How Cyclone Yasi helped Kenn Parker build his home among the cassowaries
It's a birdwatcher's paradise, a 10-acre plot of tranquillity that Kenn Parker calls home.
In this isolated patch of rainforest on the doorstep of the Wet Tropics World Heritage Area in northern Queensland, he lives a quiet life observing the natural world around him.
Kenn Parker says he is endlessly fascinated by the natural environment around him.
(
ABC News: Baz Ruddick
)
"There's never a dull moment. There is always something happening," Mr Parker says, as he sits on the verandah of a purposefully built bird-watching hut.
"One minute it might be a cassowary or a bandicoot, or a wallaby or a snake. They just keep coming and I love them."
Kenn Parker's house includes a small, three-sided bird-watching shelter where he welcomes visitors.
(
ABC News: Baz Ruddick
)
But of all his forest neighbours, the most intriguing are the cassowaries — often deemed the most dangerous birds in the world due to their razor sharp claws and powerful legs.
"I didn't think I was going to be living this close to cassowaries. But they just arrived one day and they haven't gone,"
he said.
Since purchasing the property in 2000, Mr Parker estimates he has seen 42 chicks grow up, some of whom have returned as proud fathers with their own offspring to show him.
Mr Parker loves the quietude of the rainforest.
(
ABC News: Baz Ruddick
)
His fascination with these extraordinary birds, which are raised by the male parent, has led Mr Parker to document their behaviour.
"I videoed them all from tiny little chicks — three days old and four days old. They've just grown up around me," he said.
"
The dad will bring the chicks back and go, 'Hey, look what I've got'. They're very good dads.
"
Cassowaries often visit Mr Parker's house as they move through the forest scratching for food.
(
ABC News: Baz Ruddick
)
While he has affectionately given nicknames to some of the more frequent visiting birds — Duchess and Danger — Mr Parker maintains a safe distance and never approaches them.
He believes that when the cassowaries are close to his house, they don't find his presence threatening and are therefore less of a danger to him.
"When I get out and go into the forest it's a different story. You have to be careful. You are a human. You are a problem," he said.
Mr Parker exercises caution around the cassowaries.
(
ABC News: Baz Ruddick
)
The night the wind howled
Mr Parker is accustomed to solitary life, having spent many decades living at sea and travelling on sailboats.
In 2000, he decided to put down roots among the trees.
He purchased the 10-acre block at Bilyana, north of Cardwell, for just under $50,000 using a compensation payment he was awarded after a workplace accident.
"As I started to walk through [the forest] there was a little pink native hibiscus and I knew from that moment this property was going to be mine,"
he said.
Mr Parker's small house was built in 16 days using timber from trees felled by Cyclone Yasi in 2011 for the frames.
(
ABC News: Baz Ruddick
)
When he began living on the block, his home was an old campervan with a pop-top roof, which was perfectly serviceable until Tropical Cyclone Yasi unleashed its fury on North Queensland in February 2011.
The Category 5 storm remains one of the most devastating to ever cross the Australian coast.
As Mr Parker sheltered in his van, he could hear trees and huge branches falling all around him as gale-force winds tore through the rainforest.
Damaged boats are stacked on top of one another at Port Hinchinbrook boat harbour in Cardwell, Thursday, Feb. 3, 2011, as a result of category 5 tropical cyclone Yasi.
(
AAP: Dave Hunt
)
"I had the roof tied down and I can see it starting to lift so I'm hanging on. It's roped but the wind is picking it up, dropping it, picking it up, dropping it," he recalled.
"Then this wattle tree just came down and went 'bop' and kept the roof down all night."
Downed trees and signs litter the foreshore at Cardwell, days after Cyclone Yasi.
(
Audience submitted:
)
He felt safer with the tree anchoring his fragile abode, but was afraid for the animals who called this part of the forest home.
At first light, he climbed out of his battered van and was shocked by the destruction around him.
The view, normally obscured by trees, opened up and he could see Dunk Island 30 kilometres to the north-east and Tully to the north.
The frame and roof trusses were cut using a portable mill loaned to Mr Parker by a friend.
(
ABC News: Baz Ruddick
)
"The first little bird I saw was a little blue wren. It made my heart sing. I nearly cried because I thought if that little bird can survive then the cassowaries and all these other little animals, they're going to be alright," he said.
The house that Yasi built
Mr Parker never planned to build a permanent structure on his property.
"I wasn't going to build here because there was no way in the world I was going to cut these trees down. I wasn't even going to build a track,"
he said.
But with his campervan ruined, he decided to put all the fallen timber around him to good use.
Friends whose properties had also been hit brought him extra wood, and with their help and the use of a portable mill, Mr Parker set to work using the timber to build the frames and trusses of a small house.
Mr Parker spends time repairing electronics at his kitchen table.
(
ABC News: Baz Ruddick
)
"Two or three big blue gums came down so we cut them up," he said.
"It all came from here except the pine … I cut this [timber] really fresh within two or three weeks of it coming down and it cut dead straight — perfect," he said.
In just 16 days, Mr Parker had a small but liveable home. The kitchen and bathroom are still makeshift and the place is run on five deep-cycle batteries — recharged by the sun.
Mr Parker says one day cassowaries arrived at his property and now they visit him regularly.
(
ABC News: Baz Ruddick
)
Adapting to life in the rainforest has come with its challenges.
"There is no water but there is a spring, so I invented a pump that pumps water up the hill and puts 5,000 litres of water in those tanks there a day," he said.
"I wouldn't want to live anywhere else.
"[I love] the quiet at night. You might hear an owl or a scrub fowl, you hear frogs — but it's so quiet. And the stillness."

