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William and Kate ‘Keen to Pull Back a Little' and Enjoy Time Together After Cancer Recovery

William and Kate ‘Keen to Pull Back a Little' and Enjoy Time Together After Cancer Recovery

Yahoo2 days ago

and Kate Middleton are more in love than ever these days as they get ready to become king and queen, and a source exclusively tells Life & Style they've been granted permission from ailing King Charles to take more time off in order to enjoy the princess' rebounding health with as little pressure on them as possible.
'William really stepped up during Kate's illness. He took on so many extra duties even in the midst of dealing with a sick wife,' the insider says. 'It's what had to be done, and he got on with it, but it certainly took a huge toll.'
The Princess of Wales, 43, recently bounced back from a terrible bout with cancer throughout most of 2024. She was admitted to the hospital for "planned abdominal surgery' in January that year, though details at the time were scarce and the Palace said she would be off her feat and out of the public eye until at least Easter.
"She hopes that the public will understand her desire to maintain as much normality for her children as possible; and her wish that her personal medical information remains private,' the Crown said at the time.
William, 42, took up public duties in February, appearing alone at several functions throughout the spring. A strange incident concerning an altered photo published on British Mother's Day in March led to intense speculation — and even quite a bit of criticism — but later that month she gave an update and announced her cancer diagnosis, putting the matter to bed as royal watchers around the world shared their sympathies. After a successful round of chemotherapy, she reappeared for the first time in June looking healthy and from then on has been slowly returning to full duties.
'Now that she's feeling better and the constant fear of losing her has eased off, William's big focus has been on making the most of their time and this second chance at life together,' the insider reveals. 'He's spoken to his father and gotten the go-ahead to tone down the frenetic pace, Charles doesn't want to see William burn out and he certainly doesn't want to overload Kate when she's still fragile.'
The King, 76, has been dealing with his own health woes since announcing he's also undergoing chemotherapy in February 2024, with the source adding, 'No doubt Charles' own battle with cancer has made him especially sensitive to what Kate has gone through.'
With that understanding, 'He's told her and William to take whatever time they need. They won't go overboard but they are very keen to pull back a little so they can focus on each other more. That means more romantic dinners, more long walks and more holidays.'
'They're mapping out summer plans right now, with the usual family trips to Cornwall, and the Isles of Scilly, but they're also looking to take a romantic holiday just the two of them and talking about going back to the Seychelles where they honeymooned.'

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Wake Up With Rooftop Paddleboard Yoga at The Maybourne Beverly Hills Super Swanky Pool

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Wake Up With Rooftop Paddleboard Yoga at The Maybourne Beverly Hills Super Swanky Pool

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William to address Monaco forum in bid to help world's oceans
William to address Monaco forum in bid to help world's oceans

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Review: THE LIFE OF CHUCK is a Soulful Ode to Existence, Memory, and the Quiet Magic of Living — GeekTyrant

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Review: THE LIFE OF CHUCK is a Soulful Ode to Existence, Memory, and the Quiet Magic of Living — GeekTyrant

Mike Flanagan has made a career out of wrestling with grief, mortality, and the unknown. But with The Life of Chuck , he shifts the tone from fear, dread, and horror to warmth and wonder, offering what might be his most emotionally generous film yet. Adapted from Stephen King's novella, this isn't a horror film, at least, not in the way we've come to expect from Flanagan. This is a story about death, yes, but also about life, and how those two are inseparably bound together. For me, it hit like a quiet thunderstor, soft and heavy, with a beauty I was hoping for. The film is structured in reverse, unfolding in three acts that take us on a journey from Chuck's death back to his childhood. It's a gutsy narrative choice, but it works. You don't walk out of this film trying to piece together plot threads or decipher twists, you walk out reflecting on the moments in your own life that suddenly feel more meaningful. That's the effect this movie had on me. It got under my skin and I found myself welling up multiple times, not because of grand, dramatic turns, but because of small, delicate truths that rang so painfully and beautifully real. This story's power is rooted in how universal it feels. Chuck Krantz isn't a world-famous figure or a mythical savior. He's a person who is quietly significant in ways that ripple through others, whether he realizes it or not. The movie opens with a surreal sense of finality, the world is unraveling, time is collapsing, and strange phenomena begin to mark the end of things. But instead of spiraling into apocalyptic chaos, the film focuses on memory, meaning, and human connection. It reminded me, strongly, of how I've felt coming out of films like Stand By Me , with a deep emotional ache wrapped in joy and happiness. It's not easy to describe that feeling, but The Life of Chuck captured it perfectly. The performances across the board of this ensemble cast are excellent, even though many of the roles are relatively small. Tom Hiddleston may be the headliner, but he really only has one big sequence. It's Mark Hamill who delivers one of the most powerful performances in the film. His character might have the most screen time, and there's a emotional weight to his performance. Every cast member, from Karen Gillan to Chiwetel Ejiofor to young Jacob Tremblay, contributes something meaningful. No one feels wasted. Each person brings a note to the symphony of Chuck's life, and they all play it with heart. Flanagan's direction is gentle and confident. He's not interested in hitting us over the head with the film's themes. Instead, he invites us to sit with them, to feel them. There's a vulnerability in the filmmaking that feels new for him. While many of his past works leaned into fear, this one leans into acceptance. It doesn't rage against the dying of the light, it looks at it and says, 'Thank you', which I thought was powerful. I'm not sure this movie will land for everyone, and that's okay. Some may find its structure jarring or its tone overly sentimental. But for those willing to meet it where it is, to embrace its introspection and let their guard down, it's one of the most rewarding cinematic experiences of the year. For me, it was personal. It touched on things I've gone through in my own life, and somehow, instead of leaving me heavy, it lifted me. I walked out of the theater feeling like I'd just been hugged by the universe itself. There's a line running through The Life of Chuck that essentially says: 'Everything matters.' That idea pulses through the film like a heartbeat. It's a movie about moments, quiet ones, strange ones, painful ones, and how they echo. It doesn't answer life's big questions, but it respects them enough to ask. It gave me a chance to stop, reflect, and just be grateful for the ride. I honestly think this is one of Mike Flanagan's finest works. It's daring, heartfelt, and completely unafraid to wear its soul on its sleeve. For me, The Life of Chuck isn't just one of the best Stephen King adaptations, it's one of the best films of the year. It's a quiet masterpiece that reminds us that even as everything ends, what we had still matters.

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