the city that never sleeps
Snapping Tel Aviv: Alex Levac on capturing the city that never sleeps

Yahoo

time2 hours ago

  • Yahoo

Snapping Tel Aviv: Alex Levac on capturing the city that never sleeps

Israel's city that never sleeps was founded over Passover, 1909, during the counting of the Omer leading up to Shavuot. Photographer Alex Levac sees things the average person on the street doesn't catch. When we meet up at his Tel Aviv apartment, a stone's throw away from the beach, I ask the evergreen octogenarian, who was awarded the Israel Prize for his groundbreaking photography 20 years ago, where the notion of snapping incongruous yet complementary overlaps first emerged. 'I don't know. Perhaps I got it from the French photographers, like Robert Doisneau and Henri Cartier-Bresson,' he suggests bringing the lauded humanist documentarists into the philosophical equation. 'But, it was mostly a British photographer called Tony Ray-Jones.' Those men were powerful sources of inspiration, who shined a bright light on his own path to visual expression, Levac says. 'I didn't invent anything. You know, you see something you like and you think, 'I'll try to do something like that.'' The above lauded trio may have sparked the young Israeli's imagination and sowed the seeds for one of his main lines of thought and endeavor, but it was something of a slow burner. 'I left Israel for London in late 1967,' he says. 'I left Israel for a year and stayed 14 years. But I came back from time to time, to visit family and friends.' And snap a few frames, he may have added. Levac studied photography in London in its Swinging Sixties heyday, and subsequently worked in the field in Britain. But the time and, in particular, the place were not aligned with Levac's native cultural continuum. 'I don't think, then, I looked for these [idiosyncratic] confluences. That didn't interest me outside the Israeli context.' But the idea of getting into that after he returned here to roost was gestating just below the surface. 'I thought that it was more interesting to do in Israel because I am more familiar with the culture and the visual language.' Evidently, there is more to what Levac does than observing quotidian jigsaw pieces align themselves and pressing the shutter release button at exactly the right happenstance microsecond. 'It is not just a combination of all sorts of anecdotal elements. There is, here, also a statement about the Israeli public domain.' The dynamics of human behavior, of course, can vary a lot between differing societies. In Israel, we are much more physically expressive than the average Brit or, for that matter, Japanese. ONCE RESETTLED in the Middle East, the mix-and-match line of photography soon took on tangible form, without too much premeditation. 'I don't remember exactly when it started but I took one of the first shots one day when I was in Ashkelon. I lived there at the time with my first wife. I started seeing a lot of contrasts on the street, coming together at the same time.' It was around that time that still largely conservative Israel got its first tabloid newspaper, Hadashot, which shook up the industry and Israeli society, and introduced it to risqué material and full-color photographs. Levac was soon on board and, before too long, also found himself in hot water as a result of the now-famous news picture he took. 'That was Kav 300 (Bus 300),' he recalls. The said snap was of a terrorist being led away from the scene after IDF soldiers stormed an Egged bus in which passengers were being held captive. The initial official IDF report was that all four Palestinian terrorists had been killed in the attack. However, Levac's picture provided irrefutable evidence that one of the terrorists was still alive after the operation was over. 'They shut the paper down for a while after that.' Brief hiatus notwithstanding, Levac had, by then, established himself as a bona fide photojournalist here. 'I had a regular column in a Hadashot supplement called 'Segol' (purple). They had very visual-oriented editors at the time, so photographers were given a lot of column space. Then I got my regular weekly spot. I've been doing that for around 40 years, every single week. That's crazy!' That may be wonderful, but it comes with a commitment to produce the visually left-field goods, week in and week out. 'Sometimes I can just pop out and I'll find something really good, very quickly. Other times, it can take a while, and there are times I come back without having taken a photograph,' he says. After all these years, Levac's sixth sense is constantly primed and ready to pick up on some unexpected sequence of events that could fuse into an amusing or captivating frame. Anyone who has seen his candid snaps, which have been running in the Haaretz newspaper for the past three-plus decades, will have a good idea of his special acumen for noting and documenting surprising, and often humorous, street-level juxtapositions. 'By now, I see those kinds of things more than I see the ordinary stuff,' he smiles. 'I also look for that, like Gadi.' GADI ROYZ is a hi-tech entrepreneur and enthusiastic amateur photographer. Levac recalls that 'Gadi came up to me one day and told me he'd attended a lecture of mine and began taking photographs,' he recalls. At first, Levac wasn't sure where it was leading. 'You know, you get nudniks telling me how much they like my photographs and all that,' he chuckles. 'You have to be nice when people do that, but it can get a bit tiresome.' However, it quickly became clear that Royz was in a different league and had serious plans for the two of them. 'Gadi didn't just want to be complimentary; he said, 'Let's do a book together.'' Producing a book with high-quality prints can be a financially challenging business. But, it seems, Royz didn't just bring boundless enthusiasm and artistic talent to the venture; he also helped with the nuts and bolts of putting the proposition into attractive corporeal practice. In fact, the book, which goes by the intriguing name of A City of Refuge, is a co-production together with Royz, who, judging by his around 40 prints in the book, also has a gift for discerning the extraordinary in everyday situations, and capturing them to good aesthetic and compelling effect. The city in question is, of course, Tel Aviv, where Levac was born and has lived for most of his life. 'Gadi said he had the money to get the book done,' Levac notes. That sounded tempting, but Levac still wanted to be sure the end product would be worth the effort. 'We sat down together, and I saw some of his photographs. I liked them, so I said, 'Let's go for it.'' And so A City of Refuge came to be. There are around 100 prints in the plushly produced volume. All offer fascinating added visual and cerebral value. There is always some surprise in store for the viewer, although it can take a moment to absorb it, which, in this day and age of lightning speed instantaneous gratification, is a palliative boon. The unlikely interfaces, which can be topical or simply contextually aesthetic, may be comical, arresting, or even a little emotive. Every picture demands a moment or two of your time and, as Levac noted in the dedication he generously wrote for me in my copy of the book, can be revisited for further pondering and enjoyment. The book is great fun to leaf through. One of Levac's more sophisticated items shows a man sitting on a bench with a serious expression on his face, which is echoed and amplified by a childish figure on the wall behind him of a character with a look of utter glumness. There's a smile-inducing shot by Royz (following in Levac's photographic footsteps) with a young, heavily pregnant woman walking from the left, about to pass behind a spiraling tree trunk with a hefty protrusion of its own. Royz also has a classic picture of Yaacov Agam's famed fire and water sculpture, in its original polychromic rendition in Dizengoff Square of several years ago. The picture shows two workers cleaning the work, each on a different level. The worker on the top level is visible from his stomach upward, while his colleague, on the street level, can only be seen from his waist down. Together, they looked like an extremely elongated character, something along the lines of a Tallest Man in the World circus performer. It is often a matter of camera angle, such as Royz's shot of a wheelie bin in Yarkon Park with a giant hot balloon-looking orb looking like it is billowing out of the trash can. And Levac's delightfully crafted frame of an elegant, long-haired blonde striding along the sidewalk led by her sleek canine pal, which appears to have an even more graceful step, poses a question about the human-animal grace divide. I wondered whether, in this day and age if – when we all take countless photos with our smartphones, of everything and everyone around us – his job has become harder. 'Quite the opposite,' he exclaims. 'Now that everyone takes pictures, people notice me less, which means I can do what I want and snap with greater freedom.' Long may that continue. ■

