📸 Nike launch Netherlands' EURO 2025 Matchday Fits
Nike Football has officially launched the highly anticipated 2025 Netherlands National Team Kit for the Women's EURO — a striking statement of innovation, self-expression, and performance tailored to elevate the women's game.
The campaign reimagines pre-match rituals as surreal, high-fashion moments. With players arriving like stars on a runway, stadium tunnels transform into bold stages for individuality, expression, and unstoppable energy. At its core, this launch celebrates the fearless presence of athletes and fans alike, brought to life through large-scale portraits and electrifying design.
The new Netherlands kit is more than a uniform — it's a testament to tradition, diversity, and the nation's unrelenting pursuit of footballing greatness. Built using Nike's pinnacle Dri-FIT ADV technology, the kit is engineered to keep players cool, dry and fully focused under pressure. Through advanced body-mapping, 4D data and digital design tools, Nike has ensured maximum breathability, mobility and support — down to the very last pixel.
A newly developed side panel adds superior stretch and airflow at the core, while Lite Flex technology in the crest provides lightweight comfort and enhanced ventilation. Every stitch is intentional, serving performance while spotlighting cutting-edge design.
Sustainability also plays a leading role. The kit incorporates Nike Grind — a blend of recycled manufacturing scraps, old shoes and unused footwear — in its trim and iconic Swooshes. Marker efficiency has been increased to 85%, significantly reducing fabric waste during production.
Beyond performance, the design tells a story: a bold expression of Dutch heritage, style and unwavering ambition. Paired with a full National Federation Collection of apparel and accessories, fans now have even more ways to show their support and creativity.
The new Netherlands kit and collection will be available soon on nike.com and select retail partners.
Women's football isn't just growing — it's taking centre stage. And in 2025, the Netherlands will do so in mad brilliant style.
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There was a hug for Sabalenka, who had made her way around to Gauff's side of the net, and another for Spike Lee, the film director seated in the front row, one of dozens of celebrities who had come to Paris for this, because that's what happens when Gauff plays in a match of this magnitude. And then came the joyous stroll up into the stands to find her parents and the rest of the crew. To find the people who had lifted her out of the dark moments last year, when she had to confront the fact that what happened on a September night in New York might never happen again. Gauff's win was for everyone who has ever looked in the mirror and felt that they are going backwards, not forwards. That what carried them to some early success isn't working anymore. That playing a long game, falling behind in the beginning, can make all the difference to coming out ahead at the end. 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Advertisement Last September, just under a year on from her first great triumph, Gauff sat in a media room after hitting 19 double faults and missing countless forehands in a fourth-round defeat to Emma Navarro. The rest of the WTA Tour knew then that if they just stayed with her, put pressure on her serve and attacked her forehand, at some point, the house of cards would collapse. 'I don't want to lose matches like this anymore,' she said. Nine months later, through some long stretches of doubt, she has a second Grand Slam trophy for her parents to store at home in Florida. 'I didn't think honestly I could do it,' she said from the center of Court Philippe-Chatrier during the trophy ceremony. In her hotel room Friday night, trying to make herself believe, she wrote down over and over: 'I will be the French Open champion 2025.' Gabby Thomas, the Olympic 200-meter sprint gold medalist, had done her version of this ahead of the Paris Olympics last summer. 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Advertisement Out went the big-name coach, Brad Gilbert, who had helped her to that maiden Grand Slam title in 2023. In came a virtual unknown named Matt Daly, who, along with her longtime coach Jean-Christophe Faurel, convinced her that she was capable of big things once again — if she embraced change. How radical? How about changing the way she holds her racket when she serves, even if she's been doing it one way for a decade? How about leaning in on her forehand and seizing the initiative, instead of leaning back and resorting to defense too often. A metaphor if ever there was one, because this has always been about more than tennis for Gauff, a Black American athlete trying, in her words, 'to use her racket to change the world.' 'There's a lot going on in our country right now,' Gauff said in her post-match news conference, the shiny silver trophy beside her. She was here to represent people who look like her, 'who maybe don't feel as supported during this time period, and so just being that reflection of hope and light.' Last fall, at the start of all those changes, it looked like getting an opportunity to do that might take a while. Four months, maybe six. Maybe more. But, eventually, the serve was going to be more assured and she was going to be able to boss her way around the court as she never had against the best players in the world, being the aggressor rather than the counterpuncher, if that was what the moment required. Very quickly, Gauff was all in. She doesn't do much halfway, and she didn't on Saturday, on the court or off it, even if this was a match in which she had to inhabit the role of supporting actor in the face of Sabalenka's desire to play first-strike from the off. She'd won one of these Grand Slams already, but she said this one was harder. In between, she'd had five more shots at a second, and the closest she had come was a semifinal. She didn't want to be a one-hit wonder, and she really wanted this title. With her speed, endurance and willingness to fight the wars of attrition that red clay can require, she had heard for years that this tournament offered her one of her best shots at a major. Advertisement 'I just felt like if I went through my career and didn't get at least one of these, I would feel regrets,' she said. She'd already had plenty of those. Before facing Iga Świątek in 2022, she cried, because she was so nervous. She struggled to breathe. She knew she'd lost before she'd even hit the first ball. Świątek rolled her over and went on to dominate this tournament as few have done. Until this year, when Sabalenka under the roof proved one set too many. On Saturday, Gauff said she felt ready to leave her heart and her lungs on the court, and regardless of the result she could leave proud. Gauff fell behind early in the first set but clawed her way back as Sabalenka's errors mounted, and she grew more confident that she could put the ball past her when she needed to. She also began to weather Sabalenka's blistering returns, watching more and more of them pound into the net. She started reading the drop shots and legging out the net battles. Still, she ended up on the short end of a 77-minute first set when Sabalenka grabbed the last three points of a tiebreak. No one knew it then, but that would be as good as it got for Sabalenka. Gauff sat on her chair and told herself to take the pressure off the match. Losing would not be the end of the world. She hates losing, but it happens. She'd go home, she'd see her boyfriend, she'd reset. 'I was able to loosen up after that and play a little bit freer,' she said. In weathering the Sabalenka storm but losing the set, she had also forced her opponent to confront her own discomfort. A 6-1 or 6-2 blowout and Sabalenka, who was less able to deal with the intangibles of wind and weather than Gauff, would have been relaxed. The grind she got pulled into sent her into a spiral from which she could not recover. Gauff embraced Sabalenka's descent from a first-strike machine with a lethal drop shot into a player swinging from side to side, trying anything to keep Gauff off balance but, in doing so, sending the American into the side-to-side defense dance that she can do better and longer than anyone in the world. Gauff applied just enough pressure to let the wind and Sabalenka's brain do the work. Advertisement When it was over, Sabalenka's mind was still a jumble, claiming that some supernatural force had sent ball after ball off the frame of Gauff's racket into the corners of the court, 'like somebody from above was just staying there laughing, like: 'let's see if you can handle this.'' The person asking her if she could handle this was actually on the other side of the net. Gauff knew it had been a decade since her inspiration, Serena Williams, — or any other American — had won this title. Williams helped her dream that she could one day do it. With 15,000 people in the stadium chanting her name as the win grew closer, she had her chance to do that for someone else, 'to represent the Americans that look like me and people who support the things that I support.' Nine months after the start of her journey into the unknown, she found out what it was all for. Deep down, she had always known.
