logo
'We Were Liars' star opens up about how the show's 'rough' and emotional story 'took a toll' on him

'We Were Liars' star opens up about how the show's 'rough' and emotional story 'took a toll' on him

Yahoo7 hours ago

Based on the novel by E. Lockhart, the new series We Were Liars on Prime Video is a dark and highly addictive show. With an all-star ensemble cast including Emily Alyn Lind, Mamie Gummer, Caitlin FitzGerald, Candice King, David Morse, Shubham Maheshwari, Esther McGregor, Joseph Zada and Rahul Kohli, it's a compelling execution of this beloved YA story.
We Were Liars follows the Sinclairs, a wealthy family called "American royalty," who spend their summers together on the family's New England private island, Beechwood Island. Among the group are cousins Cadence (Emily Alyn Lind), Mirren (Esther McGregor) and Johnny (Joseph Zada), and Gat (Shubham Maheshwari), the nephew of Kohli's character Ed, who's partner Carrie (Mamie Gummer) is one of the daughters of the family's patriarch, Harris Sinclair (David Morse). Cadence, Mirren, Johnny and Gat are referred to by their family as "The Liars," inspired the antics they get up do in the summer months.
Sisters Carrie, Bess (Candice King) and Penny (Caitlin FitzGerald) are all in a constant battle to be the most impressive daughter in their father's eyes, a pressure they trickle down to their kids as well. But the status quo of this family is shaken one summer when Cadence, on the summer of her 16th birthday, has a traumatic brain injury. While she's lost all memory of the incident, she's determined to find out what happened the night of her injury.
The story doesn't just look at the summer where things changed, but goes back to look at the history of this family's evolving, often tense, relationships and circumstances that led to that night.
While Lind's performance is the anchor of the show, both McGregor and Zada give impactful portrayals of Mirren and Johnny.
For the character Mirren, the show really leans into her "weirdness" and individuality, unique in a family that wants to see everyone in matching Ralph Lauren outfits. McGregor described playing Mirren as a "liberating" experience.
"I think I'm like that anyways, ... but it was nice to be able to do that in a work setting too, and really find the levels that she brings to that weirdness," McGregor told Yahoo Canada.
Much of the success of We Were Liars is the way the show swings from the deeply heartbreaking moments to the electric, oftentimes funny and sarcastic energy of other elements of the story. Zada's portrayal of Johnny really epitomizes that, with character having an electric free spirit when we first meet him.
"That was such a big part of his character, and stepping into that made me feel like I was a more confident person," Zada said. I'd be able to walk on set and hold my head high and feel confident about my work, and then being able to have what's coming underneath that was so good for my acting."
But when it's revealed that Johnny did something terrible to another student at school, and his mom Carrie had to pay to cover for him, Zada brings devastation to his performance.
"It was really rewarding to pull it off. I think, I hope," Zada said. "It was really hard. It was hard to go to those places emotionally. It definitely took a toll on me after a while. I think the subject was pretty rough too. It was not a very nice thing, but it was definitely stretching for my acting ability."
While The Liars are a highlight in the show Rahul Kohli, whose's had impressive past performances in projects like iZombie and The Fall of the House of Usher, is a favourite.
While much of that is a credit to way Kohli brings so much nuance and a unique charisma to every character he plays, it's also because Ed, along with Gat, share an outsider perspective that the audience will have of the Sinclair family.
"The scripts were great. They were well written. They're based on a fantastic book. Mamie is a fantastic actor," Kohli said about what attracted him to being part of the show.
"I don't want to act like I didn't do work, but it was a very easy job. Mamie is incredibly professional and disciplined at what she does, asks great questions. I came in very late in the game with an open mind, and I allowed the creators and the cast to kind of create the world for me, and I just had to exist."
It is the relationship between Gat and Ed that feels really special, because they're able to share the reality that while they've spent so many years with the Sinclair family, they're ultimately not Sinclairs, which comes with an othering and a constant feeling of being on the sidelines.
"The couple of side chats between Gat and Ed, one, gave me an opportunity to work with Shubham, who I absolutely adore, just such a wonderful actor, super new to the scene, but just fantastic to work with, and has a great future ahead of him," Kohli said.
"Especially if your character is not centred in a story, you basically play detective as an actor. You're going through a series of scripts and you're saying, 'When do they talk about themselves? When do they share their opinions about the world that they're in?' And those happen with Gat, those scenes with Ed are where you get a little bit more information about where his head's at. So they were super important to me for helping to create Ed, because that is a huge part of it. It's being a fish out of water. It's being othered. And the difference between Gat and Ed is, does Gat want to exist in that world and behave in the same way as Ed, or does he want to carve his own path."
But a lot of that pressure to uphold the Sinclair legacy comes from Harris, who not only has high expectations for his family members, but is particularly brash in how he communicates that. Whether it's racist and discriminatory comments, or incredibly hurtful insults to his family.
The one person he has a particularly interesting relationship with is Cadence. While he doesn't condone all of her decisions, she's the one person who actually has the courage to talk back to her grandfather, and call out his poor behaviour.
"Emily is absolutely terrific and getting to work with her was really a joy," Morse said. "And they were some my favourite scenes too."
"And when I read the book, one of the things that always stuck out to me were the scenes between Cadence and Harris, and that relationship. And I think the fact that she stands up to him is one of the reasons he sees her as the one who's going to carry on the legacy, carry on the business. None of his daughters have what it takes. And if anybody has that, has the backbone, ... it's her. So it makes that relationship more interesting."
"She's like Michael Corleone to the Don," Kohli added.
While Harris could be a one-dimensional character, we do see elements of his vulnerability peek through, which is necessary to make him feel like a fully realized character, including the love Harris has for his dogs, or what we learn about the fourth daughter Harris had with his wife Tipper (Wendy Crewson).
"I thought that stuff was essential," Morse said. "One thing that you could add to that is the relationship with Tipper, his wife, and really with the family when there's no pressure, when they're giving him love. That's what he he needs."
"I think we can see some very public figures at the moment who would, you know, they just want attention and love, and everything revolves around that. And I don't want to think of Harris so much that way, but that's there. He's a man who, for a long time, he's been a man that people want something from him. ... He's a powerful man. No matter where he goes, somebody wants to sit next to him, get something from him. It's affected who he is and how he moves through the world. So those little moments that you're talking about, I think are not only important for him, but for the story."