ESPN FC Pundit Drops Bold Kylian Mbappé Take After PSG Win Champions League
ESPN FC Pundit Drops Bold Kylian Mbappé Take After PSG Win Champions League

Yahoo

time6 hours ago

  • Yahoo

ESPN FC Pundit Drops Bold Kylian Mbappé Take After PSG Win Champions League

PSG finally captured the UEFA Champions League trophy Saturday night—and did it in emphatic fashion. The Ligue 1 powerhouse crushed Inter Milan 5-0 at Allianz Arena, securing their first-ever title in Europe's premier club competition. PSG set the tone early, with Achraf Hakimi and Désiré Doué finding the net in the first half to give them a 2-0 lead at the break. After halftime, Luis Enrique's side showed no signs of letting up. Advertisement Doué struck again, while Khvicha Kvaratskhelia and Senny Mayulu added goals of their own to seal a statement win and bring the long-awaited European crown to the French capital. Would PSG have won Champions League with Kylian Mbappé?During a segment on ESPN FC, the panel discussed whether the capital club could pull off this Champions League triumph with Kylian Mbappé still on the team. Analyst Stewart Robson noted that he doesn't see PSG winning the prestigious trophy because of Mbappé's inability to commit to tracking back and helping press to retrieve the ball. I don't think they would have been as good with Mbappé in the side,' Robson said. 'I don't know—he's an outstanding player. He's done well at scoring goals this season for Madrid. But you see, their work rate hasn't been good enough. If one player doesn't work hard and doesn't close things down, then other players can't get as tight. They can't back up that player because he's not going to work hard enough. 'All around the pitch—the work rate, the energy, the athleticism of the PSG players—it was magnificent. They made good decisions with a young team, an experienced team. They made the right decisions: when to go and close down when to drop off when to keep the ball when to play one touch when to go back to their center-half and start again. It was the all-round performance.'

