Carl Dean, Dolly Parton's husband of 60 years, dies at 82
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Carl Dean, Dolly Parton's husband of nearly 60 years, died Monday in Nashville. He was 82.
According to a statement provided to The Associated Press by Parton's publicist, Dean will be laid to rest in a private ceremony with immediate family attending.
"Carl and I spent many wonderful years together. Words can't do justice to the love we shared for over 60 years. Thank you for your prayers and sympathy," Parton wrote in a statement.
The family has asked for respect and privacy at this time. No cause of death was announced.
Parton met Dean outside the Wishy Washy Laundromat the day she moved to Nashville at 18.
"I was surprised and delighted that while he talked to me, he looked at my face (a rare thing for me)," Parton described the meeting. "He seemed to be genuinely interested in finding out who I was and what I was about."
They married two years later, on Memorial Day — May 30, 1966 — in a small ceremony in Ringgold, Ga.
Dean was a businessman, having owned an asphalt-paving business in Nashville. His parents, Virginia "Ginny" Bates Dean and Edgar "Ed" Henry Dean, had three children. Parton referred to his mother as "Mama Dean."
Dean is survived by Parton and his two siblings, Sandra and Donnie.
Parton and Dean kept strict privacy around their relationship for decades, Parton telling The Associated Press in 1984: "A lot of people say there's no Carl Dean, that he's just somebody I made up to keep other people off me."
She joked that she'd like to pose with him on the cover of a magazine: "So that people could at least know that I'm not married to a wart or something."
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Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Stone, born Sylvester Stewart, had been in poor health in recent years. His publicist Carleen Donovan said Stone died in Los Angeles surrounded by family after contending with chronic obstructive pulmonary disease and other ailments. Founded in 1966-67, Sly and the Family Stone was the first major group to include Black and white men and women, and well embodied a time when anything seemed possible — riots and assassinations, communes and love-ins. The singers screeched, chanted, crooned and hollered. 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By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. For a time, countless performers wanted to look and sound like Sly and the Family Stone. The Jackson Five's breakthrough hit, 'I Want You Back,' and the Temptations' 'I Can't Get Next to You' were among the many songs from the late 1960s that mimicked Sly's vocal and instrumental arrangements. Miles Davis' landmark blend of jazz, rock and funk, 'Bitches Brew,' was inspired in part by Sly, while fellow jazz artist Herbie Hancock even named a song after him. 'He had a way of talking, moving from playful to earnest at will. He had a look, belts, and hats and jewelry,' Questlove wrote in the foreword to Stone's memoir, 'Thank You (Falettinme Be Mice Elf Agin),' named for one of his biggest hits and published through Questlove's imprint in 2023. 'He was a special case, cooler than everything around him by a factor of infinity.' This advertisement has not loaded yet, but your article continues below. In 2025, Questlove released the documentary 'Sly Lives! (aka The Burden of Black Genius).' Sly's influence has endured for decades. The top funk artist of the 1970s, Parliament-Funkadelic creator George Clinton, was a Stone disciple. Prince, Rick James and the Black Eyed Peas were among the many performers from the 1980s and after shaped in part by Sly, and countless hip-hop artists have sampled his riffs, from the Beastie Boys to Dr. Dre and Snoop Dogg. A 2005 tribute record included Maroon 5, John Legend and the Roots. 'Sly did so many things so well that he turned my head all the way around,' Clinton once wrote. 'He could create polished R&B that sounded like it came from an act that had gigged at clubs for years, and then in the next breath he could be as psychedelic as the heaviest rock band.' 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Around the country, separatism and paranoia were setting in. As a turn of the calendar, and as a state of mind, the '60s were over. 'The possibility of possibility was leaking out,' Stone later explained in his memoir. On 'Thank You (Falettinme Be Mice Elf Agin),' Stone had warned: 'Dying young is hard to take/selling out is harder.' Late in 1971, he released 'There's a Riot Going On,' one of the grimmest, most uncompromising records ever to top the album charts. The sound was dense and murky (Sly was among the first musicians to use drum machines), the mood reflective ('Family Affair'), fearful ('Runnin' Away') and despairing: 'Time, they say, is the answer _ but I don't believe it,' Sly sings on 'Time.' The fast, funky pace of the original 'Thank You (Falettinme Be Mice Elf Agin)' was slowed, stretched and retitled 'Thank You For Talkin' to Me, Africa.' This advertisement has not loaded yet, but your article continues below. The running time of the title track was 0:00. 'It is Muzak with its finger on the trigger,' critic Greil Marcus called the album. 'Riot' highlighted an extraordinary run of blunt, hard-hitting records by Black artists, from the Stevie Wonder single 'Superstition' to Marvin Gaye's 'What's Going On' album, to which 'Riot' was an unofficial response. But Stone seemed to back away from the nightmare he had related. He was reluctant to perform material from 'Riot' in concert and softened the mood on the acclaimed 1973 album 'Fresh,' which did feature a cover of 'Que Sera Sera,' the wistful Doris Day song reworked into a rueful testament to fate's upper hand. By the end of the decade, Sly and the Family Stone had broken up and Sly was releasing solo records with such unmet promises as 'Heard You Missed Me, Well I'm Back' and 'Back On the Right Track.' Most of the news he made over the following decades was of drug busts, financial troubles and mishaps on stage. 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Through his radio connections, he produced some of the top San Francisco bands, including the Great Society, Grace Slick's group before she joined the Jefferson Airplane. Along with an early mentor and champion, San Francisco deejay Tom 'Big Daddy' Donahue, he worked on rhythm and blues hits (Bobby Freeman's 'C'mon and Swim') and the Beau Brummels' Beatle-esque 'Laugh, Laugh.' Meanwhile, he was putting together his own group, recruiting family members and local musicians and settling on the name Sly and the Family Stone. This advertisement has not loaded yet, but your article continues below. 'A Whole New Thing' came out in 1967, soon followed by the single 'Dance to the Music,' in which each member was granted a moment of introduction as the song rightly proclaimed a 'brand new beat.' In December 1968, the group appeared on 'The Ed Sullivan Show' and performed a medley that included 'Dance to the Music' and 'Everyday People.' Before the set began, Sly turned to the audience and recited a brief passage from his song 'Are You Ready': 'Don't hate the Black, don't hate the white, if you get bitten, just hate the bite.' Love concerts, but can't make it to the venue? Stream live shows and events from your couch with VEEPS, a music-first streaming service now operating in Canada. Click here for an introductory offer of 30% off. Explore upcoming concerts and the extensive archive of past performances! Toronto Blue Jays Olympics Columnists Toronto & GTA Olympics
