RTÉ's Oliver Callan adds 25,000 listeners to show, according to JNLR survey
Oliver Callan was the big winner in the latest radio listenership figures, adding 25,000 in the space of a year to his weekday show on RTÉ Radio 1.
The Joint National Listenership Survey (JNLR) report suggested that 3.94m people in Ireland are listening to radio every week which is the highest weekly listenership ever recorded, as 90% of all adults are tuning in.
More than two million people are tuning into RTÉ radio with Morning Ireland the most listened to show in the country with 471,000 listeners, up 2,000 on the previous year.
The show that follows it, Oliver Callan, has 355,000 listeners while Today with Claire Byrne has 348,000 listeners each day, up 7,000 year-on-year.
Meanwhile, as he prepares for retirement, Joe Duffy can be satisfied as Liveline added 6,000 listeners year-on-year to add up to a listenership of 307,000.
Brendan O'Connor has 369,000 listeners.
On the weekend, Brendan O'Connor on Saturday also added listeners by the thousands, up 14,000 on Sundays year-on-year to 369,000.
Patricia Monahan, director of audio at RTÉ, said: 'RTÉ 2FM retains its position as the most-listened-to by 15–34-year-olds, now reaching 714,000 listeners every week.
'RTÉ lyric fm builds on a consistent period of growth, reaching 320,000 listeners every week. RTÉ Raidió na Gaeltachta also sees an increase in its share of audience now reaching 97,000 listeners every week as it continues to play a crucial role in supporting our language and culture.'
Top 20 shows
RTÉ enjoys 17 of the top 20 most-listened to programmes in the country, with Pat Kenny on Newstalk, The Ian Dempsey Breakfast Show and Dave Moore on Today FM also making the top 20.
Ian Dempsey has 204,000 listeners to his morning show while Dave Moore has an audience of 193,000.
'It's no surprise that one of Ireland's most loved broadcasters continues to dominate mornings,' Today FM's managing editor of music and entertainment James Brownlow said.
'Even in a challenging market, the Today FM team's ability to deliver big for its partners and audiences is unique.'
Although Pat Kenny makes the top 20, his show has lost 5,000 listeners year on year with 224,000 tuning in. There was better news for Kieran Cuddihy as the Hard Shoulder added 5,000 listeners to 153,000.
Newstalk also singled out Off The Ball and The Anton Savage Show at weekends as recording growth.
'Both Saturday and Sunday are proving audience winners throughout the day,' its managing editor Eric Moylan said.
Elsewhere in the survey, it found 20% of 15-34 year olds are doing their radio listening through a connected device with a smart speaker.
Furthermore, over 70% of people listening to radio in Ireland tune into independent local, regional or national stations.
Read More
Gardaí investigate viral horse cruelty video after searching farmland in Co Tipperary
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
RTÉ News
3 hours ago
- RTÉ News
Hell for Leather: How we made RTÉ's epic new GAA series
Colm O'Callaghan, RTÉ's Head of Specialist Factual Content, introduces Hell for Leather, an epic new 5-part RTÉ One series, delving into the role of Gaelic football in the sporting, cultural and social history of modern Ireland. RTÉ's history of hurling series The Game was first broadcast in May 2018. Made by Crossing the Line Productions and directed by Gerry Nelson, it was a cinematic and wide-ranging undertaking that, in its style, execution and ambition, resonated quickly. I've written previously here about why we commissioned it. As soon as the curtain came down on that series, our thoughts turned quickly to an obvious next step: a similar strand about Gaelic football. The seven years its taken to finally get that five-parter - Hell for Leather - to air, is worthy of a drama serial in itself and there were times when I felt we were never going to see it home at all. Needless to say, I'm glad we stayed the journey. As tends to be case with large-scale commissioned projects, I took many meetings and did an awful lot of talking before even formally asking RTÉ to consider supporting it. The primary issue was with what had just gone before it and with how effectively The Game had landed. Should we even bother, I asked the creative team at Crossing the Line, to attempt something similar with a sport often regarded by purists as the