logo
Fukushima Pref. family's spirits lifted by giant stone robot after 3.11 disasters

Fukushima Pref. family's spirits lifted by giant stone robot after 3.11 disasters

The Mainichi22-04-2025

FUKUSHIMA -- Along the way to the famed Takayu Onsen hot springs in this northeast Japan city, this reporter spotted a giant stone robot statue that seemed out of place in an unassuming residential area -- as if it had come straight out of an anime.
The robot, posing with its fists raised along a prefectural highway, was constructed over 20 years ago by a stone supplier. It stands about 3.2 meters tall and is said to weigh at least 2 metric tons.
A group which once included the stone company's shop was part of a housing franchise that provided design and construction expertise to local builders, and the statue was originally erected in the parking lot of a show home. However, this was all over two decades ago. An official with the group said, "No one knows what happened back then, and we don't know who built it or why." The official conjectured that it may have been built as a piece to show off the shop's expertise.
Why is there a robot here?
The house by the statue is now home to Shinichi Takamatsu, 49, and his family, who evacuated from Namie, Fukushima Prefecture, after the town was severely hit by the 2011 Great East Japan Earthquake and meltdowns at Tokyo Electric Power Company Holdings Inc.'s Fukushima Daiichi nuclear plant. As the entire town was evacuated, all five members of his family relocated to temporary housing in the city of Fukushima.
Takamatsu continued to commute over two hours each way to the kitchen equipment manufacturer he ran in the prefectural city of Minamisoma. He and his employees worked for two months to resume accepting orders for products like commercial gas ranges.
Takamatsu's stay in the temporary housing expired in 2016, after which he moved to an apartment in the city of Fukushima, near the stone statue. As a fan of sci-fi anime like "Mobile Suit Gundam" since he was a kid, it caught his attention as he was passing by. "Why is there such an incredible robot here?" he wondered.
At the time, Takamatsu, his wife and three kids were forced to sleep side by side in a cramped apartment. He longed for his hometown of Namie, but he recalled, "I grew attached to this area too, and started looking for a place where my family could settle down together."
However, the search for a new house was not easy. In 2021, just when the family was about to give up and consider moving elsewhere, his wife Michiyo, 48, saw online that the show home was due to go up for sale.
A happy surprise
The statue's deep foundation had been buried underground to prevent it from toppling over, making removal a major challenge. At the time, the home had been passed to another construction firm from the housing franchise, and the company offered to remove the statue at no cost.
Takamatsu politely declined the offer. "Honestly, I did not want it removed at all. In fact, I was worried they might take it away, so it was a happy surprise," he said.
Meanwhile, Takamatsu's renewed company continued to struggle with chronic staff shortages, as not all employees returned after the nuclear disaster. He split his time between the city of Fukushima and public housing in Minamisoma which had only the bare basics. "I just used the room in Minamisoma to sleep," he said.
One day, an exhausted Takamatsu returned to Fukushima to find his wife had lit up the robot statue outside their house. "Since he didn't come home every day, I wanted to make him feel a little better when he did," she explained.
"It lifted my spirits and made me feel like I could keep going," said Takamatsu.
Saved by the stone robot
The road in front of the house has heavy traffic and a narrow sidewalk, making it unsuitable for sightseeing. Yet, elderly neighbors can sometimes be seen sitting beside the statue and gazing at it during their walks.
Fourteen years have passed since the disasters, but Takamatsu's family home in the mountains of Namie is in an area where people are restricted from returning. The rice fields his father used to cultivate have completely collapsed, and there is no clear prospect of going back.
Takamatsu continues to live between Minamisoma and Fukushima, only returning to his home to the prefectural capital about once a week -- but seeing the robot's face along the route always brings him comfort.
Takamatsu said while gazing at the statue, "I was saved by this robot. Rather than a symbolic tree, I've got a symbolic stone statue. I'd like to set up a bench or something so that lots of people can enjoy it."

