Miley Cyrus turns heads in barely-there ensemble during Parisian night out
Miley Cyrus showed off her toned abs when she stepped out in Paris wearing a sheer dress.
The 32-year-old former Disney star was photographed outside her hotel as she left for a night out on the town in a light blue sheer Jean Paul Gaultier gown that featured a coned bra covered in peacock feathers.
She accessorized the look with black underwear that was visible through the fabric, black leather opera gloves and knee-high brown sandals with cutouts. She styled her hair in big messy curls and opted for minimal makeup.
The actress shared photos of the look on her Instagram, captioning the post, "Paris is the place for me… I love you all."
"This look is one of my favorites you've ever done," one fan wrote in the comment section with a heart-eyed emoji.
Another added, "What a queeennnn," while a third chimed in with "You are THAT LEGEND."
Fans of the actress also couldn't hold back their excitement at having seen Cyrus perform on stage with Beyoncé as part of her "Cowboy Carter" tour in Paris.
The two sang the song "II Most Wanted," on which Cyrus collaborated with Beyoncé.
"Thank You for singing Most wanted with Beyoncé Today," one fan wrote in the comments section, while another added, "Omg you did it II most wanted."
The actress has been spotted in a number of showstopping outfits during her time in Paris, including a knit leopard print Valentino dress with a fringe collar and a vintage black Patrick Kelly dress with rhinestones in the shape of the Eiffel Tower.
Cyrus is in Paris to promote her latest visual album, "Something Beautiful," and its accompanying film, which premiered earlier this month at the Tribeca Film Festival.
As part of the promotional tour, she performed at Spotify's Billions Club Live, hosted at Maxim's de Paris, where she sang two of her biggest hits, "The Climb" and "We Can't Stop."
She took the stage in a vintage 1992 sequined Mugler minidress, which mixed light and dark shades of blue.
When discussing her latest album on "Jimmy Kimmel Live!" in May, Cyrus opened up about how filming one of the music videos for her visual album ended with her in the ICU after her "leg began to disintegrate" after filming.
"And then the doctor goes, 'Do you have any idea why you would have such a brutal infection on your kneecap?'' she said on the show. "To have a surgeon look at you and say, 'Yuck.' … They open up cadavers. They see inside the guts of humans, and they're looking at me, telling me I'm disgusting. And they do brain operations."
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
26 minutes ago
- Yahoo
DDB Worldwide Named Cannes Lions 2025 Network of the Year for the Second Time in Two Years
Omnicom Network Achieves Record Number of Wins in 76-Year History Under Recently Appointed Global Leadership CANNES, France, June 20, 2025 /CNW/ -- DDB Worldwide, part of Omnicom, has once again claimed the prestigious title of Network of the Year at the 2025 Cannes Lions International Festival of Creativity. This marks the second time the network has secured the honor, following its historic first win in 2023. In a record-breaking year, DDB surpassed its 2023 award tally with a total of 112 Lions, further cementing its place at the forefront of the global creative industry. DDB's continued rise comes just one year into the leadership of Global CEO Alex Lubar and President & Global Chief Creative Officer, Chaka Sobhani. Since taking the reins, the duo has steered the network into a new era; one defined by tighter integration, emotionally-led creativity, and a sharpened focus on work that delivers both cultural impact and real business results. Chaka Sobhani commented: "I literally don't have the words. This means the absolute world to us. I couldn't be prouder of our DDB network and the passion, commitment, and love that has gone behind us getting here. A huge thank you also to our amazing clients for their trust and partnership - we wouldn't be here without you and I hope we've made you proud. Hopefully, this is the start of much more to come from DDB - and on a personal note, I can only say it's been the most incredible first year!" "2023 was a landmark year for DDB, but we saw it as the beginning," said Alex Lubar. "The momentum you're seeing now is the result of a global network aligned around a simple belief: creativity is the most powerful force in business. I'm incredibly proud of our exceptional teams and client partners on this collective effort." 