logo
Prince Harry Recreates His Grandmother Queen Elizabeth's Ceremonial Puck Drop

Prince Harry Recreates His Grandmother Queen Elizabeth's Ceremonial Puck Drop

Yahoo09-02-2025

Prince Harry is in Canada for the 2025 Invictus Games—but he took some time out of his busy schedule to enjoy a little hockey.
This afternoon, following the Invictus Games opening ceremony, the Duke of Sussex was in attendance at the Vancouver Canucks game at Rogers Arena. Prince Harry joined Team Canada athletes Lee Jarratt and Andre Crocker for the ceremonial puck drop before the game.
Prince Harry is in the house for the Canucks game today! 🎥: Sportsnet | NHL pic.twitter.com/WAdoUIAiZI
— CanucksArmy (@CanucksArmy) February 9, 2025
Today's match-up against the Toronto Maple Leafs was one of the team's many community and fan engagement nights of the season—fittingly, it is the 'Invictus Games Night.' While there's no hockey in this year's Invictus Games, for the first time, the sporting competition will include winter sports: alpine skiing and snowboarding, nordic skiing and biathlon, skeleton, and wheelchair curling.
'One of the most powerful ways of healing comes not from the hospital or recovery center, but from having a sense of purpose,' Harry said in his speech at the opening ceremony earlier today. 'A sense of belonging. From being a part of something greater than ourselves. And that healing, though it begins with you, extends to your children and loved ones, who delight in the simple gift of seeing you smile again of knowing your mind isn't someplace else. That you are fully present.'
Back in 2023, the Sussexes also attended a Vancouver Canucks game, and Prince Harry was also on the ice for the ceremonial puck drop before the match.
'I actually had to tell him [to drop the puck] because he keeps holding and smiling,' Sharks captain Tomas Hertl said after the game. 'I'd say 'it's time to drop it' but it's a cool moment. For sure I will remember that one.'
Harry's puck drop moments recreate his grandmother Queen Elizabeth's ceremonial puck drop moment at a Vancouver Canucks game in 2002. The two appear to be the only royals to ever attend Canucks games.
At that 2023 game, the Sussexes were joined by Meghan's close friend, Markus Anderson.
Anderson was by Meghan's side back at the 2017 Invictus Games opening ceremony, when she and Harry made their relationship public.
You Might Also Like
12 Weekend Getaway Spas For Every Type of Occasion
13 Beauty Tools to Up Your At-Home Facial Game