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

A play about surfing and the choppy waters of life? Swell.
A play about surfing and the choppy waters of life? Swell.

Washington Post

time20 minutes ago

  • Washington Post

A play about surfing and the choppy waters of life? Swell.

When you hit the beach, you count on waves. At the Pacific-shallows setting of Aurora Real de Asua's comedy 'Wipeout,' you're in for surges of life-affirming sentiment that scud and peak and wash through the tale with grace but a certain predictability. Watching this story about three 60-plus-year-old women taking their first surfing lesson, you are never far from a heartstring-tugging beat or a triumph-of-the-human-spirit epiphany, many of which you can see coming from a nautical mile off. Still, while the playwright delivers few surprises, her dialogue billows with delightful zingers. Director Danilo Gambini makes one major miscalculation in his Studio Theatre staging, but the production features a few gloriously funny sequences and some moving ones. The golden girls seeking hang-ten instruction in this scenario are old friends and contrasting personalities whose reunion in Santa Cruz, California, simmers with charged memories and barbed banter. Gary (Katherine Cortez) is a firecracker of energy and enthusiasm. The oft-married Wynn (Delissa Reynolds) is prickly in a way that obviously masks inner pain. Claudia (Naomi Jacobson) is a high-strung and anxious type quick to see a shark in a piece of kelp. As 19-year-old surfer dude Blaze (Alec Ludacka) attempts to teach them how to shred, the trio contemplates aging, grapples with old hurt and memories, and experiences the bittersweet glories of friendship. The terrific actors bring intensity to their roles when needed, as when Claudia all but palpitates with last-minute misgivings about the surf lessons, a stricken look in her eyes. But the most satisfying scenes are the ones that show off the performers' superb comic timing. Blaze makes his entrance in a priceless sequence that's half beach-god swagger, half innocent-teenager frolicking. And the cheerful, tone-deaf bro vibes he brings to his coaching sessions can be hilarious. Cortez, Jacobson and Reynolds find the zest in the play's quips. 'You always say Cabernet is only good for district attorneys and libertarians,' Wynn reminds Gary when the conversation has turned to wine. But if the drollery in the situation and relationships comes through, the characters' courage sometimes doesn't, because of a staging conceit that, while impressively bold, ultimately proves counterproductive. 'Wipeout' is set entirely in the water, but at Studio we see the action unfold in the kitchen and living room of a meticulously realized beachside bungalow, complete with wicker furniture, china cabinets and TV sets (which relay some ocean imagery). Even as the protagonists talk about paddling techniques or scope out the bodies of other beachgoers, they appear to be hanging out indoors — Wynn is even dressed in flowing pink lounge wear. (Jimmy Stubbs designed the set, and Valérie Thérèse Bart the costumes. Lighting designer Andrew R. Cissna adds some fun éclat at times of ride-the-swell excitement.) The gimmick allows for varied movement and stage business while avoiding any need to mimic flotation: Rather than milling around awkwardly with surfboards, the characters appear to indulge in at-home activities like drinking martinis and eating grapes. There is some ingenious use of faucets and the like to evoke maritime brine (the melting contents of an ice bucket conjure a current), and a coffee table is an adequate stand-in for a surfboard. The setup arguably adds theatricality on one level, forcing us to imagine the Pacific when we're looking at what could be a spread from Elle Decor. But the imagery has the unfortunate side effect of visually relegating the characters to domesticity — the women, especially, since they do most of the puttering. This day in the sea is probably one of the braver things Claudia, Gary and Wynn have done, and instead of allowing the stage picture and body language to bring that out, the production often makes their surfing gambit feel tame. As the play nears its climax, there are some admittedly powerful reveals that emphasize the significance of the three friends' oceangoing fling. For them, the meaning arrives in rogue-wave twists. For us, it's more familiar whitewater. Wipeout, through July 27 at Studio Theatre. About 110 minutes, no intermission.

