Crocker Art Museum announces first new director in 25 years
(FOX40.COM) — The Crocker Art Museum announced its first new director in 25 years following the departure of longtime leader Lial Jones last year.
The museum said that Agustin Arteaga, who has served as the director of the Dallas Museum of Art since 2016, will take over the role starting on July 1.
Video Above: The Louvre's transformation from a fortress to a world-renowned art museum
'Art has the power to inspire, educate, and unite communities,' said Arteaga. 'I am honored to join the Crocker Art Museum, a renowned and celebrated historic institution in Sacramento, a forward-thinking city, and the decision-making center of the world's fifth-largest economy. Building on an extraordinary legacy of excellence, I look forward to working alongside the Board, the dedicated and talented staff, and the City, to expand access to the arts, create transformative experiences for visitors, and celebrate the rich artistic diversity that defines California and beyond.'
According to the museum, in Dallas, Arteaga introduced a bilingual initiative and increased exhibitions dedicated to women, Latin American, African American and LGBTQ+ artists.
Prior to working in Dallas, Arteaga worked as a director at the Museo Nacional de Arte in Mexico City, the Museo de Arte de Ponce in Puerto Rico and the Museo de Arte Latinoamericano de Buenos Aires in Argentina.
SUSD, Mexican Heritage Center and Gallery host student art exhibit
'The Crocker Art Museum is a cultural cornerstone of the Sacramento region and California,' said Garry Maisel, President of the Crocker Art Museum Association Board of Directors. 'We are thrilled to welcome Agustín Arteaga, whose dynamic and visionary leadership and deep commitment to community engagement will propel the Museum into an exciting new chapter and expand the influence of the Crocker nationally and internationally. His impressive record of innovation, inclusivity, and institutional excellence makes him the ideal person to guide the Crocker forward.'
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Black America Web
5 hours ago
- Black America Web
Remembering Jet Magazine's Top 20 Singles Chart & Its Impact On Exposing Black Music
Source: Scott Olson / Getty Jet Magazine, a cultural mainstay in the African American community, has long been celebrated for capturing the pulse of Black America. Among its many features, the 'Top 20 Singles of the Week' chart became an essential barometer of musical success, offering a unique lens into the evolving soundtracks of Black culture. From its inception to its lasting legacy, this chart mirrored the rhythms, struggles, and victories of a community and left an indelible mark on the music industry. Origins of the Chart Jet Magazine was launched by John H. Johnson in 1951 as a companion to his first publication, Ebony . While Ebony focused on photo spreads of Black excellence, Jet served as a weekly digest of news, culture, and entertainment. Recognizing the centrality of music to Black life and identity, Jet introduced the 'Top 20 Singles of the Week' chart in the 1950s. Its mission was to spotlight the songs that resonated within the community, distinct from mainstream pop charts that often neglected Black artists. Authenticity defined the Jet chart. Its rankings weren't just about radio airplay or sales but about what truly mattered to its audience. It celebrated not just hits but cultural touchstones, elevating R&B, soul, gospel, and later hip-hop as they rose to prominence. Cultural Significance Before the digital age allowed instant access to music, Jet's Top 20 chart was a lifeline for fans eager to stay connected to the latest sounds. Its influence stemmed from its role as both a tastemaker and a time capsule. Each week, the chart reflected the collective mood, aspirations, and energy of Black America. It affirmed identities and uplifted artists who were often overlooked or underestimated by mainstream music platforms. More than just a list of songs, the chart captured key moments in Black history. During the Civil Rights Movement, tracks like Sam Cooke's 'A Change Is Gonna Come' resonated deeply and rose through the rankings, embodying the quest for equality. Later, in the 1980s and 1990s, hip-hop's ascendancy was chronicled in real-time through artists like Run-D.M.C., LL Cool J, and Tupac Shakur, as their anthems became staples of the chart. Reflections of Change Over the decades, the chart told the story of music's evolution and, by extension, shifting cultural landscapes. Early charts were dominated by soul and rhythm & blues, celebrating pioneers like James Brown, Aretha Franklin, and Marvin Gaye. These artists laid the foundation for the genre's crossover success while maintaining their roots in Black culture. By the late 1970s and early 1980s, disco fever hit the chart, with artists like Donna Summer and the Jacksons delivering infectious dance tracks that united people on the floors of nightclubs. The 1990s brought a wave of hip-hop and neo-soul, with artists like Lauryn Hill and Maxwell bridging the gap between old school and new school influences. Each entry on the chart bore witness to the community's changing tastes and values. Impact on the Music Industry Jet's chart was more than a reflection of its audience's preferences; it was a tool for shaping the music industry's recognition