logo
A new biography of anthropologist Irawati Karve examines the historical forces that shaped her work

A new biography of anthropologist Irawati Karve examines the historical forces that shaped her work

Indian Express17-05-2025

By Srija Naskar
Irawati Karve lived a life that defied conventions at every turn. She was born in Myanmar, raised in a foster home in Pune known to espouse atheism, and eventually married into a family of social reformers. Today known as India's first female anthropologist, Karve was able to navigate multiple social identities with both intellect and a certain degree of panache, challenging rigid hierarchies along the way.
This complexity of a woman and anthropologist in a turbulent historical era is the subject of a recent biography, Iru: The Remarkable Life of Irawati Karve, by Urmilla Deshpande and Thiago Pinto Barbosa. Biographies haven't seen much experimentation because their very structure is bracketed with a cradle on one end and a grave on the other. But with the incorporation of history into this field, a newer possibility can be imagined. That is what Deshpande and Barbosa have achieved. By placing Karve within a particular historical context, the authors have enriched our understanding of the kind of person she was and also the historical forces that shaped her.
Quite early, we are thrust into the chaos and creativity that marked the Weimar years, when Karve stepped into Berlin for her doctoral studies. Berlin was a city of contradictions. It was a city of Fritz Lang's Metropolis, of Josephine Baker's electrifying dances and of Magnus Hirschfeld's groundbreaking work on gender identity. But it was also a city reeling from war, its streets flooded with wounded beggars, Nazism on the rise.
How does one transport the reader of a biography into a time long lost? If we were to go back to the Germany of the 1920s and 1930s to meet Karve, what would we see? Deshpande and Barbosa detail not just a city being pulled into multiple directions but also an intellectual milieu where differing ideas were thrashed out, argued, repudiated and accepted. For example, Karve's mentor was the anthropologist Eugen Fischer, a man whose theories would later become cornerstones of Nazi ideology. The book tells us how Karve's beliefs and her scientific work clashed with that of Fischer's. So much so that Karve's own doctoral work would actually repudiate Fischer, proving that the contemporary practice of determining racial superiority through skull measurements was nothing but bunkum.
The India that Karve returned to was also hierarchical, where caste discrimination held sway. By interrogating the idea of caste mobility through a study of the nomadic Nandiwala tribes in Maharashtra and Gujarat, for instance, or that of the Mahars, Karve showed how focusing on the lived realities of marginalised communities could throw insights into the problem of social stratification.
Karve's approach to Hinduism was similarly unorthodox: she dissected its rigid hierarchies and gendered injustices. In Yuganta, for instance, her seminal critique of the Mahabharata, she exposes the moral hypocrisy of Yudhishthira, whose obsession with truth, she argues, comes at the cost of Draupadi's suffering. For Karve, Hinduism was not a static dogma but an evolving tradition, shaped by centuries of exchange and contradiction.
Like the discipline she helped redefine, Karve resists easy categorisation. She was at once a rigorous scientist and a literary humanist, a traditionalist by birth and a radical by choice. Deshpande and Barbosa's biography captures this complexity, drawing on family archives, scholarly works and the voices of those who knew her. The result is a portrait of a woman who was always in motion — questioning, adapting and reimagining the world around her. In an era that demanded conformity, Irawati Karve remained gloriously, relentlessly uncontainable.
The writer is assistant professor, Department of English, MIT ADT University, Pune

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

World-famous German 'nail artist' Günther Uecker dies at 95
World-famous German 'nail artist' Günther Uecker dies at 95

Mint

time4 days ago

  • Mint

World-famous German 'nail artist' Günther Uecker dies at 95

BERLIN (AP) — German artist Günther Uecker, one of the country's most important post-war artists who was world-famous for his large-format nail reliefs, has died. He was 95. German news agency dpa reported that his family confirmed he died at the university hospital in his hometown of Düsseldorf in western Germany Tuesday night. They did not give a cause of death. For decades, Uecker, who was often dubbed 'the nail artist,' created art by hammering carpenter's nails into chairs, pianos, sewing machines and canvases. His works can be found in museums and collections across the globe. In his art work, seemingly endless numbers of nails, which would by themselves perhaps be perceived as potentially aggressive and hurtful, turned into harmonic, almost organic creations. His reliefs with the tightly hewn nails are reminiscent of waving grasses or fields of algae in a marine landscape. Uecker himself described his nail art as diary-like landscapes of the soul, which he called an 'expression of the poetic power of man,' dpa reported. Hendrik Wüst, the governor of North Rhine-Westphalia which includes state capital Düsseldorf, called Uecker 'one of the most important and influential artists in German post-war history' and said that with his life's work, he influenced generations of young artists and 'contributed to an open and dynamic society." Born on March 13, 1930, in the village of Wendorf on the Baltic Sea, Uecker moved to Düsseldorf in the mid-1950s, where he studied and later also taught at the city's prestigious art academy. In one of his most spectacular appearances or art happenings, he rode on the back of a camel through the hallways of the venerable academy in 1978. Together with fellow artist Gerhard Richter, he 'occupied' the Kunsthalle Baden-Baden museum in 1968, with both kissing in front of the cameras. The son of a farmer, he traveled the world with a humanitarian message of peace and exhibited in countless countries, including dictatorships and totalitarian states. He painted ash pictures after the Chernobyl nuclear disaster in Ukraine in 1986, and exhibited human rights messages painted on fabric in Beijing. He also painted 'Verletzungswörter,' or words of violence, killing and torment in many languages and foreign scripts on large canvases. In 2023, Uecker erected a stone memorial in Weimar in memory of the victims of the Nazi concentration camp Buchenwald. 'The theme of my artistic work is the vulnerability of man by man,' he said.

