Kiss frontman Gene Simmons is selling his unforgettable California home. See it
Classic rock legend and Kiss frontman Gene Simmons has decided to part ways with this absolutely bonkers four-bedroom, five-bathroom estate in the most famous ZIP code in the country — 90210.
'A symbol of design excellence, superior quality and exceptional structure,' the listing on Compass describes.
Built in 2017, the exterior of the house has a futuristic sort of appeal and glitters in the green hills of Beverly Hills, California. It's listed for $13.995 million.
'This home is a rare example of Swiss architectural mastery, built with exceptional quality, thoughtful details, and a focus on longevity,' listing agent Lisa Young said in a news release. 'From the Swiss steel framework and sleek fixtures to the fiber cement exterior panels that can go more than 50 years without maintenance, everything was designed to last.'
Features in and around the 7,741-square-foot residence, per the listing, include:
Massive deck'Gold geometric paneling'Dramatic entrywayHigh ceilingsOpen floor planGallery spaceSolar-powered poolOutdoor veranda
While the entire house is impressive, nothing beats the breathtaking views around every single corner, the Rock and Roll Hall of Fame bass player said in a news release.
'My favorite part of the house is waking up in the morning in the upper bedroom, having coffee in bed and on a clear day being able to see all the way out to the ocean,' Simmons said. 'And my other favorite time is sunset in the upper bedroom or downstairs barbecuing something outdoors. The views really are spectacular.'
The listing is held by Young, Kennon Earl and Thomas Davila.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
6 hours ago
- Yahoo
Nancy Wilson says two 'irreplaceable' instruments have been stolen ahead of Heart's tour
When you buy through links on our articles, Future and its syndication partners may earn a commission. Heart have revealed that two 'irreplaceable' instruments have been stolen from them, just as they were due to embark on their June tour. The band had set up at the Hard Rock Hotel & Casino in Atlantic City on May 30, the day before the first show on their latest US jaunt but were 'devastated' to discover that two instruments had been taken from under their noses. A one-of-a-kind baritone Telecaster, featuring an intricately painted headstock custom-made for Nancy Wilson, and a vintage 1966 Gibson EM-50 mandolin that has been with the band for 25 years were both stolen. 'These instruments are more than just tools of our trade — they're extensions of our musical souls,' says Nancy Wilson. 'The baritone Tele was made uniquely for me, and Paul [Moak]'s mandolin has been with him for decades. We're heartbroken, and we're asking for their safe return—no questions asked. Their value to us is immeasurable.' Such is the personal value of the distinctive instruments that a reward is being offered to anyone with relevant information. Individuals with information can contact tour manager Tony Moon via email at tonymoon@ The Rock and Roll Hall of Fame inductees are on the road with fellow hall of famers Cheap Trick, and Squeeze, celebrating 40 years since the release of their wildly successful self-titled album. Wilson recently reflected on the making of 1985's Heart, telling Guitar World, that while her beloved acoustic guitar had been the cornerstone of the band's sound, she felt 'pressured' by producer Ron Nevison to ditch the acoustics if they wanted to resonate with the contemporary audience. '[Heart] revitalized the band,' she explained in the same piece. 'It took us up to a whole other level of global success, so there's nothing I regret about what we did or where we compromised.' The latest dates come after they were forced to cancel a 2024 tour, as Ann Wilson revealed she was undergoing cancer treatment. The singer promised they'd be back in 2025, and she has been true to her word. It makes the theft of the two instruments even more heartbreaking. Guitar World hopes they return to the band – as Nuno Bettencourt found following the onstage theft of his prized Washburn, sometimes these stories can have a happy ending.
