Solo Leveling Season 3 release date has been revealed? Here's the answer
Solo Leveling Season 3
, despite no official announcements, is creating a lot of buzz amongst the fans. Speculations, leaks, and whatnot have taken over the internet and got everyone talking.
Tired of too many ads? go ad free now
And now, the latest piece of news is being considered a blessing for the franchise fans. The English Voice actor in Solo Leveling, Aleks Le (The man who powers Sung Jin Woo) posted some insights related to the last two episodes of the second season. Amidst that, he also spilt the beans on the third season.
In the video, he further says that he has some crucial information related to the third season that he can share with the audience.
And then he continued to say that he could share the release date of the same. His video ended by saying Season 3 will come out in (and the video ends there). With the tease, it can be said that we can soon get to see an official announcement related to Solo Leveling Season 3 from official sources.
Solo Leveling Season 3 release timeline expectations
Solo Leveling Season 3 is not going to make a debut anytime before the first half of 2026. After dropping two banger seasons, the franchise is expected to drop a third one that can surpass the previous two.
Achieving that is not a child's play as it will require a lot of effort and time. Now, if things are on track without any issues then we will surely get to see the third season in the second half of 2026.
Nonetheless, if there are any hiccups in the process, then it can also get a little delayed. Until now, nothing has been confirmed from the official sources. So, All the readers are suggested to take the information with a truckload of salt.
One thing which we can say this early is that the third season of Solo Leveling is destined to be a banger.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Hindustan Times
3 hours ago
- Hindustan Times
Ed Sheeran drops new song Sapphire with desi beats, Arijit Singh vocals. All Shah Rukh Khan fans care about is his cameo
Looks like Ed Sheeran took a leaf out of bestie Taylor Swift's playbook when it comes to his new song, Sapphire. The English singer-songwriter has been dropping breadcrumbs about the song since he visited India multiple times since last year. Featuring Arijit Singh's vocals, the number also features a cameo by Shah Rukh Khan, which got fans excited. (Also Read: Shah Rukh Khan sings hook line of Sapphire with Ed Sheeran, Arijit Singh spends time with singer on a barge. See post) Ed finally dropped the 3-minute video for Sapphire, a song he has been teasing for a while now. Shot guerrilla-style during his trips to India, some of the visuals in the video are featured on his social media, including videos of him taking auto rickshaw rides or interacting with fans. The famous video of Arijit driving Ed on his scooter also features in the video, as does a selfie of Ed and Shah Rukh singing the lyrics of Sapphire. Ed has been teasing the desi beats and the line – cham cham sitaare warghi – for a while now. In a recent post about the song, Ed wrote 'love that guy' while referring to Shah Rukh and called Arijit 'the final jigsaw piece' of his song. He also teased that a full Punjabi version of the song with Arijit will be out soon. Fans were thrilled to see Shah Rukh in the video, even if for a few seconds. One fan commented on YouTube, 'Is no one gonna talk about SRK peek (heart emoji).' Another wrote, 'He is a cutie pie, he should have had more screen time.' Another called the song iconic, writing, 'This is iconic on so many levels. Having Arijit Singh AND Shah Rukh Khan's cameo in the same video like whatttttt.' Fans on X (formerly Twitter) were also thrilled, with one writing, 'Shah Rukh Khan, Ed Sheeran, and Arijit Singh in a single video, I'm already in heaven.' Another posted a clip of his cameo, writing, 'Shah Rukh Khan making an honorary appearance in Sapphire by Ed Sheeran.'
