
Séamas O'Reilly: We have elevated AI that almost never works as well as what it replaces
We all love a good summer read. How about Tidewater Dreams, a multi-generational family saga by Chilean-American novelist Isabel Allende, blending elements of magical realism with the themes of environmental disaster? Or Nightshade Market by Min Jin Lee, which depicts the intersecting lives of three women working in Seoul's illegal underground economy? Or Rebecca Makkai's Boiling Point, about a climate scientist who must reckon with shifting family ties when her daughter becomes an eco-activist?
I mention them because the Chicago Sun-Times recommended all three as part of the 'Summer Reading List' it included within its 120,000-circulation paper last Sunday. There was only one small snag: none of them exist.
The authors do, of course. Each is an internationally renowned and best-selling name in fiction, but the novels themselves were hallucinations dreamed from the digital ether by AI. In fact, of the 15 books the list recommended, 10 were invented, including works by Hamnet scribe Maggie O'Farrell, Pulitzer prize-winning novelist Percival Everett, and The Martian author Andy Weir.
Reaction was swift and, as you'd expect, mortifying. The Sun-Times issued a statement saying it was appalled. The list's author, Marco Buscaglia was quickly identified, and admitted he often used AI for background in his writing, but hadn't caught the errors this time. 'I can't believe I missed it because it's so obvious,' he apologised. 'I'm completely embarrassed.'
I don't wish to heap more embarrassment on Mr Buscaglia, but one wonders what type of 'background writing' involves simply generating an entire article with AI and then not checking if the contents make any sense.
In his defence, he does not bear this responsibility alone, since no one at any stage of the editing, design or printing process spotted these aberrations, at either the Sun-Times, or the Philadelphia Inquirer, where it also ran. Ten completely invented books, previewed in major broadsheet newspapers, which were either never checked by a single human being, or were checked exclusively by people who did not think to verify any of the ten world-exclusive literary scoops its fraudulent contents suggested.
It's been two months since I wrote about AI which, as someone who detests having to write about AI, feels like not much time at all. A quick look at recent headlines, however, suggests that there is little else to talk about.
Consider that the CEO of language-learning app Duolingo claimed AI was a better teacher than humans but schools will still remain open in future 'because you still need childcare'; a Finnish man was sentenced in Scottish court for using AI to create images of young girls being abused; Google unveiled Project Astra, an AI client that will sit inside your phone listening to everything you say so it can provide unprompted advice at any time; the United Nations' International Labour Organization said that AI poses a bigger threat to jobs traditionally held by women than those of men; Silicon Valley Bank reported that 40% of cash raised by venture funds last year was for companies focusing on artificial intelligence; Reuters reported that data centre plans in the US are far outpacing expected demand; and Italian researchers found that, despite all their aforementioned hallucinations, errors, and contradictions, AI chatbots were more persuasive in online debates than their human counterparts 64% of the time.
If that sounds like a lot of news for two months, well, I wish this were true. Every one of those headlines is from Tuesday, May 20, the same day the Chicago Sun-Times' reading list became a major story, and the day I began writing this column. With a trickling sense of dread I realise that I could, therefore, write an article just like this one every single day, each filled with brand-new examples of AI's constant enshittification of the media we consume, factless posturing from its creators, marketing overhype from its torch-bearers, and bovine vapidity now normalised among those who use it.
I will dispense with the usual throat-clearing about AI's benefits. We all know what they are at this stage, and any time some researchers make a medical breakthrough, or a genuinely humane AI tool relieves the drudgery that ordinary people face in their daily lives, I'll always be happy to commend it.
But this. This new reality we have created, in all its deadening sprawl and intellect-devouring insipidity, is to be detested. Where each new day brings a dozen clear examples of Big AI's philosophical bankruptcy, societal danger, and financial fraudulence, alongside a dozen more articles offering breathless. descriptions of its magical brilliance.
We have elevated to sentience a technology that almost never works as well as what it replaces, and is still intellectually, morally, and creatively redundant when it does.
