
Judge declares mistrial at Harvey Weinstein rape trial
The judge overseeing Harvey Weinstein's criminal trial in Manhattan has declared a mistrial on a rape charge against the former Hollywood movie mogul, after one of the jurors refused to continue deliberations.
The mistrial came a day after the jury convicted Weinstein on a separate sex abuse charge. It also acquitted him on a different sex abuse charge.
Weinstein, once one of the most powerful figures in Hollywood, faced a retrial that began on April 23 after a New York state appeals court last year overturned his 2020 conviction. He was accused by prosecutors in this case of raping an aspiring actress and assaulting two other women.
Weinstein, 73, pleaded not guilty and has denied assaulting anyone or having non-consensual sex.
The jury found Weinstein guilty on one of the three counts he faced, which stemmed from his alleged assault of former production assistant Miriam (Mimi) Haley in 2006. The jury found Weinstein not guilty of a charge stemming from his alleged assault of Kaja Sokola in 2002 when she was a 16-year-old aspiring actress.
Supreme Court Justice Curtis Farber declared a mistrial after the judge said the jury could not reach a verdict on a third count, which charged him with raping aspiring actress Jessica Mann in 2013.
Weinstein faces up to 25 years in prison when he is sentenced. He has separately been sentenced to 16 years in prison following a rape conviction in California.
In a startling development on Wednesday, the jury foreperson told Farber that other members of the panel were shouting at him and threatening him for refusing to change his vote on the rape count.
Farber sent jurors home for the day to give them time to cool down and instructed the foreperson to arrive in court separately on Thursday.
In closing arguments on June 3, the prosecution told the 12 jurors that the evidence showed how Weinstein used his power and influence to trap and abuse women.
The defence countered that the accusers lied on the witness stand out of spite after their consensual sexual encounters with the Oscar-winning producer failed to result in Hollywood stardom.
A jury found Weinstein guilty in February 2020 of raping Mann and sexually assaulting Haley. Sokola's allegation was not part of that case.
The conviction was a milestone for the #MeToo movement, which encouraged women to come forward with allegations of sexual misconduct by powerful men. But the New York Court of Appeals, the state's highest court, threw out that conviction in April 2024. It said the trial judge erred by letting women testify that Weinstein had assaulted them, though their accusations were not the basis of the criminal charges.
Though the conviction was thrown out, Weinstein, who has had a litany of health problems in recent years and attended the retrial in a wheelchair, has remained behind bars because of his California conviction. He is appealing that verdict.
More than 100 women, including famous actresses, have accused Weinstein of misconduct.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Perth Now
5 hours ago
- Perth Now
Donald Sutherland wore gas mask to cast party
Donald Sutherland attended a Pride + Prejudice cast party in a gas mask. The late screen legend - who died a year ago aged 88 - had a clause in his contract that nobody be allowed to smoke cigarettes anywhere near him but he relaxed his rule to hang out with the rest of the stars on the 2005 period drama by taking his own precautions. Discussing her favourite memory from making the film, Keira Knightley told Vanity Fair: "There was the party that Donald Sutherland came to. "You weren't allowed to smoke. He had it in his contract that nobody on the set was allowed to smoke anywhere near, and you couldn't smell of smoke. "But of course everyone smoked back then. And everybody would be smoking, and then you'd be sort of spraying yourself. "But the party he came to, he came in a gas mask. And he was like, 'I want you to all be able to smoke. And I wanted to come to the party.' " Donald also amused the cast when he suddenly remembered a luxury car he'd forgotten he had owned for years and had it delivered to the set. Rosamund Pike said: "He was amazing. He also remembered halfway through shooting that he had a Rolls-Royce Silver Shadow that he'd bought while making Don't Look Now or something and completely forgotten about. [He] remembered it was garaged somewhere up near Manchester and had it delivered to set." The two actresses admitted very few co-stars have matched the entertainment they got from Donald. Keira said: "I have to say, most actors have been a disappointment since then." Rosamund agreed: "Donald was pretty legendary. We did have dinners with him sometimes, and he told us some pretty wild stories which cannot be shared." Keira was nominated for an Oscar for her work on Pride + Prejudice, which she found "confusing" because she felt she was viewed as a "terrible actress" because of her role in Pirates of the Caribbean. She reflected: "It was pretty big for my career. If people will come up to me, it'll be about that one. "Pirates of the Caribbean had already come out, but I think in the public consciousness, I was seen as a terrible actress. "But I had this phenomenally big success with Pirates. And I think this was the first one that was a phenomenally big success, but was also critically acclaimed. "So I remember it coming out maybe the same year, maybe around the same time as Pirates 2. And I got the worst reviews ever for that, and then also being nominated for an Oscar at the same time—it was, in my 21-year-old head, quite confusing."