of Black talent. Record labels paid attention to Jet's rankings, treating the chart as an indicator of what would succeed commercially. For many Black artists, landing on Jet's Top 20 signified both representation and validation, a milestone that reflected their connection with the audience that mattered most. The chart also played a vital role in breaking boundaries. It challenged mainstream industry norms by shining a light on independent and emerging artists, sometimes serving as a stepping stone to broader success. When traditional institutions overlooked genres like rap or downplayed the rise of regional music scenes, Jet tipped its hat early, amplifying a diversity of voices. Key Milestones The chart's long history encompasses numerous defining moments: The emergence of Motown classics in the 1960s, with chart toppers like The Supremes and Marvin Gaye setting new standards for crossover appeal. The rise of funk and disco in the 1970s, led by groundbreaking acts like Parliament-Funkadelic and Earth, Wind & Fire. The explosion of hip-hop in the 1980s and 1990s, reflecting the growing dominance of the genre as a voice for a new generation. The recognition of female R&B stars in the 2000s, with artists like Beyoncé and Alicia Keys dominating the rankings and ushering in an era of empowered Black women in music. A Legacy of Influence Jet Magazine's 'Top 20 Singles of the Week' chart ended its run when the publication ceased print production in 2014, transitioning to a digital-only format. However, its legacy endures. It stands as both a reminder of the power of music to connect people and an archive of Black America's evolving tastes and triumphs. From soul-stirring ballads to defiant rap lyrics, the chart encapsulated the heartbeat of a culture. While Jet's print days have ended, its soundtrack remains timeless. The 'Top 20 Singles of the Week' chart wasn't just a list of hits; it was, and still is, a symbol of joy, resilience, and artistry in the African American experience. Want to know what was on Jet's Top 20 Singles around this time 35 years ago? Scroll down to find out! (Featuring Jet's Top 20 Singles the week of June 11, 1990) Remembering Jet Magazine's Top 20 Singles Chart & Its Impact On Exposing Black Music was originally published on Black America Web Featured Video CLOSE
Yahoo
12 hours ago
- Yahoo
Former WWE professional wrestlers appearing at 2 local live wrestling shows
(WKBN) – Former WWE professional wrestlers from the 1980s and 1990s will be appearing at two local live pro wrestling shows on Saturday. WWE Hall of Famers 'Mr. USA' Tony Atlas and Greg 'The Hammer' Valentine will be appearing at the Niles Retro Toy Market on Robbins Avenue in Niles. The wrestlers will be at the market for a meet-and-greet from 11 a.m. until 3 p.m. Tony Atlas teamed with Rocky Johnson, the father of Dwayne 'The Rock' Johnson, to become the first African American tag team to win the WWE World Tag Team championship in 1983. He was inducted into the WWE Hall of Fame in 2006. Atlas appeared in WWE as an on-screen manager of Mark Henry from 2008-2010, and he has been featured in recently released wrestling documentaries. Greg Valentine is a former WWE Intercontinental Champion. Valentine feuded with legends like Chief Jay Strongbow, 'Rowdy' Roddy Piper and Tito Santana over the course of his storied career. Valentine last wrestled in a WWE ring at the 1994 Royal Rumble. He was inducted into the WWE Hall of Fame in 2004. The market will also have live professional wrestling matches from MEGA Championship Wrestling starting at 1 p.m. There will also be vendors with food, desserts, toys and collectibles from 10 a.m. to 4 p.m. Later that night, Absolute Intense Wrestling will present 'Bang Your Head' at Penguin City Brewery in Youngstown. The professional wrestlers on the card include The Headbangers (Mosh and Thrasher), Evil Uno of All Elite Wrestling, Little Guido and Trumbull County native Zoey Skye. Doors open at 6:30 p.m. and matches begin at 7:30 p.m. For more information on tickets to this event, click here. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Yahoo
17 hours ago
- Yahoo
‘Twelve Moons' Debuts First-Look Clip Ahead of Tribeca Premiere, Director Victoria Franco Speaks About Societal Pressures on Women (EXCLUSIVE)
'Twelve Moons,' the feature debut of Mexican filmmaker Victoria Franco, premieres on Saturday in the International Narrative Competition of Tribeca Festival. Variety debuts an exclusive first clip from the film and speaks to the director. The film stars acclaimed Mexican actor Ana de la Reguera, whose career bridges Hollywood and Latin American cinema, alongside Ariel Award winner Enrique Arreola. Filmmaker Michel Franco, Victoria's brother, is a producer on the film, and the Match Factory is handling international sales. More from Variety 'Billy Joel: And So It Goes' Directors Share Inspirational Message From Ailing Singer: 'He Will Be Back' Tribeca Festival: Miley Cyrus' 'Something Beautiful,' Barbara Walters Doc and 11 Other Films We're Excited to See 'The Shadow Scholars,' Executive Produced by Steve McQueen, Debuts Trailer Ahead of North American Premiere at Tribeca (EXCLUSIVE) 'Twelve Moons' follows Sofia, a 40-year-old architect in Mexico City, who has suffered a devastating loss, and must navigate her complex emotions while trying to stay true to herself. As she struggles with her fertility and identity as a woman, both her personal and professional life begin to deteriorate forcing her to look inward to find the light that will lead her forward. In the clip, we see that Sofia has an issue with alcohol consumption, and in the film, we discover she is also a drug user. 