A Summer Kick-Off From Telfar, Who Celebrated 20 Years in Business With a Comeback Show
A Summer Kick-Off From Telfar, Who Celebrated 20 Years in Business With a Comeback Show

Vogue

time42 minutes ago

  • Vogue

A Summer Kick-Off From Telfar, Who Celebrated 20 Years in Business With a Comeback Show

Telfar, the brand, and Telfar, the designer, have always moved at their own pace. On Saturday night, Telfar Clemens summoned friends, fans, and press—amidst which there were many intersections—to Cortlandt Alley, behind his Canal Street store, to celebrate two decades of the label he started as a teenager in Queens. His famous askew tank tops hung from clotheslines above a crowd of around 200 who gathered to see his much anticipated return to the runway after a long absence. The summer solstice was on Friday, making Saturday one of the longest days of the year with over 15 hours of daylight. Telfar used up every last bit of it—the show started over two hours late; though once it got going, no one was counting. 'If you think we're late, we're not. We're on time, bitch!' exclaimed Jorge Gitoo Wright, who cast the show, at around the hour and a half mark, adding: 'If you don't like the looks, we don't like you!' Courtesy of Telfar Courtesy of Telfar Courtesy of Telfar What was not to like? Late last year, when Clemens opened his first Telfar store, he spoke about his ambitions with ready-to-wear. 'It's like when you were walking down Broadway and you saw six people with the same coat—whatever's going on there, I want to do that,' he said. In a way, he already had: His Shopping Bag was an It-bag before it became a mass item with dupes sold a stone's throw away from the real thing. 'I'm really ready for that effect to happen with the clothes,' he added. Babak Radboy, the brand's long-time artistic director, elaborated: 'We weren't trying to see a thousand people in a sweatshirt with the Telfar logo on it. We were trying to see a thousand people in an upside-down tank top. We wanted the granny and the mechanic. That was the idea of mass, of how you change the mass. Not just how you serve them a generic idea.' There were no generic ideas here: Clemens has always had a knack for abstracting wardrobe classics and transforming them into idiosyncratic expressions with the ineffable coolness of a true New Yorker. This weekend's show offered them in spades. The collection featured seven capsules, which will be dropping monthly between right this minute and the fall. Most impactful were the suits rendered in casual jerseys. There was a softness and nonchalance to the cut of these pieces that felt new and forward-looking—a reminder of the way Telfar's runway shows have often offered an accurate and timely read of the zeitgeist. Courtesy of Jason Nocito Courtesy of Jason Nocito