News.com.au
10 hours ago
- News.com.au
Judge declares mistrial on one of three Harvey Weinstein rape charges
The mistrial ruling came one day after the jury convicted Weinstein on a separate sex abuse charge. It acquitted him on a second charge. Weinstein, once one of the most powerful people in Hollywood, faced a retrial that began on 23 April after a New York State appeals court overturned his 2020 conviction last year. He was accused by prosecutors of raping an aspiring and assaulting two other women. Weinstein pleaded not guilty and has denied assaulting anyone or having non-consensual sex.


The Advertiser
14 hours ago
- The Advertiser
Dakota Johnson just about convinces us that it's tough to make a match
Materialists M, 117 minutes 4 Stars The dreamy, introspective relationship drama, Past Lives, was so successful several years ago with an Oscar nomination that the challenge of creating a follow-up feature would have been a daunting task. Not for Canadian writer-director Celine Song, who has landed on her feet again with this sharp relationship drama set in the world of modern dating. Materialists is a three-cornered romantic drama with a smart, ambitious young matchmaker, Lucy (a sparkly Dakota Johnson), who works at Adore, a dating agency in New York that aims high. It promises to match singles with the love of their life, no less. She hasn't found hers yet and says she is celibate at the moment, but there is an ex (Chris Evans) who she still has feelings for, while someone very rich and tall, dark and handsome who has also just appeared in her life. Harry (Pedro Pascal) checks all the boxes - such a rare catch. Pascal (a lead in The Last of US TV series) has the unenviable role of playing the unicorn, the perfect man who scores the highest on the measures that count, namely physical attractiveness and financial worth. He's genial, with an old-fashioned matinee idol look, complete with Burt Reynolds moustache, that is vaguely amusing. While Lucy is waiting for the perfect match herself, we can see she's a skilled negotiator who has a way with words. We see her in action as she tries to convince a reluctant bride out of the bedroom where she has stalled, weeping. Flattery works a charm, and the wedding goes ahead. Brother of the groom Harry is at the event too, and introduces himself to Lucy at the singles table. He is smooth and confident, and works in finance. At precisely the moment they are making each other's acquaintance, Lucy's ex-boyfriend John (Evans) delivers her drink order. He is on the wait staff, serving guests at the function, and he is neither smooth nor wealthy. Yet, with effortless ease, Evans brings a sweet, natural presence as John. His character is an aspiring actor, taking waitering work on the side to get by, and his private life is a shambles with two guys who are serious slackers sharing his apartment. Despite the perils of having high-profile actors like Pascal and Evans (Captain America in the Avengers) in a romantic relationship drama like this, the dynamics are convincing, the light comedy effective. It's nicely balanced with the film's critique of the dating business and of assessing partners "by doing the math", played out in the sharp exchanges between characters, especially Harry and Lucy. They get right to the point. While the business of matchmaking is brought into sharp focus every now and then, the difficulties of finding partners in a hard, fast urban world of anomie are acknowledged too. What is the average punter to do? Why not trust a dating agency to find the love of your life? Moreover, there are difficult clients who lack self-awareness. A couple of montages make the point here. A gallery of random male clients at the Adore interview stating their preferences for dating much younger women, while a montage of female clients reveals how difficult it is to work with people in this intimate area. And then there are some clients who present a serious risk. While screenwriter Song has done some serious thinking about these things, her three lead actors contribute engaging performances to carry it off. With lively, mobile features and a natural, gamine presence that grounds her character, Johnson brings her familiar vibrant presence. It is easy to understand why matchmakers are sought in traditional societies where young adults have only restricted access to prospective partners. And today, it is fascinating to observe how the pace and anonymity of city life have seen matchmaking become a thriving business and online dating the name of the game. Materialists M, 117 minutes 4 Stars The dreamy, introspective relationship drama, Past Lives, was so successful several years ago with an Oscar nomination that the challenge of creating a follow-up feature would have been a daunting task. Not for Canadian writer-director Celine Song, who has landed on her feet again with this sharp relationship drama set in the world of modern dating. Materialists is a three-cornered romantic drama with a smart, ambitious young matchmaker, Lucy (a sparkly Dakota Johnson), who works at Adore, a dating agency in New York that aims high. It promises to match singles with the love of their life, no less. She hasn't found hers yet and says she is celibate at the moment, but there is an ex (Chris Evans) who she still has feelings for, while someone very rich and