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

A Love Story That's Afraid of Romance
A Love Story That's Afraid of Romance

Atlantic

time37 minutes ago

  • Atlantic

A Love Story That's Afraid of Romance

Modern dating, experts have lamented, has become a numbers game; the more matches you make, the more likely you are to land a mate. But in the new film Materialists, the only number that really matters is a suitor's net worth. Take Harry (played by Pedro Pascal), for example: He's a partner in a private-equity firm and the owner of a $12 million penthouse apartment in Manhattan. John (Chris Evans), meanwhile, lives paycheck to paycheck as an aspiring actor and part-time cater waiter who splits his rent with roommates. Between the two of them, Harry's the obvious 'unicorn'—the most desirable kind of bachelor, according to Lucy (Dakota Johnson), a professional matchmaker and the film's protagonist. Lucy sees dating as a marketplace of potential spouses whose worth is determined by their income as much as their looks. Never mind their interests or how they'd treat a partner; a guy like Harry is inherently more valuable than someone like John. Lucy isn't heartless. Rather, she sees herself as pragmatic about modern romance. Materialists, the writer-director Celine Song's follow-up to her sensitive Oscar-nominated feature, Past Lives, tracks Lucy as she finds matches for her clients, many of whom also think about future partners as commodities. The men tell her that they want women under a certain BMI and age; the women want men above a certain height and tax bracket. As amused as she might sometimes be by their demands, Lucy promises to introduce them to their 'grave buddy.' To her, finding love should be easy—it's just math, she likes to say—yet Lucy's own love life has remained stagnant. She asserts to anyone who asks that she'll either marry rich or die alone. This being a romantic dramedy, Lucy ends up in something of a love triangle anyway: She falls for Harry while harboring a lingering affection for John, who happens to be her ex. But her predicament isn't really about which suitor she'll choose; instead, she's caught between two versions of herself—the cash-strapped idealist who once pursued acting alongside John, and the polished working girl she's become. The core conflict of Materialists is similar to that of Past Lives, yet Song renders it less successfully here. Lucy's journey takes too many cynical turns to be satisfying, and the film's ideas are too scattershot to be convincing. Materialists falters most when it tries to mesh its competing aims: to deliver a throwback love story while also deconstructing the reality of modern dating. Instead, in the end, the film resembles the very world it tries to critique, offering a litany of observations about finding The One without ever substantially arguing for any of them. The film's glossy veneer of confidence, much like that of its lead, belies an uncertainty. Apart from some punchy dialogue probing the economy of marriage, its tale is shallow, with almost nonexistent stakes. John and Harry pose little challenge to Lucy's notions about partners needing to check each other's superficial boxes; both are handsome and smitten with her, and the disparity in their wealth never presents much of an obstacle for Lucy either. She had taken issue with John's poverty when they were together, as shown in a clunkily inserted flashback, but his finances are a mere asterisk to their present-day dynamic. Lucy is as thinly written as her suitors—a nod, maybe, to the threadbare profiles of app-fueled dating, but one that makes her a frustratingly inscrutable romantic lead. It doesn't help that Johnson, whose flat affect can be an asset in enigmatic dramas such as The Lost Daughter, isn't particularly believable as a woman with hang-ups about money. (If she's the provenance behind ' iPhone face ' in the misguided Netflix adaptation of Jane Austen's Persuasion, here she has what I call 'property-portfolio face.') The bigger problem, however, lies in Lucy's inelegant transformation from a skeptic about love to a wholehearted believer in it. When her most persistent client, Sophie (Zoë Winters), is sexually assaulted on a date, Sophie alternates between being furious at and grateful for Lucy, leaving the third act a confused mess. Although Winters captures Sophie's despair, her character gets compressed into a plot point and her arc produces a jarring shift in mood. Lucy's realization that she should, as Sophie advises her, treat her clients as more than 'merchandise' rings hollow as a result. Not to sound like someone still pining for an ex, but Materialists made me miss the work Song did in Past Lives. In that film, which followed a married woman yearning for the person she used to be after reconnecting with her childhood crush, Song used intimate specificity to unearth reflections about love—romantic, platonic, and otherwise. In Materialists, the director has essentially done the opposite: Her characters are mouthpieces for broad philosophies about connection, while their stories end up getting buried. The effect is a work that's tonally at odds with itself. Though Materialists is similarly packed with insightful monologues, it's heavy-handed in a way that Past Lives never was. Song bookends her latest with sappy scenes of prehistoric humans falling in love, and she injects flippancy into moments that call for sentimentality: When Lucy and Harry finally have a much-needed conversation, the script incorporates an absurd bit of physical comedy that undermines the poignancy of their heart-to-heart. There's much about Song's movie that I enjoyed. The fizzy sequences of Lucy meeting one client after the next, inspired by the director's own experience as a matchmaker, remind me of classics such as Broadcast News; they offer a glimpse into a gig that consumes a person whole. Besides, there's a real pleasure in seeing Hollywood stars fall for each other. But in trying to both critique and poke fun at the costs of modern love, Materialists never coheres into an emotionally potent tale. To put it in Lucy's terms: The film is beautiful and smart, and it clearly contains enough appeal to make it stand out in the marketplace. It's just no unicorn.

Tom Hardy's 'MobLand' just wrapped up with a stunning finale — and I can't wait for a season 2
Tom Hardy's 'MobLand' just wrapped up with a stunning finale — and I can't wait for a season 2

Yahoo

timean hour ago

  • Yahoo

Tom Hardy's 'MobLand' just wrapped up with a stunning finale — and I can't wait for a season 2

When you buy through links on our articles, Future and its syndication partners may earn a commission. After the premiere of "MobLand," I felt the Paramount Plus show had a major problem, but showed a lot of promise. Fast forward to today's (June 1) season finale, and I can confirm the show wound up delivering on that promise — and then some. No, the show's not perfect by any means. Pierce Brosnan and Helen Mirren are incredible actors ... just not in this show. They're such caricatures of Irish gangsters that I'm still surprised they agreed to perform their roles the way they did. Then again, there is something very "Guy Ritchie" about their performance, and given the English director's involvement in the show's talented creative team, maybe Brosnan's and Mirren's performance was directed by him in particular. Even though this show isn't technically a Guy Ritchie series — he's an executive producer and director, but "The Day of the Jackal" creator Ronan Bennett is the creative lead behind "MobLand" — it has Ritchie's fingerprints all over it, including the finale. You don't even have to go back far to find a Guy Ritchie movie that feels related to "MobLand." I couldn't stop thinking about "The Gentlemen" while watching this show, especially how much Tom Hardy's Harry Da Souza reminds me of Charlie Hunnam's Raymond Smith. Also, there's plenty of violence. Spoilers for 'MobLand' beyond this point All season long, "MobLand" has been building toward an all-out gang war between the Harrigans and the Stevensons. To call it a simmering conflict would be an understatement. There's been dismemberment, car bombings and much more violence besides. But things go up a notch in the finale. The entire Stevenson crime family gets wiped out in a brilliant move by Harry that involves luring all of Richie Stevenson's (Geoff Bell) soldiers away from the rival gang leader, eliminating them in a hail of gunfire, grenades and bombs. Then, of course, Harry and Kevin (Paddy Considine) kill Richie and the Harrigan family lawyer, O'Hara (Lisa Dawn), who turned out to be a rat. It may be cliche, but this was my favorite part of the episode. First, seeing Harry's move play out in a way that lets you know what's coming just enough for you to get excited for the payoff. Second, Kevin delivering the line 'The Harrigans say hello' right before killing Richie is excellent. Yes, the killer delivering a final line right before the kill has been done before, but it still works. This show may have started slow, but now that the season is over, I can freely admit I've fallen for "MobLand." It's the perfect role for Hardy, who is great on screen with Conisidine. It's just the right blend of clever dialogue, brooding, double crossing and violence, even if the show definitely has some flawed performances and occasionally devolves into cliche. So, Paramount, give us "MobLand" season 2. I'm shocked that the show hasn't been renewed already, even after the finale's release on Paramount Plus. The show is clearly setting up a season 2 with Harry versus the notorious Kat McAllister (Janet McTeer) or a lieutenant of hers we have yet to meet. If we get that showdown, it could genuinely produce a great season of television. Watching Hardy and McTeer on screen this episode gave me real Timothy Olyphant and Margot Martindale in "Justified" season 2 vibes, and that might be one of the greatest seasons of television ever made. Paramount owes it to us and the show to give it the chance to build on a season that's gotten better and better with every episode. Stream "MobLand" on Paramount Plus 'Your Friends and Neighbors' season finale proves there are no consequences as long as you're rich and look like Jon Hamm 'Hacks' shocking season 4 finale has me hopeful season 5 could be the show's best yet — here's why 'The Last of Us' season 2 finale live — reactions, who survived, recap and more