Fanatics Fest 2025: The coolest things we saw (and didn't see)
Fanatics Fest 2025: The coolest things we saw (and didn't see)

New York Times

time42 minutes ago

  • New York Times

Fanatics Fest 2025: The coolest things we saw (and didn't see)

Fanatics Fest might be the best value for money in sports today. Anyone who hasn't attended either of the three-day events held at New York's Javits Center might find that shocking, but its case has only strengthened from year one to year two of its existence. Yes, there are a plethora of pricey merch, trading card, autograph and photo opportunity offerings that can easily skyrocket the total cost of a day at the fest (a single-day entry ticket was $60 for adults and $30 for kids this year), but all of those elements are shockingly non-essential to having a fun and unique experience that's almost entirely different from someone else there at the same time. Advertisement At most events, you might need to be in the exact right spot at the exact right time in order to witness the one viral moment that takes place there. At Fanatics Fest this year, moments like that were happening all the time, everywhere, and involving some of the biggest athletes and celebrities in the world all throughout the three days. It was honestly both impressive and overwhelming. Everyone who attended for The Athletic agreed that they left each day of the event feeling like they saw first-hand a dizzying array of notable things and experiences, only to get back to their hotel room each night and pull up their social media feeds to see a dozen other interesting moments they had missed. '(Fanatics Fest) makes people love Fanatics,' said Fanatics CEO Michael Rubin. 'The way we can pull together 300 of the world's best athletes, artists, celebrities together with every sport in the world that matters and have them all in one place. … We invest a lot of money in this. We lose a lot of money doing this. But this is the way we tell the Fanatics story. We have all of our businesses here. We bring everything here. It's just the way we want to tell our story. … Putting this on is harder than running our three businesses (commerce, collectibles, and betting) combined.' Rubin estimated that Fanatics lost around $15 million on last year's event, which was significantly smaller than this year's. Attendance in year one was around 75,000 and in year two it exceeded 125,000, according to the company. First and foremost this year, there were the news events that played out over the three days — from Victor Wembanyama speaking publicly for the first time since his injury to Washington Commanders owner Josh Harris buying a $500,000 Jayden Daniels rookie card at Topps trade night (a free after-hours event at the venue on Saturday night that was open to all attendees) with Daniels standing beside him to Kevin Durant's trade to the Houston Rockets being announced for the first time while he was on stage. Then there were the countless other moments that filled everyone's social media timelines. It would be impossible to list them all here, so here are just some of our favorites. Coolest thing I saw: It will be hard for me to ever forget the image of the 7-foot-3 Victor Wembanyama standing in bath robes and then shirtless next to the 5-foot-4 Kevin Hart to open a live episode of Hart's 'Cold as Balls' podcast during Saturday's session. Rubin had custom metal tubs designed for Wembanyama and Hart, which properly suited each star given their uniquely varying heights. Advertisement There were several star-studded panels throughout the weekend I attended, including 'The Shop Live' with LeBron James, Tom Brady, and Wembanyama, that brought out the seriousness of the event's star power. As well as a panel with Rubin, Brady and musician Travis Scott, that basically turned into a reason for Scott to perform a brief, but rowdy set. Still, Wemby's comfort level and demeanor felt natural and likable, even with so much attention attached to him during a blockbuster event. Coolest thing I didn't see: Tom Brady made more appearances at the Fest seemingly than Rubin himself. And that's saying something given how much Rubin relishes being front and center of the sports mastodon he created. I watched Brady serve as a guest on numerous panels, I watched him participate in live card box breaks and cram into his own sports card vault with buddy Mark Wahlberg. But man, I wished I could've witnessed firsthand Brady's journey through the Fanatics Games. I knew the absurdly competitive Brady would take this competition against fellow athletes, celebrities, and 50 fans seriously. But it still sort of surprised me that he won it, given how many active elite athletes participated (Brady divided up his $1 million prize by buying the rare LeBron James rookie card won by the fan who finished third for $250,000 and promised $5,000 to each of the 49 other fans who participated). The showstopper occurred when Brady strutted down the makeshift WWE aisle for the superstar entrance portion of the competition, tearing up a Giants jersey only to be 'attacked' from behind by Eli Manning. Brady carried Manning on his back back to the 'dressing room.' It's chaos at @FanaticsFest! 