
Awesome Full Trailer For ALIEN: EARTH - Synthetic Soldiers Vs. Xenomorphs — GeekTyrant
FX has unleashed the full trailer for Noah Hawley's Alien: Earth and this series looks pretty freakin' awesome! I've very exciuted about this show and it looks like Hawley has made someing that Alien fans are going to enjoy.
In the year 2120, the Earth is governed by five corporations: Prodigy, Weyland-Yutani, Lynch, Dynamic, and Threshold. In this Corporate Era, cyborgs (humans with both biological and artificial parts) and synthetics (humanoid robots with artificial intelligence) exist alongside humans.
But the game is changed when the wunderkind Founder and CEO of Prodigy Corporation unlocks a new technological advancement: hybrids (humanoid robots infused with human consciousness).
When the mysterious deep space research vessel USCSS Maginot crash-lands on Earth, 'Wendy' and a ragtag group of tactical soldiers make a fateful discovery that puts them face-to-face with the planet's greatest threat.
According to previously released details, the series will feature five different monsters, making this easily one of the most creature-heavy entries in the franchise's history.
The story centers on Wendy, a character played by Sydney Chandler. Wendy's a new kind of character for the Alien universe as she's a human-robot hybrid with 'a child's brain in a bot's body.' She seems to lead a group of synthetic soliders against the alien threat.
Hawley explained: 'Sydney's character is someone who's trying to figure out what her role is in this world and, on some level, the age-old question of, does humanity deserve to survive?'
The series also stars Timothy Olyphant as Kirsh, Alex Lawther as Hermit, and Babou Ceesay as Morrow, along with Essie Davis, Adrian Edmondson, David Rysdahl, Lily Newmark, and many more.
FX's Alien: Earth is executive-produced by Hawley, alongside franchise legend Ridley Scott, as well as David W. Zucker, Joseph Iberti, Dana Gonzales, and Clayton Krueger.
Alien: Earth premieres August 12 on FX and Hulu.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
50 Years Ago, Elton John Became First Artist to Enter Billboard 200 at No. 1 – Just How ‘Fantastic' Was the Feat?
Fifty years ago, in the Billboard issue dated June 7, 1975, Elton John did something no one had ever done before: He entered the Billboard 200 at No. 1. He achieved the feat with his ninth studio album, Captain Fantastic and the Brown Dirt Cowboy. The album dislodged Earth, Wind & Fire's That's the Way of the World, which had spent the three previous weeks at No. 1. It was potent enough to hold Wings' Venus and Mars – the band's follow-up to its classic album Band on the Run – to the No. 2 spot for four consecutive weeks before Wings finally moved up to No. 1 for one week. More from Billboard Elton John's 'Yellow Brick Road' Journey in Billboard's Back Pages: From 'Silly' Upstart to Undeniable Icon Queens of the Stone Age Couldn't 'Over-Rehearse' for Paris Catacombs Concert Film: 'You Go Down There & All the Plans Are Off' Billboard & Global Venture Partners Launch Billboard Africa In the nearly two decades between the introduction of the Billboard 200 in March 1956 and Captain Fantastic's history-making accomplishment, the highest any album had entered the Billboard 200 was No. 2. Van Cliburn's Tchaikovsky: Piano Concerto No. 1 debuted in the runner-up spot in the issue dated Aug. 4, 1958 (which, coincidentally, was the same week the Hot 100 debuted, with Ricky Nelson's 'Poor Little Fool' as the inaugural leader). How was a classical album able to get off to such a fast start? Cliburn had achieved global fame when he won the inaugural International Tchaikovsky Competition in Moscow in 1958 near the height of the Cold War. A cover story in TIME (May 19, 1958) proclaimed him 'The Texan Who Conquered Russia.' His album topped the Billboard 200 for seven weeks, won a Grammy for best classical performance – instrumentalist and received an album of the year nod. Since the Cliburn album was a little far afield, let's go deeper. The highest that a contemporary pop or rock album had debuted prior to Captain Fantastic was No. 3. That was the debut position for The Beatles' Hey Jude (March 21, 1970) and a pair of Led Zeppelin albums: Led Zeppelin III (Oct. 24, 1970) and Physical Graffiti (March 15, 1975). Three more contemporary pop or rock albums had debuted in the top five prior to Captain Fantastic: the Woodstock soundtrack (No. 4, June 6, 1970), George Harrison's All Things Must Pass (No. 5, Dec. 19, 1970) and Elton's previous studio album Caribou (No. 5, July 