
Trefin to host series of events to mark VE Day anniversary
Trefin and nearby areas will hold a series of activities on Thursday, May 8, ending with the lighting of a beacon.
These events will mirror those happening across the UK, marking the end of World War II in Europe on May 8.
The day's programme will kick off in the village centre at 9am with the reading of the VE 80 Day proclamation, "Together We Stand."
This will be followed by the raising of the unique VE 80 Day flag, in remembrance of the sacrifices made by millions during World War II.
At noon, in Trefin Square, piper Lance Corporal Spencer from Cawdor Barracks will play a specially composed tune for the occasion, entitled "Celebratum."
At 6.30pm, Llanrhian Church bell will ring in unison with other participating cathedrals and churches across Wales and the UK.
In Trefin Square, the Lamp Light of Peace will be blessed, and hand bells will be rung by adults and children, dressed for the occasion.
Prizes will be awarded for the best costumes.
The Ship Inn, Trefin, will host the early evening celebrations.
A fish and chip supper will be available, but must be booked and paid for in advance.
There will also be displays of various wartime memorabilia.
The celebrations will continue at around 8pm in the field known as Penlac, overlooking the coast.
The official Women's Institute VE 80 Day Orange and Ginger cake will be on offer, and music from the era will be played.
Cor y Felin, the local community choir, will lead the singing of several well-known wartime songs.
Representatives from each decade since the end of the war will read the VE 80 Day Global Tribute, alongside others around the world.
A minute's silence will be held in honour of those who did not return home, followed by a bugler playing the Last Post and Reveille, and the piper playing Flowers of the Forest.
At 9.30pm, the community will join nearly 1,000 choirs across the UK in singing the hymn I Vow to Thee My Country.
The Coastal Beacon, part of the official chain of beacons around the UK and the world, will be lit at 9.30pm.
The Lamplight of Peace will also be lit at the same time.
The Ship Inn will be open for those wishing to continue the celebrations.
Everyone is welcome to join in across the day, and the organisers encourage attendees to dress in wartime-style clothing.
The Gwelliant Trefin Improvement Group has organised the events.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Review Geek
2 days ago
- The Review Geek
Predator: Killer of Killers (2025) Ending Explained – The post-credits scene changes what we know about Prey
Predator: Killer of Killers Plot Summary Killer of Killers is the newest addition to the Predator franchise. It's an animated anthology set in different times, such as the Viking era, feudal Japan, and the US during World War II. Each period has its specific Yautja targeting humans in their quest to prove they're the strongest hunters in the universe. The three main characters trying to survive are Ursa (a Viking), Kenji (a ronin), and Torres (a pilot). As in all Predator movies, these people are living their lives when, suddenly, the alien arrives, wreaking havoc. When she was a child, Ursa was forced to kill her dying father or choose to die in his place. Her dad forced her to kill him and avenge him when she was older. Now, that's her mission. But the creature reveals his presence right after she accomplishes her desire. Kenji's father was a fierce feudal lord, and the man demanded that Kenji and his brother fight each other to prove themselves. The kid ran away and prepared to get revenge when he was older. As an adult, he strikes at his brother's domain with all the contempt he has been carrying throughout his life. Unlike the others, Torres had a more peaceful life. However, he never went after his dreams. So, after being drafted, he arrived at the place where he could become the pilot he always wanted to be. The only problem is that his enemy wasn't only other soldiers but a Yautja spaceship. Do Ursa, Torres, and Kenji die? After their terrible battles against the Predators in their time, each of the humans managed to come out on top. The monster killed Ursa's entire clan in front of her, even her son, but she survived. In their heated battle, she tricks the alien, breaking the icy floor below him and submerging the creature. He tries to drag and drown her with him, but she uses his weapons to kill him. The Yautja interrupts Kenji's fight with his brother and destroys everyone in his path while trying to kill the ronin. Kenji almost doesn't survive, but he meets his sibling again, and they work together to defeat the threat. Although they accomplish that, Kenji is the only one who makes it out alive. Torres analyzes a strange object that pierced through one of the army's planes and finds out they have a new and strange opponent. However, he could never have imagined how superior and out of this world that enemy would be. With his spaceship, the Predator obliterates everyone in his way, leaving only Torres alive. The boy concocts a crazy but inventive plan and destroys the monster's vehicle. However, that isn't the end of any of these stories. Later, we find out the aliens have kidnapped Torres and the other survivors and taken them to the Yautja planet. What happens on the Yautja planet? Torres wakes up in a