Royal Ascot is 'heaven on earth' for shock winner Cercene's trainer
Royal Ascot is 'heaven on earth' for shock winner Cercene's trainer

Yahoo

time2 hours ago

  • Yahoo

Royal Ascot is 'heaven on earth' for shock winner Cercene's trainer

Cercene and Time for Sandals sprang huge surprises on the penultimate day of Royal Ascot (BENJAMIN CREMEL) Cercene and Time for Sandals brought smiles to the faces of bookmakers on the fourth day of Royal Ascot on Friday springing huge shocks in the two Group One races. Cercene was at 33/1 the longest price winner ever in the Coronation Stakes, she showed real grit under Gary Carroll to battle back to overcome French favourite Zarigana. Advertisement For Carroll and trainer Joe Murphy, who had only had one previous runner at the meeting, it was easily their most prestigious winner and comes on arguably the biggest stage. "This is 50 years of work, that's what it is, of love and care, and all for the owners we have, all our people, it's just a whole group of people together," said Murphy, who has been training since 1977. "This is heaven on Earth." For Carroll it was his third Royal Ascot winner but first ever Group One winner anywhere and due reward for flying back after riding in Ireland on Thursday. "Hugely good horses are very hard to come by and sometimes only one comes along in a lifetime and I guess mine has," he said. Advertisement Harry Eustace has got a real taste now for Group One races at Royal Ascot, having broken his duck on Tuesday he added a second in the Commonwealth Cup with Time for Sandals, a shock 25/1 winner. "I don't know it has not landed yet," said Eustace of his astonishing week. "You have to be very careful with Ascot if you get your hopes up it can bite you back." For his father James, who Harry took over from, it was "magic". "It is so wonderful," said Eustace senior, who also enjoyed success at Royal Ascot. "We tried to get Harry to go to university, we succeeded initially and he went to Edinburgh. Advertisement "He had two good years and a lot of fun before he dropped out and then took off for Australia and the racing bug bit." - 'Fantastic days' For jockey Richard Kingscote it was a seventh Royal Ascot winner, his first Group One, and ended a losing run of 67 rides at the meeting. "This means an awful lot," said Kingscote. "I have had some nice horses but this will do the world of good. "I am delighted to ride a good winner for Harry, he is a gentleman, it is a happy yard." The race had looked set up to end trainer Charlie Appleby's three year losing run at the meeting but once again it ended in disappointment -- hot favourite Shadow of Light never featured. Advertisement Willie Mullins normally associated with the Cheltenham Festival winners enclosure had quite a day. The 68-year-old Irish training legend began the day in the Royal Procession, his wife Jackie presented a trophy, and then he welcomed home his 11th Royal Ascot winner. Ryan Moore recorded his 91st Royal Ascot winner as he guided Ethical Diamond home to an impressive victory in the Duke of Edinburgh Stakes, just months after he finished fourth in the County Hurdle at the Cheltenham Festival. "It is wonderful," said Mullins. "These are fantastic days. "Jackie said let us just enjoy it and to have a winner well it is the cherry on top of the cake is it not?" Advertisement Venetian Sun won the first the Group Three Albany Stakes ending O'Brien's hopes of a sweep of the two-year-old races this week. Trainer Karl Burke had described the week so far as "savage" but he had a beaming smile on his face as he walked back to the winner's enclosure. "A very special filly never had a two-year-old filly like her. She has been kicking group horses out of the way at home," said Burke, who previously won the Albany in 2020 with Dandalla. Venetian Sun, co-owned by Tony Bloom owner of Premier League side Brighton, was a second Royal Ascot winner for jockey Clifford Lee. Advertisement "It is very hard to get a winner here, you think you come here with a real chance and find you fall short," he said. "Mr Burke though gives me plenty of ammunition and this one delivered." pi/nr

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store