👀@TomBrady just ripped up an @EliManning jersey, and that wasn't going to fly with Eli! 🤣@Fanatics — WWE (@WWE) June 20, 2025 —Larry Holder The coolest thing I saw: It wasn't a thing, it was a vibe: tens of thousands of people who have eschewed cool-guy aloofness and opted instead to enthuse unironically — sharing in the thing they love most. I saw yolked-up dudes cry meeting their sports heroes. I saw grandmothers scream over Kevin Costner (and wolf-whistle when he said his sports films succeeded 'because they were about girls'). I saw little kids holding hand-painted posters watching their parents compete in the Fanatics Games. I sat on a railing with LeBron fans while the tallest guy offered to hold up each person's camera to get a good shot of their idol. I stood on a shaky, over-crowded bleacher next to a mom whose son was competing against Joey Chestnut in a Raising Cane's chicken finger eating contest. (Sorry to say Joey Chestnut obliterated him.) Raising Cane's was insane today 🤩🔥 — Fanatics (@Fanatics) June 21, 2025 The coolest thing I didn't see: By the time I heard Victor Wembanyama was downstairs playing chess against 100 fans, it was too crowded to see. I heard 15 minutes too late that Joe Burrow was throwing pitches on the other side of the expo floor (reportedly, not well!). I saw Livvy Dunne in the eating contest (on a team with DJ Khaled, Druski, and Rubin, lmao) but I missed when she bought a rare Paul Skenes baseball card. I asked Cam Jordan about something he's been gifted that he considers a priceless collectible ('Me!'), and RG3 showed me one of his favorite pairs of socks (Ninja Turtles), but I didn't get to see Tom Brady challenge Eli Manning on the WWE floor, either. Advertisement The place was suffused with a sense of serendipity mixed with panic, because you had to be in the right place at the right time. I think that was both wonderful and maddening: Fans had the unimaginable opportunity to be up close and personal with Tom Brady, but you also had to take your life in your hands fighting through the crowd to get there. The love of collecting is something like hunger for a quest — pursuing a potentially unattainable goal with a blend of joy, dogged persistence and a touch of lunacy. Not unlike the Fanatics Fest experience. —Hannah Vanbiber Coolest thing I saw: Watching Joe Montana, Dan Marino and Jayden Daniels on a panel moderated by Taylor Rooks was quite the scene. The crowd was predominantly pro-Jayden but everyone enjoyed the insights of Montana (the former/still GOAT?) and Marino (a downfield deep ball passer ahead of his time). Marino got the most laughs out of the crowd not being able to resist a deflated balls joke about his former AFC East rivals. Both legendary former quarterbacks had nothing but good things to say about Daniels and his historic rookie season. Daniels seemed to be genuinely appreciative of the praise he received face to face with two of the greatest quarterbacks to ever play, especially the praise from Montana, who Daniels admitted was his father's favorite, and who he was told to emulate as a California kid dreaming of being a quarterback one day. If you were a paying customer and willing to wait in line (assuming you didn't purchase VIP access), candid conversations with sports stars were everywhere on various stages. Coolest thing I didn't see: Kevin Durant being traded in real time and finding out about it while on stage Sunday might have been the wildest moment of Fanatics Fest among many contenders. The buzz in the crowd seemed like a collective 'I can't believe this happened right now.' For all the many things that may have been pre-arranged at Fanatics Fest, the Durant trade seemed like organic magic for those in attendance. The crowd couldn't believe what just happened 🤯 — Fanatics (@Fanatics) June 22, 2025 —David Betancourt The coolest thing I saw was completely unexpected — the Grays Sports Almanac from 'Back to the Future II.' Not the one you can get easily as a mere replica. But the one that was screen-used in the movie. One personally owned by Michael J. Fox sold for $30,625 last year, which seems like a bargain, frankly. I'm not sure if Fanatics is testing the water at Fanatics Fest with this one movie memorabilia exhibit. But it makes sense that Topps, given their involvement with Marvel and Star Wars and various non-sports celebrities, would get into this space. Advertisement Screen used Hollywood memorabilia is usually one of one, at least when tied to a scene or a shot in a famous movie. And I guess it could be 'cardified,' for lack of a