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

From Godzilla to Gundam, Japanese trading cards aim to score big overseas
From Godzilla to Gundam, Japanese trading cards aim to score big overseas

Nikkei Asia

timean hour ago

  • Nikkei Asia

From Godzilla to Gundam, Japanese trading cards aim to score big overseas

TOKYO -- Global appetite for Japanese trading cards continues to grow, with July releases featuring Godzilla and characters from the "Mobile Suit Gundam" anime series poised to stoke further demand. An event hosted by Bandai in Dallas, Texas, on March 8 and 9 to promote cards featuring heroes and other icons from the "One Piece" franchise drew over 10,000 attendees. The Bandai Namco Holdings subsidiary organized various game events and offered early sales of new cards.

Exhibition Featuring Legendary Japanese Gundam Anime Creator Yoshikazu Yasuhiko Underway at Aomori Museum; Rare, Personal Memorabilia on Display
Exhibition Featuring Legendary Japanese Gundam Anime Creator Yoshikazu Yasuhiko Underway at Aomori Museum; Rare, Personal Memorabilia on Display

Yomiuri Shimbun

timea day ago

  • Yomiuri Shimbun

Exhibition Featuring Legendary Japanese Gundam Anime Creator Yoshikazu Yasuhiko Underway at Aomori Museum; Rare, Personal Memorabilia on Display

The Yomiuri Shimbun Legendary creator Yoshikazu Yasuhiko stands in front of original drawings of posters for Mobile Suit Gundam movies. AOMORI — An exhibition featuring Yoshikazu Yasuhiko, a manga artist and animation director of the anime series 'Kido Senshi Gundam'('Mobile Suit Gundam'), is being held at the Aomori Museum of Art in Aomori. An opening ceremony was held on April 18 ahead of the official start of the exhibition, which is called 'Yasuhiko Yoshikazu: Divine Animator and Draftsman,' with a preview of the exhibition available to visitors. 'I experienced a great turning point in Aomori and Hirosaki,' the 77-year-old legendary creator said at the event. 'I am grateful to be here again.' Yasuhiko was born in the town of Engaru, Hokkaido. After graduating from high school, he studied at Hirosaki University's faculty of humanities and social sciences. He was expelled from the school after getting arrested during a student movement held there. Following his expulsion, an acquaintance in Hirosaki gave him a job drawing pictures for a magazine in the town. 'The experience [drawing for the magazine] gave me the ambition to work in Tokyo,' he recalled. The exhibition has about 1,000 items, including original drawings from various anime and manga, sketches of manga drawn in a notebook by Yasuhiko when he studied at the university and materials related to his creative activities, such as Gundam movie posters. Also being exhibited is a clipping from a newspaper article about Yasuhiko's arrest, which includes his mug shot, and a written announcement informing him of his expulsion from school. 'I have never seen some of these items,' he said. The exhibition will be held through June 29. Admission is ¥1,700 for adults, ¥1,000 for university students and free for those 18 years old and younger.

Will There Be a Giant Natural Disaster in Japan This July?
Will There Be a Giant Natural Disaster in Japan This July?

Metropolis Japan

time30-05-2025

  • Metropolis Japan

Will There Be a Giant Natural Disaster in Japan This July?