Boston Globe
11 hours ago
- Boston Globe
Per Norgard, daring symphonic composer, dies at 92
Mr. Norgard's musical evolution encompassed the mid-20th century's leading styles, including neoclassicism, expressionism ,and his own brand of serialism, and it incorporated a wide range of influences, including Javanese gamelan music, Indian philosophy, astrology, and the works of schizophrenic Swiss artist Adolf Wölfli. Advertisement But he considered himself a distinctively Nordic composer, influenced by Finnish symphonist Jean Sibelius, and that was how newcomers to his music often approached him. The infinite, brooding landscapes of Sibelius -- along with the intensifying repetitions in the work of Mr. Norgard's Danish compatriot Carl Nielsen and the obsessive, short-phrase focus of Norwegian Edvard Grieg -- have echoes in Mr. Norgard's fragmented sound world. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up The delirious percussive expressions of his composition 'Terrains Vagues' (2000), the plinking raindrops of the two-piano, four-metronome 'Unendlicher Empfang' (1997), and the vast, discontinuous fresco of the Eighth Symphony (2011) all evoke the black-and-white northern vistas of Sibelius, with their intense play of light and shadow. As a young student at the Royal Danish Academy of Music in Copenhagen in the early 1950s, he was immersed in the music of Sibelius, writing to the older composer and receiving encouragement in return. 'When I discovered there was a kind of unity in his music, I was obsessed with the idea of meeting him,' he said in an interview. 'And to let him know that I didn't consider him out of date.' Advertisement The two never did manage to meet. But Sibelius, who died in 1957, was a lifelong inspiration and mentor from afar. 'From the moment I discovered the music of Sibelius, I felt in much more of a relationship with his music' than with that of fellow Danish composers, Mr. Norgard said in a 2012 interview. 'There are the long horizons. And a feeling, maybe, of a kind of nostalgia,' he added. Mr. Norgard developed a unique compositional technique he called the 'infinity series,' a slightly repeated, but constantly shifting, sequence of notes, which the British critic Richard Whitehouse described as 'a way of creating layers of melodies that move simultaneously at different speeds across the texture.' That technique recalls what Mr. Norgard called the 'symmetric turning around' of Sibelius. Mr. Norgard himself aspired to a music in which 'everything came out of a single note,' he said, 'like the big bang.' Both composers are credited with renewing, and prolonging the life of, the imperiled symphony. Whitehouse called Mr. Norgard's Fifth Symphony (1990) 'arguably the most significant reappraisal of symphonic form in the past half-century.' Sibelius' own Fifth Symphony, composed in 1919, had been characterized the same way in its day; Mr. Norgard was inspired by what he called its 'growth, where different motifs are more and more connected, to a great vision of unity.' Advertisement Mr. Norgard had a brief brush with popular consciousness with his hauntingly simple music for the film 'Babette's Feast' (1987), an adaptation of the 1958 story by Karen Blixen, writing under the pen name Isak Dinesen. Despite his stature in Europe -- there were frequent recordings, some with major orchestras such as the Vienna Philharmonic -- Mr. Norgard found a muted reception in the United States. In 2014, he was awarded the Marie-Josée Kravis Prize for New Music by the New York Philharmonic, although the orchestra had 'never played a note of his music,' New York Times critic Alan Kozinn observed at the time. A 2016 concert series, 'Norgard in New York,' went some ways toward remedying the neglect. David Allen wrote in The New York Times that 'at its strongest, Mr. Norgard's music has an unbridled organic power, bursting with overlapping lines inspired by mathematical patterns like the golden ratio or natural forces like the rush of an ocean or the dwindling bounce of a ball.' Mr. Norgard, for his part, described his award from the New York orchestra, two years earlier, as 'quite mysterious.' Per Norgard was born July 13, 1932, in Gentofte, Denmark, north of Copenhagen, the younger son of Erhardt Norgard, a tailor who owned a wedding-dress shop, and Emmely Johanne Nicoline (Christensen) Norgard. He was composing piano sonatas by the age of 10. At 17, he began studying with the leading Danish composer Vagn Holmboe, and in 1952, he entered the Royal Danish Academy of Music, where he continued his composition studies. From 1956 to 1957, he studied in Paris with Nadia Boulanger, who taught many of the 20th century's leading composers, a period that led him to write at least one Neo-Classical work in the Stravinsky mold. Advertisement Under the tutelage of Boulanger, he rebelled somewhat against her hyper-French, Neo-Classical universe, advocating, in an article, engagement with 'the universe of the Nordic mind.' Teaching at Danish conservatories in Odense, Copenhagen, and Aarhus followed, along with music criticism for the daily Politiken newspaper. By