weird spaceship wearing a collar and surrounded by aliens. Even though he finds two more humans like him there, Ursa and Kenji, they can't understand each other's languages. So, they arrive on the planet not knowing anything. Then, what seemingly is the Yautja emperor, tells them they have to kill each other, and the winner will fight him. Kenji learned from his previous fight that they must work together if they want to survive, but the Viking has a different opinion. She charges him and the boy, who's also reluctant to fight, and almost kills Torres. While Ursa and Kenji fight, Torres is eaten alive by a massive monster. However, the movie quickly shows he's alive and trying to fight the creature from the inside. All of them work together to defeat the alien, but the kid is still inside it, so he's mistakenly taken out of the arena. Ursa keeps trying to kill Kenji, but he lets go of his sword, refusing to fight. That paralyzes her, leaving the woman confused about what she should do. That sets them as failures in the emperor's eyes, so he decides to activate the collars, which will explode their heads. Thankfully, Torres gets back there, revealing he deactivated the bombs. Now that they're free, they go after the emperor Yautja and its spaceship. While Ursa and Kenji distract the monster, Torres finds a way to use the vehicle and starts the engine. Although they get inside it, they still aren't in the clear. More Predators arrive and use a mechanism to chain the spaceship, preventing it from flying away. That's when Ursa decides to sacrifice herself to save them. She jumps off after leaving her final words, 'Don't avenge me,' and destroys the mechanism. The creatures easily kill her, but her new partners manage to survive and fly off into the distance. Who is inside the cryo pods? Right after that, we get a glimpse of somewhere on the Yautja planet. There are many cryo pods with mysterious creatures that the aliens have probably hunted down. Even though it's impossible to see what's inside most of them, we zoom in on one with a familiar face. Naru, the protagonist from Prey, is frozen inside one of the pods. This implies that, like with Torres and the others, the Predators have gone after her again and taken her to their planet. There's still a lot to find out, but this might mean a sequel to the movie. Or the girl might even appear in Badlands, the franchise's next instalment, giving us more insight into her situation. Read More: Predator Killer of Killers Movie Review


The Review Geek
2 days ago
- The Review Geek
Predator: Killer of Killers (2025) Movie Review – Dan Trachtenberg keeps on giving us the best Predator movies
Dan Trachtenberg keeps on giving us the best Predator movies Dan Trachtenberg is at it again! The director of Prey gives us the latest incredible addition to the franchise, Predator: Killer of Killers. The movie almost behaves like an anthology, portraying Predators hunting their targets in three different scenarios: the Viking era, feudal Japan, and World War II USA. By the end, the human survivors are gathered on the Yautja planet for a last fight à la Predators (2010). Even though the three segments are very different, all of them are equally great. The first one follows Ursa, her son, Anders, and their clan as they embark on a journey of revenge. Their objective is to kill Zoran, the man who made her kill her father when she was a kid. Little do they know, someone (or should I say, something) is hunting them, as well. The Yautja is built like a tank, fitting the massive Viking bodies and weapons. The second segment — the best of them all — follows two Japanese brothers who love each other deeply but are put against each other by their father. A conflict between them changes the direction of their lives; one becomes the feudal lord, while the other, Kenji, turns into a ronin. They only meet again years later during a fatal confrontation, which a Yautja interrupts. This time, the creature is way leaner and stealthier, almost acting as a ronin, too. The last story is the most different. Torres has always wanted to be a pilot, and even in the middle of the war, he can't seem to achieve his dream. However, what grants him the opportunity to prove himself is a Predator attacking the US army. Unlike anything we've seen, the monster doesn't charge the soldiers, dismantling their bodies with his weapons. The alien only attacks them with his ship, creating a different kind of battle. Even after almost an hour, the movie still manages to feel fresh and use new ideas. One of Prey's greatest strengths came from its Predator design and how it fits the scenery of the movie. Trachtenberg obviously learned from that experience because he does the same here three times. It's not only their bodies that fit the space they're in, but also their movements. The first relies more on big blows, and his weapons are less futuristic than the others. The second rarely stops using his invisibility, counting on his stealthiness to kill enemies. The Yautja using the ship doesn't wear armour like the others or feel as menacing, implying that he mainly fights with the vehicle. Still, they have one thing in common: no one would like to face off against them, even with the heaviest artillery. The animation team also deserves high praise, as the film is beautiful. Each fight is