Indian Express
3 hours ago
- Indian Express
5 feminist reads that put women's voices front and center
(Written By Prachi Mishra) In the world of storytelling, women have long been relegated to the margins, either to the status of goddesses or ghosts, muses or martyrs. Yet, there are stories where women do not merely step into the tale, they are the tale. These are books that do not just have women in them, rather they unravel their worlds, their wounds, and their wonders. These books do more than just present women as characters; they breathe life into their struggles, dreams, tragedies, and triumphs. They work from myth, history, or the present day to weave a rich tapestry of feminine experience and offer the reader subtle representations of womanhood. Let us step into these pages where the woman refuses to wait in the wings and stands at centre stage as the ink-stained heroine of her tale. R. Parthasarthy, renowned scholar, who translated the text from Tamil to English language notes that 'Silappadikaram is to Tamil what Iliad and Odyssey are to the Greek.' Silappadikaram (translated as 'The Tale of an Anklet'), is one of the earliest Tamil epics. Part of Sangam literature, the epic covers the story of Kannagi, who is a testament of love, sacrifice and resilience. She is presented as a gentle wife for the most part of the epic highlighting the patriarchal set-up as she longs for her husband, Kovalan, even after he cheats on her with a courtesan Madhavi. But her character arc changes drastically when she transforms herself into a fierce embodiment of righteousness. Her fury knows no bounds when Kovalan is accused of theft even though he is innocent, and this brings us to the epic scene where she cuts off her breast and curses the entire city. There have been multiple movies based on the epic Silappadikaram including the 1942 movie titled Kannagi and the 1964 Poompuhar. The story also features in the popular television series Bharat Ek Khoj. Also Read | 'They shoot the White girl first': Toni Morrison's opening line from 'Paradise' first hooks, then haunts 'The pages of a book have to be turned, but the leaves of fate turn by themselves.' Women and suffering goes hand in hand, and no other woman character falls near to Draupadi in this matter. Pratibha Ray's rendition 'Yajnaseni: The story of Draupadi' was written originally in Odia and then later translated by Pradip Bhattacharya into English. Ray beautifully portrays this widely known tale of Mahabharata through the lens of the female protagonist Draupadi giving it a female perspective. Through a long, intimate letter to Krishna, she pours out the anguish of being born of fire (hence the name Yajnaseni), shared by five husbands and then gambled away like property by her own husband Yudhisthir. But her plight doesn't end here. It is her who is blamed for the danse macabre, the epic battle of Kurukshetra to which she lost all her sons. 'What is love if not a hunger?' Rao's novel is a tour de force, exploring the lives of Poornima and Savitha, two young girls from a village in Andhra Pradesh. Their bond of friendship becomes the lifeline that drives them through a series of harrowing events of poverty, abuse, trafficking, and separation. But, what's interesting to note is the fact that despite their suffering, both women never stopped searching for one another. The beauty of this novel lies in that the two female characters nurture their happiness from rather simple, dreary things like indigo clothes or yogurt rice. Each had brought on thousands of memories. The telling being from two perspectives, it is a story that is grave yet hopeful, a small lamp glimmering at the tunnel's end, showing the female spirit against unimaginable odds. Very raw and wild in its approach, the novel touched subjects that at times can be very discomfiting, leaving the reader uncertain whether to continue reading or put it down. However, curiosity usually gets the better of the reader, and one just has to know the story. 'I am not the representative of any one caste, one religion, or one society. I am the representative of the entire clan of women who have, for centuries, endured ill-treatment.' Originally written in Malayalam language, about a place in Kerala that basks under the suffocating gaze of tradition, the novel Agnisakshi (translated as Fire, My Witness by Vasanthi Sankaranarayanan) tries to light the flame. Unlike other women, Lalthambika's protagonist Thankam, a namboodiri woman, longs for liberation of her soul and self and never desires a blossoming love or earthly riches. Amidst the confines of orthodoxy and rigid social structures, Thankam's voice challenges the tradition of her time. And an important thing to note is the fact that it is not a sword-to-sway kind of rebellion, rather it is a revolution of whispers. Thankam does not burn with anger but with quiet conviction, and her fire is witnessed in rather private acts of escape than in public uprisings. A film adaptation of the novel was released in the year 1999, titled the same as that of the novel, Agnisakshi. 'Fame: it's a drug more potent than opium' In her beautifully rendered historical novel, Divakaruni shares with the world the forgotten story of Maharani Jindan Kaur, the last queen of Punjab and the wife of Maharaja Ranjit Singh. The novel tells of her rise to power, beginning from humbler origins, her strong resistance against the British Empire after her husband's death, and her sorrowful separation from her son. Under Jindan light has dawned as a symbol of defiance and motherly courage in colonial India. What is important to note is that instead of idolizing Jindan, Chitra focuses on humanizing her character. Moreover, the beauty of the novel is exhibited with the use of proper Punjabi terms and Divakaruni makes it a point to not indianize this story. 'I may be injured; I may even be wounded to the heart; but I'm not defeated yet' and 'If Jindan wants something badly enough, she can make it happen. She believes this completely', through these lines the reader is very well made aware of the kind of character Jindal has, a woman who simply refuses to be silenced by the events of history, and as a woman who is too bold to be forgotten.