2025 Cannes Lions highlights: Regional Network of the Year - Latin America Regional Network of the Year - Pacific Classic Track Agency of the Year - Africa Creative DDB Good Track Agency of the Year - Africa Creative DDB Experience Track Agency of the Year - DM9 Africa Creative DDB is the 1st ranked agency in Brazil, 2nd in Agency of the Year The first time DDB won four Grands Prix across different brands since 2016, including: Audio & Radio: "One Second Ads" (Budweiser, Africa Creative DDB) Music: "Tracking Bad Bunny" (Rimas Entertainment, DDB Latina Puerto Rico) Creative Data: "Efficient Way to Pay" (Consul, DM9) Sustainable Development Goals: "The Amazon Greenventory" (Natura, Africa Creative DDB) 20 total Gold Lions 37 total Silver Lions 51 total Bronze Lions 320 total shortlists First Gold Cannes Lion in Finland for Nordea, Parental Leave Mortgage First Grand Prix for DDB Latina Puerto Rico, and Puerto Rico's second in history First Gold for DDB Warsaw for McDonald's Winter Takes on Color in Brand Experience & Activation Most Lions and Grands Prix won by DDB Latina ever, with 78 trophies vs their previous record of 44 Most awarded network in Brand Experience & Activation with 20 trophies Most awards on behalf of McDonald's than any other agency network This creative surge has been powered by the DDB Global Creative Council, Bullseye, which is led by Global Chief Creative Operations Officer, Susie Walker, and continues to push boundaries across regions. This year, the program has been expanded to include rising creative talent, who have actively shaped DDB's award-winning creative work. DDB's rise has also been fueled by the growing influence of some of its most dynamic agencies, including DDB Paris, Africa Creative DDB, alma, DM9, and NORD DDB, whose bold, culturally resonant work continues to redefine the standard of global creative excellence. As creativity becomes an increasingly vital business differentiator, DDB's Cannes success proves its belief that emotional storytelling not only moves people, it moves markets. This year's winning campaigns have not only earned accolades but delivered measurable growth for clients across categories. ABOUT DDB WORLDWIDE DDB ( is The Emotional Advantage Agency. We believe when people feel, they act—and when they act, brands grow. That's the emotional advantage. We use it to deliver intimacy at scale, unlock brand growth, and craft ideas that move people, business, and culture forward. As one of the world's leading advertising and marketing networks, DDB blends creative excellence with strategic effectiveness to drive measurable results. With 140 offices in 60+ countries, we partner with iconic brands like MARS, McDonald's, Molson Coors, Volkswagen, Amazon, Unilever, JetBlue, Adidas, PlayStation, and the U.S. Army. Our impact is proven: we were named the #1 Most Awarded Agency Network in the 2024 Effie Global Best of the Best, Global Network of the Year by Cannes Lions (2023 and 2025), and D&AD Network of the Year for three consecutive years (2021–2023). We've also ranked as a Top 3 Global Network on WARC for 13 of the last 16 years. Founded in 1949, DDB is part of Omnicom (NYSE: OMC). Media ContactPress@ View original content to download multimedia: SOURCE DDB Worldwide View original content to download multimedia:
Forbes
37 minutes ago
- Forbes
Blue Ivy Carter And The New Archetype Of the Firstborn Heiress
Blue Ivy Carter attended the premiere of "Mufasa: The Lion King" at the Dolby Theatre in Los ... More Angeles, California. At SoFi Stadium in April, Blue Ivy Carter did something no celebrity child had managed before by making 70,000 people forget she was Beyoncé's daughter and remember she was a performer in her own right. This wasn't an awkward nepo baby fumbling through inherited opportunity, but a 13-year-old commanding a packed-out stadium with the poise of a seasoned performer and the precision of someone who'd earned her place there. The first time she performed during Beyoncé's Renaissance tour, the world had already decided what kind of child she would be: a beneficiary of fame, privilege and legacy. But she showed, night after night, that she didn't just inherit a name but a standard. She was methodical, poised and almost unbothered—a rare combination for a 13-year-old. She didn't perform like someone trying to prove herself; she moved like someone who already had. What's striking about her gradual rise isn't that she's Beyoncé's daughter, but more so that she represents a new kind of celebrity child: not the overexposed, over-coached darling of Hollywood tradition, but a quieter, more deliberate figure. She doesn't go live on Instagram. She doesn't need to. Instead, she appears in polished doses—at the Super Bowl, in Grammy acceptance speeches, on stage in silhouette—each time reminding us that her presence is never random. Celebrity kids were expected to dazzle early or self-destruct spectacularly for years. Blue Ivy is being raised to do neither. Her appearances are choreographed in the public eye, yes, but also—more importantly—within a larger machine of generational wealth, intellectual property and brand control. The Carters are building something most celebrity families never do: infrastructure. And Blue Ivy is not an accessory to that machine but part of the blueprint. She is, by all appearances, a child with discipline. One who hears criticism and trains harder, one who does the work. She's not a mascot, nor is she merely a moment, but an operator in the making. Blue Ivy represents something unprecedented in American celebrity culture: the first generation of ultra-privileged children with extraordinary access and demonstrable talent. While the "nepo baby" debate has dominated headlines, Blue Ivy has quietly been building a different brand. The difference lies not just in talent, but in how that talent translates into measurable economic value. The Economics of Inheritance At 13, Blue Ivy Carter has already accumulated a resume that would impress most