Image is for illustration purposes only. Travelers from across Asia are canceling trips to Japan after a comic book by manga-profit Ryo Tatsuki warned of a natural disaster in July 2025. Tatsuki predicts a massive tsunami will strike in early July—and her track record has people spooked. She previously 'predicted' both the 2011 Tohoku earthquake and tsunami and the outbreak of a pandemic in April 2020, years before either occurred. In 2021, manga artist Ryo Tatsuki had a disturbing dream. She watched from above as the ocean floor between Japan and the Philippines cracked open and rose to the surface, sending massive waves to Japan. She says she saw text flash across a black screen, movie-style. 'The real catastrophe will come on July 5, 2025.' Tatsuki's cult-favorite comic series, The Future I Saw was published in 1999, chronicling her prophetic dreams. Some of her predictions had already occurred at the time of publishing, like the death of Freddie Mercury and the 1995 Kobe Earthquake. However, the manga truly built a following after she accurately predicted the 2011 Great East Japan Earthquake. Her fame surged again in 2020 when fans noticed that the manga had also included a reference to a global pandemic that would begin in April 2020. Cover of The Future I Saw by Ryo Tatsuki (1999 version) The cover reads: 'Great disaster in March 2011' (published 1999) With each event that seemed to line up with her dreams, her reputation grew. Social media creators and news outlets began referring to her as 'Japan's Baba Vanga,' likening her to the Bulgarian mystic known for her apocalyptic predictions. The comic was also recently re-released as The Future I Saw: The Complete Version . The edition has already sold over 700,000 copies in Japan alone. It compiles her original dreams alongside her most chilling one yet: her vision of a giant tsunami hitting Japan in July 2025. The implication is clear: she was right before, so what if she's right again? View this post on Instagram A post shared by STEVEN W. (@allstarsteven) And while it's easy to laugh it off, these kinds of stories strike a chord. Earthquakes in Japan aren't hypothetical. Everyone here has a memory of a big one. Everyone has a go-bag packed. So when a manga taps into that fear, it doesn't take much for it to go viral. Travel agencies across Asia are reporting a surprising drop in bookings to Japan, and they're pointing fingers at the comic. The steepest drops are coming from Hong Kong, Taiwan and South Korea—the places where the prediction seems to have caught the most attention. According to The Guardian, citing Bloomberg Intelligence and ForwardKeys data, average bookings from Hong Kong are down 50% compared to last year. And for late June to early July, right when the so-called disaster is supposed to hit, bookings have fallen by as much as 83%. Meanwhile, Greater Bay Airlines and Hong Kong Airlines are cutting down on their Japan-bound flights. Of course, Japan's Meteorological Agency has made it clear: there's no scientific way to predict an earthquake this far in advance. In fact, there's still no reliable method to predict one, even a few minutes before it strikes. Tatsuya Honjo, head of the Association for Skeptical Investigation of the Supernatural (ASIOS), has publicly pushed back on Tatsuki's reputation as a seer. He points out that many of her earlier predictions never came true—and that her correct ones could just be lucky guesses. The cover of her first manga even listed dates like July 2, 1994 and November 26, 1995, which passed without incident. Even Tatsuki herself admits to Bunshun Online in an interview, 'To be honest, I can't say for sure what this dream really meant. I've always been the type who wants to understand the cause behind things, so I don't feel entirely convinced myself. That said, after what happened with the Great East Japan Earthquake, I also can't say with 100% certainty that something won't happen.' As Honjo comments, when a prediction appears to align with a real event—like March 11, 2011—people remember that one, not the duds. You could argue this story went viral because it hit a generation raised on earthquakes, media sensationalism and social media anxiety. This image is for illustration purposes only. But also, it's just a good story. It has suspense, visuals and a message of redemption—because in her dreams, the disaster isn't the end. According to Tatsuki, the world changes after July 2025. In a dream she had on January 1, 2001, she saw a bright future where people cooperate and connect more deeply. An 'age of mind,' she calls it. If that sounds like new-age fluff, you're not wrong. But in an era when hope feels harder to come by, it's part of the appeal. Short answer: There's no scientific research to say that you should. Japan remains one of the safest countries in the world to visit, with a robust disaster-response system and some of the most earthquake-resistant architecture globally. Japan's natural disaster experts and scientists have warned of no particular event to watch out for in July. If you're planning a trip, at any time, the best thing you can always do is prepare well. We've put together a few guides to help. Start with Earthquake and Tsunami Preparedness in Tokyo: Evacuation Tips and Access Guides. And if you're packing, don't miss our Emergency Evacuation Backpack List for a quick, practical checklist. For the ultimate learning experience, try an earthquake simulator at on of Tokyo's disaster prevention centers. Canceling your trip based on a dream from a manga artist? That's a personal choice. But it's not one yet backed by science. Still, stories like this remind us just how powerful fiction can be—not only to entertain but to influence behavior, reshape perception and create real-world consequences. Even in the age of data and digital alerts, it turns out we're still deeply superstitious creatures.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store