Monster Energy Athletes Claim Podium Spots at 2025 UCI Downhill Mountain Bike World Cup in Loudenvielle-Peyragudes
Monster Energy Athletes Claim Podium Spots at 2025 UCI Downhill Mountain Bike World Cup in Loudenvielle-Peyragudes

Yahoo

time7 hours ago

  • Yahoo

Monster Energy Athletes Claim Podium Spots at 2025 UCI Downhill Mountain Bike World Cup in Loudenvielle-Peyragudes

29-Year-Old Amaury Pierron from Brioude, France, Takes 2nd Place in Elite Men Downhill Race, Rises to Top Season Rankings 20-Year-Old UK Team Rider Jordan Williams Takes 3rd Place LOUDENVIELLE-PEYRAGUDES, France, June 1, 2025 /PRNewswire/ -- Stop Two of the 2025 season is in the books! Monster Energy congratulates Amaury Pierron on taking second place in the UCI Downhill Mountain Bike World Cup in Loudenvielle-Peyragudes, France, this weekend. In the second race of the season, the 29-year-old from Brioude, France, rose to the podium on the challenging track. Also rising to the podium, 20-year-old Jordan Williams from Bristol, United Kingdom, claimed third place in Sunday's final. Williams was joined in the Top Five by 28-year-old Monster Energy team rider Luca Shaw from Hendersonville, North Carolina, in fifth place with a finish time of 3:16.776. Shaw now holds fifth place in season rankings with 294 points. The Elite Women Downhill final concluded with 35-year-old Camille Balanche from Le Locle, Switzerland, in fourth place. The Swiss team rider battled high winds in the upper segment of the track and treacherous conditions in the lower half to earn a finish time of 3:48.776. Balanche now ranks fifth in the 2025 season standings with 305 points. From May 30 to June 1, the 2025 UCI Downhill Mountain Bike World Cup descended on the iconic trails of Loudenvielle-Peyragudes. In stop two of the season, the challenging and technical racetrack in the heart of the French Pyrenees mountains hosted the world elite of the sport. The action-filled weekend also stoked visitors with live concerts, mountain bike expositions, and fan activations in the event village. In Sunday's Elite Men Downhill final, Amaury Pierron dropped in as the number one qualifier and last rider on the course. Charging into the top section, Pierron managed to build a 0.7-second lead over the fastest rider by the third split of the race. But when the dust settled, the Frenchman concluded the track 1.5 seconds behind the winner with a time of 3:14.729 for a strong second-place finish. "It was a crazy race this time around in Loudenvielle. We've always raced here in the wet and later in the season. This was dry and really fast. The average speeds were scary, as if there was no limit! Everyone was going really fast all weekend, and I'm just glad to have stayed on my bike in these conditions, get through to the final, and now the podium. So happy with this," said Monster Energy's Pierron. On the strength of Sunday's result, Pierron now commands first place in the 2025 UCI Downhill Mountain Bike World Cup season rankings with 440 points. Joining Pierron on the podium, Jordan Williams claimed third place in Sunday's final with a finish time of 3:16.163. After battling a knee injury during the 2024 season, the former Junior Division Mountain Bike Downhill World Champion is fully back in the saddle and now holds eighth place in season rankings with 243 points. "It was insane - it was just so fast!" said Monster Energy's Williams, adding: "I did not expect to land on the podium here. It's been a while trying to get up to speed after my knee injury last year, and to do it here on this track in these conditions is wild! Huge thanks for all the support and for the team getting me back on track. I took a few risks and that paid off! Very stoked!" The action continues next weekend with the 2025 UCI Downhill Mountain Bike World Cup, in Saalfelden Leogang, Austria, from June 5 to 8, 2025. For more on Amaury Pierron, Jordan Williams, Camille Balanche, Luca Shaw, and our team of mountain bike athletes, visit Follow Monster Energy on YouTube, Facebook, Instagram, X, and TikTok for updates from the 2025 mountain bike season. For interview or photo requests, contact Kim Dresser. About Monster EnergyBased in Corona, California, Monster Energy is the leading marketer of energy drinks and alternative beverages. Refusing to acknowledge the traditional, Monster Energy supports the scene and sport. Whether motocross, off-road, NASCAR, MMA, BMX, surf, snowboard, ski, skateboard, or the rock and roll lifestyle, Monster Energy is a brand that believes in authenticity and the core of what its sports, athletes and musicians represent. More than a drink, it's the way of life lived by athletes, bands, believers, and fans. See more about Monster Energy including all of its drinks at CONTACT: Kim Dresser C: (949) 300-5546 E: View original content to download multimedia: SOURCE Monster Energy

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store