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Travis Kelce Hilariously Withdraws Bid on Signed Taylor Swift Guitar at Auction: ‘I Have That Already'

Travis Kelce Hilariously Withdraws Bid on Signed Taylor Swift Guitar at Auction: ‘I Have That Already'

Yahoo16-05-2025

Travis Kelce flew solo at Patrick Mahomes' charity auction Thursday night (May 15), but Taylor Swift's presence was still felt — especially during one hilarious moment when the Kansas City Chiefs tight end withdrew his bid on a guitar signed by his superstar girlfriend.
In a clip filmed by one attendee of the 15 and the Mahomies Foundation's Golf Classic gala in Las Vegas, Kelce stands near his table with his bidding paddle in hand as an auctioneer fields offers on an acoustic guitar autographed by Swift. As the asking bid rises, the New Heights podcaster changes his mind and withdraws from pursuing the item, quipping, 'I just realized I have that already.'
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As Kelce sits back down with a cheeky grin, Mahomes — who stands nearby — bursts out laughing with the rest of the event's attendees. The quarterback's wife, Kansas City Current co-owner Brittany Mahomes, also sits at their table, covering her face as she chuckles.
Founded by Patrick Mahomes in 2019, 15 and The Mahomies is 'dedicated to improving the lives of children' and supporting initiatives that 'focus on health, wellness, communities in need of resources and other charitable causes,' according to the charity's website. In 2024, Kelce attended the same gala with the 'Fortnight' singer on his arm, at one point auctioning off four tickets to Swift's Eras Tour for $80,000.
The event comes just a few days after the Grotesquerie star and Swift stepped out together in Philadelphia for a Mother's Day gathering at a restaurant, marking one of the first times the couple has been seen out in public in the past few months. Since concluding her Eras trek in December, the 14-time Grammy winner has largely been staying out of the spotlight (although fans do suspect she's gearing up to announce something at the 2025 American Music Awards on May 26).
During her time off, Swift has seemingly been prioritizing family time. Travis' older brother, retired Philadelphia Eagles center Jason Kelce, recently revealed that the singer-songwriter had made time to meet his and Kylie Kelce's new daughter, Finnley, whom they welcomed in April.
'We were fortunate to have them all in,' Jason told Entertainment Tonight on Monday (May 12). 'It doesn't happen often — everyone's busy — but it was really special.'
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The History of Music Copyright—Before (Taylor's Version)
The History of Music Copyright—Before (Taylor's Version)

Time​ Magazine

time3 hours ago

  • Time​ Magazine

The History of Music Copyright—Before (Taylor's Version)