'For me, it's really important to portray people who don't feel comfortable with social conventions,' Franco says. 'There are many people who don't feel that they are part of society but feel societal pressure. And as a woman, there is the added pressure to have a child, have a family, be the perfect woman, and I really admire people who are really authentic and don't give in to these pressures.' Sofia is portrayed with empathy and her alcohol and drug dependency should be seen as a 'disease,' Franco says. It is Sofia's way of relaxing when faced with societal expectations and the pressure to conform – to feel 'normal,' overcome her insecurity, and appear self-confident. Unable to conceive, Sofia's life – both personal and professional – starts to unravel. 'She has no boundaries, so she doesn't know how to separate her professional and personal life, and she takes them both so seriously,' the director says. 'She feels that through her architecture, her feelings can become connected with other people. She tries to work in a way that is parallel to her feelings. Architecture is very important in this film, because I portray many places that are representing her feelings through their architecture.' Franco describes Sofia as an 'ethical' architect who tries to create buildings that encourage a feeling of freedom in those who inhabit them. We see her visiting buildings in Mexico City that exemplify that approach, like those designed by the architect Luis Barragán. 'She fights to create spaces that allow people to have more liberty within them. There's a conversation where she's arguing about putting fewer parking lots in order to create more green spaces so people can be happier in these places. 'I love Luis Barragán, who talks about a spiritual architecture, about architecture where you can feel the connection between the space and the mind, and you can feel connected with it, and it's the architecture of silence too. He won the Pritzker Prize, and his acceptance speech was amazing. It's beautiful.' Speaking about Ana de la Reguera, Franco says: 'Ana has great presence. She has a lovely face. She's a person with a deep, deep soul. And when I talked to her about the script, I felt that she was very connected with the matter of being a woman in her 40s and the social demands that people make. 'And she's an actress who has like 20 years of experience, so I was really amazed when we were talking and playing around, like, 'Imagine the camera is here, and what would you do?,' and she was improvising and doing things that I was amazed by, because sometimes I felt that she had known the character for her entire life, like she has lived with her.' Regarding the cinematography, she comments: 'First of all, I decided that the movie should be black and white, so the spectator had no distractions with the colors, and he could be really connected with the emotions and the state of mind of the character. 'And also, the movie is about architecture as well, so it's very geometrical. We looked for many locations that were really hard to get permission to film there, but we made it. There's a beautiful fountain by Isamu Noguchi, the Japanese artist, for example. 'The cinematographer, Sergio Armstrong G., is a genius. We improvised a lot. We never felt that we were in control of everything. We played with the freedom of being in the moment and sensing where to put the camera. We didn't have a shooting list of everything, and I felt so free. If I didn't have this cinematographer, Sergio, it would be pretty difficult, because I was pretty sure of the emotional state and everything but the visual things… it was Sergio who put everything together to make the movie look like the state of mind of the character.' As in film noir, the film uses light and shade to reflect the internal landscape of the character, but there were other cinematic influences. 'Many times, I felt inspired by Italian Neo Realism, because we didn't have much budget for lighting, but with its realism sometimes the film feels like a documentary, and the camera was very, very humbled, because we didn't need so much lighting to make it look beautiful. And the shadows and the geometric forms are so important.' There are similarities to how she and her brother work, she says. 'We both film chronologically. That was very helpful, because the actress was really involved with the process of the character and the emotions, and we improvised a lot, so the script changed a lot while shooting. Michel also does that, so I believe we're similar in terms of production.' She is full of praise for her brother's contribution as a producer. 'I think he was the best producer because he really got my back, and he just cares about the creativity and the process that I wanted, and he never gave up, for example, in getting some locations. Even though we didn't have enough money, he'd fight for everything. So, it was a paradise working with him.' Next up for Franco, she says, is a film about a teenager in New York, for which she is writing the screenplay now. Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
