
Rosé's Latest Single Launches As Low As Possible
Rosé recently released a new single, and while that's usually cause for celebration and a huge debut on charts globally, the cut hasn't been promoted (at least not heavily) as her next focus track. The Blackpink superstar still appears to be concentrating on 'Apt.,' her Bruno Mars collaboration, which brought her to the highest reaches on rankings around the world in late 2024 and continues to dominate to this day.
The singer doubles up on several important rankings in the United Kingdom this week as her latest offering arrives. But on one tally, it brings the singer to a new career low.
"Messy" just barely manages to reach the Official Singles chart, the list of the most consumed songs throughout the U.K., which blends both sales and streaming activity. The tune, which was written and recorded for the soundtrack of the upcoming film F1, opens at No. 100, landing in absolute last place.
"Messy" easily stands out as Rosé's lowest-charting tune on the Official Singles chart. That makes sense, since a track can't appear any lower and still find space on the roster. That distinction previously belonged to "Number One Girl," one of the singles taken from her solo album Rosie. That cut peaked at No. 84, where it debuted in late 2024.
"Messy" performs much better when looking at pure purchases. The track launches inside the top 40 on both the Official Singles Downloads and Official Singles Sales charts, entering at Nos. 28 and 29, respectively.
Rosé earns her fifth win on the Official Singles chart, but only narrowly, as "Messy" arrives. She has now collected one more smash – an even half-dozen – on both of the sales tallies.
On all three rankings where "Messy" debuts, 'Apt.' outperforms it. The track is still present at No. 26 on the Official Singles chart and appears at No. 13 on both the Official Singles Sales and Official Singles Downloads lists. Amazingly, even after 30 frames on all of those rosters, it continues to perform better than Rosé's newer tune. That's likely due not just to continued promotion, but also a general love from the public for the collaboration.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CNN
16 minutes ago
- CNN
Hollywood Minute: Rick Astley's billion streams
Rick Astley hit gets one billion Spotify streams, 'Downton Abbey: The Grand Finale' first look, and no more 'Luke' for Mark Hamill? Douglas Hyde reports.


Geek Tyrant
an hour ago
- Geek Tyrant
New JAMES BOND Game From IO Interactive Officially Titled 007 FIRST LIGHT — GeekTyrant
IO Interactive has revealed the official title for its highly anticipated standalone original James Bond video game, 007 First Light . The announcement was accompanied by a teaser image, with the official reveal of the game set to take place this week. The game will feature "a wholly original Bond story," which is said to put players "into the shoes of the world's favorite Secret Agent to earn their 00 status in the very first James Bond origin story." IO Interactive CEO and co-owner Hakan Abrak previously discussed the game and he revealed that they won't be using the likeness of any actor who has portrayed 007 in the past. He goes on to confirm that the creative team will also be creating a completely new story for their original version of Bond. He explained: "It's important to mention: doing a licensed game is new to us. We've only done our own, original IPs (intellectual property), right? We've created these characters... ourselves, from scratch. 'So, I think for us to really embrace this fully, and really, as I said before, we don't like to work 'mechanical.' It's not just because it's a big IP, or it's a licensed game, and commercially this is interesting... It means nothing to us. We've taken a lot of non-commercial risks before. 'So, for us, it's about... we need to feel it, deep inside. The passion needs to be there, so it was very important for us that it wasn't a movie adaptation. So, it wasn't a game about... a specific movie, where the story has already been told." "It's very important that we could create a digital Bond. A Bond for the gaming industry... So it's a completely original story. This felt really, really important for us and we conveyed that to [James Bond owner] EON and they agreed that the result would probably be better doing it like that. "There's always excitement around a new Bond. It's amazing, what they have done with the franchise over the years. Every Bond kind of defines a generation and it's amazing how they kept reinventing themselves over so many years. So, we're not only inspired by one movie, or games and whatnot. 'We're inspired by the whole thing, and just sucking things into us to make an original Bond, an original story, but that is absolutely true and recognizable in the values there is in Bond. I'm really looking forward to creating a new community that the gamers can call their own." I'm looking forward to seeing what this game will entail, and we'll learn more soon!

Wall Street Journal
2 hours ago
- Wall Street Journal
‘More' by Pulp Review: Satire and Sincerity
In the 1990s, the U.K. was in thrall to Britpop, the retro-leaning movement that was a more melodic answer to the grunge that had taken hold in the U.S. Among the biggest bands of the scene, Oasis had anthems, Blur had taste and Pulp had style. That last, Sheffield-based band, led by singer Jarvis Cocker, was initially an outlier because its first two albums came out in the '80s and weren't representative of what came later. But by 1994's 'His 'n' Hers,' Pulp had mastered its own brand of multifaceted guitar pop, which mixed glam rock, disco and punk. Mr. Cocker, whose persona was a magnetic fusion of Bryan Ferry's louche sexiness and Elvis Costello's wit, became one of rock's great frontmen. And then, after Pulp's 2001 album 'We Love Life,' produced by avant-pop legend Scott Walker, the group went its separate ways. The band's membership had always been fluid, though drummer Nick Banks and keyboardist Candida Doyle were there from nearly the beginning, and it was fair to assume after it split that Mr. Cocker would pick up where the band left off. But he had tired of Pulp's celebrity and pursued low-key solo projects. In what has become an increasingly common progression for once-disbanded groups, a series of reunion tours led to studio sessions and now, after 24 years, we have a new Pulp record. The stunningly strong 'More' (Rough Trade), out Friday, is a celebration of everything that made it great in the first place. The opening 'Spike Island' is both heavy and slinky, marrying a quasi-disco beat to a palpitating bassline that's at once sensual and menacing. Mr. Cocker, a bundle of jittery energy, spits out his lines as if he's walking briskly on the street next to you and trying to finish his story before heading down into the tube. He's an exceptionally good lyricist with an uncanny ability to mix satire and sincerity, and here he jokes about the absurdity of making a life in music while nodding to his band's history and extended absence: 'Not a shaman or a showman / Ashamed I was selling the rights / I took a breather / And decided not to ruin my life.' During his mellower solo years, Mr. Cocker has acquired some wisdom but has lost none of his mischievousness. Much of 'More' is about looking for love and breaking up, though nothing is ever simple. On the second track, 'Tina,' his narrator thinks he's found the perfect relationship, but he's never met his obsession and she doesn't know he exists: An outside observer would call him a deranged stalker. Mr. Cocker has an eye for telling images—here he imagines making love in a charity shop's storage room, 'The smell of digestive biscuits in the air.'