Taylor Swift wrote a letter to her fans announcing that she had finally secured ownership of the original master recordings for her entire catalog. It's the culmination of her efforts to gain full control of the copyright in her work. Rights to her catalog—including hugely successful albums like Fearless, Red, and 1989 —were purchased by a music industry mogul without her consent in June 2019. Although her legal team was unable to stop the sale, Swift won the high ground in the court of public opinion by arguing that such an action was morally wrong. In the process, she has achieved something unique in the history of American popular music. The pop star's efforts to control her master recordings has been an element of her ongoing advocacy for artist rights. The intricacies of publishing, licensing, and rights ownership in the modern music industry are quite complex. Though copyright may be law in one sense, public perception and popular opinion effect how the law is enforced in practice. The history of American popular music shows that the degree of agency an unsigned artist has to negotiate terms with industry representation can be profoundly affected by their class, race, and gender. Very few artists will ever reach the level of popularity and profitability that Swift enjoys, but by raising public discourse about music copyright she has helped to reinvigorate conversations about the value of music. Copyright protection for 'Authors and Inventors' is enshrined in the U.S. Constitution, which highlights the importance the framers placed upon encouraging creativity and innovation. Congress passed the first copyright act in 1790 protecting any 'map, chart, book, or books,' which allowed authors the sole right to profit from the sale of their work for a limited time after which it would enter the public domain. Congress expanded copyright in 1802 to account for new advances in print technology and visual mediums. Interestingly, sheet music, which had existed for centuries, was not added to the list of protectable mediums until 1831. In truth, there was relatively little music generating revenue for copyright to protect in early America. That began to change when a 20-year-old Stephen Foster composed 'Oh! Susanna' in the late 1840s. The song was an unprecedented hit, selling well over 100,000 copies in multiple editions. Foster failed to properly register and protect his interests and made next to nothing off the song. Despite enjoying numerous fair and favorable contracts throughout his career. Foster never learned how to capitalize financially on the public success of his songs and he died penniless in 1864. The popularity of Foster's songs demonstrated that there was money to be made in American music, and publishing houses observed how songwriters could be easily taken advantage of in the process. Beginning with Tin Pan Alley at the turn of the 20th century, the music industry professionalized rapidly. Composers and songwriters, despite creating the product that generated income, became increasingly separated from the business of music. Record label executives, music publishers, lawyers, agents, and other professionals handled the paperwork and managed the money. While some songwriters like Irving Berlin also learned the business side of music, such cases were the exception, not the rule. Consider the career of Berlin's contemporary Woody Guthrie. Guthrie did not have access to the kinds of industry support more mainstream artists had, but he did have access to his local library. In 1937, he researched the copyright registration process on his own, sent in the required documentation along with a one-dollar fee to register 'California!,' and even asked the Copyright Office to send guidance about registration best practices. The Copyright Office responded promptly with an official registration certificate for 'California!,' several blank application cards, and instructions for how to optimize future registrations. This process was time consuming, however. Guthrie's transient lifestyle and prolific output meant that much of his catalog was not registered or managed properly. The copyright claim in Guthrie's most famous song, ' This Land is Your Land,' has been contested by artists and content creators looking to use the song in new ways. Rather than to maximize profitability, Guthrie's heirs have used copyright primarily to keep the song from being appropriated by commercial and political interests that are in direct opposition to his worldview. The key ethical question of copyright, like so many areas of the law, is not just about what rights are granted. It is about how the power granted by those rights gets wielded in practice. Over the course of the 20th century, many popular musicians like Chuck Berry and John Fogerty signed away their rights early in their careers, missing the full financial rewards when they later made it big. For many, accepting unfavorable terms had been their only option to break into the industry. Fogerty was famously sued by his former label and bandmates for sounding too much like himself when he went solo in 1972. Fogerty recently announced that, at the age of 80, he will be recording a (John's Version) album of his Greatest Hits, in a nod to Swift's success with the strategy. Before Swift's triumph, Prince is probably the artist who most skillfully used cultural influence to leverage their rights. When his label claimed a trademark in the rights to his name and all music marketed under it, he changed his name to an unpronounceable symbol until his contract with them expired in 2000. Similarly, much of Swift's success has come from relying more on public relations than litigation to assert her ownership. Inspired by a viral social media post from Kelly Clarkson, Swift began the process of rerecording her early work in November 2020. But that strategy only worked because she was also able to motivate her fans to choose (Taylor's Version) albums on streaming platforms and even to repurchase her rerecorded work on CD, cassette, and vinyl. Including bonus material and other incentives was certainly part of the strategy, but the level of fan involvement in policing the (Taylor's Version) transition has reached levels that are difficult to explain by marketing tactics alone. Swift's efforts to take legal control of her songwriting catalog have significantly raised the level of discourse about copyright law in popular culture. They have also provided a high-profile challenge to the trope of the struggling artist that has creative abilities but lacks savvy business skills. Swift's management of her career has been touted as a model to reduce the structural inefficiencies in music licensing and broadcasting, to promote equity sharing with record labels, and to give artists in general more control over their creative work. After her rerecording venture was so successful, some major labels have sought to add language to future contracts preventing that outcome. But to do so, they will have to navigate the fact that artists are more aware of the value that they bring in the post-(Taylor's Version) Era. Jason Lee Guthrie is an Associate Professor of Communication and Media Studies at Clayton State University in Morrow, GA. His research explores the intersections of creativity and economics, with a focus on copyright in the creative industries.