World-famous German "nail artist" Günther Uecker dies at 95
World-famous German "nail artist" Günther Uecker dies at 95

Hindustan Times

time4 days ago

  • Hindustan Times

World-famous German "nail artist" Günther Uecker dies at 95

BERLIN — German artist Günther Uecker, one of the country's most important post-war artists who was world-famous for his large-format nail reliefs, has died. He was 95. German news agency dpa reported that his family confirmed he died at the university hospital in his hometown of Düsseldorf in western Germany Tuesday night. They did not give a cause of death. For decades, Uecker, who was often dubbed 'the nail artist,' created art by hammering carpenter's nails into chairs, pianos, sewing machines and canvases. His works can be found in museums and collections across the globe. In his art work, seemingly endless numbers of nails, which would by themselves perhaps be perceived as potentially aggressive and hurtful, turned into harmonic, almost organic creations. His reliefs with the tightly hewn nails are reminiscent of waving grasses or fields of algae in a marine landscape. Uecker himself described his nail art as diary-like landscapes of the soul, which he called an 'expression of the poetic power of man,' dpa reported. Hendrik Wüst, the governor of North Rhine-Westphalia which includes state capital Düsseldorf, called Uecker 'one of the most important and influential artists in German post-war history' and said that with his life's work, he influenced generations of young artists and 'contributed to an open and dynamic society." Born on March 13, 1930, in the village of Wendorf on the Baltic Sea, Uecker moved to Düsseldorf in the mid-1950s, where he studied and later also taught at the city's prestigious art academy. In one of his most spectacular appearances or art happenings, he rode on the back of a camel through the hallways of the venerable academy in 1978. Together with fellow artist Gerhard Richter, he 'occupied' the Kunsthalle Baden-Baden museum in 1968, with both kissing in front of the cameras. The son of a farmer, he traveled the world with a humanitarian message of peace and exhibited in countless countries, including dictatorships and totalitarian states. He painted ash pictures after the Chernobyl nuclear disaster in Ukraine in 1986, and exhibited human rights messages painted on fabric in Beijing. He also painted 'Verletzungswörter,' or words of violence, killing and torment in many languages and foreign scripts on large canvases. In 2023, Uecker erected a stone memorial in Weimar in memory of the victims of the Nazi concentration camp Buchenwald. 'The theme of my artistic work is the vulnerability of man by man,' he said.

Nice Try, But No: You Can't Name Your Baby ‘King' Or ‘Hitler' In These US States
Nice Try, But No: You Can't Name Your Baby ‘King' Or ‘Hitler' In These US States

News18

time07-06-2025

  • News18

Nice Try, But No: You Can't Name Your Baby ‘King' Or ‘Hitler' In These US States

Last Updated: Names implying royal titles, such as King, Queen, Majesty, and Prince, are often prohibited to prevent misleading implications. Did you know that some US states prohibit parents from giving their children certain names, including Jesus Christ, Queen, or King? Let's examine some examples of these banned names: 1. Adolf Hitler: This name is prohibited due to its association with the Nazi leader responsible for the Holocaust, preventing the glorification of hate and atrocities. 2. Messiah: This name has faced legal challenges on religious grounds. In 2013, a Tennessee judge ordered a baby's name changed from 'Messiah" to 'Martin", citing religious reasons. This decision was later overturned, and the judge was removed for imposing personal beliefs over the law. 3. Lucifer: Although permitted in some states, the name Lucifer is banned in others due to its association with the devil in Christian theology. 4. Jesus Christ: This name is restricted in certain jurisdictions to avoid causing religious offence and confusion. 5. King, Queen, Majesty, Prince: Names implying royal titles, such as King, Queen, Majesty, and Prince, are often prohibited to prevent misleading implications. 6. Santa Claus: This name is disallowed in some areas to avoid confusion and maintain cultural appropriateness. 7. III (Roman Numeral): In California, a man was denied the right to change his name to 'III" because symbols or numbers alone do not constitute a legal name. 8. @, 1069, Mon1ka: Names containing symbols, numbers, or unconventional spellings like these are generally prohibited due to administrative difficulties and potential confusion. These naming prohibitions vary from state to state. For instance, California and New Jersey restrict obscene or offensive names, while states like Illinois and South Carolina ban names containing numbers or symbols. First Published: June 07, 2025, 21:58 IST

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store