tall, dark and handsome who has also just appeared in her life. Harry (Pedro Pascal) checks all the boxes - such a rare catch. Pascal (a lead in The Last of US TV series) has the unenviable role of playing the unicorn, the perfect man who scores the highest on the measures that count, namely physical attractiveness and financial worth. He's genial, with an old-fashioned matinee idol look, complete with Burt Reynolds moustache, that is vaguely amusing. While Lucy is waiting for the perfect match herself, we can see she's a skilled negotiator who has a way with words. We see her in action as she tries to convince a reluctant bride out of the bedroom where she has stalled, weeping. Flattery works a charm, and the wedding goes ahead. Brother of the groom Harry is at the event too, and introduces himself to Lucy at the singles table. He is smooth and confident, and works in finance. At precisely the moment they are making each other's acquaintance, Lucy's ex-boyfriend John (Evans) delivers her drink order. He is on the wait staff, serving guests at the function, and he is neither smooth nor wealthy. Yet, with effortless ease, Evans brings a sweet, natural presence as John. His character is an aspiring actor, taking waitering work on the side to get by, and his private life is a shambles with two guys who are serious slackers sharing his apartment. Despite the perils of having high-profile actors like Pascal and Evans (Captain America in the Avengers) in a romantic relationship drama like this, the dynamics are convincing, the light comedy effective. It's nicely balanced with the film's critique of the dating business and of assessing partners "by doing the math", played out in the sharp exchanges between characters, especially Harry and Lucy. They get right to the point. While the business of matchmaking is brought into sharp focus every now and then, the difficulties of finding partners in a hard, fast urban world of anomie are acknowledged too. What is the average punter to do? Why not trust a dating agency to find the love of your life? Moreover, there are difficult clients who lack self-awareness. A couple of montages make the point here. A gallery of random male clients at the Adore interview stating their preferences for dating much younger women, while a montage of female clients reveals how difficult it is to work with people in this intimate area. And then there are some clients who present a serious risk. While screenwriter Song has done some serious thinking about these things, her three lead actors contribute engaging performances to carry it off. With lively, mobile features and a natural, gamine presence that grounds her character, Johnson brings her familiar vibrant presence. It is easy to understand why matchmakers are sought in traditional societies where young adults have only restricted access to prospective partners. And today, it is fascinating to observe how the pace and anonymity of city life have seen matchmaking become a thriving business and online dating the name of the game. Materialists M, 117 minutes 4 Stars The dreamy, introspective relationship drama, Past Lives, was so successful several years ago with an Oscar nomination that the challenge of creating a follow-up feature would have been a daunting task. Not for Canadian writer-director Celine Song, who has landed on her feet again with this sharp relationship drama set in the world of modern dating. Materialists is a three-cornered romantic drama with a smart, ambitious young matchmaker, Lucy (a sparkly Dakota Johnson), who works at Adore, a dating agency in New York that aims high. It promises to match singles with the love of their life, no less. She hasn't found hers yet and says she is celibate at the moment, but there is an ex (Chris Evans) who she still has feelings for, while someone very rich and tall, dark and handsome who has also just appeared in her life. Harry (Pedro Pascal) checks all the boxes - such a rare catch. Pascal (a lead in The Last of US TV series) has the unenviable role of playing the unicorn, the perfect man who scores the highest on the measures that count, namely physical attractiveness and financial worth. He's genial, with an old-fashioned matinee idol look, complete with Burt Reynolds moustache, that is vaguely amusing. While Lucy is waiting for the perfect match herself, we can see she's a skilled negotiator who has a way with words. We see her in action as she tries to convince a reluctant bride out of the bedroom where she has stalled, weeping. Flattery works a charm, and the wedding goes ahead. Brother of the groom Harry is at the event too, and introduces himself to Lucy at the singles table. He is smooth and confident, and works in finance. At precisely the moment they are making each other's acquaintance, Lucy's ex-boyfriend John (Evans) delivers her drink order. He is on the wait staff, serving guests at the function, and he is neither smooth nor wealthy. Yet, with effortless ease, Evans brings a sweet, natural presence as John. His character is an aspiring actor, taking waitering work on the side to get by, and his private life is a shambles with two guys who are serious slackers sharing his apartment. Despite the perils of having high-profile actors like Pascal and Evans (Captain America in the Avengers) in a romantic relationship drama like this, the dynamics