the early 1960s, Mr. Norgard had developed the 'infinity series' concept, which began with experiments with simple piano pieces. A steady stream of large-scale choral, symphonic, and chamber works resulted, culminating in his last major composition, the Eighth Symphony, which Mellor likened to the works of Mahler, the 'idea that the symphony strives absolutely to contain the world -- that the composer is offering us a glimpse of the universe.' Mr. Norgard's wife, Helle Rahbek, died in 2022. He leaves a daughter, Ditte, and a son, Jeppe, from an earlier marriage, to Anelise Brix Thomsen, that ended in divorce. In an interview with the New York Philharmonic in 2014, after being awarded the Kravis prize, Mr. Norgard described his compositional technique, and discussed the 'infinity series.' It was 'a kind of homage to the mystery of life,' he said, 'which has always been a guiding line for my music.' This article originally appeared in
Yahoo
11 hours ago
- Yahoo
Morphy's June 11-12 Fine & Decorative Arts Auction Is Crowned by Luxury Watches, Tiffany Lamps, American Art, Rare Amphora Pottery
Featured: Ulysse Nardin Royal Blue Mystery Tourbillon limited edition platinum, diamond and sapphire wristwatch; Monumental carved Black Forest clock with five bears; Chiparus bronze, James Bard painting DENVER, Pa., June 4, 2025 /PRNewswire/ -- Those entering the preview area at Morphy's flagship gallery in Pennsylvania can almost hear the roars coming from one of the June 11-12 Fine & Decorative Arts Auction's most eye-catching attractions. Standing 79 inches tall and capturing its well-deserved share of attention is a monumental two-panel Black Forest clock whose case is meticulously carved with the images of five bears. Composed of linden wood, a soft wood from Germany's natural forests that is ideally suited to carving, the clock might very well be described as a masterpiece of its genre. The motif is a visual delight, with four differently-modeled fully-dimensional bears climbing a pine tree as a fifth bear who has reached the tree's pinnacle gazes down at them. Throughout, the artist's attention to detail is obvious, with the trunk and branches fastidiously "grained," the leaves minutely detailed, and the bears themselves realistically represented with furry coats, painted red tongues and white teeth. In excellent condition, the clock comes to auction with a $10,000-$20,000 estimate. The Clocks & Watches category shifts from Bavaria to picturesque Switzerland with a boutique selection of coveted Swiss-made timepieces. Leading the group is an exceptionally rare and important Ulysse Nardin Royal Blue Mystery Tourbillon limited edition platinum, diamond and sapphire wristwatch, Ref. No. 7990093. Only 99 watches of its type were made, and the auction example is identified as No. 1 of those 99. Superior in every way, it is expected to sell for $150,000-$200,000. Some think of Morphy's as "The House of Tiffany" because of its long tradition of offering rare and especially fine Tiffany Studios leaded-glass lamps. A glorious example in the June 11-12 sale is a table lamp with an 18-inch-diameter shade in the Oriental Poppy floral pattern. The motif displays multicolored reds, ranging from deep ruby red to coral and highly complex tones of mixed reds, with blues and purples interspersed. In excellent condition, the shade is signed Tiffany Studios New York 2598 and rests on a patinated-bronze Tiffany Studios Tyler-style base whose underside is signed Tiffany Studios New York 368. Estimate: $125,000-$175,000 Other noteworthy American lots include a circa-1853 James Bard (1815-1897) nautical oil-on-canvas titled U.S. Mail Paddle Steamer George Law, $40,000-$80,000; and an all-original circa-1880s Samuel Robb full-size cigar store Indian depicted holding packages of cigars and tobacco, $20,000-$50,000. European art highlights include a 52-inch-tall Villeroy & Boch (Germany) terracotta Santa figure created in 1900, probably for a department store window, $20,000-$30,000; and a circa-1925 Demetre Chiparus (Romanian/French, 1886-1947) cold-painted patinated bronze figure of a lady with two hounds titled Les Amis Toujours (Friends Forever). Estimate: $20,000-$30,000. A possible "unicorn," an extremely rare Amphora vase decorated with the scene of a double-headed water serpent fighting a mythological prehistoric fish has never before appeared at auction and is not illustrated in any Amphora reference book. In mint condition, it will make its auction debut with a $12,000-$18,000 estimate. Morphy's Wednesday/Thursday June 11-12, 2025 Fine & Decorative Arts Auction will be held live at the company's flagship gallery, 2000 N. Reading Rd., Denver, PA 17517, starting at 9 a.m. Eastern Time. Jewelry/watches preview by appointment only. All forms of bidding will be available, including absentee, by phone and live via the Internet through Morphy Live. Enquiries: call 877-968-8880, email info@ Visit Morphy's online at Media Contact:Dan Morphy877-968-8880, 396230@ View original content to download multimedia: SOURCE Morphy Auctions Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