6, 1974). Captain Fantastic was Elton's sixth No. 1 album in less than three years. His 1972 album Honky Chateau reached No. 1 in its fifth chart week. A pair of 1973 albums – Don't Shoot Me I'm Only the Piano Player and Goodbye Yellow Brick Road – both reached No. 1 in their fourth weeks. A pair of 1974 albums – Caribou and Greatest Hits – both reached the top spot in their second weeks. Elton was steadily getting hotter year-by-year, as you can see. Captain Fantastic's debut at No. 1 received considerable media attention and contributed to Elton's status as the Greatest Pop Star of the Year – years before Billboard officially recognized such a thing. In calendar year 1975, Elton had three No. 1 albums on the Billboard 200 (one a carryover from 1974) and three No. 1 singles on the Billboard Hot 100 (plus an uncredited, but prominent, featured role on a fourth – Neil Sedaka's 'Bad Blood'); had a cameo as The Pinball Wizard in the hit movie adaptation of The Who's Tommy; made the cover of TIME (the inevitable cover line: 'Rock's Captain Fantastic'); and became the first artist since The Beatles to play a concert (two, actually) at Dodger Stadium. Since Elton's through-the-roof 1975, we've seen such artists as the Bee Gees (1978), Michael Jackson (1983-84) and Taylor Swift (2023-24) experience this same 'how-much-hotter-can-they-get' phenomenon. Captain Fantastic was a loosely autobiographical concept album about the struggles that John (Captain Fantastic) and his longtime lyricist Bernie Taupin (the Brown Dirt Cowboy) experienced in the early years of their careers in London from 1967 to 1969, leading up to John's eventual breakthrough in 1970. Captain Fantastic spent its first six weeks at No. 1 before yielding the top spot to Wings' Venus and Mars and then Eagles' One of These Nights (which had five weeks on top). In late August, Captain Fantastic returned for a seventh week at No. 1. Only two other John albums ever logged seven or more weeks at No. 1: Goodbye Yellow Brick Road (eight weeks on top in 1973) and Greatest Hits (10 weeks on top in 1974-75). Captain Fantastic received two Grammy nominations: album of the year (John's third in that category, following Elton John and Caribou) and best pop vocal performance, male. He lost both awards to Paul Simon for Still Crazy After All These Years. (Fun Fact: Simon had also won album of the year, in tandem with Art Garfunkel, for Bridge Over Troubled Water five years earlier, when the Elton John album was nominated.) Gus Dudgeon, who produced John's album, received a Grammy nod for producer of the year, non-classical. (He lost to Arif Mardin.) Just one single was released from Captain Fantastic: 'Someone Saved My Life Tonight.' Despite its length and somber tone, the song reached No. 4 on the Hot 100, a reflection of Elton's popularity at the time. Clocking in at 6:45, 'Someone Saved' was the longest song to crack the top five on the Hot 100 since The Temptations' symphonic soul smash 'Papa Was a Rollin' Stone' (6:53), a No. 1 hit in December 1972. Of course, even though just one single was released from Captain Fantastic, Elton was blanketing pop radio at the time. The week Captain Fantastic debuted, John's previous single, the marvelous, disco-accented 'Philadelphia Freedom,' rebounded to No. 10 on the Hot 100, having reached No. 1 in April. And though it was never released as a single, John's rendition of 'Pinball Wizard' from the Tommy soundtrack was played on many pop radio stations with the frequency of a hit single. The Billboard staff included three songs from Captain Fantastic on its 2022 list of the 75 Best Elton John Songs, timed to coincide with the star's 75th birthday. 'Tower of Babel' ranked No. 73, 'Curtains' was No. 29, and 'Someone Saved' was way up at No. 3, with Billboard's Melinda Newman saying of the latter song, 'The song has more drama than a made-for-Lifetime movie, including allusions to John's first suicide attempt in 1968. With a heavy, slow, and instantly unforgettable piano-pounding melody that matches the theatrical storytelling … 'Someone' is like slowly walking through molasses in the best possible way, Sugar Bear.' In November 1975, just five months after Captain Fantastic became the first album to debut at No. 1, Elton's follow-up album, Rock of the Westies, became the second. Unlike Captain Fantastic, Rock was led by a highly commercial single, the zesty funk-reggae smash 'Island Girl,' which topped the Hot 100 for three weeks. In October 1976, Stevie Wonder's Songs in the Key of Life became the third album to debut at No. 1. No other