Travis Kelce Sends Strong Message After Taylor Swift's Personal Decision
Travis Kelce Sends Strong Message After Taylor Swift's Personal Decision

Yahoo

time5 hours ago

  • Yahoo

Travis Kelce Sends Strong Message After Taylor Swift's Personal Decision

Travis Kelce Sends Strong Message After Taylor Swift's Personal Decision originally appeared on Athlon Sports. Taylor Swift is arguably one of the biggest and most prominent pop stars in the world today, and therefore, it is no doubt that her relationship with Kansas City Chiefs tight end Travis Kelce draws tons of attention. Advertisement A common sight on television during Chiefs games is Swift watching from a luxury box. It is something that annoys some fans, but it has also brought lots of publicity, not to mention viewership, for the NFL. On Friday, it was announced that Swift made a huge career move when she made it known that she now owns the rights to her first six albums. This should open up plenty of business opportunities for her, including the ability to receive royalties from her songs. Kelce congratulated Swift on gaining the rights to all the songs on those albums, including "I Knew You Were Trouble," a song from the album "Red" in 2012. NBA legend Shaquille O'Neal tried to sing along with the lyrics during an appearance on the "New Heights" podcast with Kelce and his brother Jason. 'Shout out to Tay-Tay, just got that song back, too. Just bought all her music back, so it's finally hers too. I appreciate that," Travis Kelce said. Until recently, the rights to those six albums were held by Shamrock Capital, which had purchased them from Ithaca Holdings. Scooter Braun's Ithaca Holdings previously bought Big Machine Label Group, which had owned the rights to the master recordings of those six albums. Advertisement According to Billboard, Swift reportedly paid around $360 million for the rights to those recordings. Pop icon Taylor Swift and Kansas City Chiefs tight end Travis Kelce at Arrowhead J. Rebilas-Imagn Images Travis Kelce flirted with the idea of retirement after the Chiefs lost in Super Bowl LIX to the Philadelphia Eagles. But the 35-year-old will be back for the 2025 season, which is the final season of his current contract. Related: NFL's Josh Allen Message Sparks Excitement This story was originally reported by Athlon Sports on Jun 4, 2025, where it first appeared.

New Video of Taylor Swift Singing Turns Heads on Friday
New Video of Taylor Swift Singing Turns Heads on Friday

Yahoo

time6 hours ago

  • Yahoo

New Video of Taylor Swift Singing Turns Heads on Friday

New Video of Taylor Swift Singing Turns Heads on Friday originally appeared on Athlon Sports. Kansas City Chiefs tight end Travis Kelce and his girlfriend, Taylor Swift, have kept a low profile over the past several months. Fans assumed Swift was taking a much-deserved break after performing 149 "Eras Tour" shows across the world. Ever since Super Bowl LIX, Kelce and 14-time Grammy have only been spotted in public a handful of times. While Kelce prepares for this 13th season in the NFL, however, Swift revealed that she was quietly working on getting back ownership of her master recordings from music released between 2006 to 2017. Swift broke five months of social media silence to announce on May 30: "I've been bursting into tears of joy at random intervals ever since I found out that this is really happening. I really get to say these words: All of the music I've ever made... now belongs... to me." "And all my music videos. All the concert films. The album art and photography. The unreleased songs. The memories. The magic. The madness. Every single era. My entire life's work," Swift noted. Billboard reported she bought back ownership of her first six albums from Shamrock Capital, the firm that purchased them from Scooter Braun's Ithaca Holdings in late 2020, for approximately $360 million. Helping celebrate Swift's exciting news on Friday, Jack Antonoff, the singer's longtime friend and music producer, who co-wrote numerous songs featured on "Reputation." With the 2017 album back under Swift's ownership, Antonoff posted a video of Swift (and her cat, Meredith) singing along to "Getaway" on X. He captioned the post, "rep forever guilt free listening!" Because Swift never finished recording "Reputation: Taylor's Version," numerous fans felt guilty listening to the original album. One fan commented, "NEW TAYLOR FOOTAGE, JACK WE LOVE YOU." One Swifite wrote, "THIS MAKES ME SO HAPPY 🥹." Another fan posted, "the concept of meredith witnessing swiftie independence day." One X user wrote, "AWWW SHES SO HAPPY." Following Friday's announcement, "Reputation" immediately shot to No. 1 the iTunes music story was originally reported by Athlon Sports on May 31, 2025, where it first appeared.

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