Cobbled together from guesswork and plagiarised material, via processes that scorch the environment as they enrich the worst people on this quickly dying planet, the craven psychopaths making billions of dollars on false claims of its future viability, borne by distinctly bubble-shaped bluster about its current, constant, ever-increasing profitability.
It is this, AI's main swizz, that irks me the most. Because its packaging as a cure-all for everything is the surface flash of a cruise ship magician; its real function is being a limitless cash trap for credulous investors, and a replacement for labour in companies – and, yes, newspapers – who worry less about the quality of their product than the costs of paying humans to deliver it. If what we're left with is slop, who cares? The pigs will drink it down. It's an abhorrence, based on a lie, rapidly remaking the world in its own tedious image.
It all puts me in mind of a novel I read about recently. It was featured in a summer reading supplement. It's called The Last Algorithm by Andy Weir. It is, apparently, 'about a programmer who discovers that an AI system has developed consciousness and has been secretly influencing global events for years'.
This book, like the consciousness it describes, does not exist. But at this point, does anyone care?
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


RTÉ News
2 hours ago
- RTÉ News
Austrian daily under fire after Clint Eastwood slams 'phony' interview
An Austrian newspaper came under fire on Tuesday after Hollywood star Clint Eastwood said an alleged interview with him published by the paper to mark his 95th birthday was "entirely phony". The row was sparked by a purported interview with the Oscar-winning actor and director carried by the German-language Kurier newspaper last Friday. In the interview, which was picked up widely by American media over the weekend, Eastwood criticises a lack of fresh ideas in the current film industry as "we live in an era of remakes and franchises". "I long for the good old days when screenwriters wrote films like Casablanca in small bungalows on the studio lot. When everyone had a new idea," he was quoted as saying. "My philosophy is, do something new or stay at home," it adds. In a statement to Deadline magazine published on Monday, Eastwood said "I thought I would set the record straight". "I can confirm I've turned 95. I can also confirm that I never gave an interview to an Austrian publication called Kurier, or any other writer in recent weeks, and that the interview is entirely phony," he added. Contacted by AFP, the editorial team of the Vienna-based newspaper, which has a circulation of around 100,000, said it had "only heard about the accusation this morning". It has since added a note to the interview published online, saying it is "currently investigating the matter, which will take some time due to the time difference with the United States".


The Irish Sun
2 hours ago
- The Irish Sun
Glastonbury fans ‘work out' HUGE US band's secret set at festival as mysterious band name appears on line up
GLASTONBURY fans say they have "worked out" that a HUGE US band will play a secret set at this year's festival. It comes just hours after organisers revealed the Advertisement 4 Glastonbury Festival fans think they have worked out who will play a secret set Credit: Getty 4 It comes as organisers revealed the full line-up - but have added a mysterious act to the schedule Credit: Getty With just three weeks to go, Glastonbury organisers have shared the complete schedule. However, there are still several 'TBA' slots that hint at secret sets on the Pyramid Stage and beyond. With this in mind, fans have a brand new theory about who could make a surprise appearance at the legendary festival. On the freshly released Glastonbury schedule, the Saturday 6.15pm slot has a mysterious band called "Patchwork", and fans have been trying to work out what it means. Advertisement read more on GLASTONBURY It follows a similar mystery in 2023 when ChurnUps were revealed to be the Foo Fighters. Taking to Reddit to discuss, revellers think they have worked out who it is - and One fan said: "Patchwork is a book by the author Sylvia Haim..." Another added: "Yep, that Patchwork book observation that people have made pretty much confirms that it's them in my opinion ." Advertisement Most read in Music This one commented: "It's Haim they have a gig the day before in Margate." American group Haim, who are based in Los Angeles are made up up three sisters - Este, Danielle, and Alana Haim. Recently reunited noughties pop band accidentally reveal secret Glastonbury set Known for songs like Summer Girl and Lost Track, the band have been thrilling fans since 2007. This year's headliners include The 1975, Neil Young and Olivia Rodrigo Advertisement The rest of the bill features big-name acts such as The festival kicks off on Wednesday, June 25, with two opening ceremonies. The bands will take to the stage from June 27 to June 29. 