less aesthetic and less skilful of the family of national games? Any misgivings I had were quickly put to bed by a couple of trusted friends and regular sounding boards. Michael Moynihan and Diarmuid O'Donovan are fellow clubmen of mine from the fabled Glen Rovers on the northside of Cork city, even if Diarmuid is arguably better known for his involvement with the football side of that club, Saint Nicholas, and his work in a variety of roles at county level. Sharp, serious men both, they sketched out a provisional list of potential themes, topics, chapters and cast members for the team to chew over and flesh out. They didn't so much ease my mind as bend it in a variety of directions and, by doing so, turned much of what I'd ever thought about Gaelic football on its head. The game in Ulster, industry and All-Ireland success in the midlands, the eventual dawning of the women's game, Kerry's eternal majesty, the Jacks and the Culchies, Dulchies, Heffernan, Dwyer, the mighty men from Down, the mighty women of Cork. Seán Boylan, Mick O'Connell, the golden age of wireless, Sister Pauline Gibbons, Jim McGuinness and Jim Gavin. Bringing boardroom thinking to breeze-blocked dressing rooms. Renaissance, reformation, age of empires, true leaders and the days of our lives: it was up to director Gerry Nelson to shape the mine of history, some of it happening before him in real time, into tangible blocks. Sport is often seen as a reflection of life and, in this regard, its possible to trace the development of modern Ireland since way before independence through the prism of Gaelic football. Stitching this editorial thread into the heart of Hell for Leather was always a tall order but one that producers John Murray, Jessica McGurk and Siobhán Ward managed with typical elan. So in as much as the series tracks the evolution and history of the game as comprehensively as time allows, it also tells a story of Ireland. With The Game already under the belts of the production team – as well as 2020's one-off, Christy Ring: Man and Ball – the doors opened far more easily this time around. Jarlath Burns, who has since become the most recent Uachtarán of Cumann Lúthchleas Gael, was an enthusiastic voice from early on and helped unlock a variety of editorial lines. In every club and parish that we approached during the long gestation of this series – and there were many – the welcome was fierce and the humour was always good. So, what kept us? When we first discussed the potential for a series, I'm not sure if any of us expected the production period to endure for so long. But then neither could we have foreseen Covid, an All-Ireland final played during a lockdown and the consequences for sport, film-making and life in general during that time. Projects of this scale also require multiple funding and finance strands too and, to this end, we're grateful to Coimisiún na Meán, the Department of Finance, the Gaelic Athletic Association and to Collen, our generous sponsors, without whom the project could never have taken flight. And then there's the more mundane and practical stuff. Many of those featured in the series are proud, fabled former players for whom modesty has long prevented them from opening up about their own heroics and the scale of their achievements. The likes of Mick O'Connell, Seán O'Neill, Jimmy Gray and Seán Murphy are among many who decorate this production but for whom numerous site visits and no little persuasion was necessary. Others, despite our best and enduring efforts, just couldn't or wouldn't commit. All history is contestable, of course, and this too is the case with Hell for Leather. How can one realistically do justice to such a varied and complicated past in just 250 minutes of airtime? It is, therefore, to the credit of Gerry Nelson and series editor Andrew Hearne that the series delivers far more than the sum of its parts and still stays true to its purpose as agreed way back at the start. Gaelic football, flush with its recent re-enhancements, is enjoying a renewed sense of freedom, and talk of its latest existential crisis has abated, at least for now. As the former Kerry captain, Dara Ó Cinnéide told Nelson, "at the end of the day it's a game … but it's this bloody game we love so much". As a reminder about why Gaelic football's well-being matters, Hell for Leather is as good a starting point as any.