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


West Australian
03-06-2025
- West Australian
Film follows fight to heal Country from poison legacy
Traditional Owners call this place 'poison Country'. Spanning more than 46,000 hectares in Western Australia's Pilbara region, the Wittenoom Asbestos Management Area is the largest contaminated area in the southern hemisphere, blanketed in deadly asbestos. The contamination prevents Banjima Traditional Owners from accessing these thousands of hectares of Country. Yaara Bou Melhem was initially planning a film about the thousands of abandoned mines across Australia. But when she met the late Maitland Parker, a Banjima Elder, who spent his life campaigning to heal this Country, she knew the film had to be about Wittenoom. Mr Parker was battling mesothelioma, an aggressive cancer caused by asbestos exposure. "His story was going to be one of many in the film, but when you're confronted with how shocking Wittenoom is, the very clear social injustice meted out against him and his community, it was just too compelling for it to be just a small part of a larger film," Ms Melhem told AAP. Mining occurred at Wittenoom until the 1960s, and three million tonnes of tailings containing asbestos were left behind. Since then, asbestos fibres have been dispersed throughout the area by wind and water erosion, a West Australian government website says. Ms Melham said if nothing is done to remediate the asbestos waste, it will continue to spread for hundreds of years. She said Wittenoom is one of the most egregious examples of environmental, health and community impacts of legacy mine sites, and the film Yurlu/Country explores this. "There isn't a Banjima family that has not been touched by Wittenoom and his story represents that whole, and I think that's why [Mr Parker] really wanted to tell that story on behalf of his community," Ms Melhem said. Mr Parker was a co-writer and executive producer on Yurlu / Country, which follows his final year, and his campaign to heal Country. "He gave us permission to use his name, voice, image, even after his passing because he felt like his story had some power, and his name had power and he wanted us to be able to use it to advocate for Banjima and for the clean up of his Country," Ms Melhem said. "That's a responsibility we're very aware of and hoping we do his story justice." Ms Melhem said she hopes Wittenoom, which has long been "out of sight and out of mind" is brought into full view through the film, and Mr Parker's wishes for a clean up can be fulfilled. "What we're hoping is that people don't walk away from this film feeling like this is an intractable issue that can't be changed - we know it can be changed," she said. Yurlu/Country will have its world premiere on Saturday at Sydney Film Festival, then make its international debut at Doc Edge Festival in New Zealand. Sydney Film Festival begins on Wednesday and will run until June 15.


Perth Now
03-06-2025
- Perth Now
Film follows fight to heal Country from poison legacy
Traditional Owners call this place 'poison Country'. Spanning more than 46,000 hectares in Western Australia's Pilbara region, the Wittenoom Asbestos Management Area is the largest contaminated area in the southern hemisphere, blanketed in deadly asbestos. The contamination prevents Banjima Traditional Owners from accessing these thousands of hectares of Country. Yaara Bou Melhem was initially planning a film about the thousands of abandoned mines across Australia. But when she met the late Maitland Parker, a Banjima Elder, who spent his life campaigning to heal this Country, she knew the film had to be about Wittenoom. Mr Parker was battling mesothelioma, an aggressive cancer caused by asbestos exposure. "His story was going to be one of many in the film, but when you're confronted with how shocking Wittenoom is, the very clear social injustice meted out against him and his community, it was just too compelling for it to be just a small part of a larger film," Ms Melhem told AAP. Mining occurred at Wittenoom until the 1960s, and three million tonnes of tailings containing asbestos were left behind. Since then, asbestos fibres have been dispersed throughout the area by wind and water erosion, a West Australian government website says. Ms Melham said if nothing is done to remediate the asbestos waste, it will continue to spread for hundreds of years. She said Wittenoom is one of the most egregious examples of environmental, health and community impacts of legacy mine sites, and the film Yurlu/Country explores this. "There isn't a Banjima family that has not been touched by Wittenoom and his story represents that whole, and I think that's why [Mr Parker] really wanted to tell that story on behalf of his community," Ms Melhem said. Mr Parker was a co-writer and executive producer on Yurlu / Country, which follows his final year, and his campaign to heal Country. "He gave us permission to use his name, voice, image, even after his passing because he felt like his story had some power, and his name had power and he wanted us to be able to use it to advocate for Banjima and for the clean up of his Country," Ms Melhem said. "That's a responsibility we're very aware of and hoping we do his story justice." Ms Melhem said she hopes Wittenoom, which has long been "out of sight and out of mind" is brought into full view through the film, and Mr Parker's wishes for a clean up can be fulfilled. "What we're hoping is that people don't walk away from this film feeling like this is an intractable issue that can't be changed - we know it can be changed," she said. Yurlu/Country will have its world premiere on Saturday at Sydney Film Festival, then make its international debut at Doc Edge Festival in New Zealand. Sydney Film Festival begins on Wednesday and will run until June 15.

ABC News
03-06-2025
- ABC News
New rules for nurses, dentists performing cosmetic injectables
Nurses and dentists have been operating in the cosmetic injectable industry for years without being required to undertake any formal additional education or training. ( ABC News: Jake Sturmer )