are convincing, the light comedy effective. It's nicely balanced with the film's critique of the dating business and of assessing partners "by doing the math", played out in the sharp exchanges between characters, especially Harry and Lucy. They get right to the point. While the business of matchmaking is brought into sharp focus every now and then, the difficulties of finding partners in a hard, fast urban world of anomie are acknowledged too. What is the average punter to do? Why not trust a dating agency to find the love of your life? Moreover, there are difficult clients who lack self-awareness. A couple of montages make the point here. A gallery of random male clients at the Adore interview stating their preferences for dating much younger women, while a montage of female clients reveals how difficult it is to work with people in this intimate area. And then there are some clients who present a serious risk. While screenwriter Song has done some serious thinking about these things, her three lead actors contribute engaging performances to carry it off. With lively, mobile features and a natural, gamine presence that grounds her character, Johnson brings her familiar vibrant presence. It is easy to understand why matchmakers are sought in traditional societies where young adults have only restricted access to prospective partners. And today, it is fascinating to observe how the pace and anonymity of city life have seen matchmaking become a thriving business and online dating the name of the game. Materialists M, 117 minutes 4 Stars The dreamy, introspective relationship drama, Past Lives, was so successful several years ago with an Oscar nomination that the challenge of creating a follow-up feature would have been a daunting task. Not for Canadian writer-director Celine Song, who has landed on her feet again with this sharp relationship drama set in the world of modern dating. Materialists is a three-cornered romantic drama with a smart, ambitious young matchmaker, Lucy (a sparkly Dakota Johnson), who works at Adore, a dating agency in New York that aims high. It promises to match singles with the love of their life, no less. She hasn't found hers yet and says she is celibate at the moment, but there is an ex (Chris Evans) who she still has feelings for, while someone very rich and tall, dark and handsome who has also just appeared in her life. Harry (Pedro Pascal) checks all the boxes - such a rare catch. Pascal (a lead in The Last of US TV series) has the unenviable role of playing the unicorn, the perfect man who scores the highest on the measures that count, namely physical attractiveness and financial worth. He's genial, with an old-fashioned matinee idol look, complete with Burt Reynolds moustache, that is vaguely amusing. While Lucy is waiting for the perfect match herself, we can see she's a skilled negotiator who has a way with words. We see her in action as she tries to convince a reluctant bride out of the bedroom where she has stalled, weeping. Flattery works a charm, and the wedding goes ahead. Brother of the groom Harry is at the event too, and introduces himself to Lucy at the singles table. He is smooth and confident, and works in finance. At precisely the moment they are making each other's acquaintance, Lucy's ex-boyfriend John (Evans) delivers her drink order. He is on the wait staff, serving guests at the function, and he is neither smooth nor wealthy. Yet, with effortless ease, Evans brings a sweet, natural presence as John. His character is an aspiring actor, taking waitering work on the side to get by, and his private life is a shambles with two guys who are serious slackers sharing his apartment. Despite the perils of having high-profile actors like Pascal and Evans (Captain America in the Avengers) in a romantic relationship drama like this, the dynamics are convincing, the light comedy effective. It's nicely balanced with the film's critique of the dating business and of assessing partners "by doing the math", played out in the sharp exchanges between characters, especially Harry and Lucy. They get right to the point. While the business of matchmaking is brought into sharp focus every now and then, the difficulties of finding partners in a hard, fast urban world of anomie are acknowledged too. What is the average punter to do? Why not trust a dating agency to find the love of your life? Moreover, there are difficult clients who lack self-awareness. A couple of montages make the point here. A gallery of random male clients at the Adore interview stating their preferences for dating much younger women, while a montage of female clients reveals how difficult it is to work with people in this intimate area. And then there are some clients who present a serious risk. While screenwriter Song has done some serious thinking about these things, her three lead actors contribute engaging performances to carry it off. With lively, mobile features and a natural, gamine presence that grounds her character, Johnson brings her familiar vibrant presence. It is easy to understand why matchmakers are sought in traditional societies where young adults have only restricted access to prospective partners. And today, it is fascinating to observe how the pace and anonymity of city life have seen matchmaking become a thriving business and online dating the name of the game.