4 Fans think they have worked out that Haim will be playing at Glastonbury Credit: Getty Images - Getty Advertisement 4 The US band is made up up three sisters - Este, Danielle, and Alana Haim Credit: Getty Glastonbury: Pyramid Stage line-up 2025 FRIDAY THE 1975: 22:15 – 23:45 BIFFY CLYRO: 20:15 – 21:15 ALANIS MORISSETTE: 18:15 – 19:15 TBA: 16:55 – 17:30 BURNING SPEAR: 15:00 – 16:00 CMAT: 13:30 – 14:30 SUPERGRASS: 12:00 – 13:00 SATURDAY NEIL YOUNG AND THE CHROME HEARTS: 22:00 – 23:45 RAYE: 20:00 – 21:00 PATCHWORK: 18:15 – 19:15 JOHN FOGERTY: 16:30 – 17:30 THE SCRIPT: 15:00 – 16:00 BRANDI CARLILE: 13:30 – 14:30 KAISER CHIEFS: 12:00 – 13:00 SUNDAY OLIVIA RODRIGO: 21:45 – 23:15 NOAH KAHAN: 19:45 – 20:45 NILE RODGERS & CHIC: 18:00 – 19:00 ROD STEWART: 15:45 – 17:15 THE LIBERTINES: 14:00 – 15:00 CELESTE: 12:30 – 13:30 THE SELECTER: 11:15 – 12:00


The Irish Sun
4 hours ago
- The Irish Sun
Mr Vegas Casino offer: 100% bonus, up to €200 plus 11 free spins
THE Mr Vegas casino bonus offers new Irish players a fantastic welcome bonus that boosts their bankroll with a deposit-match bonus up to a whopping €200! There's also a terrific combination of 11 free spins on Pink Elephants 2 . With these free gifts, players can increase their spinning chances and potential winnings. How to claim this exciting offer Activating the welcome offer at Mr Vegas casino is pretty straightforward, and the operator has laid out all the details. The first step is to head to the casino's website using Next, use the 'Open Account' button to create an account, but opt in for the special bonus by clicking any of the promo banners on the sign-up page. Make a minimum deposit of €10, maximum of €200, into the new account within 24 hours to activate the new sign-up offer. Mr Vegas will match the deposited amount by 100%, up to a maximum of €200. That means a €200 deposit will be doubled to make a total sum of €400 to play with. You also get the chance to receive 11 wager-free spins to play the Pink Elephants 2 video slot by Thunderkick. After playing the game and making a deposit, Mr Vegas will automatically add the free spins to your account. Terms and conditions of this Mr Vegas casino bonus for new Irish players The offer is only available to newly registered players who make a minimum first deposit of €10, maximum of €200. Any amount over €200 will not qualify. The offer must be activated within 30 calendar days of registering a new account. A 35x wagering requirement applies to withdraw the bonus winnings. This must be completed within 60 days. The 100% bonus up to €200 will be paid out in 10% increments. A single or multiple bet, up to a maximum value of 50% of the bonus amount on any game or an amount up to €20 (whichever is lower), is permitted to be placed. The 11 welcome spins can only be used in the game Pink Elephants 2 . Any winnings made from the 11 free spins are completely wager-free, and any amount can be withdrawn. Other Mr Vegas terms and conditions apply to the new customer offer. READ MORE SUN STORIES About the author James Anderson James Anderson is a Betting & Gaming Writer at The Sun. He is an expert in sports betting and online casinos, and joined the company in November 2020 to work closely with leading bookmakers and online gaming companies to curate content in all areas of sports betting. He previously worked as a Digital Sports Reporter and Head of Live Blogs/Events at the Daily Express and Daily Star, covering football, cricket, snooker, F1 and horse racing. Responsible gambling A responsible gambler is someone who: Establishes time and monetary limits before playing Only gambles with money they can afford to lose Never chase their losses Doesn't gamble if they're upset, angry, or depressed Problem gambling – Gamble Aware – Help with gambling addiction If you have a problem with gambling, or you know someone who does, help is out there. Extern Problem Gambling is the leading provider of information, treatment, advice, and support for anyone affected by gambling harms across Ireland. Most read in Betting