better term. Maybe they chop up Dorothy's slippers into 200 pieces and embed those pieces into 200 cards. That seems borderline criminal but they do the same thing with iconic jerseys and Babe Ruth bats. (Don't worry, 'Wizard of Oz' fanatics; Dorothy's actual slippers are safe in the Smithsonian.) They found Bruce the Shark from Jaws (one of them) in a junkyard, where it was languishing. So it's not crazy to think the outer rubberized skin and teeth can end up being slabbed. Maybe one day they'll do the same thing with the Mona Lisa! Objectively, the coolest thing I missed at the show, which was mostly a cultural event and not much of a memorabilia show for my vintage tastes, was the Travis Scott concert. But personally, I wish I saw Burrow struggle so mightily to hit a stationary strike zone with a baseball that it seemed like a put on. Joe Burrow pitches … just a bit outside 😅⚾️ — MLB (@MLB) June 22, 2025 —Michael Salfino The coolest things I saw: I was able to check out the 'Netflix Sports Club.' My favorite part of the experience was the golf simulator and putting green to promote Adam Sandler's Happy Gilmore 2. The putting green looked like it was taken straight out of the first movie, featuring Happy's boots and the one-eyed alligator holding Chubbs' wooden hand. The putter you use is even a replica of Happy's famous hockey stick putter, which will be officially available for purchase following the movie release. Fans also received a mini movie poster and a small box of 'Shooter McGavin's Pieces of S*** For Breakfast' cereal — a nod to the hilarious scene in the first film. I'm being told @netflix is handing these out at Fanatics Fest. Hilarious. — Shooter McGavin (@ShooterMcGavin_) June 20, 2025 The MLB activation also brought a fun ballpark experience, featuring a pitching cage with speed radar and one-of-a-kind baseball memorabilia on display. Some of the unique pieces shown included the 2023 World Baseball Classic trophy and a Julio Rodriguez Autographed 2022 Home Run Derby graffiti-design bat. The coolest things I didn't see: I missed out on the Topps trade night and the Commanders owner purchasing Daniels' 1/1 Prizm Black Finite rookie card from dealer Roth Cards for a whopping $500,000. I also didn't get the opportunity to see any of the panels at The Theatre due to its confusing entrance and location on Level 1. This, combined with how large and separated the two show floors were throughout the Javits Center, I found myself spending most of my time where the brand/league activations and card dealers were located on Level 3. —Tyler Holzhammer The coolest thing I saw: The fact that every athlete or celebrity I saw was fully bought into the spirit of the event and not just going through the motions or there to collect a check. Fanatics got a ton of huge names — not the long-forgotten or unknown benchwarmers — to engage with fans and act goofy and seemingly have actual fun. That's what really puts this event over the top. To that point, John Cena was the MVP of Fanatics Games. He did everything in his power not to win it (presumably so the fans who were competing could have a better shot at the prizes), but he did it in the most creative way possible. His six-ball pitching demonstration and power punch were highlights. Can't see him in anything 🚫🤣 @WWE — Fanatics (@Fanatics) June 21, 2025 Speaking of wrestlers, the WWE entrances were so fun. Not just the ones performed by the athletes and actual WWE superstars, but the ones all the fans did, ranging from little kids jumping around in fake mullets and beards to adults who meticulously re-enacted their favorite wrestler's every movement. At one point on Saturday I realized I had been standing there watching these for over an hour with a smile on my face the whole time. The very best one came on Friday, when a Macho Man Randy Savage impersonator did his entrance in a full St. Louis Cardinals uniform, with 'Poffo' printed on the back (Savage's real last name) and a Slim Jim in hand. Why a Cardinals uniform? Poffo/Savage was signed by the organization as a catcher out of high school. Impressive. The coolest thing I didn't see: Two stand out. First, Wemby playing chess against 100 fans — many of whom apparently did not know how to play chess. A post shared by Fanatics (@fanatics) And Durant, sitting in the balcony of the temporary 40/40 club built inside the venue that served as a refuge for the VIPs, graciously holding out his hands for one of the fans down below to throw him an item to sign, only for a bunch of people to all chuck things at him at once. A post shared by Fanatics Sportsbook (@fanaticssportsbook) —Brooks Peck The Athletic maintains full editorial independence in all our coverage. When you click or make purchases through our links, we may earn a commission. (Top photo of Tom Brady:for Fanatics)

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store