Sunday World
3 hours ago
- Sunday World
RTÉ announce new 'comedic crime drama' from Love/Hate creator
Tall Tales & Murder is set to premiere next year RTÉ have announced a brand new 'comedic crime drama' from the creator of Love/Hate Stuart Carolan. Tall Tales & Murder is a 12-episode series made in collaboration with BBC Northern Ireland and Screen Ireland. The show will have two six-part series. Filming for the new show began in Dublin this week, ahead of its premiere in 2026. News in 90 Seconds - 5th June 2025 Ella Lily Hyland, Aidan Gillen, Phillipa Dinne and Packy Lee are all set to start in the show, based on the Dublin Trilogy book series written by Caimh McDonnell. 'I've been a fan of the brilliant Chris Addison since The Thick of It - it's been incredible fun working with him to bring this insane story to life,' Stuart Carolan, Writer and Executive Producer, said of his co-creator. Addison, who will direct and executive produce the show, said he was 'giddy with delight' to team up with Carolan. 'We've taken Caimh's wonderful novel as a jumping off point and ended up with what I like to think of as a dark and delicious screwball drama.' David Crean, Head of Drama, RTÉ added: 'It's so exciting to be in production with this amazing Irish drama from Stuart Carolan and Chris Addison after a great development process. 'The scripts are fantastic, as is the cast. RTÉ is excited to be collaborating with such brilliant broadcast partners to bring this great series to audiences on a national and international stage. 'Tall Tales & Murder is part of an unprecedented slate of original Irish drama in production from RTÉ, which will deliver over 142 hours of original drama this year.'
Irish Times
3 hours ago
- Irish Times
Aidan Gillen and Ella Lily Hyland to star new crime drama Tall Tales & Murder
Tall Tales & Murder, a new darkly comedic crime drama from the writer of Love/Hate, has gone into production in Dublin. The drama, which stars Ella Lily Hyland and Aidan Gille n, has been commissioned for two series by RTÉ and BBC Northern Ireland in association with Screen Ireland, with the first six-part run due to premiere in 2026. Tall Tales & Murder has been co-created by Stuart Carolan, the writer and creator of RTÉ's hit gangster series, and Chris Addison, who starred in political satire The Thick of It and has directed episodes of Veep and his Sky comedy Breeders. The series, which is based on the eight-book Dublin Trilogy series by Caimh McDonnell, will be made for RTÉ and BBC by British production company Avalon in association with Ireland's Metropolitan Pictures. READ MORE The one-hour episodes will be directed by Addison and Irish director Neasa Hardiman, with Avalon distributing the show internationally. Alongside Hyland – the fast-rising star of Netflix's Black Doves – and Gillen, who previously worked with Carolan on Love/Hate, the cast includes Philippa Dunne and Packy Lee. 'I've been a fan of the brilliant Chris Addison since The Thick of It – it's been incredible fun working with him to bring this insane story to life,' said Carolan, the writer and one of the executive producers of Tall Tales & Murder. Addison, who will executive produce as well as direct, said he was 'frankly giddy with delight to get to team up with the twisted and highly original mind' of Carolan to create the show. 'We've taken Caimh's wonderful novel as a jumping off point and ended up with what I like to think of as a dark and delicious screwball drama.' David Crean, who was confirmed as RTÉ head of drama this week after previously serving in the role on an interim basis, said the series had gone into production after 'a great development process' with Carolan and Addison. 'The scripts are fantastic, as is the cast. RTÉ is excited to be collaborating with such brilliant broadcast partners to bring this great series to audiences on a national and international stage.' Eddie Doyle, head of content commissioning for BBC Northern Ireland, described the series as storytelling 'at its darkest, funniest and most surreal', while Rob Aslett, executive producer for Avalon, said the scripts 'created a wildly original crime drama that shines a light on a modern Ireland'. McDonnell, who was born in Limerick and raised in Dublin, is a former stand-up comedian and television writer who published his first novel in the Dublin Trilogy detective series in 2016.
