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Inside ‘world's largest cinema' the ‘Big King' with 2,700-seater triple-decker ‘grand hall' and giant 3,000sq ft screen

Inside ‘world's largest cinema' the ‘Big King' with 2,700-seater triple-decker ‘grand hall' and giant 3,000sq ft screen

The Irish Sun19-05-2025

THE Grand Rex, nestled in the heart of Paris, boasts the title of the world's largest cinema.
Its main hall seats over 2,700 people across three tiers - all beneath a dazzling starry ceiling that towers nearly 100 feet high.
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Le Grand Rex ('The Big King') cinema and concert venue is located in Paris' 2nd arrondissement on the grands boulevards
Credit: Getty
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Its main hall has a capacity of over 2,700 people
Credit: AFP
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It also has three tiers and a starry vaulted ceiling
Credit: AFP
The hall also boasts a screen known as 'Le Grand Large' ('The Great Large'), stretching over 81 feet wide and 37 feet tall - making it over 3,000 square feet.
Another of the hall's stage screens, used for live performances and concerts, spans nearly 55 feet wide and 23 feet tall.
The screens are powered by three projectors.
The building complex has seven screening halls, one concert and show venue, a club and a museum.
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The giant cinema was envisioned in the early 1930s by wealthy French film producer Jacques Haïk.
His goal was to build a cinema with a capacity of over 5,000 spectators, spanning more than 21,500 square feet.
While he may not have reached that seating capacity, the Grand Rex's hall certainly matches the envisioned size.
Haïk's Tunisian roots are said to have inspired the cinema's Mediterranean ambience and baroque style.
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The building's architects were notably experts in "atmospheric halls", having created more than 400 decors of phantasmatic American cities under cloudy or starry skies.
The Grand Rex's decor has earned it the title of the most beautiful cinema in the world by Time Out in February.
French actor Gerard Depardieu found guilty of sexually assaulting two women
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The Grand Rex was built in the early 1930s
Credit: AFP
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The building's facades, roof, hall and decor have also earned it the distinction of a "Monument historique" ("historical monument"), akin to a French national heritage site.
The Grand Rex hall first opened its doors in December 1932.
Louis Lumière, the French engineer who played a key role in cinema's development, was among the first guests to take a seat in the hall.
During the German occupation of France, the Grand Rex was requisitioned by the German army and transformed into a Soldatenkino - a cinema reserved for soldiers on leave.
In September 1942, it even became the target of a bombing by the Détachement Valmy.
The cinema reopened in October 1944 after the Liberation of Paris.
It is now visited by over one million people each year.
Meanwhile, Madrid boasts a
The
complex is called Kinepolis
Ciudad de la Imagen, meaning Movie City
.
This multiplex, featuring up to 25 screening rooms, holds the title of the world's largest cinema by total capacity.
Ciudad de la Imagen belongs to Kinepolis Group, a Belgian cinema chain formed in 1997.
The cinema first opened its doors in 1998.
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The multiplex has a total of 9,200 seats - making it similar in size to a small stadium
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It has maintained the status of the biggest cinema multiplex in the world for 25 years

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Moment Prince Harry practices his German as he shares video message to mark country's first Veteran's Day
Moment Prince Harry practices his German as he shares video message to mark country's first Veteran's Day

The Irish Sun

time3 hours ago

  • The Irish Sun

Moment Prince Harry practices his German as he shares video message to mark country's first Veteran's Day

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Auf wiedersehen, Thomas Müller, Germany's dream maker who found goals in space
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Irish Examiner

time5 hours ago

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Auf wiedersehen, Thomas Müller, Germany's dream maker who found goals in space

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Then there's his puzzling goals record: how did a player who averaged roughly a goal every three games managed not only to win the Golden Boot at the 2010 World Cup but also the Silver Boot at the following tournament? (Even odder is that the five goals he scored in South Africa were his only international goals that year.) The best explanation of Müller perhaps came from his own mouth. 'I am a Raumdeuter,' he said in 2011 – an interpreter of space. He has that capacity a great goalscorer, a Gerd Müller or a Gary Lineker, has to anticipate where the ball will drop, but he is not a poacher. He has the ability of a Luka Modric or a Xavi to find space in a hectic midfield, but he is not a playmaker. Raumdeuter has become such an accepted phrase that it is a role that can be assigned to forwards on the video game Football Manager. It is not entirely clear whether Müller was making a joke when he said it. Müller's football may be hard to identify, but it is nothing to his sense of humour. When he claimed that Robert Lewandowski's nickname was 'Robert Lewangoalski', before pausing, nodding and opening his eyes wider as though imploring people to laugh, it initially seemed he was making an inexplicably bad joke. Then the thought occurred that he perhaps knew that and the joke was actually how inane is a lot of football's banter culture. Thomas Muller (C) of the FC Bayern celebrates with teammates during the official championships celebration. Pic:At that moment, the entire notion of the press conference seemed in danger of imploding under the weight of its own futility. This was Eric Morecambe, it was Larry David, it was Stewart Lee, a ludic recklessness with form that not only managed to be funny by not being funny, but interrogated the entire notion of funny. It is the same with his coinage of Raumdeuter, which is itself a pun, albeit a rather better one that Goalandowski. Traumdeuter is German for an interpreter of dreams, a term popularised by Sigmund Freud. Traum is derived from the Old Icelandic draumr via the Middle High German troum and initially meant phantom or illusion. The English 'dream', which emerged in the 12th century, shares the same root. Deuter comes originally from proto-Indo-European tē̌u-, which meant something like 'swell'; it's also the root of words such as thumb, thigh and thousand. More appositely, it is the origin of þeuðō, an early Germanic term meaning a lot of people, that came to be used to mean tribe. A couple of thousand years ago, if you spoke the demotic language as opposed to Latin, you were in effect said to be speaking þiudiskaz – that is, þeuðō-ish – which over time evolved to become Deutsch. Deuten became a verb meaning to make clear for the mass of the people. That sense remains in deutlich – clearly, significantly – or eindeutig – clearly, obviously; and, to a lesser extent in bedeuten – to mean. Deuten itself is slightly more sophisticated than ziegen – to show – but not as scientific as interpretieren or analysieren: to interpret, not in the sense of translating, but of explaining. With that context, Müller's apparently unremarkable statement that he is a Raumdeuter can be seen not only as a description of what he is, but of what he is not. He is not a player who deals in phantoms, illusions and dreams; he is a pragmatist. He sees space – better than almost anybody else of his generation – and through his movement, his assists and his goals he explains it to the mass of the people: those watching it in the stands or on television who do not have his extraordinary grasp of the shape and dynamics of the game. Perhaps there is even a sense in that second syllable that the role of the Raumdeuter is characteristically German, that it stems from the peculiarly German way of seeing the game that meant that between 1970 and 2000, there was an acceptance that football was about the inter-movement of players, unencumbered by the impetus to press that dominated in the rest of northern Europe. It is probably no coincidence that the modern notion of the libero was created by Franz Beckenbauer, whose game, no less than Müller's, relied on the interpretation of space, just at the other end of the field. Müller, in his own way, was just as central to Germany's fourth World Cup success as Beckenbauer was to its second. In those Jogi Löw sides of 2010 and 2014, he was the attacking brain of the side, the player who ensured the counterattacks were devastating. 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Love Island legend ditches her underwear and reveals intimate tattoo in sexy dress at Parklife Festival
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The Irish Sun

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Love Island legend ditches her underwear and reveals intimate tattoo in sexy dress at Parklife Festival

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