adults. By age 11, she had already become the second-youngest Grammy winner in history. She was also the voice actress in Disney's Mufasa: The Lion King, the principal dancer on two of the highest-grossing tours in music history, and the BET Young Stars Award winner for two consecutive years. These aren't participation trophies but achievements that required skill, preparation and genuine contribution. This distinction is important because it represents a shift in how celebrity dynasties operate since in the past, traditional Hollywood nepotism relied on name recognition and industry connections to get opportunities, and it largely still does. However, the new model, exemplified by Blue Ivy, combines those advantages with rigorous preparation and measurable competence. The numbers matter here, too. Beyoncé's Renaissance World Tour grossed $579 million. The Cowboy Carter tour is projected to exceed $600 million and Blue Ivy isn't just a guest performer on these tours but has become a selling point, with fans specifically purchasing tickets to see 'Manager Blue' in action. Blue Ivy walks onto the field for the Beyoncé halftime show during an NFL football game between the ... More Baltimore Ravens and the Houston Texans, at NRG Stadium in Houston, Texas. Blue Ivy's trajectory forces uncomfortable conversations about fairness that most people would rather avoid. She gets access to choreographers most kids will never meet, high-end voice coaches and opportunities that simply don't exist outside her stratosphere. But watch her handle a wardrobe malfunction mid-performance or navigate the inevitable social media pile-ons, and you realize she's also dealing with pressures that would break most grown-ups. At that point, privilege stops being offensive when it's used as a launching pad rather than a crutch. But the financial metrics only tell part of the story. What's really happening is a prime example of strategic wealth transfer. Beyoncé and Jay-Z have achieved massive success, thanks to their business acumen, and they have turned their brands into capital. Their eldest daughter is their most strategic investment, not because she performs well, but because she is proof that Black wealth can be passed down with structure, and proof that visibility doesn't have to mean exposure. We often talk about generational wealth in numbers—trusts, real estate portfolios and LLCs—but legacy is more than assets and presents itself in naming power, ownership and vision, and Blue Ivy Carter may be the most apparent case study of that kind of power. So far, there have been no scandals, no outbursts and no overexposure. What we have witnessed instead is a kid growing up inside a world her parents built for her—while learning how to run it herself.
Geek Tyrant
2 hours ago
- Geek Tyrant
Jon Bernthal's Punisher Officially Joins SPIDER-MAN: BRAND NEW DAY! — GeekTyrant
Jon Bernthal is officially bringing the Punisher into Spider-Man: Brand New Day ! The next installment in Tom Holland's Spidey saga. Frank Castle is actually stepping into the Sony/Marvel Spider-Verse, and this is for real, and it's awesome! The film, which begins shooting this summer in England, will be directed by Shang-Chi 's Destin Daniel Cretton and is set to hit theaters July 31, 2026. Zendaya and Jacob Batalon are expected to return as MJ and Ned, and Stranger Things breakout Sadie Sink has joined the cast in an undisclosed role. The story picks up after the reality-resetting events of No Way Home , where no one remembers Peter Parker is Spider-Man. That gives the narrative a clean slate, and apparently a perfect window to drop in Marvel's most brutal antihero. Bernthal's take on Frank Castle was first introduced in Netflix's Daredevil series and later spun off into The Punisher . He recently returned in Disney+'s Daredevil: Born Again, and not only is he starring in Season 2—he's also co-writing a solo Punisher special. So yeah, the man is in. This new crossover has been years in the making, even if unintentionally. Bernthal and Tom Holland actually helped each other score their Marvel gigs while working together on the 2017 film Pilgrimage. Bernthal told Jimmy Kimmel Live: 'We did a film about seven or eight years ago. That was where both Tom did his audition for Spider-Man and I did my audition for Punisher. We actually made each other's audition tapes on that film.' He even had a hand in giving Holland some iconic Spider-Man flair: 'I gave him the note, 'Tom, maybe you should run up that wall and do a double backflip and then start the scene.' And he was like, 'Yeah, you think I should do that? That's not too much?' I was like, 'I don't think any of these other fools are able to do that,' and he in fact did that.' Now, after years of parallel stories, they're finally sharing the screen in the MCU. With Peter navigating a world that doesn't know who he is, and Castle never caring much for red tape, the dynamic between these two could be explosive. We don't know exactly how the Punisher will fit into Brand New Day , but I can't wait to see how this comes together! One's a neighborhood-friendly hero trying to stay under the radar. The other's a walking storm of gunpowder and grief. Whatever happens, it won't be boring. Source: Deadline