fluid, frenetic, and exciting as it must be. That – and all the gore of course – make the kills even more satisfying to watch, gluing us to the screen. Even if it wasn't their intention, Killer of Killers proves the Predator franchise could benefit from a series like Love, Death & Robots. And as important as the Yautja are, the humans who survive the deadliest hunters of them all are equally as endearing. Each character shares a theme in their stories – stemming from their desires. Ursa journeys to avenge her father; Kenji fights his brother while carrying a similar anger, albeit not wanting his death, only to finish the first they had. Torres has the most optimistic tale of the bunch, wishing to prove his worth and achieve his dreams. Still, the desire fueling their bodies and lives is also what puts them on the Yautja's path. But surviving isn't the conclusion to their stories. The fight against the aliens and their new conflict brings changes to the characters. It's exciting to see how they evolve throughout the whole movie, sometimes in ways you didn't expect. Ursa easily becomes the best and most developed character in the end. Her final fight is a bittersweet thrill that pays homage to her son. Predator: Killer of Killers cements Dan Trachtenberg as the best director in the franchise. He knows his strengths and plays them well, always creating great designs, characters, and conflicts. And he's not done yet; with Badlands releasing in November, he's all set to bring us another all-time favourite this year. Even if it's still far off, there's a chance Dan directs the three best movies in the series. It's the year of Predator, and we're here for it.


New Statesman
5 days ago
- New Statesman
Mark Hoppus Q&A: 'Enjoy every second and rage against the dying of the light'
Illustration by Kristian Hammerstad Mark Hoppus was born in 1972 in Ridgecrest, California. He is the bassist for the punk-pop band Blink-182, which he co-founded in 1992. He is the only band member to appear on all of the group's nine studio albums. What's your earliest memory? I was in my parents' closet looking for something and ended up playing with an empty spool of thread – this is how boring it was in the desert in early 1970s in California. Who are your heroes? Growing up, it was my mom's dad, Alan. He was a soldier in World War II. He fought through the war and liberated concentration camps. When he got back to the States he became a teacher. After going through probably the most brutal experience a human can go through, he came back and decided that he wanted to help educate kids and become a kind person. My hero as an adult is my wife. What book last changed your thinking? I read East of Eden for the first time maybe two years ago and I was blown away by it. I'd always know that John Steinbeck was a great writer but that story specifically affected me a lot. What would be your 'Mastermind' specialist subject? I know a lot about the City of London, its history and its inhabitants. I have always been fascinated by London. When we would tour over here my wife and I would come over a week early and we'd stay a week later. We loved it so much that we moved to London for three years; our son went to school here. I love walking through the city and learning about English history. In which time and place, other than your own, would you like to live? I'd like to go back to the early 1990s before the internet – with Sonic Youth, Nirvana and great bands like that. I miss the thingness of things, the joy of finding an object that you didn't know was there before. It's different than finding something new on the internet that you just download. What's the best piece of advice you've ever received? Right before I got married my mum gave me some advice. She said that marriage is very rarely even 50/50 – it's more of a shifting 60/40, and sometimes even 70/30. That's really given me a lot of perspective, Knowing that it's not always equal: sometimes you lean on the other person and sometimes they lean on you. Subscribe to The New Statesman today from only £8.99 per month Subscribe What's currently bugging you? European showers are the worst experience in the world. The fact that you don't have shower doors is ridiculous to me. I've showered from the dirtiest punk-rock clubs to the nicest hotels, and no matter where I take a shower there's always a soaking wet bathroom floor with a wet towel in it. What single thing would make your life better? I'm blessed beyond blessed. There is nothing in the world that could make my life better other than time with my band and time with my family. When were you happiest? I'm happiest creating a song with Tom and Travis. The moment of creation in the studio, where somebody has an idea and somebody else says, 'What about this?' and it improves the song. In another life, what job might you have chosen? I would have been an English professor. Educating others would be a joy for me and it would be a tribute to my grandfather. Are we all doomed? Absolutely. Every single one of us is doomed, so do the best you can while you're here, enjoy every second and rage against the dying of the light. Mark Hoppus's 'Fahrenheit-182' is published by Sphere [See also: Inside No 10's new dysfunction] Related This article appears in the 04 Jun 2025 issue of the New Statesman, The Housing Trap