albums debuted in the top spot for a little more than a decade, until Bruce Springsteen & the E Street Band's Live/1975-85 achieved the feat in November 1986. The following year, Whitney Houston and Michael Jackson started on top with their hit-laden albums Whitney and Bad, respectively. In May 1991, Billboard began compiling the Billboard 200 based on actual units sold. As a result, No. 1 debuts became much more common. Between June and December 1991, seven albums entered the chart at No. 1 – slightly more than the six albums that had achieved the feat over the previous 16 years. (Since December 2014, the chart has ranked titles by equivalent album units, incorporating streaming and sales, with albums continuing to regularly soar in at No. 1.) In 2006, John recorded a sequel of sorts to Captain Fantastic. That album, The Captain & the Kid, reached No. 18 on the Billboard 200. Two songs from Captain Fantastic were featured on the 2018 tribute album, Revamp: Reimagining the Songs of Elton John & Bernie Taupin. Mumford and Sons covered 'Someone Saved My Life Tonight.' Coldplay took on 'We All Fall in Love Sometimes.' That album reached No. 13 on the Billboard 200. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Four Decades of 'Madonna': A Look Back at the Queen of Pop's Debut Album on the Charts Chart Rewind: In 1990, Madonna Was in 'Vogue' Atop the Hot 100

Wall Street Journal
3 hours ago
- Wall Street Journal
The World Is Running Out of Clean Water. This Technology Promises to Fix It.
Half of all people on earth experience severe water scarcity at least one month out of the year, according to the UN. A radical new kind of desalination technology is finally on the cusp of helping to slake the world's thirst. The pitch: Put desalination plants on the ocean floor.


Geek Tyrant
5 hours ago
- Geek Tyrant
PREDATOR: BADLANDS Director Talks About The Hunter Becoming The Hunted in His New Film — GeekTyrant
Hot off the heels of Predator: Killer of Killers , the brutal animated anthology now streaming on Hulu and Disney+, director Dan Trachtenberg is talking about his next live action film in the franchise, Predator: Badlands , which is going to shake up the franchise in a fun way. Instead of following a new group of humans being stalked, this story centers on a Yautja named Dek, an outcast from his own kind who ends up being the one running for his life. Talk talking about this aspect of the story, Trachtenberg told GamesRadar+: 'I've always been interested in characters trying to prove themselves. The real special of Badlands is that it is not just another Predator movie, and we're not just doing the thing where you cut to the Predator and it kills people one by one. 'Every chapter [in the series] brings its own special engine to the franchise, and the fun of Badlands is really the inversion of it all—that this time, the Predator is the one being hunted, and he is the one needing to prove himself. Badlands is thematically linked to the entire franchise in that way.' The Predator franchise has always thrived on a core idea… survival of the fittest, but Badlands asks what happens when the apex predator is no longer at the top of the food chain, and what he's willing to do to climb back. Dek (played by Dimitrius Schuster-Koloamatangi) teams up with a synthetic android named Thia (Elle Fanning), who appears to be a creation of the Weyland-Yutani Corporatio from the Alien universe. Together, the unlikely pair sets out on a journey to find what's described as 'the ultimate adversary,' all while other Predators are tracking Dek down like prey. The hunter has become the hunted. The script was written by Patrick Aison, with Trachtenberg also on board as producer alongside John Davis, Marc Toberoff, Ben Rosenblatt, and Brent O'Connor. If you've been following Trachtenberg's journey through this universe, this marks his third time playing in the Predator sandbox. His first, Prey , was a prequel set in 1719 that became Hulu's biggest hit on launch. Then came Killer of Killers , which takes the franchise into adult animation territory, featuring three different warriors facing off with the galaxy's deadliest hunter in three differnet periods of time. But Badlands is a redefining take on the franchise. Instead of repeating the familiar beats, Trachtenberg seems intent on cracking the formula open and seeing what else the franchise can be. The decision to center the story on a Predator character, and an outcast at that, is a very cool, interesting, and unique move for the franchise. Predator: Badlands hits theaters on November 7, 2025.