The Hindu
4 hours ago
- The Hindu
‘The Life of Chuck' movie review: Tom Hiddleston dances into our hearts to the end of the world
With a movie featuring Mike Flanagan — the man behind horror hits like The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher — and Stephen King, the master of the macabre, you would be forgiven for expecting a one-way ticket to the seventh circle of hell. Incidentally, Flanagan helmed the underwhelming King sequel to The Shining, Doctor Sleep. The Life of Chuck (English) Director: Mike Flanagan Starring: Tom Hiddleston, Chiwetel Ejiofor, Karen Gillan, Jacob Tremblay, Mark Hamill Runtime: 110 minutes Storyline: As the world falls apart, a man's life comes to an end, forging poignant connections both big and small The Life of Chuck, adapted from King's novella, is an altogether different beast. Though set at the end of the world — with earthquakes, floods, volcanoes erupting in Germany, and even the internet going down — The Life of Chuck is a marvellous meditation on memory, mortality and the importance of legacy. Like the novella, the story is told in three parts retroactively, starting with Act 3, which sees the end of the world through the eyes of a teacher, Marty Anderson (Chiwetel Ejiofor). As things fall apart, Marty sees billboards appearing with the words, '39 Great Years! Thanks, Chuck.' His ex-wife, Felicia (Karen Gillan), is a nurse and she hears an ad on the radio thanking Chuck for 39 great years. Marty tells his neighbour, Chuck seems to be the 'Oz of the Apocalypse' and 'Our last meme.' Act 2 features a drummer (Taylor Gordon), who sets up on a sunny street corner. When she sees a businessman (Tom Hiddleston) walk down the street, she strikes a groove and the man inexplicably drops his briefcase and starts dancing. Lauren (Annalise Basso), who was dumped by a boyfriend via text, is walking down the street in a hurt fury when she joins the impromptu performance much to the delight of the gathered crowd. In Act 1, we see a young Chuck (Jacob Tremblay, Benjamin Pajak, Cody Flanagan) who comes to stay with his paternal grandparents, Albie (Mark Hamill) and Sarah (Mia Sara), after he loses his parents in a car crash. His grandparents' house is a lovely Victorian and Chuck has a free run of it except for the cupola which is always kept locked. Sarah introduces Chuck to the joys of dancing, which is developed further in school by the dance teacher, Miss Rohrbacher (Samantha Sloyan). Chuck's 'hippy dippy' English teacher, Miss Richards (Kate Siegel), reveals Walt Whitman's truth of 'I contain multitudes' from his 'Song of Myself.' Fun fact: 'I contain multitudes' is the opening track of Bob Dylan's 39th studio album, Rough and Rowdy Ways. ALSO READ:'Karate Kid: Legends' movie review: Jackie Chan and Ben Wang star in sweet, '80s-style martial arts drama Despite its metaphysical underpinnings, The Life of Chuck is a joyful experience. While the acting is superb, from Ejiofor, Hamill and Jacob Tremblay, as the funeral director to Hiddleston, who anchors the film with a whimsical performance, it is the dancing that adds that extra zing to the film. Hiddleston, Basso and Gordon set the screen ablaze with the blindingly sweet moves as do the young actors. Pajak and Cody Flanagan (director Mike Flanagan and Kate Siegel's son) learning dancing from grandma and the dance teacher at school and the dance at the gym are so graceful and tender, bringing an unexpected lump to your throat, even as you grin widely. It is a gentle reminder of the attention we owe to the little things in life. The Life of Chuck is currently running in theatres
